Par MIDDLETON JOSEPH / BEVAN MARY. 25 popular works for soprano voice with piano accompaniment featuring selected works from the major exam board syllabuses, spanning Grades 5 to 8 and beyond. Includes a preface and performance notes by Mary Bevan and Joseph Middleton, and a digital version of the book to view on any device./ Recueil / Soprano et Piano

Edward Thomas was born in Lambeth on 3rd March 1878 and spent most of his childhood in London. His holidays however were spent with relatives in Swindon and it was there that he developed his abiding love of all things rural.He was educated at St Paul's Hammersmith and was encouraged in his creative writing by James Ashcroft Noble whose daughter he secretly married after her father's death and to the great disapproval of her family. Despitegrowing anxiety over poverty ill health and literary discouragement which exacerbated a natural tendency to depression Thomas worked unstintingly as a reviewer and wrote and published over 30 books between 1897 and 1917.'Adlestrop' was written with four other poems between 7th and 9th June 1915. He enlisted in 1915 at the age of 37 and was called to the Front in 1917. He arrived at Arras on 9th February 1917 and was killed on the 9th April Easter Monday by a shell blast in the opening minutes of the offensive.This work for Soprano and Piano was premiered by Jane Manning and Dominic Saunders at the Aldeburgh Festival in 1989. Text by Edward Thomas. A3 ScoreAvailable: SOS03574

These vocal scores (BA9181, BA9182, BA9183) of Mozart?s concert and insert arias are based on the ?New Mozart Edition? (NMA). The first three volumes comprise all arias for soprano and orchestra. They are classified according to voice type (high soprano, soprano, low soprano and alto) and arranged chronologically within the volumes.

Unlike the NMA the musical text presented in these editions is free from practical references on performance aspects or suggestions on performance practice. Instead, each volume contains a accompanying brochure, with detailed explanations on the execution of appoggiaturas and other performance practice phenomena which are relevant to every aria. In addition, there is a choice of suggestions for the performance of cadenzas and lead-ins as well as a suggestion for the ornamentation of dal segno parts, which are often found in the early Mozart arias.

? Arrangement of arias according to voice type
? Underlaid text presented in the original language only
? All aria texts are translated into German and English and are printed seperately
? Idiomatic piano reductions to the individual arias
? Clear and legible layout of the musical text as all additional notes and suggestions on performance practice appear in the supplement published with each volume
? Performance material on hire to each aria
(Please refer to the relevant volume for further information)
/ [Grands Airs de Concert Pour Soprano] / Classique / Partition / Agrafé /

Opéra en 3 actes Livret : Jules BARBIER et Michel CARRÉ N°06 : ROMANCE Ah ! si je redevenais belle Rôle : BAUCIS (soprano)

Nine Amen and Halleluja Movements-Between 1728 and 1747 Handel composed these nine two-part movements for soprano and instrumental bass. Though speculation exists the occasion for which the pieces were composed as well as the exact date of their composition remain unknown.The soprano sings short liturgical phrases such as ?Amen? ?Allelujah? ?Alleluja amen? or ?Amen alleluia?. The editor has supplied a text for the movement HWV 275 which until now has for reasons unknown been without text. The Amen and Hallelujah movements are in easy keys (using up to one sharp or two flats) and the modulations rarely move to harmonically distant tonal areas. Handel figured the bassline very detailed which playsmostly an accompanying supportive role imitating the voice in a few places. The vocal part is distinguished by the repetition of motives by repeated notes but also by short or extended coloratura. Presumably these movements were intended for use in teaching.Today these short movements of between 25 and 76 bars lend themselves well to use in church services.Based on the Urtext of the ?Halle Handel Edition?Idiomatic realization of the continuo part

Les Cinq Elégies sont un cycle de mélodies écrites en 1999 alors que j'avais dix-sept ans, suite à une déception amoureuse, sur des textes extraits du recueil de poèmes ' Alcools ' de Guillaume Apollinaire, paru en 1913, Le genre élégiaque des poèmes choisis, est aussi appliqué à la musique : Deux mélodies en vocalises, très nostalgiques, ouvrent et ferment le cycle, qui n'utilise que trois poèmes, Le langage musical, en recherche, s'inscrit dans une continuité Française de la couleur harmonique, I - Les souvenirs sont cors de chasse Dont meurt le bruit parmi le vent (03'00'')II - Les Colchiques (03'00'')III - Automne (01'30'')IV - Le pont Mirabeau (02'50'')V - Le fleuve est pareil à ma peine Il s'écoule et ne tarit pas (04'30'') / Soprano

Cantata for the 15th Sunday after Trinity-Jauchzet Gott In Allen Landen - Praise Ye God Throughout Creation BWV 51.Cantata for the 15th Sunday after Trinity. The solo cantata “Jauchzet Gott In Allen Landen” written around 1730 for the 15th Sunday after Trinity is one of Bach’s best-known cantatas. The scoring for solo Soprano Trumpet Strings and Continuo is unique amongst Bach’s cantatas and has parallels with Italian composers of the period. The enduring popularity of the work is due to the clear and succinct formal structure and not least to the virtuoso Trumpet part and Soprano arias in which the soloists can demonstrate their totalmastery. The cantata is published in a Vocal score based on the “New Bach Edition” with an idiomatic straightforward Piano reduction by Martin Focke. - Famous work with a festive instrumental sound. - Urtext based on the “New Bach Edition”. - Clear straightforward Piano reduction. - Study score (TP1051) performance material (BA10051) & Vocal score (BA10051-90) available for sale.

Par SAARIAHO KAIJA. These three songs, written for the Finnish operatic soprano, Anu Komsi, take texts by Pentti Saarikoski, one of the most important poets in the literary scene of Finland during the 1960s and 1970s. / Date parution : 2022-04-26/ Répertoire / Soprano et Piano

Sange Til Tekster Af Sigbjørn Obstfelder (1920) - 4 Songs for Soprano and Piano by Knudåge Riisager (1897-1974). Texts by the Norwegian poet Sigbjørn Obstfelder (1866-1900).

Par CHAMOUARD PHILIPPE. Philippe Chamouard?s music sheds new light on Michelangelo?s three magnificent poems (Dimmi di grazia, Gli occhi, A l?alta tuo) which deal with a universal theme, that of love linked to beauty. / Date parution : 2022-04-26/ Répertoire / Soprano et Piano