| Dérive 1 (BOULEZ
PIERRE) Chamber Orchestra [Study Score / Miniature] Universal Edition
Par BOULEZ PIERRE. / Répertoire / Ensemble de Musique de Chambre
33.24 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Jo Kondo: Tryne: Chamber
Ensemble: Score and Parts Chamber Orchestra [Score and Parts] University Of York Music Press
For Cello Euphonium and Piano.Premiere given on 9th March 2012 at Morioka Civ...(+)
For Cello Euphonium and Piano.Premiere given on 9th March 2012 at Morioka Civic Cultural Hall Morioka Japan by Kana Kotera (Euphonium) Takui Matsumoto (Cello) Michiyo Haneishi (Piano).Commissioned by KanaKotera.
14.99 GBP - Sold by Musicroom UK |
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| Paul Mealor: Elegy For A
Play Of Shadows: Chamber
Ensemble: Score and Parts Chamber Orchestra [Score and Parts] University Of York Music Press
For Cor Anglais and five instruments (Clarinet Piano Violin Viola and Cello)....(+)
For Cor Anglais and five instruments (Clarinet Piano Violin Viola and Cello).Published in 2001.Commissioned by the Britten Sinfonia.First performed by the Britten Sinfonia St Edmund's Theatre Caterbury November 2001 and conducted by Nicholas Cleobury.Score and Parts.
31.00 GBP - Sold by Musicroom UK |
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| Giovanni Maria Trabaci:
Five Galliards: Chamber
Ensemble: Score and Parts Chamber Orchestra [Score and Parts] London Pro Musica 7.00 GBP - Sold by Musicroom UK |
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| Anne Boyd: The Quiet
Place: Chamber Ensemble:
Score and Parts Chamber Orchestra [Score and Parts] University Of York Music Press
Anne Boyd's The Quiet Place for Oboe (doubling antique cymbals) Clarinet (doubl...(+)
Anne Boyd's The Quiet Place for Oboe (doubling antique cymbals) Clarinet (doubling rin) Viola and Harp.The Quiet Place was commissioned by the Warwick andLeamington Festival for performance by Okeanos on their New Music Day on 14th July 2002.'The Quiet Place' is a meditation site in the University of York dedicated by Dame Janet Baker 'In honour of thespirituality which is in all people'. It was a place I visited frequently in the months I spent as visiting Professor at the University in late 2001. So soon after the attack on the New York Trade Centre the worldfelt a very unstable place especially to be so far from my Australian home. It was difficult to make much sense of existence in a world of fanatical fundamentalism - both Islamic and Christian. Perhaps for comfort I foundmyself thinking back a thousand years to the vital earth based spirituality of Hildegard of Bingen and uncovered an Antiphon she had composed 'Nunc Aperuit'. This chant became the basis of the work I have written forOkeanos in response to an invitation from Jinny Shaw whom I met in York last year. In English translation the words of the chant translate as 'Now the closed door has opened for us / What the serpent hassuffocated in woman./ Therefore shines forth in thedawn/ the flower from the Virgin Mary. ' The music of 'The Quiet Place' is a simple meditation which explores the moods of this text often retreating into a silencewhich is both breath and transcendence. - Anne Boyd
14.00 GBP - Sold by Musicroom UK |
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| Adagio (OLIVERO BETTY) Chamber Orchestra [Score] Ricordi
Per Orchestra Da Camera - Partitura. Par OLIVERO BETTY. Langue: English(UK)/Deut...(+)
Per Orchestra Da Camera - Partitura. Par OLIVERO BETTY. Langue: English(UK)/Deutsch/Français/Nederlands / Musique contemporaine / Répertoire / Orchestre de Chambre
28.58 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Hilda Paredes: La Tierra
De La Miel: Chamber
Ensemble: Score and Parts Chamber Orchestra [Score and Parts] University Of York Music Press
B4 Performing Score/Parts-La Tierra De La Miel by Hilda Paredes for Soprano Pe...(+)
B4 Performing Score/Parts-La Tierra De La Miel by Hilda Paredes for Soprano Percussion Guitar and Piano.Duration: c. 17'La Tierra De La Miel was commissioned by Susan Narucki for her project Cuatro Corridos in 2012. The premiere took place at the Experimental Theatre of the Conrad Prebys Music Centre at the University of California San Diego in May 2013.
39.95 GBP - Sold by Musicroom UK |
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| Omaggio A Gyorgy Kurtag
Per Contralto Flauto
Clarinetto In Sib. Basso
Tuba E (NONO LUIGI) Chamber Orchestra [Sheet music] Ricordi
Basso Tuba E Live Electronics. Par NONO LUIGI. Italian/ Répertoire / Musique de...(+)
Basso Tuba E Live Electronics. Par NONO LUIGI. Italian/ Répertoire / Musique de Chambre
49.29 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Bent Sørensen:
Phantasmagoria: Chamber
Ensemble: Score and Parts Chamber Orchestra [Score and Parts] - Intermediate/advanced Wilhelm Hansen
Phantasmagoria for Violin Violoncello and Piano was composed by Bent Sørensen ...(+)
Phantasmagoria for Violin Violoncello and Piano was composed by Bent Sørensen in 2007. First performance by Trio con Brio 12 Aug 2007 in Roskilde Denmark.Programme note:My Piano Trio “Phantasmagoria” is in five movements. It all began with the fifth movement which originally was a tiny piece for cello and piano. After re-composing this little piece for piano trio I worked composed backwards – The fourth movement – third movement - and I finally got to the beginning of the piece. It all begins with the violin – solo – heavily muted but aggressive and gradually the cello andthe piano enter as shadows of the violin. The first movement ends in a dark shadow of an aria from my opera “Under the Sky”. All five movements are full of shadows of all kinds. Shadows of fragments and traces of movements appear in other movements. Music voices instruments appear behind each other as a play of shadows. “Shadow play” was the first title on my mind but a shadow play can be more physical – the shadow can come alive – alive behind the shadows. Phantasmagoria is a shadow play in darkness where contours of persons and music voices and instruments - create adventures behind each other. “Phantasmagoria” was commissioned by Franz Schubert Society Denmark and dedicated to Trio con Brio Copenhagen. (Bent Sørensen)
57.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Philip Glass: Facades
(Score): Score Chamber Orchestra Dunvagen Music Publishers
American composer Philip Glass is widely known as one of the most celebrated in...(+)
American composer Philip Glass is widely known as one of the most celebrated influential and prolific of the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of?music with repetitive structures.?Façades is a work that describes superficial qualities. Philip Glass wrote this piece as part of the soundtrack for the film Koyaanisqatsi but it was not used and so became anindependent work. In fact it became a staple of live performances of the Philip Glass Ensemble during its era (1981). Originally its eerily flowing sonorities were to have accompanied visual scenes of New York?s Wall Streetapocalyptically deserted. The piece was given a new name Glasspiece #2 when it was choreographed for the New York City Ballet.This work is for Flute 1 & 2 OR Saxophone 1 & 2 with string ensemble Violin 1 & 2 Viola andCello. You will receive one of each with the set of parts.
10.99 GBP - Sold by Musicroom UK |
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| Niels Marthinsen: The
Dreamers: Chamber
Ensemble: Score and Parts Chamber Orchestra [Score and Parts] Wilhelm Hansen
The Dreamers - A Gothic Tale for Horn Trio by Niels Marthinsen. Programme note: ...(+)
The Dreamers - A Gothic Tale for Horn Trio by Niels Marthinsen. Programme note: The Dreamers for horn violin and piano is the sixth of a series of seven compositions named after Karen Blixen's collection of short stories Seven Gothic Tales. My musical gothic tales are written for very different ensembles - THE SUPPER AT ELSINORE is a saxophone quartet THE OLD CHEVALIER is for bass trombone and piano THE MONKEY is a chamber orchestra work - but they all share musical material in a criss-cross of contextual references reminiscent of Blixen's narrative complexity: Themes and motivs from one pieceappear in others in new and surprising shapes and combinations. Karen Blixen's THE DREAMERS has the most complex narrative structure of all her seven gothic tales. The story is made up of three tales with different narrators but with the same principal caracter in various disguises all three imbedded within a fourth tale that serves as a framework for the entire short story.The main story line unravels the life of a famous opera diva who looses her voice during a terrible fire. Before this her life was perpetual bliss and the tragedy drives her into assuming different personality guises in order to escape reality.Toward the end she is confronted with her true identity and dies.THE DREAMERS isn't 'about' anything. The music is inspired by the artistic content of Blixen's short story - it's emotionalism dramatic construction atmosphere period and settings - but unfolds in time and musical space in ways that are completely independent of the story's narrative progression...except one might say that the three players try their best to either catch or escape each other and that when they finally meet it happens abruptly even tragically - and only barely provides a little consolation.
49.99 GBP - Sold by Musicroom UK |
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| Bohuslav Martinu:
Serenade no. 3 H 218:
Chamber Ensemble: Parts Chamber Orchestra Barenreiter
Serenade no. 3 H 218. Unusual instrumentations were by no means the exception in...(+)
Serenade no. 3 H 218. Unusual instrumentations were by no means the exception in the chamber music works of Bohuslav Martinu, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his experimentation with sound and form. It is from this period that four short serenades also originate (1932), each with a different instrumentation. The serenades were issued by the Prague publishing house Melantrich in 1949.
Their premiere took place two years previously on 16 October 1947 and was performed by members of the Prague Symphony Orchestra (FOK). Although the study score of the Serenades Nos. 1 and 3 was published while the composer was still alive, he was in fact not involved in preparing this edition: indeed, the performance material also appeared in print without his participation in 1954. It was therefore decided to use the autograph score as the principal source for this edition.
12.50 GBP - Sold by Musicroom UK |
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| Michael Nyman: Michael
Nyman: MGV (Musique A
Grande Vitesse):
Orchestra: Score Chamber Orchestra [Sheet music] Chester
Michael Nyman's Musique A Grande Vitesse (MGV) translates as ‘high speed m...(+)
Michael Nyman's Musique A Grande Vitesse (MGV) translates as ‘high speed music’ and was commissioned by the Festival de Lille for the inauguration of the TGV North EuropeanParis-Lille line in 1993. This piece of sheet music runs continuously but was conceived as an abstract imaginary journey; or rather five inter-connected journeys each ending with a slow mainly stepwise melody which isonly heard in its 'genuine' form when the piece reaches its destination. Thematic 'transformation' is a key to MGV as a whole. Throughout the piece ideas - rhythmic melodic harmonic motivic textural -constantly change their identity as they pass through different musical 'environments'. The opening bars establish both a recurrent rhythmic principle - 9 11 or 13-beat rhythmic cycles heard against a regular 8 - and aharmonic process - chord sequences (mainly over C and E) which have the note E in common. (Coincidentally MGV begins in C and ends in E). A later scalic syncopated figure (again first heard over C E and A)begins the second section featuring Brass in D flat. The topography of MGV should be experienced without reference to planning description or timetables. Its tempo changes and unpredictable slowings downbear no logical relation to the high speed of the Paris-Lille journey while the temptation to treat MGV as a concerto grosso with the Michael Nyman band as the ripeno was resisted: more suitably theband (amplified in live performance) lays down the tracks on which MGV runs.
44.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Bohuslav Martinu:
Serenade no. 1 H 217:
Chamber Ensemble: Study
Score Chamber Orchestra [Study Score / Miniature] Barenreiter
Serenade no. 1 H 217. Unusual instrumentations were by no means the exception in...(+)
Serenade no. 1 H 217. Unusual instrumentations were by no means the exception in the chamber music works of Bohuslav Martinu, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his experimentation with sound and form. It is from this period that four short serenades also originate, of which the Serenade No. 1 was composed in 1932. The serenades were published by the Prague publishing house of Melantrich in 1949.
Although the study score of the Serenade No. 1 was published while the composer was still alive, he was in fact not involved in preparing this edition: indeed, the performance material also appeared in print without his participation in 1954. It was therefore decided to use the autograph score as the principal source for this edition.
10.00 GBP - Sold by Musicroom UK |
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| Kraus: Kammermusik I.
Musikalische Werke, Bd.
Vi/1 (KRAUS JOSEPH
MARTIN) Chamber Orchestra [Sheet music] Carus Verlag
Par KRAUS JOSEPH MARTIN. The first volume of the new scholarly edition contains ...(+)
Par KRAUS JOSEPH MARTIN. The first volume of the new scholarly edition contains the complete chamber music without a keyboard instrument. The most important group of works comprises the string quartets, 10 of which have survived. They were composed during the 1770s, whenHaydn was developing this class of music. The differing balance between such contrasting musical elements as entries in imitation, courtly melody, swift changes of tempo and unexpected modulations gives each of the quartets its special charm. Thefact that six of them were published in 1784 as Krauss 'Opus 1' by the publisher J. J. Hummel shows that the composer himself was convinced by his quartets. With the Flute quintet this volume alsocontains another key work in Kraus’s chamber music. Composed in Vienna about 1783 and also issued in manuscript copies, this work was printed by Ignaz Pleyel in Paris in 1799./ Répertoire / Ensemble de Chambre
213.00 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Rosen Aus Dem Süden
Op. 388 (STRAUSS JOHANN
(FILS)) Chamber Orchestra [Part] Schott
Par STRAUSS JOHANN (FILS). Walzer Nach Den Motiven Der Operette 'Das Spitzentuch...(+)
Par STRAUSS JOHANN (FILS). Walzer Nach Den Motiven Der Operette 'Das Spitzentuch Der Königin'/ Répertoire / Orchestre de Salon
6.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Rosen Aus Dem Süden
Op. 388 (STRAUSS JOHANN
(FILS)) Chamber Orchestra [Part] Schott
Par STRAUSS JOHANN (FILS). Walzer Nach Den Motiven Der Operette 'Das Spitzentuch...(+)
Par STRAUSS JOHANN (FILS). Walzer Nach Den Motiven Der Operette 'Das Spitzentuch Der Königin'/ Répertoire / Orchestre de Salon
6.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Rosen Aus Dem Süden
Op. 388 (STRAUSS JOHANN
(FILS)) Chamber Orchestra [Part] Schott
Par STRAUSS JOHANN (FILS). Walzer Nach Den Motiven Der Operette 'Das Spitzentuch...(+)
Par STRAUSS JOHANN (FILS). Walzer Nach Den Motiven Der Operette 'Das Spitzentuch Der Königin'/ Répertoire / Orchestre de Salon
6.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Rosen Aus Dem Süden
Op. 388 (STRAUSS JOHANN
(FILS)) Chamber Orchestra [Part] Schott
Par STRAUSS JOHANN (FILS). Walzer Nach Den Motiven Der Operette 'Das Spitzentuch...(+)
Par STRAUSS JOHANN (FILS). Walzer Nach Den Motiven Der Operette 'Das Spitzentuch Der Königin'/ Répertoire / Orchestre de Salon
6.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order |
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| Camille Saint-Saëns: Le
Carnaval des animaux:
Chamber Ensemble: Score &
Parts Chamber Orchestra G. Henle
Le Carnaval des animaux. Written in March 1886 as a humorous occasional work for...(+)
Le Carnaval des animaux. Written in March 1886 as a humorous occasional work for the traditional carnival concert organized by his cellist friend Charles-Joseph Lebouc, the Carnival of the Animals was so successful that Saint-Saëns banned performances and publication soon afterwards. He was worried that this ?grand zoological fantasy? - consisting of 14 short individual pieces for eleven instruments - might overshadow his serious works. Yet only five months after the composer?s death, it appeared in print after all, beginning its worldwide victory march - in its original setting as well as in numerous arrangements. Thus, the Carnival did in fact arguably become the most popular work by this French composer and, owing to its musical originality, it is also a favourite in music lessons or for school orchestra performances. With this combination of a study edition and an edition in parts (for which additional parts for larger numbers of strings may be ordered), G. Henle Publishers now presents the perfect resource for such occasions.
35.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Snapshots (TURNAGE
MARK-ANTHONY) Chamber Orchestra [Study Score / Miniature] Schott
for large ensemble. Par TURNAGE MARK-ANTHONY. One of the movements in Scorched (...(+)
for large ensemble. Par TURNAGE MARK-ANTHONY. One of the movements in Scorched (arrangements of seventeen tunes by John Scofield for jazz trio and orchestra) has a coda, which repeats a dense, two-bar tag which sounded like it could be developed. Snapshots starts off by revealing bits of each of the two bars (with episodes placed in-between). The full two bars of music are then revealed at the end of the piece. Snapshots is a tribute to Olly [Oliver Knussen] on his 50th birthday.
Mark-Anthony Turnage/ Répertoire / Ensemble de Musique de Chambre
13.87 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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