SKU: HL.14021531
9.0x12.0x0.154 inches. French.
Les caracteristiques de la guitare sont telles qu'il existe un nombre quasi-illimite de possibilites (positions, doigtes, techniques de liaison) pour jouer une meme phrase melodique. Cet ouvrage a donc pour but de donner quelques exemples de phrases et d'arrangements des Standards du Jazz issus de repertoire Swing et Be-Bop a l'aide d'un CD d'accompagnement. Vous trouverez dans cette methode deux types de themes et d'arrangements: * Les themes Be-Bop: Ils sont arranges pour deux guitares, une basse et une batterie. * Les themes Swing: Ils sont arranges pour guitare, basse et batterie. La guitare joue les accords et la melodie simultanement. The guitar idioms give an endless comnbination of fingerings, neck positions and legato techniques to play one single musical line. The purpose of this book is to provide examples of phrasing and arranging of swing and be-bop standards. You will find two types of tunes * Be-Bop tunes: These tunes are arranged for two guitars, a bass and drums. * Swing tunes: These are arranged for guitar, bass and drums. The theme and chords are played by one guitar only.
SKU: MB.30666M
ISBN 9781513462851. 8.75x11.75 inches.
The Hawaiian word for slack key guitar, kÄ« hÅâ??alu, means to â??loosen the keyâ? or retune some of the strings to create a harmonious sound with an open or alternate tuning. Slack key is a fingerpicking style characterized by strong alternating bass lines played with the thumb. While slack key can be played on any guitar, most players prefer a nylon- or steel-stringed acoustic instrument. This book presents 25 intermediate to advanced traditional and original tunes in the Hawaiian slack key style. Melodies are often harmonized in sixths or thirds played with or without double stops. Techniques like syncopated bass lines, hammer-ons, pull-offs, slides, and harmonics are tastefully employed to evoke the images of ocean breezes, swaying palms, hula dancers and white sandy beaches. The author writes, â??Unless you grew up playing slack key, itâ??s hard to get from the material presented in most books and DVDs to a fluid, play-it-your-own-way style.â? This book seeks to reveal the insights the author has gleaned from studying and jamming with some of the giants of the slack key style, and help you develop a style all your own. Includes access to online audio tracks of all 25 relaxing but challenging Hawaiian slack key tunes.
SKU: UT.CH-289
ISBN 9790215325852. 9 x 12 inches.
Giovanni Podera: Fantasia (In memoriam JoaquÃn Rodrigo)Marco Reghezza: Nana EstrelladaMarco Simoni: Junto a RodrigoMarco Smaili: Fronda de la tarde (Homenaje a JoaquÃn Rodrigo)Paolo Ugoletti: Fuga a 4 vociFollowing the successful publication of Homenaje a Rodrigo (2015), containing four pieces by Alessandro Spazzoli – one of which was performed in the presence of the composer’s daughter, Cecilia Rodrigo, during her visit to the International Convention in Alessandria –, here is the second volume. It contains more tributes to Rodrigo written on my input by five well-known Italian and Spanish composers, two of whom are also guitarists and have therefore written the fingering for their own pieces.Giovanni Podera plunges us into a typically Rodrigo-like atmosphere with his evocative Fantasia, while the following three compositions are full of direct quotations from pieces also for guitar by the great composer from Valencia. Thus, Marco Simoni, in his expressive Junto a Rodrigo – which also provides the title to the volume – plays with themes taken from Junto al Generalife and from Dos piezas caballerescas for a cello ensemble as well as hinting at reminiscences of Tiento antiguo. As for Marco Smaili, in his impressionistic Fronda de la tarde, he evokes quite evidently Zarabanda lejana and Invocación y Danza, but there are more hidden references to Caminos de Santiago and even to the very famous Concierto de Aranjuez. Marco Reghezza builds his heart-breaking Nana estrellada on a sequence of chords used by Rodrigo in the fantasia ¡Que buen caminito!. On the other hand, there are no direct quotations and echoes of Rodrigo’s way of writing in the Fuga a quattro voci by Paolo Ugoletti. However it was Rodrigo himself who constructed four-part imitative passages for guitar in Pasacalle and in the Ricercare of the Fantasia para un Gentilhombre. The close polyphony of the piece by Ugoletti may be considered as a tribute to this kind of craft shown by Rodrigo who, like Ugoletti, was able to write such dense and idiomatic counterpoint without being a guitar-player.I am pleased that this volume comes out in the imminence of the 20th anniversary of the disappearance of the illustrious Spanish composer who gave so much to the musicians – and not only to them.(Piero Bonaguri)Muchas gracias por este emotivo y excelente musical homenaje a mi padre. La edición es excelente y la difundiremos con todos nuestros medios por las redes sociales a nuestro alcance. Ha sido un gran trabajo por su parte, fruto de sus grandes conocimientos guitarrÃsticos y su devoción por JoaquÃn Rodrigo. Le reitero mi gratitud y mi felicitación con el ruego transmita a los cinco compositores mi felicitación y deseos de éxito. (Cecilia Rodrigo).
SKU: AP.1-ADV10025
ISBN 9783892212553. UPC: 805095100259. English.
After the success of his first publication A Chordal Concept for Jazz Guitar, renowned Australian guitarist Peter O'Mara explores the depths of jazz improvisation from a guitarist's point of view. This new book covers a wide variety of topics---scales, intervals, triads, non-tertial triads, four-note structures, five-note structures (pentatonic scales), as well as useful practical exercises. Fourteen modes and their applications are covered in detail. The book also includes a play-a-long CD, MIDI files, as well as a demonstration CD. A must for the contemporary jazz guitarist! Titles: Introduction * Triads * Four-Note Structures * Diatonic Relationships * Examples and Modal Exercises * Ezam * The Wheel * About the Author.
SKU: HL.298903
ISBN 9781936604371. UPC: 888680955229. 9x12 inches.
Five of Acoustic Guitar magazine's master teachers – Ron Jackson, Adam Levy, Sean McGowan, Jane Miller and Jeffrey Pepper Rodgers – give you a dozen four-week workouts, designed to engage both your fingers and your mind as you develop harmonic vocabulary and fluidity. With this book, you'll learn to play moveable compact chord shapes, suspended chords, jazz harmonies, blues and jazz bass lines, and much more. Technical and conceptual tips are presented throughout, and standard notation & tablature are included for all workouts. Video downloads for all examples are available online for download or streaming!
SKU: MB.30546
ISBN 9780786696123. 8.75 x 11.75 inches.
This volume is the first in a new series of guitar transcriptions by John Kiefer. Beginning Baroque for Guitar features simplified arrangements of Baroque music. The pieces are primarily monodic and can be performed with a pick or fingers. The music has been notated without fingerings or tablature to promote musical literacy and encourage all fingering possibilities. In addition to the pieces formatted with melody/chord symbols, five duets and four canons are included. This book can supplement basic guitar methods, guitar classes and guitar ensemble courses.