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I Stand Amazed in the Presence (How Marvelous) for String Orchestra or Quintet
I Stand Amazed in the Presence (How Marvelous) for String Orchestra or Quintet
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String Orchestra
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Ben Dockery
Near the Cross (String Orchestra or Quintet)
Near the Cross (String Orchestra or Quintet)
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Easter Hymn Collection (with five songs) BOOK 1 - String Orchestra
Easter Hymn Collection (with five songs) BOOK 1 - String Orchestra
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String Orchestra
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MARCOS LUIZ MENDES FEITOSA
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MARCOS LUIZ MENDES FEITOSA
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Marcos Luiz Mendes Feitosa
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Franz Joseph Haydn: Sinfonia No.99 In E-Flat: Orchestra: Score
Orchestra
Universal Edition
The complete score of Franz Joseph Haydn’s Sinfonia No.99 In E Flat edit...
(+)
The complete score of Franz Joseph Haydn’s Sinfonia No.99 In E Flat edited from the autograph authentic copies and early editions by H.C. Robbins Landon. This is the Full Orchestra Score composed in 1793 as the first of six symphonies written for Haydn’s second visit to England. It is a typically impressive symphony four movements full of musicality and excitement despite its characteristic slow opening. This piece is warm and expressive with a melancholy Adagio which seems to reflect the death of one of Haydn’s close friend earlier that year.
40.99 GBP - Sold by Musicroom UK
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Symphony #4 Op. 36 In F Minor
Orchestra
[Study Score / Miniature]
Dover Publications
En production symphonique de Tchaïkovski, la Symphonie n o 4 était une oeuvre ...
(+)
En production symphonique de Tchaïkovski, la Symphonie n o 4 était une oeuvre charnière. Il a annoncé le compositeur comme un symphoniste majeur de son temps, éclipsant ses précédents, moins-que-remarquables efforts dans ce formulaire, et ouvert la voie à ses derniers grands travaux: la hantise Cinquième Symphonie et le sixième biographique, la profonde 'Pathétique. 'Quatrième Symphonie de Tchaïkovski - écrite en 1877 à l'âge de 37 - se présente comme une déclaration très personnelle. De façon spectaculaire en forme et brillamment orchestrée, il saisit une qualité théâtrale et de la couleur orchestrale qui ont façonné le compositeur symphonique fantaisie Francesca da Rimini, écrit un an plus tôt. Le quatrième ouvre sans équivoque avec la poussée d'un fanfare de cuivres - le 'sort' motif qui est de réapparaître dans le dernier mouvement - s'écoule alors de la qualité qui caractérise effort de Tchaïkovski grands généreusement mélodieux partitions de ballet. Le second mouvement s'attarde sur l'une des mélodies les plus poignants du compositeur, et le troisième - le Scherzo - offre une fantaisie délicieuse de cette orchestrateur maître: la charmante Pizzicato ostinato, un moment unique dans toute la littérature orchestrale.La symphonie est reproduit ici de la foi Breitkopf and Härtel édition, avec des mouvements bar-numérotés et les marges larges en bas de chaque page de score pour les notes et les analyses. Idéal pour l'étude en classe, à la maison, ou dans la salle de concert, ce à prix abordable, de haute qualité, le volume de taille conventionnelle sera l'édition de choix pour les étudiants en musique et amateurs de musique.Réimpression de l'édition Breitkopf and Härtel. / Orchestre
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Melodien (LIGETI GYORGY)
Orchestra
[Study Score / Miniature]
Schott
for orchestra. Par LIGETI GYORGY. Das Orchesterstück 'Melodien' habe ich 1971 k...
(+)
for orchestra. Par LIGETI GYORGY. Das Orchesterstück 'Melodien' habe ich 1971 komponiert. Ich versuchte, die dichte 'Mikropolyphonie' meiner Musiksprache aufzulockern, transparenter zu machen. Im Grunde genommen blieb ich treu zu meinem früheren Stil: die musikalische Form entfaltet sich wie ein ausgespanntes Gewebe in der kontinuierlich weiterfliessenden Zeit, doch verschmelzen die Einzelstimmen nicht mehr (wie in meiner früheren Musik), vielmehr sind sie in ihrer Überlagerung und Verflechtung einzeln durchhörbar. Die Stimmen werden zu individuellen Melodien, mit eigenem Duktus, eigenem Tempo, Rhythmus und intervallischer Struktur. Hört man das Werk zum ersten Male, erscheint es als ein Chaos diskrepanter Melodien - kennt man aber die Musik besser, werden die internen Zusammenhänge, wird das verborgene harmonische Skelett der Form erfassbar. (György Ligeti) In dieser Studienpartitur wird das Werk erstmals in modernem Notensatz verfügbar gemacht. Eine Faksimile-Ausgabe ist weiterhin erhältlich./ Répertoire / Orchestre
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Haendel Georg Friedrich - Water Music Hwv 348-350 - Orchestra
Orchestra
[Study Score / Miniature + CD]
Eulenburg
Instrument : orchestra Type : study score + CD Series : Eulenburg Audio+Score No...
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Instrument : orchestra Type : study score + CD Series : Eulenburg Audio+Score Nombre de Pages : 88 Wer liest, hört mehr. Wer eine Komposition wirklich begreifen will, greift zur Studienpartitur. Die Feinheiten einer Komposition erschließen sich erst über den Notentext. Die Reihe Eulenburg Audio+Score zeichnet sich durch lesefreundliches Format und ausgezeichnetes Druckbild, hochwertiges Papier und ein zweisprachiges Vorwort in Deutsch und Englisch aus. Wir liefern Ihnen nicht nur eine Partitur, sondern gleichzeitig die Musik dazu. Alle Bände enthalten eine CD von Naxos mit hervorragenden Einspielungen der Werke. Content : Preface - Vorwort - Horn Suite in F: 1. Ouverture. Largo-Allegro - 2. Adagio e staccato - 3. Allegro-Andante - 4. Presto - 5. Air - 6. Minuet for the French Horn - 7. Bourée. Presto - 8. Hornpipe - 9. ... - 10F. ... - 11F. Alla Hornpipe - . - Trumpet Suite in D: 10D. Allegro - 11D. ... - 12. Trumpet Minuet - 13. Lentement - 14. ... - . - Flute Suite in G - 15. ... - 16. Presto - 17. Menuet - 18. ... - 19. Country Dance
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En Souvenir De Jules Verne (SPENGLER ALEXANDRE)
Français
Orchestra
[Sheet music]
Combre
Par SPENGLER ALEXANDRE. Les quatre mouvements de cette suite ne sont pas des 'il...
(+)
Par SPENGLER ALEXANDRE. Les quatre mouvements de cette suite ne sont pas des 'illustrations', musicales descriptives. Ce sont des évocations d'ambiances, traduisant l'esprit et l'atmosphère des quatre ouvrages en question du romancier. C'est même pour cette raison que certains titres ont été modifiés, pour mieux répondre au caractère géneral desdits ouvrages. I - Voyage au Centre de la Terre est Une évocation de monde minéral et de la formidable pesanteur des inébranlables assises de l'écorce terrestre. En outre, l'idée d'une descente progressive des héros du livre à travers les anfractuosités ténebreuses de l'épaisseur granitique y est également évoquée. II - Le Nautilus et son Capitaine Nemo (Mobilis in mobilé) évoque le fabuleux sous-marin le Nautilus se glissant, mobile, rapide, puissant et insaisissable, à travers les couches liquides de l'Océan, - et l'âme indépendante, hardie et investigatrice de son animateur, le légendaire Capitaine Nemo. III - A la Recherche du Capitaine Grant Traduit l'idée-fixe d'une incessante et obstinée recherche pleine de tension angoissée, orientée toujours vers un même but, vers une même esperance, - recherche sans cesse interompue par le même obstacle : la fausse piste. Aprês un ultime et âpre effort pour aboutir, la recherche se termine dans un esprit tranquille et apaisé, - le Capitaine Grant ayant été retrouvé par hasard sur l'île Tabor. IV - Hatteras au Pôle Nord Traduit l'ambiance morne et immaculée des paysages polaires au milieu desquels vogue le navire du Capitaine Hatteras, et l'étrange et navrant drame qui se joue dans l'âme du héros qui, fasciné toute sa vie par l'obsession d'atteindre le Pôle Nord, sombre définitivement dans la démence lorsqu'il l'a atteint. Désormais, - tel une aiguille aimantée, - tout son être ne sera plus attaché qu'à un point de l'espace, un point immuable, géometrique, toujours le même, à l'exclusion de toute autre réalité... Le point qui indique le Nord (fin du morceau : un son mince, persistant, irrémédiablement isolé dans le lointain inaccessible où il se perd, - note longuement tenue par un hautbois tout seul qui finit par s'éteindre). / contemporain / Répertoire / Orchestre
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Symphonies Nos. 35, 36, And 38
Orchestra
[Study Score / Miniature]
Dover Publications
Le génie de Mozart n'est nulle part plus apparente que dans les symphonies de s...
(+)
Le génie de Mozart n'est nulle part plus apparente que dans les symphonies de sa maturité, compositions qui se dressent parmi les plus grandes réalisations de l'orchestre du XVIIIe siècle. Ce score étude miniature rassemble trois de ses oeuvres les plus connues, toutes écrites dans la dernière décennie de sa vie: Symphonie #35 en ré majeur, 'Haffner', Symphonie n o 36 en ut majeur, 'Linz', et Symphony n o 38 en ré majeur, 'Prague'.La musique est reproduite ici de la foi Breitkopf and Härtel édition, avec bar-numérotés et les mouvements de larges marges au bas de chaque page de score pour les notes et les analyses. Idéal pour l'étude en classe, à la maison, ou dans la salle de concert, ce volume à prix abordable de haute qualité, de taille conventionnelle sera l'édition de choix pour les étudiants en musique et amateurs de musique.Réimpression de l'Breitkopf and Härtel, Leipzig, 1880-1882 éditions. / Orchestre
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Per Nørgård: Three Scenes: Chamber Ensemble: Parts
Orchestra
Wilhelm Hansen
Three Scenes for Percussion and Six Instruments (2009) by Per Nørgård. Preface...
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Three Scenes for Percussion and Six Instruments (2009) by Per Nørgård. Preface / Programme Note Slagtøjssolisten er den gennemgående skikkelse og hovedperson i musikkens ”tre scener”. Begrebet ”scene” kan forstås flertydigt både som det fysiske sted platformen hvor man optræder og spiller musik og drama – og som betegnelsen for defortællende forløb og afsnit i en dramatisk forestilling. Mine musikalske ”scener” udfolder sig i tre forskellige sceniskefremtrædelsesformer og ensembler. Den førstescene er præget af diskrete ogmelodiske slagtøjsinstrumenter vibrafon og marimba med modspil fra de trestrygere. I den anden scene er spotlightet på slagtøjssolisten alene vi møder hovedpersonen/solisten i en monolog fremført hovedsageligt på ”syngende sav” der skal trakteresmed den yderste mikrotonale præcision. Vi hører også solisten spille på Kalimba ligeledes et folkeligt instrument men nu med afrikansk baggrund – i modsætningtil den hjemlige gårdsangers ”musikalske sav” – et ofte hørt lydbillede frakomponistens barndom på Nørrebro. I den tredje scene er det en blæsertrio der indledningsvis spiller op til slagtøjetsforskellige kraftfulde trommer. Efter en tromme-kadence sætter alle syv musikereind sammen for første og eneste gang. Værket afsluttes med en kort slagtøjssolo. I en ”programmatisk tolkning” kan de tre scener ses som repræsenterende tretilbagevendende stadier:det indadvendt/drømmendedet udadvendt/agerendedet daglige drama mellem os alle. Per Nørgård februar 2010
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Attila (VERDI GIUSEPPE)
Orchestra
Ricordi
Partitura e commento critico in inglese - H. M. Greenwald. Par VERDI GIUSEPPE. P...
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Partitura e commento critico in inglese - H. M. Greenwald. Par VERDI GIUSEPPE. Partitura E Commento Critico In Inglese - H. M. Greenwald / Opéra-opérette / Date parution : 1905-06-11/ Répertoire / Orchestre
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Scheherazade Op. 35
Orchestra
Belaieff
Le sultan Shakriar, convaincu de la falshood et l'inconstance de toutes les femm...
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Le sultan Shakriar, convaincu de la falshood et l'inconstance de toutes les femmes avait prêté serment un serment de mettre à mort chacune de ses épouses après la première nuit. Cependant, la sultana Shéhérazade a sauvé la vie en suscitant son intérêt dans les contes qu'elle lui a dit pendant les 1001 nuits. Poussé par la curiosité le sultan reporté son exécution au jour le jour et enfin abandonné sa conception sanguinaire. Shéhérazade dit beaucoup d'histoires miraculeuses au sultan. Pour ses contes qu'elle a emprunté versets de poètes et de paroles de chansons folkloriques, combinant des contes de fées et aventures. / Orchestre
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Jean-Philippe Rameau: Symphonien:Acante et Céphise ou La sympathie RCT21:
Orchestra
Barenreiter
Pastorale héroïque in three acts - Paperback-The genre pastorale h?ro?que is a...
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Pastorale héroïque in three acts - Paperback-The genre pastorale h?ro?que is a legacy of the grand si?cle of Louis XIV. However in the 18th century it only rarely reached the stage. But in the second period of his career Rameau turned to this genre again: the more unconventional world of shepherds and nymphs gave him greater freedom in terms of dramatic action stage d?cor and musical virtuosity compared to the trag?die lyrique. This is demonstrated to masterly effect in Acanthe Et C?phise (1751) where even the ballets are fully integrated into the plot. This edition contains all the instrumental numbers from this popular pastorale in a newcritical edition by Nathalie Berthon-Blivet. Performance material available for hire. Based on the Opera Omnia Rameau. Distributed exclusively by B?renreiter.
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Concerto (WILLI HERBERT)
Orchestra
[Sheet music]
Schott
Par WILLI HERBERT. Détails de la formation instrumentale: 3 (auch Picc.) · 3 (...
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Par WILLI HERBERT. Détails de la formation instrumentale: 3 (auch Picc.) · 3 (3. auch Engl. Hr.) · 2 · Bassklar. · Sopransax. · 3 (3. auch Kfg.) - 3 · 3 · 3 · 1 - P. S. (I: Sizzle- Beck. · kl. Tr. · Glsp. · Vibr. - II: Crot. · 2 Bong. (sehr h., h.) · Cabaza · Xyl. - III: 2 hg. Beck. · kl. Schellentr. · Schellentr. auf Ständer · Holzblocktr. · Vibr. · Marimba) (3 Spieler) - Hfe. - Str. (14 · 12 · 10 · 8 · 6) - Durée: 12' -/ Répertoire / Orchestre
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Symphonie 07 (HENZE HANS WERNER)
Orchestra
[Score]
Schott
Par HENZE HANS WERNER. In this work, I had wanted completely to submit to the tr...
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Par HENZE HANS WERNER. In this work, I had wanted completely to submit to the traditional rules of the classical symphony so as to mould my musical expression as if in a furnace and enable it to reach the listener as directly and clearly as possible. The first movement is a kind of German dance, an Allemande, so to speak; the second one a Lied. The third, in strict scherzo-form, is a representation of the sufferings of the German poet Friedrich Hölderlin, in Dr. Autenriedth's mental institution in Tübingen. The last movement is a setting of Hölderlin's poem 'Half of Live'. - Hans Werner Henze/ Répertoire / Orchestre
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Joseph Haydn: Symphony in E-flat major Hob. I:76: Orchestra: Score
Orchestra
[Score]
Barenreiter
Haydn composed his Symphony no. 76 at the same time as his Symphonies nos. 77 an...
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Haydn composed his Symphony no. 76 at the same time as his Symphonies nos. 77 and 78 for a planned trip to England that never took place. Nonetheless, H. C. Robbins Landon calls these works the ?English symphonies? as they arestylistically closely linked to the ?London Bach?, Johann Christian Bach. Haydn himself, in a letter of 1783 to his Parisian publisher Charles-Georges Boyer, described the symphonies as ?Leicht und nicht vil Concertirend?, meaningthat they were light in spirit and did not contain extensive solo passages but rather a clear sense of classical form. Continuing the cooperation between Bärenreiter and the G. Henle publisher regarding Haydn?s large-scalechoral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the ?Works of Joseph Haydn?. The Bärenreiter catalogue now includes the complete performance material for several ?Sturm und Drang?symphonies as well as all the London and Paris symphonies.
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Felix Mendelssohn Bartholdy: Symphonies 3 4 and 5 In Full Score: Orchestra:
Orchestra
Dover Publications
The 'Scottish ' 'Italian ' and 'Reformation' symphonies rank among Mendelssohn's...
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The 'Scottish ' 'Italian ' and 'Reformation' symphonies rank among Mendelssohn's greatest works. All three of these staples of the orchestral repertoire appear here in one convenient volume reproduced from authoritative Breitkopf and Härtel editions. Attractive and inexpensive this compilation offers excellent value to both professionals and amateur musicians.
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Palle Mikkelborg: Going To Pieces Without Falling apart: Orchestra: Score
Orchestra
Wilhelm Hansen
Palle MikkelborgGOING TO PIECES WITHOUT FALLING APART2002for violin harpe og st...
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Palle MikkelborgGOING TO PIECES WITHOUT FALLING APART2002for violin harpe og strygereTilegnet Elise Båtnes og Helen DaviesForord l ProgramnoteEn solful d morgentur i Melbourne bragte mig forbi en boghandel der specialiserede sig i 'spiritualbooks' og i vinduet faldt mine øjne på et citat som øjeblikkeligt ramte mig følelsesmæssigtstærkt- og jeg følte at jeg havde fundet titlen på den komposition jeg på tankeplan allerede vari gang med. Citatet lød:'going to pieces ... without falling apart'Tre temaer og relaterede skalaer baseret på henholdsvis Elise Båtnes' Helen Davies' og BergenKammerensembles navne har været afgørende for dele af tonesproget og forekommer både ielose-up ogmere douche i kompositionens syv hovedafsnit.Det barnlige det enkle det her-og-nu naive det umiddelbare kom til at spille en vigtig rolleunder arbejdet. Ikke fordi selve mit tonesprog er særligt meget anderledes end ellers (hvordanskulle det også kunne blive det?) men formuleringen: at go to pieces fik mig til at tænke på 'atblive som barn på ny' atter at være u-bange at turde tro på det enkle.Udover denne- i bedste betydning- enkle inspiration er ønsket at kompositionens kurve kanopleves som en mulig 'meditiations-rejse'; i starten en tro på egen ro langsomt breder uroensig og i lystfulde glimt ser man sig selv 'danse' en rituel dans med åndehuller her og der; ogfristelsen til at rive forhænget væk og go to pieces og angsten for måske at miste sig selv undervejs breder sig. Dog til sidst erkender man at det var rejsen værd og at man heller ikke denne gangfaldt apart men kan se frem mod atter at vise livet sin respekt ved spirituelt fuldstændigt at givesig hen dog vel vidende at livet merciless & merciful med kærlig hånd villade dig'go to pieces ... without falling apart'Men selvklart er mit egentlige ønske: at man blot lader musikken leve sit eget ordløse liv - atlytteren har sin egen rejse.Palle Mikkelborg
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Harrison Birtwistle: The Shadow of Night: Orchestra: Score
Orchestra
Boosey and Hawkes
Hawkes Pocket Scores HPS 1372-Study Score - Hawkes Pocket Score1372. Birtwistle ...
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Hawkes Pocket Scores HPS 1372-Study Score - Hawkes Pocket Score1372. Birtwistle H.
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Harrison Birtwistle: Exody: Orchestra
Orchestra
Boosey and Hawkes
Hawkes Pocket Scores HPS 1338-Study Score - Hawkes Pocket Score 1338. Birtwistle...
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Hawkes Pocket Scores HPS 1338-Study Score - Hawkes Pocket Score 1338. Birtwistle H
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Henry Barraud: Variations à 13: Orchestra
Orchestra
Boosey and Hawkes
Hawkes Pocket Scores HPS 1102-Study Score - Hawkes Pocket Score 1102. Barraud H
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Amor Amor Amor: Orchestra: Score and Parts
Orchestra
Peer Musik Verlag
Ave Maria No Morro-Von Peermusic gibt es Arrangements berühmter Klassiker diver...
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Ave Maria No Morro-Von Peermusic gibt es Arrangements berühmter Klassiker diverser Genres für Salonorchester in Doppelnummern (Bänden mit 2 Musiktiteln) - ähnlich wie die Doppelnummern für Combo. Die Besetzung - Standard: C-Stimme (Akkordbezifferung und Text); Gitarre/Melodie (Akkordbezifferung und Text); Drums/Melodie (mit Text); 1./2. Violine; 1./3. Stimme Altsax; 2. Stimme Tenorsax; 1./2. Stimme Trompete; 1. Stimme Posaune; Bass; Klavier (Akkordbezifferung und Text) Hier der Doppelband mit Amor Amor Amor (G. Ruiz) und Ave Maria No Morro (H. Martins)
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Howard Schott Franz Lehár: Franz Lehar Den Glade Enke Potpourri: Orchestra:
Orchestra
[Sheet music]
Wilhelm Hansen
Stort potpourri for orkesterArrangeret: H. Schott
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Harrison Birtwistle: Sonance Severance 2000: Orchestra
Orchestra
Boosey and Hawkes
Hawkes Pocket Scores HPS 1280-Study Score - Hawkes Pocket Score. Birtwistle H
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John Field: Nocturnes and Related Pieces: Orchestra: Instrumental Album
Orchestra
Stainer and Bell
Edited by Robin LangleyAmongst the most widely-disseminated and influential pian...
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Edited by Robin LangleyAmongst the most widely-disseminated and influential piano music of the early 19th century the sixteen Nocturnes of John Field are here published together for the first time in an edition that through careful consideration of publishers' plate numbers Russian first editions and the composer's habits of revision reveals the number and chronology of the little-known Nocturne No. 10 and its relation to the unnumbered 'Troubadour' Nocturne H.55.First published in 1997.
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Alexander Porfiryevich Borodin: Sonata in B Minor: Orchestra: Instrumental Work
Orchestra
Simrock
Borodin's Sonata in B Minor (h-Moll) for Cello and Piano. Edited by Michael Gol...
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Borodin's Sonata in B Minor (h-Moll) for Cello and Piano. Edited by Michael Goldstein.
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Johann Strauss Sr.: Cachucha Galopp Op. 97: Orchestra: Score
Orchestra
[Sheet music]
Musikgruppe Hermann
Galopp-Instrumentation: Fl. Picc. / 1 / 2 (E A) / 1 • 4 (tief A; 1. auch ...
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Galopp-Instrumentation: Fl. Picc. / 1 / 2 (E A) / 1 • 4 (tief A; 1. auch 3. Trp. in H 2. auch 4. Trp. in tief A) / 2 (E) / 1 / 0 • Pk. / Schlw. (gr. Tr. m. Bck. Kast.) • Streicher
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Amor Amor Amor: Orchestra: Parts
Orchestra
[Sheet music]
Peer Musik Verlag
Ave Maria No Morro-Von Peermusic gibt es Arrangements berühmter Klassiker diver...
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Ave Maria No Morro-Von Peermusic gibt es Arrangements berühmter Klassiker diverser Genres für Salonorchester in Doppelnummern (Bänden mit 2 Musiktiteln) - ähnlich wie die Doppelnummern für Combo. Ergänzer: 3. Stimme Violine; 4. Stimme Tenorsax; 3. Stimme Trompete; 2. Stimme Posaune; Bariton-Saxophon; Cello. Hier der Doppelband mit Amor Amor Amor (G. Ruiz) und Ave Maria No Morro (H. Martins)
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Harrison Birtwistle: The Cry of Anubis: Orchestra
Orchestra
Boosey and Hawkes
Hawkes Pocket Scores HPS 1292-Study Score - Hawkes Pocket Score 1292. Birtwistle...
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Hawkes Pocket Scores HPS 1292-Study Score - Hawkes Pocket Score 1292. Birtwistle H
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Thomas Borchersen: Jorden Rundt i 80 Dage: Orchestra: Vocal Work
Orchestra
Wilhelm Hansen
Jorden Rundt i 80 Dage er en spændende og farverig musical med skuespillere sa...
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Jorden Rundt i 80 Dage er en spændende og farverig musical med skuespillere sangere og stort orkester. Historien er Jules Vernes frit bearbejdet af komponist og sangskriver Thomas Bo Borchersen i samarbejde med sanger forfatter og instruktør Tine Olsen. I hæsblæsende fart må Phileas Fogg nå Jorden rundt for at vinde et væddemål men der bliver alligevel tid til at dvæle ved de mange oplevelser og personer som støder til selskabet på vejen. Historien er fortalt i 15 sange og kædet sammen af dialog så hele ensemblet kan folde sig ud i denne udødeligeklassiker. Fra forordet: Hovedformålet med musicalen er at vise bredden i musikskolen og forsøge at skabe nogle nye unikke muligheder for samarbejde mellem lærer og elevgrupper i det nye musikskolemiljø der er opstået efter musikskolesammenlægningerne. Vi mener at der er et stort og stadigt voksende behov for at samle musikskolen i store fælles projekter dels for at forbedre infrastrukturen i musikskolen men også for at få den helt nødvendige kommunikation til samfundet omkring musikskolen. Vi mener der et et stort behov for at få synliggjort arbejdet med talentmassen på musikskolerne og at store kompetent udførte projekter ofte er en mangelvare på mindre og halvstore musikskoler. - Musicalerne egner sig selvfølgelig til at blive opført på alle musikskoler - store som små men er især tænkt som en særlig oplagt mulighed for at få samarbejde imellem musikskolerne igang på tværs af kommunegrænserne. Arrangementenes sværhedsgrad er forsøgt tilpasset det gennemsnitlige elevpræstationsniveau for aldersgruppen 12 til 18 år på musikskolen. Det har været en af topprioriteterne at lave arrangementerne
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Hans Christian Lumbye: Goodnight Polka / Godnat-Polka: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Goodnight Polka / Godnat-Polka was composed in 1857 by H.C. Lumbye. Edited by Pe...
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Goodnight Polka / Godnat-Polka was composed in 1857 by H.C. Lumbye. Edited by Peter Ettrup Larsen in 2017. Parts are available on hire: hire@ewh.dk
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Felix Mendelssohn Bartholdy: Symphony No.5 'Reformation': Orchestra: Study Score
Orchestra
Dover Publications
In this staple of the orchestral repertoire Mendelssohn interprets the Reformat...
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In this staple of the orchestral repertoire Mendelssohn interprets the Reformation in symphonic terms building to a powerful series of variations on Martin Luther's confessional chorale Ein feste Burg ist unser Gott (A Mighty Fortress Is Our God).This miniature score is reproduced from an authoritative edition complete with numbered movements for easy reference. Affordable and compact it is ideal for use in the classroom at home or in the concert hall.Reprint of the Breitkopf and Härtel Leipzig n.d. edition.
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Felix Mendelssohn Symphonies 3, 4 And 5 In Full Score - Orchestra
Orchestra
[Sheet music]
Dover Publications
Description The 'Scottish,' 'Italian,' and 'Reformation' symphonies rank amon...
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Description The 'Scottish,' 'Italian,' and 'Reformation' symphonies rank among Mendelssohn's greatest works. All three of these staples of the orchestral repertoire appear here in one convenient volume, reproduced from authoritative Breitkopf and Härtel editions. Attractive and inexpensive, this compilation offers excellent value to both professionals and amateur musicians.
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