Czardas is a piece for 14 Saxophones(Sopranino SSSAAAATTTBarBarB) by Vittorio Monti. This composition arranged by Armando Ghidoni lasts 5’30 minutes and has a name taken from a Hungarian National Dance. Divided into six distinctive parts this piece is really cheerful and energetic. It requires some really strong technique as some sections are really fast. - Lento cadenza a piacere / Largo Maestoso - Vivace - Lento Maestoso - Vivace - Piu Mosso - Presto Czardas is the most famous piece by Vittorio Monti which was also arranged for otherinstruments: Violin and Guitar String quartet and accordion among others. It is a really entertaining work to play that will definitely be enjoyed by the audience during a recital. Vittorio Monti is an Italian composer mandolinist and violinist who worked in many gypsy orchestras.

Pour Saxophone Baryton et Accordéon-After studying under Lachenmann in Germany Annette Mengel settled in France where she completed her training with Emmanuel Nunes and Toru Takemitsu. In 1997 the composer joined the timbres of the Saxophone and the Cello in Identification I. Identification II represents the equally bold challenge of bringing the Accordion and Baritone Saxophone together in the same piece. The two instruments present natural affinities; indeed the emission of sound through a single reed predestined their association. This duo tells an undeniably epic story with rumblings of matter rising up from the depths. Rhythmic bellow shakes split sounds and clusters bring out fits of gratuitous violence preluding a rise towards softness and luminous serene horizons. Here is the possibility of attaining silence of touching the void of catching one’s breath before it begins all over again and we fall back into the dirt and into ordinary human baseness. A quasi Beethovian quest that allows us to leave the world of shadows and slip away into a world of light.

Play-Alongs Bekannter Stücke Aus Irland Schottland Wales Dem Cornwall und Der Bretagne-Martin Tourish is an accordionist composer and musicologist from Co. Donegal now based in Dublin. Celtic music is in his blood for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. ?World Music Celtic? presents material from the Irish Scottish Welsh Cornish and Breton traditions. It makes no great technical demands on the players but Tourish points out that notation of this music is often ?skeletal? hence it is important to gain a knowledge of theindividual traditions in question and naturally he offers plenty of information on performance practice. The collection spans three centuries from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings festivals and the very communities whence this music comes. ?World Music Celtic? is available in four formats each with complete recordings and backing tracks on CD: as solo versions for violin flute or saxophone (with piano) and in an ensemble version for two melodic instruments (C Bb or Eb) piano guitar bass and bodhrán.