SKU: PR.154400180
UPC: 680160642465. 9 x 12 inches.
Andrea Gabrieli was a major force in moving the classical music world toward the more modern Venetian school of the Renaissance. Called by Alfred Einstein One of the greatest and most influential masters of the Renaissance period, Gabrieli fully developed the use of choirs of voices and instruments, often in opposition to each other. David has selected three examples from a posthumous 1589 collection, advising that the four-part pieces were originally scored for viols but are here arranged for modern instruments. And while the arrangement will accommodate a number of players per part, single players would be more historically correct. As important as Andrea was to the Venetian School, his fame would be eclipsed by his nephew and student, Giovanni Gabrieli.
SKU: PR.15440018S
UPC: 680160642489. 9 x 12 inches.
SKU: HL.48186100
UPC: 888680829162. 9.5x12.5x0.053 inches.
Giovanni Gabrieli: Ego sum qui sum (Choral).
SKU: HL.48185043
UPC: 888680880729. 8.0x11.0x0.148 inches.
“Transcribed by popular brass arranger, Robert King, this edition of Giovanni Gabrieli's Canzon septimi toni No. 1 provides an exciting performance piece for a large Brass Ensemble. Being one of the most influential musicians during the shift from the Renaissance to the Baroque era, it is no secret that the composer leaned himself primarily to vocal and sacred works. However, his Canzon septimi toni No. 1 represents an important turn, not only in the composer's career, but in musical history. Composed in 1597, this piece paved the way to what would soon become the new Baroque concerto style, which remains popular to this day. King's arrangement of this historical work is indispensable for Brass Ensembles. â€.