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| Musical Challenges Violin and Piano De Haske Publications
Violin and Piano SKU: BT.DHP-1115211-400 Composed by Jaap van Elst and Wi...(+)
Violin and Piano SKU: BT.DHP-1115211-400 Composed by Jaap van Elst and Wim Meuris. Speel viool! Book with CD. Composed 2011. 56 pages. De Haske Publications #DHP 1115211-400. Published by De Haske Publications (BT.DHP-1115211-400). 9x12 inches. French-Spanish-Italian. Musical Challenges works alongside the third volume of the violin method Play the Violin!, but it can also be used by intermediate students along with any other method. The pieces are in jazz, pop, world music and classical styles and contain musical as well as technical challenges with some being accompanied by a relevant technical exercise. Many of the pieces have chord symbols or piano accompaniment whilst others are duets. The CD contains all accompaniments and many demo tracks.
Musical Challenges sluit aan op het derde deel van Speel Viool!, maar kan ook los van deze methode worden gebruikt. De stukken in de stijlen jazz, pop en klassiek bevatten zowel technische als muzikale uitdagingen, enkeletitels worden voorafgegaan door een technische oefening. Een aantal werken kan als duet worden uitgevoerd en andere stukken zijn voorzien van akkoordsymbolen of pianobegeleiding. Daarnaast kan met de cd, die ook talrijke demo'sbevat, worden meegespeeld.
Musical Challenges schlie�t an den dritten Band der Schule Spiel Violine! an, kann aber von allen fortgeschrittenen Geigenschülern verwendet werden. Die Stücke in den Stilen Jazz, Pop, Weltmusik und Klassik enthalten sowohl musikalische als auch technische Herausforderungen; teilweise sind sind sie mit Akkordsymbolen oder Klavierstimmen versehen oder als Duett ausnotiert. Au�erdem kann zu den beiden CDs gespielt werden, die sämtliche Begleitungen und zahlreiche Demoversionen enthalten.
Musical Challenges peut être considéré comme lâ??épilogue du deuxième volume de la méthode Je joue du violon! Mais ce recueil peut également être utilisé par les violonistes ayant suivi une méthode dâ??apprentissage différente. Les pièces contenues offrent une grande variété de style et abordent des exercices techniques divers. Certains morceaux présentent une notation dâ??accord ou un accompagnement de piano, dâ??autres sont écrits sous forme de duos. Le compact disc contient tous les accompagnements et de nombreuses versions intégrales.
Musical Challenges rappresenta valido materiale complementare da usare assieme (ma anche individualmente) al secondo volume del metodo Suona il Violino! I brani proposti sono in stile jazz, pop, folk e classico (musica originale e non) e contengono sfide musicali e tecniche. Alcuni brani propongono un breve esercizio tecnico, mentre altri contengono i simboli degli accordi o le parti del piano. Sono previsti anche alcuni duetti. E per chi non ha un altro musicista con cui suonare, il CD propone gli accompagnamenti e un grande numero di tracce demo. $31.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Resignation Violin and Piano - Intermediate MorningStar Music Publishers
Composed by David Nowakowsky. Arranged by Gregory Cherninsky. For violin solo wi...(+)
Composed by David Nowakowsky. Arranged by Gregory Cherninsky. For violin solo with piano accompaniment. David Nowakowsky Foundation Series. Medium. Published by MorningStar Music Publishers
$10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Chinese Folk Dance Suite Violin and Piano Theodore Presser Co.
Chamber Music violin, piano SKU: PR.114419280 Composed by Chen Yi. Arrang...(+)
Chamber Music violin, piano SKU: PR.114419280 Composed by Chen Yi. Arranged by Wong Tak Chiu. Performance Score. 32+12 pages. Duration 20 minutes. Theodore Presser Company #114-41928. Published by Theodore Presser Company (PR.114419280). ISBN 9781491132357. UPC: 680160676125. Inspired by Chinese tradition, this concerto-like dance suite includes: 1. Lion Dance, 2. YangKo, and 3. Muqam. Each movement draws from melodies and rhythms characteristic of various regions of China many centuries ago. CHINESE FOLK DANCE SUITE is available for violin with full orchestra, or as a recital work with piano. Supported by a major commissioning award from the Serge Koussevitzky Music Foundation in the Library of Congress, Chinese Folk Dance Suite is written for solo violin and orchestra; it was premiered by The Women’s Philharmonic with violin soloist Terrie Baune, conducted by Apo Hsu, on March 10, 2001, at Yerba Buena Center For the Arts Theater in San Francisco.Inspired by various Chinese traditional folk dances, the suite has three movements:I. Lion Dance. Traditionally, people dance with richly decorated hand-made lions, accompanied by percussion ensemble, to celebrate happy occasions and major festivals throughout the country. In this composition, I use Chinese drum and other percussion instruments in the background, to form a dynamic and rhythmic texture responding to the solo part, which imitates the tunes played on the suona (traditional Chinese trumpet). The pitch materials came from the traditional Guangdong tune “Dragon Boat Racing,†and the Chaozhou tune “Lion Playing Ball.â€II. YangKo. Originating in northern China, this is a major folk dance form in mass performance popularized in the country. In YangKo performance, people play rhythmic patterns on the drums hung around their waists while singing and dancing. In the second movement, I imagined a warm scene of YangKo dancing in distance. The solo violin plays a sweet and gracious melodic line while all members of the orchestra sing non-pitched syllables in different layers as the soft background, to imitate the percussion sound which produces the ever-going pulse.III. Muqam. This large-scale music and dance form, from the Uygur nationality in Xinjiang province, originated in the 15th century. My third movement use a 7/8 meter and the melodic style of Muqam music. The fiery dancing gesture culminates in the sustained climax section at the end of the work, after a colorful violin cadenza in both improvisational singing style and polyphonic writing with woven lines. $26.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Transfigured Life - Still Life Violin and Piano Doberman
Violin and piano - Advanced SKU: DY.DO-1525 Composed by David Braid. Scor...(+)
Violin and piano - Advanced SKU: DY.DO-1525 Composed by David Braid. Score and part. Les Editions Doberman-Yppan #DO 1525. Published by Les Editions Doberman-Yppan (DY.DO-1525). ISBN 9782897963057. J'aime les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.
Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.
Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.
Une note sur les performances : Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :
https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjR https://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953 Envoyer des commentaires
Transfigured Life - Still Life, Op. 165 (violin and piano) - David Braid
I am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved and developed.
In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.
The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.
A note on performance: Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:
https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjR https://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953. $14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Variations on a theme by Edvard Grieg Violin and Piano SATB, Orchestra Music Distribution Services
Violin and piano SKU: M7.JO-11-02 For violin and piano. Composed b...(+)
Violin and piano SKU: M7.JO-11-02 For violin and piano. Composed by Walter Gieseking. This edition: Saddle-wire stitching. Sheet music. Piano reduction with solo part. Composed 1938. 36 pages. Duration 18'. MDS (Music Distribution Services) #JO 11-02. Published by MDS (Music Distribution Services) (M7.JO-11-02). ISBN 9790001215381. UPC: 842819116295. $35.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Violin Concerto
Violin and Piano G. Henle
(Violin and Piano Reduction With Marked and Unmarked Violin Parts Score and Part...(+)
(Violin and Piano Reduction With Marked and Unmarked Violin Parts Score and Parts). By Alban Berg (1885-1935). Edited by Michael Kube. For violin and piano reduction. This edition: Urtext edition. Henle Music Folios. Solo part and piano score, paperbound. 124 pages
(1)$42.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Edouard Lalo: Symphonie Espagnole Violin and Piano [Set of Parts] Peters
Composed by Edouard Lalo (1823-1892), edited by Yehudi Menuhin. Set of performan...(+)
Composed by Edouard Lalo (1823-1892), edited by Yehudi Menuhin. Set of performance parts (includes separate pull-out violin part) for violin and piano. Opus 21. With solo part and piano reduction. 44 pages. Published by C.F. Peters.
(3)$28.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Variation on the Theme: "Nel cor piu non mi sento" Violin and Piano Schott
Piano; Violin SKU: HL.49042846 For Violin and Piano. Composed by N...(+)
Piano; Violin SKU: HL.49042846 For Violin and Piano. Composed by Nicolo Paganini. Arranged by Vá and sa Prihoda. Sheet music. Edition Schott. Classical. Book Only. 35 pages. Schott Music #AF7533. Published by Schott Music (HL.49042846). UPC: 884088136499. 9.0x12.0x0.095 inches. $31.00 - See more - Buy online | | |
| Bach for Violin Violin and Piano Schirmer
Sonatas and Partitas, 4 Concertos, and Arioso. Composed by Johann Sebastian ...(+)
Sonatas and Partitas, 4
Concertos, and Arioso.
Composed by Johann Sebastian
Bach (1685-1750). String
Solo. Softcover. 88 pages.
Published by G. Schirmer
$26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The G. Schirmer Violin Anthology Violin and Piano Schirmer
(24 Works from the 20th and 21st Centuries). Composed by Various. For Violin, Pi...(+)
(24 Works from the 20th and 21st Centuries). Composed by Various. For Violin, Piano Accompaniment. String Solo. Softcover. 200 pages. G. Schirmer #ED 4549. Published by G. Schirmer
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Easy Classics for Violin - With Piano Accompaniment Violin and Piano [Sheet music] - Easy Mel Bay
selected and arranged by Peter Spitzer. For violin. Non-Series. Classic, with ke...(+)
selected and arranged by Peter Spitzer. For violin. Non-Series. Classic, with keyboard accomp. Level: Beginning. Book. Solos. Size 8.75x11.75. 72 pages. Published by Mel Bay Pub., Inc.
(2)$17.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Little Swingies Violin and Piano De Haske Publications
Violin and Piano - easy SKU: BT.DHP-1196083-404 16 easy 'swinging' pie...(+)
Violin and Piano - easy SKU: BT.DHP-1196083-404 16 easy 'swinging' pieces for violin and piano accompaniment. Composed by Joachim Johow. Contemporary Music. Book with Part and Audio-Online. Composed 2019. 57 pages. De Haske Publications #DHP 1196083-404. Published by De Haske Publications (BT.DHP-1196083-404). ISBN 9789043156837. English-German-French-Dutch. Swing-style music for violin lessons? A delightful idea in itself, but suitable literature is somewhat thin on the ground. This is where the Little Swingies collection comes in: sixteen new pieces by Joachim Johow—some full-spirited and passionate, others gentler in character—introduce the student step by step to playing in the swing style. In addition to the violin part, this edition includes an easy-to-play piano accompaniment: and on top of this, MP3 recordings of both demo performances and backing tracks are available online. Little Swingies will add new momentum to violin lessons and performances alike.
Swingmuziek voor de vioolles? Een prachtig idee, maar het materiaal daarvoor is dun gezaaid. Little Swingies biedt de oplossing: zestien nieuwe stukken van de hand van Joachim Johow sommige temperamentvol, andere rustiger van karakter laten de leerling stap voor stap kennismaken met het spelen in swingstijl. Naast de vioolpartijen bevat deze uitgave ook eenvoudige pianobegeleidingen: bovendien zijn de mp3-opnamen van zowel de meespeel- als begeleidingstracks online te downloaden. Little Swingies geeft vioollessen en toonmomenten een verfrissende nieuwe impuls.
Musik im Swing-Stil für den Geigenunterricht? An und für sich eine reizvolle Vorstellung, jedoch ist Spielliteratur, die dafür geeignet wäre, dünn gesät. Hier setzt die Sammlung Little Swingies an: Sechzehn neue Stücke von Joachim Johow mal temperamentvoll, mal eher sanft im Charakter führen die Schüler Schritt für Schritt in das Spiel im Swing-Stil heran. Die Ausgabe umfasst neben der Violinstimme auch eine gut spielbare Klavierbegleitung: zusätzlich stehen sowohl Demo- als auch Mitspielaufnahmen aller Stücke im MP3-Format online zur Verfügung. Little Swingies kann dem Geigenunterricht wie auch dem Vorspiel neue Impulse geben.
Du swing pour les cours de violon ? Cette idée est en elle-même séduisante, mais il existe peu de partitions adaptées. C’est pourquoi la collection Little Swingies vient combler un vide : seize nouvelles pièces par Joachim Johow certaines pleines de feu et d’entrain, d’autres plus sereines initient l’élève, pas pas, aux rythmes ternaires. Outre la partie violon, cette édition comprend un accompagnement piano facile : et, pour compléter le tout, des exemples d’interprétation et des pistes d’accompagnement sont disponibles en ligne sous forme de fichiers MP3. Little Swingies apportera un nouvel élan aux cours de violon tout comme aux auditions. $27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Phaedrus Violin and Piano Theodore Presser Co.
Chamber Music Clarinet, Piano, Violin SKU: PR.164002390 Composed by Dan W...(+)
Chamber Music Clarinet, Piano, Violin SKU: PR.164002390 Composed by Dan Welcher. Set of Score and Parts. With Standard notation. Composed 1995. 26+14+14 pages. Duration 14 minutes. Theodore Presser Company #164-00239. Published by Theodore Presser Company (PR.164002390). UPC: 680160038091. I became interested in the work of Plato through my friend and collaborator, the writer and philosopher Paul Woodruff. Paul's new translation, with Alexander Nehamas, of the Symposium gave me insights into ancient Greek ways of thinking about Love, Beauty, and Wisdom -- and managed to keep the earthy, and often bawdy side of it all in full view. But their new translation of Plato's later dialogue Phaedrus went even further: the beauty of the speeches is breathtaking, and the discourse itself is enough to keep one awake at night. Basically the Great Speech of Socrates in the Phaedrus dialogue has to do with the place of Eros in the world, and with the conflict in the soul between fleshly pleasure and philosophic discovery. I will not attempt to encapsulate this brilliant discourse in a program note: suffice it to say that reading it gave rise to my two-sided work for clarinet, violin, and piano, Phaedrus. The first movement represents the Philosophic life, and is thus subtitled Apollo's Lyre (Invocation and Hymn). It begins with an unaccompanied melody for the clarinet, which (after a pair of harp-like flourishes for the piano, expands into an accompanied canon. The voices in the dialogue (clarinet and violin) follow each other by a prescribed number of beats, but the music is totally devoid of any meter at all. The piano, representing the lyre, accompanies this lyric love-feast with repeated strummed chords. The canon has three large sections, and ends with violin echoing the unaccompanied clarinet invocation as the sound of the lyre fades. The second movement, called Dionysus' Dream-Orgy (Ritual Dance) presents, after a brief introduction, another kind of unmetered music. Rather than long lyric flights of philosophic song, however, this time we hear a unison dance of unbridled energy and sensual transport. The piece soon forms itself into a loose arch form, with contrasting metered dance sections divided by the unison unmetered orgy tune. Midway through the movement, Apollo's melody returns from the first movement, but it is a temporary reminiscence. The orgiastic dance returns, reaches a climax, and ends with a stomping of feet. While Plato asserts that a proper balance between lust and reason is necessary in all men, he (naturally) gives the nod to Philosophy as the better choice in which to live. Not so in my music: the two sides are meant to coexist and to complement each other. No sides are taken. Phaedrus was commissioned of the Verdehr Trio by Michigan State University. It is dedicated to the Vedehr Trio with great affection and admiration. $85.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ernest Bloch: Nigun (Improvisation) No. 2 from 'Baal Shem'
Violin and Piano [Set of Parts] Carl Fischer
(Three Pictures of Chassidic Life) Composed by Ernest Bloch (1880-1959). Set of ...(+)
(Three Pictures of Chassidic Life) Composed by Ernest Bloch (1880-1959). Set of performance parts for violin and piano. With bowings and fingerings. 14 pages. Published by Carl Fischer.
$13.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Ariosi Sop/vn/pf/4hands Violin and Piano Schott
Soprano voice, violin and piano (4 hands) SKU: HL.49005707 Auf Gedicht...(+)
Soprano voice, violin and piano (4 hands) SKU: HL.49005707 Auf Gedichte von Torquato Tasso. Composed by Hans Werner Henze. Sheet music. Edition Schott. Classical. Piano reduction with solo part. Composed 1963. 72 pages. Duration 27'. Schott Music #ED 5454. Published by Schott Music (HL.49005707). ISBN 9790001061711. 8.25x11.75x0.213 inches. Italian. $46.00 - See more - Buy online | | |
| Sonata no. 2 for Violin and Piano in E-flat major, op. 102 Violin and Piano - Intermediate/advanced Barenreiter
Composed by Camille Saint- Saens (1835-1921). Edited by Fabien Guilloux and Fra...(+)
Composed by Camille Saint-
Saens (1835-1921). Edited by
Fabien Guilloux and François
de Médicis. This edition:
urtext edition. Stapled.
Performance score, Part. Opus
102. Baerenreiter Verlag
#BA10958. Published by
Baerenreiter Verlag
$38.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Adagio Non Troppo, Extrait des Lieder Ohne Worte Violin and Piano [conductor's score and parts] - Beginner Martin, Robert
Composed by Felix Bartholdy Mendelssohn (1809-1847). For violin and piano. Grade...(+)
Composed by Felix Bartholdy Mendelssohn (1809-1847). For violin and piano. Grade 1. Conductor's score and parts. Published by Editions Robert Martin
$10.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Classical Repertoire for Violin Volume One Violin and Piano [Sheet music] - Easy Mel Bay
by Costel Puscoiu. For violin. solos. Non-Series. Classic. Level: Beginning-Inte...(+)
by Costel Puscoiu. For violin. solos. Non-Series. Classic. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 136 pages. Published by Mel Bay Publications, Inc
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Starke Duos Violin and Piano Holzschuh Musikverlag
Violin and piano SKU: M7.VHR-3435 23 Charakterstücke - leicht in be...(+)
Violin and piano SKU: M7.VHR-3435 23 Charakterstücke - leicht in beiden Instrumenten. Composed by Karin Gross. Sheet music. Holzschuh Musikverlag #VHR 3435. Published by Holzschuh Musikverlag (M7.VHR-3435). ISBN 9783864341014. Die kleinen Duos erzählen von Rittern und Seeräubern, malen Landschaftsbilder, lassen Drachen steigen und entführen ins Reich der Tiere. Die Ausgabe richtet sich gleichermaßen an Geigen- wie an Klavierschüler/-innen mit Freude am gemeinsamen Musizieren. 1. und 2. Griffart Die Ausgabe einthält einen 20-seitigen Einleger für Violine. $22.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Four (4) Preludes For Violin And Piano Op 34 Violin and Piano Hal Leonard | | |
| Paganini Non Piu Mesta Op12 Vl Violin and Piano Eulenburg
Violin and piano (V/KL) SKU: HL.49033655 Theme with variations. Co...(+)
Violin and piano (V/KL) SKU: HL.49033655 Theme with variations. Composed by Nicolo Paganini. Arranged by Fritz Kreisler. This edition: Folding. Sheet music. Edition Schott. Op. 12. 16 pages. Eulenburg Edition #EES 242. Published by Eulenburg Edition (HL.49033655). ISBN 9790200200201. UPC: 884088096373. 8.25x11.75x0.045 inches. $16.99 - See more - Buy online | | |
| Non Sapremo Mai Di Quiesto Mi Violin and Piano [Score] Lemoine, Henry
By Gerard Pesson. For flute, violin and piano. Classical: 20th Century (Contempo...(+)
By Gerard Pesson. For flute, violin and piano. Classical: 20th Century (Contemporary). Score. 4 pages. Published by Editions Henry Lemoine
$15.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto No. 1 in A Minor Violin and Piano [Reduction] Carl Fischer
By Johann Sebastian Bach. Arranged by Theodore Spiering. For Violin and Piano. P...(+)
By Johann Sebastian Bach. Arranged by Theodore Spiering. For Violin and Piano. Published by Carl Fischer.
$8.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto, Op. 64 Violin and Piano [Score and Parts] Carl Fischer
By Felix Mendelssohn. Arranged by Leopold Auer. For Violin and Piano. Published ...(+)
By Felix Mendelssohn. Arranged by Leopold Auer. For Violin and Piano. Published by Carl Fischer.
$12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Violin Playtime, Book 1 Violin and Piano - Beginner Faber Music Limited
(Very First Pieces with Piano Accompaniment). Arranged by Paul de Keyser. For Vi...(+)
(Very First Pieces with Piano Accompaniment). Arranged by Paul de Keyser. For Violin. Book; Method/Instruction; String - Violin Studies or Collection. Faber Edition. Beginner; Elementary. Published by Faber Music
$12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Claude Debussy: Nocturne Violin and Piano Schott
Violin & Orchestra Reduction (Piano). Composed by Claude Debussy (1862-1...(+)
Violin & Orchestra Reduction
(Piano). Composed by Claude
Debussy (1862-1918) and
Robert Orledge. Arranged by
Robert Orledge. String.
Softcover. 34 pages. Schott
Music #VLB214. Published by
Schott Music
$26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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| Johann Pachelbel: Canon
D: Violin: Instrumental
Work Violin and Piano Peters
While Pachelbel has been most admired as a composer of organ works and Lutheran ...(+)
While Pachelbel has been most admired as a composer of organ works and Lutheran church music his Canon in D has long been one of his most celebrated compositions. It combines two time-honored compositional devices. The first of these is of course the canon a procedure whereby a melody in one part is strictly imitated by one or more other parts; a round (such as for example Frère Jacques) is a type of canon. The second device involves a short bass line (refeered to as a ground bass) that is repeated constandly over which the composer writes continuous variations. In its original form the work consists of an initial statement of an eight note ground bass followed by27 variations in strict canonic style for three violins above that bass. In addition to these four essential parts an appropriate harmonic background would have been improvised on harpsichord lute or organ. In the present arrangement Pachelbel's note values have been doubled for greater ease of reading and the work's canonic structure has been somewhat modified in order to make it more readily playable by violinists and pianists at an intermediate level. Since dynamics bowing indications articulations and slurs were not customarily provided by composer of the Baroque era the arranger and the editor have added them here as well as a metronome indication and a few cadential trills. Obviously these editorial additions should be regarded only as suggestions.
5.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Kiss (Violon Et Piano)
Français Violin and Piano [Sheet music] Fertile Plaine Editions
La référence FP 188 de l'éditeur Fertile Plaine dont l'auteur célèbre est V...(+)
La référence FP 188 de l'éditeur Fertile Plaine dont l'auteur célèbre est Villard P.M./Lanone F., qui a pour titre Kiss ( violon et piano ), a été écrite et composée pour Violon et plus particulièrement pour Violon Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violon Et Piano / Partition
10.90 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Appassionato
Français Violin and Piano [Sheet music] Billaudot
La référence CC2323 de l'éditeur Billaudot dont l'auteur célèbre est Bourno...(+)
La référence CC2323 de l'éditeur Billaudot dont l'auteur célèbre est Bournonville Armand, qui a pour titre APPASSIONATO, a été écrite et composée pour Violon et plus particulièrement pour Violon Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violon Et Piano / Partition
9.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Concerto Giocoso
Français Violin and Piano [Sheet music] Billaudot
La référence CC3128 de l'éditeur Billaudot dont l'auteur célèbre est Martin...(+)
La référence CC3128 de l'éditeur Billaudot dont l'auteur célèbre est Martinon Jean, qui a pour titre CONCERTO GIOCOSO, a été écrite et composée pour Violon et plus particulièrement pour Violon Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violon Et Piano / Partition
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| 2ème Sonatine Op.
19 No12
Français Violin and Piano [Sheet music] Billaudot
Référence unique par son ISBN 9790043002949 cette partition musique de Martino...(+)
Référence unique par son ISBN 9790043002949 cette partition musique de Martinon Jean n'est autre que 2E SONATINE OPUS 19 Nø12 qui a été composée pour Violon Et Piano. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Billaudot. La référence catalogue de cette oeuvre est CC2864. / Violon Et Piano / Partition
18.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Suite Nocturne
Français Violin and Piano [Sheet music] Billaudot
La référence CC3129 de l'éditeur Billaudot dont l'auteur célèbre est Martin...(+)
La référence CC3129 de l'éditeur Billaudot dont l'auteur célèbre est Martinon Jean, qui a pour titre SUITE NOCTURNE, a été écrite et composée pour Violon et plus particulièrement pour Violon Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violon Et Piano / Partition
18.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Histoire Lointaine
Français Violin and Piano [Sheet music] Billaudot
Cette partition HISTOIRE LOINTAINE de Martinon Jean a été éditée par les éd...(+)
Cette partition HISTOIRE LOINTAINE de Martinon Jean a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB6627. Cette oeuvre d'une durée de 00:01:42 est idéale pour les musiciens pratiquant Violon. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Violon Et Piano / Partition
8.80 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Poldowski: Tango for
Violin and Piano: Violin:
Instrumental Work Violin and Piano [Sheet music] Chester
Tango is a dance style piece for Violin and Piano written by Poldowski. They w...(+)
Tango is a dance style piece for Violin and Piano written by Poldowski. They were composed for the Violin virtuoso Pawel Kochanski (1887-1934). Poldowski was pen name of theBelgian-British composer and pianist Regine Wieniawski later Lady Dean Paul (1879-1932). She studied Piano at Brussels London and Paris and started performed her own compositions at the age of 14. Sheinitially adopted the pseudonym in order to pose as a male but later cast of the anonymity even performing under the false name. She is best remembered for her chamber compositions and the many songs she wrote both in Englishand in French.
10.99 GBP - Sold by Musicroom UK | |
| Johannes Brahms: Sonatas
In F Minor And E-Flat For
Violin: Violin:
Instrumental Violin and Piano Barenreiter
for Violin and Piano-Brahms had already announced his ?retirement? from composit...(+)
for Violin and Piano-Brahms had already announced his ?retirement? from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld?s much admired playing and inspired him to write two Clarinet sonatas in the summer of the same year.Brahms conceived an alternate version of the works for Viola from the beginning and already before the publication of these two versions he intended to do another one for Violin a version which was to require changes and was to result in an independent edition. While the Clarinet and Viola versions havedeveloped a rich performance tradition the Violin version is almost unknown. Yet for the Violin version the composer revised the original Clarinet part much more extensively than he did for the Viola version and also rewrote the Piano part to achieve a thoroughly convincing Violin and Piano idiom. This Bärenreiter edition aims to bring the neglected Violin Sonatas Op. 120 back into players? hands.An important part of this edition is the extensive preface. Firstly it informs about the sonatas? origins their compositional process pre-publication performances their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time the edition offers an exciting and
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| Claude Debussy: Oeuvres
Pour Violon et Piano:
Violin: Instrumental
Album Violin and Piano Barenreiter
Claude Debussy had difficulties finishing his last major work the Sonata for Vi...(+)
Claude Debussy had difficulties finishing his last major work the Sonata for Violin and Piano. This can be seen in the many drafts which have been handed down and the fact that the cycle for which it was conceived was left unfinished. The work originated under the impact of Debussy’s progressing illness as well as the First World War.The first edition published during the final year of Debussy’s life contains many rhythmic errors. The non-autograph metronome marks as well as the discrepancies between the separate violin part and the violin part in small print in the piano score are two problems that have affected the work’s later reception.Both are examined here in a fresh light.In addition to the Sonata this edition contains arrangements of La fille aux cheveux de lin and Il pleure dans mon coeur by the American violinist Arthur Hartmann. It was Hartmann who inspired Debussy to make an arrangement of his well-known piano piece Minstrels also included in our edition.- Debussy’s complete works for violin and piano- With arrangements by Debussy’s acquaintance Hartmann- Informative Foreword (Eng/Fr/Ger)- Critical Commentary (Eng)
20.00 GBP - Sold by Musicroom UK | |
| Sonata in D minor for
Violin and Piano op. 108:
Violin: Instrumental Work Violin and Piano Barenreiter
Brahms composed his ?Violin Sonata In D Minor? during the summer of 1886. The wo...(+)
Brahms composed his ?Violin Sonata In D Minor? during the summer of 1886. The work quickly became part of the standard repertoire and has remained so until today. It is presented here in a fine Bärenreiter Urtext edition and comes with an unmarked Urtext part as well as a second part marked with fingering and bowing by Clive Brown which are based on the practices of Brahms? contemporaries.An important part of this edition is the extensive preface. Firstly it informs about the works? origins its compositional process pre-publication performances its publication history as well as early reception. Truly remarkable is theunique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.A pioneering Urtext edition.With an unmarked Urtext part.With a second part including fingering and bowing based on the practices of Joseph Joachim and other contemporaries of Brahms.With an extensive Performance Practice Commentary.For further information on Romantic performance practice we recommend: ?Performance Practices in Johannes Brahms? Chamber Music? text booklet BA 9600.
12.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Johannes Brahms: Sonata
in A major for Violin and
Piano op. 100: Violin: Violin and Piano Barenreiter
Brahms composed his ?Violin Sonata In A Major? during the summer of 1886. The wo...(+)
Brahms composed his ?Violin Sonata In A Major? during the summer of 1886. The work quickly became part of the standard repertoire and has remained so until today. It is presented here in a fine Bärenreiter Urtext edition and comes with an unmarked Urtext part as well as a second part marked with fingering and bowing by Clive Brown which are based on the practices of Brahms? contemporaries.An important part of this edition is the extensive preface. Firstly it informs about the works? origins its compositional process pre-publication performances its publication history as well as early reception. Truly remarkable is theunique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.A pioneering Urtext edition.With an unmarked Urtext part.With a second part including fingering and bowing based on the practices of Joseph Joachim and other contemporaries of Brahms.With an extensive Performance Practice Commentary.For further information on Romantic performance practice we recommend: ?Performance Practices in Johannes Brahms? Chamber Music? text booklet BA 9600.
12.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Works For Piano And
Violin (MOZART WOLFGANG
AMADEUS) Violin and Piano G. Henle
Works for Piano and Violin I. Par MOZART WOLFGANG AMADEUS. Mozart ne s’est ado...(+)
Works for Piano and Violin I. Par MOZART WOLFGANG AMADEUS. Mozart ne s’est adonné à aucun autre genre de musique de chambre autant qu’à celui des duos pour piano et violon, qu’il s’agisse de sonates ou de variations. Exploitant les possibilités d’interaction de ces deux instruments par des combinaisons et des croisements toujours renouvelés, en particulier dans les sonates, il composa ainsi des oeuvres d’une beauté pure et intemporelle alliant force dramatique, élégance et profondeur de sentiments. Cette édition de travail offre le texte complet et non modifié des partitions publiées dans les trois éditions pratiques «bleues» Henle Urtext HN 77, 78 et 79, respectivement l’édition sous reliure lin de l’ensemble des sonates pour violon deMozart HN 80. / Partition brochée / Répertoire / Violon et Piano
49.60 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Mary Cohen: Adventures of
Egbert: Violin:
Instrumental Tutor Violin and Piano - Easy Faber Music Limited
The Adventures of Egbert is an exciting new concept in Violin teaching - a story...(+)
The Adventures of Egbert is an exciting new concept in Violin teaching - a story which has all the right ingredients to appeal to primary and early secondary school age pupils incorporating valuable technical exercises and well-known tunes for the beginner violinist. Egbert can be used in a one-to-one teaching context or else with a Violin group of varying ability while for non-specialist teachers there are plenty of opportunities to involve the whole class (not just the violinists) in a mini dramatic production.
6.50 GBP - Sold by Musicroom UK | |
| Labrousse-baert S. - Le
Violon Classique - Niveau
1 - Violon Et Piano
Français Violin and Piano Flex Editions
A collection of 11 classical masterpieces arranged for Violin and Piano: 1 - BAC...(+)
A collection of 11 classical masterpieces arranged for Violin and Piano: 1 - BACH - Gavotte from Suite No. 3 in D Major, 2 - TCHAIKOVSKI - Chanson Triste, 3 - BACH - Aria from Suite No. 3 in D Major, 4 - SCHUBERT - Ave Maria, 5 - VIVALDI - Winter - Extract from the Four Seasons, 6 - MENDELSSOHN - Wedding March, 7 - WAGNER - Wedding March from Lohengrin, 8 - MOZART - Romanza - A Little Night Music, 9 - MOZART - Allegro - A Little Night Music, 10 - GOUNOD - Ave Maria (with opt. Violin 2), 11 - PACHELBEL - Canon in D Major (2 violins & piano) Instruments: Violon, Piano Difficuly Level: Medium Duration: >15 Musical Style: Classical, Educational Category: Arrangement Composer: LABROUSSE-BAERT Sarah Arranger: LABROUSSE-BAERT Sarah
19.70 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| A. Berg: Violinkonzert:
Violin: Instrumental Work Violin and Piano [Sheet music] - Advanced G. Henle
With marked and unmarked string parts.The genesis of Berg's Violin Concerto in 1...(+)
With marked and unmarked string parts.The genesis of Berg's Violin Concerto in 1935 is shrouded in tragedy. He had only just finished making the first sketches when Manon Gropius - the daughter of Walter Gropius and AlmaMahler with whom Berg was friends - died of polio.He dedicated the concerto 'To the memory of an angel' in her memory. Then Alban Berg died in 1935 so he no didn't live to see it printed or performed. Henle's edition -Violin part and Piano reduction - follows the score edited by Michael Kube which is being published simultaneously by Breitkopf & Härtel together with the orchestral parts and pocket score.The illustrious violinist FrankPeter Zimmermann has provided fingerings and bowings for the violin part.
31.50 GBP - Sold by Musicroom UK | |
| Ludwig van Beethoven:
Violin Concerto In D
Op.61 - Piano Reduction:
Piano: Violin and Piano [Reduction] Barenreiter
Beethoven's famous concerto for Violin and Orchestra has appeared in many editio...(+)
Beethoven's famous concerto for Violin and Orchestra has appeared in many editions over the last 150 years but none has truly done justice to the work. Now the acclaimed Beethoven scholar Jonathan Del Mar has achieved just that.Working with all known sources Del Mar finally presents us with Beethoven's intended solo Violin articulation dynamics and slurring; there are even note corrections in the solo part. Additions made by various editors and violin players over the years have been deleted. For the first time we also now have clarity regarding the meaning of Beethoven's Solo and Tutti markings.All in all a groundbreaking scholarly-critical edition;a must have for every violin player orchestra and music library.
20.00 GBP - Sold by Musicroom UK | |
| Step It Up! (with CD)
(CHAMBERLAIN LOUISE) Violin and Piano [Sheet music + CD] Alfred Publishing
Par CHAMBERLAIN LOUISE. Step It Up! is the fun way to move your playing onwards ...(+)
Par CHAMBERLAIN LOUISE. Step It Up! is the fun way to move your playing onwards and upwards. Packed full of original jazzy pieces by Louise Chamberlain - with imaginative arrangements of well-known tunes, unaccompanied pieces and duets too - this carefully graded volume for violin also includes a CD of groovy backing tracks. So whether practising at home or performing to your friends, take your playing to another level with Step It Up! - and prepare to step up a grade at the same time!
Pamela Wedgwood writes as Louise Chamberlain for the Step It Up! series. She is recognised around the world as one of the UK's most prolific and successful composers of popular repertoire for young instrumentalists.
**ABRSM selected piece (Violin 2008-2011): Be thou my vision (Anon.) / Instrumental Music / Etude / Violon et Piano
10.37 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Roland F. Seitz: Concerto
for Violin and Piano Op.
13 No 2 in G: Violin: Violin and Piano Dowani
1 Allegro non troppoAdagioAllegretto moderato
15.50 GBP - Sold by Musicroom UK | |
| Ludwig van Beethoven:
Sonata For Piano And
Violin Op. 24 In F Major:
Violin: Violin and Piano Dowani
1-4 Allegro5-8 Adagio molto espressivo9-12 Scherzo (Allegro molto)13-16 Rondo (A...(+)
1-4 Allegro5-8 Adagio molto espressivo9-12 Scherzo (Allegro molto)13-16 Rondo (Allegro ma non troppo)
15.50 GBP - Sold by Musicroom UK Shipment: (stock) information on site | |
| Wieniawski H. - 2eme
Polonaise Brillante Op.
21 - Violon Et Piano Violin and Piano PWM (Polskie Wydawnictwo Muzyczne)
2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wi...(+)
2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wieniawski wrote only two polonaises. The first one, op. 4 in D minor, is one of his youthful works; the other, op. 21 in A major, is one of the last works he composed. Moreover, H. Wieniawski is the co-author of another polonaise, op. 8, for violin and piano, which he wrote with his brother Józef Wieniawski, a pianist. The latter polonaise, like the Polonaise in D minor op. 4, is also a youthful composition (1852). The polonaise as a genre, therefore, does not occupy much space in Wieniawskis heritage. Nonetheless, both polonaises, in D minor and A major, constitute an essential part of his artistic inheritance. Likewise, both polonaises had been composed in two versions: for violin and orchestra, and for violin and piano. The Polonaise in A major was completed in 1870. It is not known precisely which of the versions, the one with the piano, or the one with the orchestra first came into being. It was the version with orchestra that the composer performed for the first time on 17 March 1870, in the Grand Theatre in St. Petersburg. But merely two months later he performed the Polonaise in Warsaw, accompanied by his brother Józef at the piano. It is quite possible that Wieniawski had already performed this version of the Polonaise. It is certain, nonetheless, that both versions either appeared simultaneously, or one was composed shortly after the other. From its first public performance until the end of his concert career, Wieniawski often included this Polonaise in his concert repertoire, playing one version or another, the choice depending on the needs and circumstances. Just to mention one occasion, he played the orchestral version during a concert tour of Sweden in 1870, when he dedicated and presented a manuscript of this piece to King Charles XV of Sweden. The dedication, however, was changed in print, and both versions were eventually dedicated to François van Hal. Both versions were published simultaneously, by Schott Publishers in Mainz, with the same plate number, though the orchestral version appeared only in parts, which was a common practice in those days. The piece was most probably not published earlier than 18751. The Polonaise was praised by the critics. The reviews reported that it was a magnificent piece2, and this opinion was shared by later critical reviews, both Russian and West European. The Polonaise remained popular after the composer had died, which is evident from the number of later editions of the piece (more than ten) issued by different publishers, mostly German, and prepared by different editors. In Poland, the Polonaise was published twice after the Second World War. All the editions introduced some more or less significant changes into the text, mostly concerning performance indications, but in a sense blurring the composers intentions. All those changes were pertinent to the violin and piano version, and it was mostly in this form that the piece appeared in concert and teaching repertoires. The performances with an orchestra were much more seldom which was, among other factors, due to limited availability of the orchestral version, as it had never been published again after the first edition, until now. The Polonaise in A major was composed approximately at the same time as the Violin Concerto No. 2 in D minor3. This convergence in time had influenced a certain similarity with regard to both composition and technical means, and also to the themes. In particular, the similarity becomes quite obvious in the second theme of the Allegro in the Concerto, and in the theme of the Polonaise. The Polonaise in A major is also in a certain way similar to the first Polonaise (in D minor), the motifs of the themes in both polonaises are alike. However, both pieces differ in style. The Polonaise in D minor shows the composers fascination with technical writing. Wieniawski makes the most of double-stops, chords, and all other sophisticated virtuoso techniques. The Polonaise in A major, written 18 years later, is much more mature. Although it is a virtuosic piece as well, the techniques used are somewhat more limited and subordinated to the expression. The virtuoso character of this piece is more fragile, much closer to the brillant style. At the same time, the Polonaise is typical of Wieniawskis violin playing technique. Here the composer uses the means regarded by his contemporaries to be typical of him, e.g., long staccato fragments played with one bow. The Polonaise is a concert piece in one movement extended form with a considerably abbreviated return of the first section at the end. The middle section is contrasting in character, due to the modulation to F major, change of tempo (meno mosso) and the reduction in the number of instruments (in the orchestral version). All the sections show thematic similarity. The first section, too, consists of three subsections, including a contrasting middle subsection (in E major). Zofia Chechlińska Footnotes 1. See The Critical Commentary, p. ? and onward. 2. See V. Grigoriev, Henryk Wieniawski. Życie i twórczość. [Life and Work] Warszawa - Poznań 1986, p. 184. 3. The first version of the Concerto No. 2 in D minor was completed in 1862, but in 1870, i.e., not until the Polonaise in A major was completed, Wieniawski had been working on the Concerto and implemented quite a few changes. Publisher: PWM/Towarzystwo Muzyczne im. Henryka Wieniawskiego w Poznaniu Series: Henryk Wieniawski - Complete Works Cover: softback Nr ISMN: 979-0-2740-0753-9 Number of pages: 34+8 Format: N4 stoj. 235x305 Language version of text: pol., Eng.
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| Indra - Hommage A Lili
Boulanger (PEPIN CAMILLE) Violin and Piano Jobert
Par PEPIN CAMILLE. Lorsque Claire Bodin [1] m'a proposé d'écrire une pièce en...(+)
Par PEPIN CAMILLE. Lorsque Claire Bodin [1] m'a proposé d'écrire une pièce en hommage à une compositrice du passé, j'ai choisi de rendre hommage à Lili Boulanger (1893-1918). Compositrice et orchestratrice hors-pair, elle était également une très belle femme, généreuse et courageuse, oeuvrant à l'arrière du front pour les civils et soldats mobilisés durant la Première Guerre Mondiale - et cela malgré la maladie et sans jamais cesser d'écrire.
Première compositrice à remporter le Grand Prix de Rome en 1913, elle ouvre une voie jusqu'alors non reconnue aux femmes. Son succès éclaire la présence féminine dans un domaine jusque là 'réservé' exclusivement aux hommes. Rendre hommage à Lili Boulanger, c'est non seulement rendre hommage à l'incroyable femme et musicienne qu'elle était, mais aussi à cette voie qu'elle a ouverte aux compositrices des générations futures.
J'ai choisi d'écrire une pièce inspirée de la mythologie hindoue, en hommage à sa Vieille Prière Bouddhique achevée en mars 1917. Indra sera ainsi créée en mars 2017 - soit cent ans après la conception de l'oeuvre de Lili Boulanger !
Indra est le dieu de la guerre et de l'orage. Ses attributs sont l'éclair et l'arc-en-ciel. Doté de pouvoirs magiques, Indra affronte le serpent Vrtra qui retient les eaux célestes, faisant ainsi souffrir le monde d'une grande sécheresse. Indra le combat et délivre les eaux du ciel en transperçant les nuages. Tel est le mythe qui m'a inspiré.
J'ai eu envie d'écrire une pièce rythmique, puissante et énergique, pour rendre hommage à la force et au courage de Lili Boulanger en tant que femme artiste. Lui rendre hommage aujourd'hui sans prendre en compte sa condition de femme est un luxe que l'on ne peut pas encore se permettre. Qui plus est, il m'a semblé tout naturel de choisir ce thème plein de vigueur pour cette oeuvre dédiée à la pianiste Célia Oneto Bensaïd et la violoniste Raphaëlle Moreau qui en feront la création.
Tout l'enjeu de cette oeuvre était de représenter cette force et cette volonté : comment rendre cette vivacité et cette fougue de l'orage - de ce combat - avec seulement deux instruments ?
J'ai ainsi conçu une pièce alternant des épisodes nerveux et pulsés - guerrier - à des épisodes plus légers et dansants - vif, aérien. J'ai recherché des sonorités martiales en pensant véritablement l'oeuvre d'une façon 'orchestrale' avec des appels de cors ou encore des coups de grosse caisse. Un bref épisode aux couleurs flûtées sur un tapis scintillant de harpe - magique et incantatoire - rappelle les pouvoirs magiques d'Indra avant de retrouver la nervosité et la pulse initiales. / Contemporain / Répertoire / Violon et Piano
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