Sinfonia from the oratorio 'Solomon'-Handel's popular and much played piece Arrival Of The Queen Of Sheba arranged by Jerry Lanning for two Oboes and Piano.

Par SCHWEITZER BENJAMIN. The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this technique on the rather unusual instrumentation of two double-reed woodwinds and piano. On the one hand, a clear, well articulated playing is characteristic for these instruments, on the other hand, they have an often underestimated potential of „twilight“: air-sounds and fragile, shady colours have a especially attractive when being produced by double-reed instruments (which are often, and superficially regarded as being less capable of differentiated sounds than flute or clarinet). The piano, too, has a broad bandwidth of possibilities between percussive and delicate playing to complement the woodwinds which, in return, can absorb and continue the fading piano sounds. The beginning introduces the two contrasting elements that form the basic material for the piece: a clear, sharp chord, followed by fragile, dim sounds. The changes between these elements as well as their combination and amalgamation produce an enormous spectrum of colours and gesture. After this „motto-like“ opening follow four quite clearly separated short sections, each of them being characterised by a well-defined texture: a partly almost imperceptible air-sound passage, a short sequence of microintervallic notes, a burst of virtuosity and a recourse to the fragile sounds of the beginning. The second, longer main part consists of three sections merging subtly into each other: a short unisono-passage, marked elastic [federnd], is being dissolved into its basic elements; from these remainders, a confrontation of low, ‚arcane‘ bassoon and piano sounds and a strongly ornamented melodic line of the oboe emerges, leading to a short but powerful climax. The piece is concluded by an extended, relaxed epilogue, containing a short piano solo and a duet of oboe and bassoon and, finally, a quotation of the „elastic“ character of the middle section. Benjamin Schweitzer / Date parution : 2007-11-20/ Répertoire / Hautbois, Basson et Piano

9 Points pour cette école de hautbois: - convenant à tous les âges d'environ 10 ans - assouplis par les illustrations et les étapes gérables photos - nombreuses mélodies bien connus et chansons-- progressivement mise en place de la lumière Mittell / Hautbois (Avec Partie De Piano) Ou 2 A 3 Hautbois

Walking down a darkened street it’s hard to resist looking in through lighted windows and catching a glimpse of other people’s lives. The imagination lingers…Night Windows is the title of a painting by Edward Hopper of a scene in one such lighted window. However the scenes in this work though reflecting something of the loneliness in so many of the Hopper paintings are all imaginary: highly charged emotional moments.Loneliness: Anger: Nostalgia: Despair: FrenzyThis work was commissioned by the International Double Reed Society and it is dedicated to Nicholas Daniel.

In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bach prepared in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument although opinions differ on the original key and instrument. Bach had alreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169) at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225) two-keyboard reduction (BA5225-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale

Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition Song of Abaï de Bestybaev. Idéale pour les musiciens pratiquant Hautbois et ayant un niveau proche de Cycle 2, cette pièce se classe dans la catégorie Classique sous la référence BEST02948. / Hautbois / niveau : Cycle 2 / Partition