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Jeu Des 5 Eléments III (TIET TON-THAT)
Violon, Alto, Violoncelle et Harpe
Jobert
Par TIET TON-THAT. Les parties séparées (JJ70696) sont destinées au trio à c...
(+)
Par TIET TON-THAT. Les parties séparées (JJ70696) sont destinées au trio à cordes, le conducteur sert de partie de harpe. / contemporain / Répertoire / Violon, Alto, Violoncelle et Harpe
80.50 EUR - Sold by LMI-partitions
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Michel Tournier: Au Matin étude de concert pour harpe: Harp: Instrumental Work
Harp
[Sheet music]
Leduc, Alphonse
French harpist composer and teacher Marcel Tournier (1879-1951) wrote importan...
(+)
French harpist composer and teacher Marcel Tournier (1879-1951) wrote important solo repertoire for the Harp which expanded the harmonic and technical possibilities of the instrument. His Étude De Concert Au Matin is no exception. Composed in 1940 Étude De Concert Au Matin remains regularly performed and recorded by harpists. The piece is marked allegro and is in compound meter. Tonality and rhythm are sublimely exploited and there is much use of extended technique. Tournier's Étude De Concert Au Matin is suitable to all advanced harpists seeking to explore variedrepertoire on the instrument.
14.99 GBP - Sold by Musicroom UK
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Petit Livre D'Heures
Français
Harp
Billaudot
Un livre d'heures est un recueil de texte et de pières parfois très richement ...
(+)
Un livre d'heures est un recueil de texte et de pières parfois très richement illustrés par de superbes enluminures représantant diverses scènes tirées de la vie de Jésus-Christ.Ce petit livre d'Heures pour harpe est conçu dans le même état d'esprit, comme une succession de minatures musicales qui dépeignent chacune un des trois grands moments de la vie de Jésus (Noël, la Passion, Pâques) en traduisant les états émotionnels ressentis dans le coeur de celui qui les médite. / Harpe
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Serge Lancen: Recreation: Harp: Score
Français
Harp
[Sheet music]
Hamelle
Pièce facile (for harp or celtic harp)
8.50 GBP - Sold by Musicroom UK
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The Celtic Harp: Harp: Instrumental Album
Harp
[Sheet music]
-
Easy
Ossian Publications
A hand-picked collection of the finest old airs and dance tunes from the ‘...
(+)
A hand-picked collection of the finest old airs and dance tunes from the ‘Celtic’ Countries. The music has been arranged for easy Harp but it is suitable for Piano and Keyboard or most other melody instruments. A wide variety of styles and flavours are included in this book and it is a perfect addition to the repertoire of any musician who has interests in Harp Music. This represent the various fashions and approaches of musicians in Ireland Brittany England Wales Cornwall and the Isle Of Man.
8.99 GBP - Sold by Musicroom UK
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Jean-Louis Petit: Bleu Nuit: Harp
Harp
[Sheet music]
Durand
Commande de l'Ecole Nationale de Musique de Boulogne-Billancourt
7.99 GBP - Sold by Musicroom UK
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Danse Barbare (Quatuor A Cordes)
Français
Harpe Et Instruments Divers
[Sheet music]
Fertile Plaine Editions
La référence FP 410 de l'éditeur Fertile Plaine dont l'auteur célèbre est F...
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La référence FP 410 de l'éditeur Fertile Plaine dont l'auteur célèbre est Fleurette Bernard, qui a pour titre Danse barbare ( quatuor a cordes ), a été écrite et composée pour Ensemble Instrumental et Petit Orchestre et plus particulièrement pour Ensemble A Cordes. Cette partition musicale appartient à la catégorie Classique. / Ensemble A Cordes / Partition
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Micantia for Harp Solo (KNOCKAERT PETER)
Harp
[Sheet music]
Metropolis Music Publishers
Par KNOCKAERT PETER. Micantia is the Latin word for ?things that are twinkling/s...
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Par KNOCKAERT PETER. Micantia is the Latin word for ?things that are twinkling/shimmering/shining/sparkling, ...?.. The inspiration for this piece is found in many sudden observations of beautiful sceneries like sunbeams shining through clouds, snow crystals in winter time or icy landscapes. In a way too hasty world, the piece is meant to slow down a little and give you a moment of reflection on how mesmerizing the world is around us. / Date parution : 2022-11-29/ Recueil / Harpe
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Ludovico Einaudi: Stanze: Harp Solo: Instrumental Work
Italiano
Harp
Ricordi
versione originale per arpa. Milan, 1990 I was writing a series of piano pieces....
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versione originale per arpa. Milan, 1990 I was writing a series of piano pieces. I had a goal: to remove, and leave space. The title refers to the poetic stanzas but also to invisible spaces to be inhabited with the mind. One day my friend Cecilia Chailly calls me and asks me if I have a harp piece for her to play. I give her Vega to try. Two days later I go to her house to listen and, with mutual enthusiasm, I give her all the pieces that we will soon be recording. Cecilia will perform them in concert on various and memorable occasions. Here, I would like to express my profound thanks for her heartfelt help in correcting this new harp edition. (L. Einaudi)
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Zequinha Abreu: Tico Tico: Harp Solo: Instrumental Album
Harp
Peermusic Classical
Tico Tico
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Laurie Riley Leslie McMichael: Celtic Music For Folk Harp: Harp: Instrumental
Harp
Mel Bay
This book is intended to be an introduction to a style of music which has a long...
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This book is intended to be an introduction to a style of music which has a long and noble history that is inextricable intertwined with that of the ancient harp. The tunes contained in this book were chosen for their playabilityon the folk harp as well as for ease of separating into categories of skill.
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Star Edwards: Medieval Music For Celtic Harp: Harp: Score
Harp
[Sheet music]
-
Easy
Mel Bay
The music of church and travelling musicians dominated the middle ages. Twenty-o...
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The music of church and travelling musicians dominated the middle ages. Twenty-one tunes are now available and arranged for the Celtic Harp. Book includes song notes and brief historical preface.
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Alphonse Hasselmans: 3 Petites Bluettes Op.28 (Harp solo): Harp: Instrumental
Harp
[Sheet music]
Leduc, Alphonse
3 Petites Bluettes Op.28 (Harp solo)
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Say Something: Harp Solo: Instrumental Work
Harp
[Sheet music]
Hal Leonard
Arranged for Harp-Say Something is an original song by the American duo A Great ...
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Arranged for Harp-Say Something is an original song by the American duo A Great Big World. The lyrics are about letting go when a relationship ends. It became an international hit when Christina Aguilera joined A Great Big World on a re-recorded version in 2013. Sylvia Woods has made a 4-page advanced beginner to intermediate arrangement playable on either lever or pedal harp. This music features a pedal point (also called a pedal note or pedal tone) which is a sustained or continually repeated note that is held constant while harmonies change in other parts. A pedal point is usually found in the bass but here it is in the middle register. Virtually every measure includes a middle Cnote on the downbeat. Sometimes it is played with the right hand and at other times with the left. But it is almost always there. This pedal point harmony is what originally drew me into this beautiful piece of music the first time I heard it on the radio. The music is in the key of C and no sharping levers are required as there are no lever changes. Fingerings lyrics and chord symbols are included. The harp range required is 24 strings from a low C up to an E. It can be played on 24-string to 26-string harps with a C as the lowest string if you play both hands an octave higher than written.
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Septembre - Nocturne Symphonique (Parties Séparées)
Français
Percussions, Harpe Et Cordes
Delatour France
Voici une oeuvre tardive, dont l'influence debussyste imprègne encore la partit...
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Voici une oeuvre tardive, dont l'influence debussyste imprègne encore la partition. L'orchestration en est déliée et utilise un lyrisme volontairement véhément. Le titre et la date pourraient laisser évoquer un chant du cygne? / Percussions, Harpe Et Cordes
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Petite Suite Classique
Harp
Carl Fischer
L'édition fait partie du programme ABRSM (grade 2, 4) / Harpe
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Alphonse Hasselmans: Petite Berceuse: Harp: Instrumental Work
Harp
[Sheet music]
Leduc, Alphonse
Petite Berçeuse by Alphonse Hasselmans is a really sweet melody that can be pl...
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Petite Berçeuse by Alphonse Hasselmans is a really sweet melody that can be played on lever or pedal Harps. Easy to play for both hands it perfect for medium-beginners (second years). Written on a double page the finger positions are indicated to help the young players execute this piece properly. It will enable them to play a music piece aside from their usual exercises. Alphonse Hasselmans (1845-1912) was a Belgian-born French Harpist a great composer and renowned professor. He composed numerous pieces for Harp and transcribed numerous works for the Harp. He also edited and reviewed a collection ofworks by Bochsa. His most famous piece is a concert piece called 'The Wellspring Op. 44'.
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F. Andres: Petits Pas Harp (Pieces(12)): Harp
Harp
[Sheet music]
Lemoine, Henry
Petits Pas Harp (Pieces(12))
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Jeroen Speak: Reflections For Lever Harp: Harp: Instrumental Album
Harp
The composer writes: 'My approach to writing these works for intermediate level ...
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The composer writes: 'My approach to writing these works for intermediate level lever harp was to fully embrace the diatonic and/or modal properties of the lever harp and to write into the strengths of the instrument. I also wanted to create works which whilst embedded in stylistically familiar territory also open up less familiar technical and musical elements for new players. For example the ???celtic??? themed works Coire Fhionn Lochan and The Road to Kilchurn Castle are derived from very familiar elements but which challenge the players ability to deal with irregular times and juxtaposed rhythmic material and Reverie which tests the harpists ability to maintain evennesswhile controlling gradual changes of tempo and dynamic within a very familiar technical landscape. One of the other important things was to write works specifically for the lever harp (as opposed to pedal harp) especially given that so much lever harp repertoire consists of arrangements or re-arranged pedal harp music. The lever system offers many advantages over the pedal system including the opportunity to employ chromatic possibilities that would otherwise be impossible. So some of these works indulge and celebrate these idiosyncrasies. I hope you will enjoy playing them as much as I enjoyed writing them.'
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Alastair King: Time Let Me Play: Ensemble: Score
FLT/HARP/VLA::Flûte Traversière/Harpe/Viola
[Sheet music]
Chester
Time Let Me Play
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Vif-Argent (LEMAITRE DOMINIQUE)
Harp
[Sheet music]
Jobert
Par LEMAITRE DOMINIQUE. Il y a plusieurs années j'ai débuté l'écriture d'un ...
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Par LEMAITRE DOMINIQUE. Il y a plusieurs années j'ai débuté l'écriture d'un cycle de pièces pour duos homogènes. J'ai ainsi composé Pulsars pour deux flûtes puis Orange and yellow, hommage à Morton Feldman pour deux altos, Orange and yellow II qui est une transcription pour deux violoncelles de la pièce précédente, Dans le jour loin pour deux sopranos sur un poème d'Alexis Pelletier et Séléné, hommage à Maurice Ohana pour deux guitares. Et récemment, j'ai écrit Vif-argent pour deux harpes ! D'une manière générale ces oeuvres, conçues pour deux instruments ou deux voix identiques, apparaissent comme des compositions 'stéréophoniques'. Les deux parties sont égales et sans hiérarchie et elles utilisent le même matériau en s'échangeant même des motifs. Vif-argent est l'ancien nom du mercure et j'avais sa double caractéristique - solide et fluide ou métallique et mobile - à l'esprit lorsque je composais cette partition. Sans oublier que le dieu grec Hermès (...Mercure chez les romains) est l'inventeur de la lyre ! Mais la cristallisation sur ce titre s'est définitivement produite à la lecture de cet extrait de Ulysse de Joyce dans la traduction d'Auguste Morel : «...L'ombre des forêts flottait dans la paix du matin entre la tour et la mer que regardait Stephen. Au creux de la baie et au large blanchissait la mer miroitante, éperonnée par des pieds fugaces et légers. Sein blanc de la mer nébuleuse. Les accents enlacés deux à deux. Une main cueillant les cordes de la harpe et mêlant leurs accords jumeaux. Vagues couplées du verbe, vif-argent qui vacille sur la sombre marée...» Dominique Lemaître/ Répertoire / Harpe
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Easy Scottish Harp Music
Harp
[Sheet music]
Musique facile de harpe écossais est un livre de dix arrangements simples de ch...
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Musique facile de harpe écossais est un livre de dix arrangements simples de chants écossais traditionnels et nouveaux pour le répertoire à la harpe. Les sélections exigent une harpe 34-chaîne. Sans changement de levier, ils sont prêtent bien harpers au début ou intermédiaires. Pédales harpistes apprécierez également la simplicité et la lisibilité de ces mélodies. La plupart sont 1-2 pages en longueur. Les textes des chansons sont fournis pour le contexte historique. Les arrangements sont destinés pour le commencement ou intermédiaire harper à apprendre la musique nouvelle, coordonner la mélodie droite avec un simple accompagnement gauche et développer les compétences de la dynamique et l'expression. Les chansons sont appropriées pour les représentations à la Renaissance d'affaires, des récitals, des séances de thérapie de musique et comme relaxant entertainment. Pour les joueurs plus avancés, les arrangements imprimées peuvent être utilisés comme un contour et embellis selon les capacités créatives de la harpiste. / Harpe (Folk Ou Celtique) / 32 pages / niveau : Débutant / Partition - Format: 11 X 8,5
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Conversions (JARRELL MICHAEL)
Français
Harpe et Orchestre à Cordes
[Sheet music]
Lemoine, Henry
Par JARRELL MICHAEL. Les commanditaires de cette pièce souhaitaient qu'elle aie...
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Par JARRELL MICHAEL. Les commanditaires de cette pièce souhaitaient qu'elle aie un rapport avec l'oeuvre de J.S. Bach. Les diverses 'conversions' opérées dans cette pièce sont appliquées à un matériel original, celui de l'Offrande Musicale et, en particulier, le thème du canon à deux voix Quarendo invenietis. L'acrostiche, autre allusion à Bach, est aussi employée comme moyen de conversion. Cette pièce fut écrite pour Chantal Mathieu et lui est dédiée. Michael Jarrell Se référer à des modèles du passé tout en gardant sa propre originalité stylistique, voilà l'un des problèmes régulièrement posés aux compositeurs du XXe siècle. Analyse. Dans Conversions, la référence au modèle du passé reste très secrète. L'Association des Musiciens Suisses, commanditaires de cette pièce, souhaitait que l'oeuvre ait un rapport avec l'oeuvre de J.S. Bach. Le compositeur s'inspira donc de l'Offrande Musicale et en particulier du thème du canon à deux voix Quaerendo invenietis ('Si vous cherchez, vous trouverez'). C'est en cherchant ces conversions que Jarrell a trouvé la plénitude de son style et de sa poétique musicale, lesquels sont basés sur l'écart entre le 'même' et le 'différent'. Le titre fait ainsi allusion aux différentes transmutations opérées par le compositeur afin de convertir dans son propre langage le matériel original de Bach. Entre la harpe et l'orchestre à cordes, Jarrell tisse une toile subtile de réverbérations, lesquelles s'épanouissent en une arborescence sonore de plus en plus complexe. Tout comme un processus de croissance végétale, les mêmes sons, les mêmes figurations se métamorphosent constamment à travers un travail de transformations harmoniques et timbriques, un jeu de permutations et de stratifications. Gianfranco Vinay Programme du Théâtre du Châtelet / contemporain / Répertoire / Harpe et Orchestre à Cordes
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Lyrae (PEPIN CAMILLE)
Quatuor à Cordes, Harpe et Percussion
Jobert
Par PEPIN CAMILLE. Lyrae est une oeuvre pour quatuor à cordes, harpe et percuss...
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Par PEPIN CAMILLE. Lyrae est une oeuvre pour quatuor à cordes, harpe et percussions (grosse caisse, marimba, vibraphone et tamtam). Elle s'inspire d'une des étoiles les plus fascinantes de la constellation de la Lyre. Il s'agit en réalité d'une double-étoile dont chacune des entités exerce des forces cosmiques sur l'autre. S'attirant puis se repoussant, elles créent une sorte de 'halo”, de brume stellaire autour d'elles. Nimbées de poussière cosmique très énergétique, elles peuvent cependant s'éclipser l'une l'autre. J'ai donc conçu la pièce d'un seul tenant, comme un véritable pas de deux du couple d'étoiles. Menant la danse à tour de rôle, elles se meuvent et rayonnent dans l'espace, illuminant ainsi le ciel de leurs faisceaux aux forces distinctes. Une introduction présente un espace sombre, aussi mystérieux que menaçant. La matière gronde, se désagrège, et se transforme au fur et à mesure en poussière lumineuse et scintillante. Un épisode plus lyrique émerge de cette brume stellaire floue, avant de retrouver l'obscurité angoissante initiale. Tout l'enjeu de cette oeuvre était de représenter musicalement ces deux facettes de Lyrae - non pas comme des entités différentes, mais comme deux mondes entremêlés qui s'enchaînent et se fondent l'un dans l'autre sans jamais s'affronter. / Contemporain / Répertoire / Quatuor à Cordes, Harpe et Percussion
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