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| With Strings Attached - Cello Cello, Piano [Solo Part] - Intermediate Jackman Music Corporation
By Various. Arranged by Darwin Wolford. For cello and piano. Includes part for c...(+)
By Various. Arranged by Darwin Wolford. For cello and piano. Includes part for cello only. Piano accompaniment available separately (see item 01436). Medium. Published by Jackman Music Corporation (JK.01162).
This book of hymns for cello with piano accompaniment includes: "A Poor Wayfaring Man of Grief" "Abide with Me; 'Tis Eventide" "Beautiful Zion for Me" "Come Thou Fount of Every Blessing" "God Is Love" "I Am a Child of God" "I Know That My Redeemer Lives" "Love at Home" "Sweet Hour of Prayer" "The Lord is My Shepherd".
$7.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Prozession Cello/piano Reduction Cello, Piano Schott
Cello and orchestra (2 (2. auch Picc.) * 1 * Engl. Hr. * 2 (2. auch Altsax.) * 1...(+)
Cello and orchestra (2 (2. auch Picc.) * 1 * Engl. Hr. * 2 (2. auch Altsax.) * 1 * Kfg. - 4 * 3 * i 3 * 0 - P. S. (Trgl. * Beck. * Tamt. * Tamb. * Ruhrtr. * kl. Tr. * Holztr. * i gr. Tr. * Kast. * Glspl. * Xyl.) (2 Spieler) - Hfe. * Klav. (auch Cel.) - i Str.) SKU: HL.49005128 Dialog. Composed by Hermann Reutter. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Piano Reduction with Solo Part. Composed 1958. 40 pages. Duration 22'. Schott Music #ED 4759. Published by Schott Music (HL.49005128). ISBN 9790001054935. $29.99 - See more - Buy online | | |
| Mysterion Alto Fl/hn/va D'am/vc/pf Cello, Piano Schott
Altoflute, horn, viola d'amore, cello and piano (Score) - difficult SKU: HL.4...(+)
Altoflute, horn, viola d'amore, cello and piano (Score) - difficult SKU: HL.49015289 Composed by Volker David Kirchner. Sheet music. Edition Schott. Classical. Score and Parts. Composed 1985. 73 pages. Duration 12'. Schott Music #ED 7364. Published by Schott Music (HL.49015289). ISBN 9790001076807. In 1983, my friend and colleague Arnt Martin made me read and listen to a most interesting piece of music for soprano, viola d'amore and strings, this work called my attention to the viola d'amore. In the following year, I became more and more absorbed in the possibilities this instrument offers and in 1985 decided to write a morceau d'ensemble including a viola d'amore. Thus birth was given to Mysterion, a composition for which these five musicians seem tailormade. As to content, Mysterion represents a reflection on death. Passing through various stages, the music describes a path up to the mysteries of Redemption. Volker David Kirchner. $63.00 - See more - Buy online | | |
| Franz Joseph Haydn : Concertante In B-flat Major Hob. I:105 Cello, Piano [Reduction] G. Henle
For Oboe, Bassoon, Violin, Violoncello and Piano - Piano Reduction. By Franz Jos...(+)
For Oboe, Bassoon, Violin, Violoncello and Piano - Piano Reduction. By Franz Joseph Haydn. Edited by S. Gerlach. Arranged by Siegfried Petrenz. (Piano). This edition: HN154. Chamber Music with Winds. Henle Music Folios. Urtext edition (Paper-bound). 86 pages. Published by Henle URTEXT Edition.
$41.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| For Bob Cello, Piano Chester
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.284546 (+)
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.284546 Cello and Piano Version. Composed by Kevin Volans. Music Sales America. Classical. Softcover. Chester Music #CH86372 . Published by Chester Music (HL.284546). For Bob is arranged for Cello and Piano. First performed by Elisabeth Smalt and Kevin Volans, London 2016. Composers Note: I have no idea where this piece came from and how it is structured. But before and after I wrote it I was nagged by the question: what does the viola have to do with the piano? Did this combination evolve by unfortunate accident? The viola was perfected in the 18th century. Its natural metier is (private) chamber music. The piano on the other hand kept growing and blossomed in the 19th century as the ultimate public instrument. If the piano is to play with the viola, it has to rein back its power and pose as an accompanist. Maybe a third instrument, perhaps from the 20th century, is needed to mediate between these two very different sound worlds. So whenwe play this 'trio' with 2 instruments I invite the listener to mentally add the silent part(ner). - Kevin Volans. $20.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Pieces for Violoncello Cello, Piano EMB (Editio Musica Budapest)
Cello and Piano SKU: BT.EMBZ14768 Composed by Franz Liszt. Book Only. Com...(+)
Cello and Piano SKU: BT.EMBZ14768 Composed by Franz Liszt. Book Only. Composed 2011. 76 pages. Editio Musica Budapest #EMBZ14768. Published by Editio Musica Budapest (BT.EMBZ14768). Not many people know that Franz Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and that these versions of the works appeared in print during the maestro's lifetime. Ãrpád Pejtsik selected two of these for this volume compiled to mark Liszt's jubilee: Elegies I and II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour (pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt the cello version, transposed into G major, of the E Major Consolation is by Jules de Swert, solo cellist in the Weimar orchestraof those days that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage ) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20th century. The Valse oubliée No. 1 was transcribed by Liszt s virtuoso piano pupil Ferruccio Busoni Notturno, which became famous as the third piece in the Liebesträume series, is a transposed version of the original song ( O lieb, so lang du lieben kannst ) made by the editor of this volume.
Not many people know that Ferenc Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and this version of the works appeared in print during the maestro's lifetime. Ãrpád Pejtsik selected two of these forthis volume compiled to mark Liszt's jubilee: Elegy I and Elegy II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour(pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt; the cello version, transposed into G major, of the E major Consolation is by Jules de Swert, solo cellistin the Weimar orchestra of those days; that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20thcentury.
Nur Wenigen ist bekannt, dass Liszt einige seiner Klavierstücke auch für Violoncello mit Klavierbegleitung bearbeitet hatte, und dass diese Version der Werke noch zu Lebzeiten des Komponisten in Druck erschien. In diesem Band nahm Ãrpád Pejtsik zwei dieser Stücke, die I. und II. Elegie auf. Die anderen Liszt-Kompositionen in der Sammlung sind auch ursprünglich Klavierwerke: der Bearbeiter ist beim Ave Maria und Cantique d'amour (Stücke aus dem Zyklus Harmonies poétiques et religieuses) der Liszt-Schüler Robert Pflughaupt. Von Jules de Swert, der damals Solocellist des Weimarer Orchesters war, wurde die in G-Dur transponierte Violoncelloversion der E-Dur Consolation, und vonLothar Windsperger, dem an der Wende zum 20. Jahrhundert lebenden deutschen Komponisten, das Angelus (das Eröffnungsstück des III. Bandes des Zyklus Pilgerjahre) bearbeitet. $34.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Cello Music Part 1: Baroque and Classical (Version 2.0)
Cello, Piano [CD Sheet Music] Subito Music
For Cello. (Cello). CD Sheet Music (Version 2.0). PDF file on CD. 1000 pages. Pu...(+)
For Cello. (Cello). CD Sheet Music (Version 2.0). PDF file on CD. 1000 pages. Published by Subito Music.
(8)$19.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Hymn Strings Book 1 - Cello
Cello, Piano Jackman Music Corporation
By Various. Arranged by Brent Jorgensen. For Cello and Piano. Published by Jackm...(+)
By Various. Arranged by Brent Jorgensen. For Cello and Piano. Published by Jackman Music Corporation. Level: Medium Easy.
(1)$8.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| For Bob Cello, Piano Chester
Cello and Piano. Composed by Kevin Volans. Music Sales America. Classical. ...(+)
Cello and Piano. Composed by
Kevin Volans. Music Sales
America. Classical.
Softcover. Chester Music
#CH86372. Published by
Chester Music
$20.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Violoncello Music for Beginners 2 Cello, Piano - Easy EMB (Editio Musica Budapest)
Cello and Piano - easy SKU: BT.EMBZ6748 Easy concert pieces in first p...(+)
Cello and Piano - easy SKU: BT.EMBZ6748 Easy concert pieces in first position. By Arpad Pejtsik. By Endre Lengyel. EMB Music for Beginners. Educational Tool. Book Only. Composed 1973. 64 pages. Editio Musica Budapest #EMBZ6748. Published by Editio Musica Budapest (BT.EMBZ6748). Hungarian-English-German-French. The volumes of the series cover the entire music literature from the earliest centurties to our days. The material of the individual volumes containing short, easy pieces to be played in the first three-four years of studying the instrument has been compiled by accomplished music teachers. The majority of the contemporary works included in the volumes have been published in this series for the first time. An ABRSM syllabus title, 2010-16, Grade 2-3. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Souvenirs Cello, Piano - Intermediate Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musique de scène pour « Le Voyageur sans bagages ». Composed by Francis Poulenc. Classical. Book and Part(s). Composed 2016. 5 pages. Editions Salabert #SLB 00595900. Published by Editions Salabert (BT.SLB-00595900). INSSTR inches. French. A previously unreleased piece by Francis Poulenc, published with permission from the Bibliothèque Historique de la Ville de Paris and Benoît Seringe, secretary of the Association des amis de Francis Poulenc [Association of the Friends ofFrancis Poulenc]. Le Voyageur sans bagage [The Traveller Without Luggage], which had been premiered in 1937 with music by Darius Milhaud, was reprised on 1 April 1944 at the Thé tre de la Michodière; Francis Poulenc was asked to compose new stage music. Theentire unpublished score lay undiscovered until Bérengère de l’Épine, a librarian at the Bibliothèque Historique de la Ville de Paris, announced the existence of a manuscript in the Association de la Régie Thé trale collection.Poulenc finalised the score between 19 and 21 March 1944. It contains nine songs, all written for a small instrumental ensemble including oboe, clarinet, cello and piano. However, at the end of the manuscript, the composer echoes the second song Lent [Slow] and creates another version for cello and piano; curiously, the original version of the song has not been erased in the manuscript. Poulenc seems to suggest that we consider the piece for cello and piano, that we have publishedhere, as a different piece of music. It was premiered on Wednesday 23 January 2013 by Marc Coppey, accompanied by Jean-François Heisser, in the organ auditorium of the Conservatoire National Supérieur de Musique et Danse de Paris (CNSMDP), during thesymposium for the fiftieth anniversary of Poulenc’s death.Given in a dramatic context, some elements allow us to get an idea of the character of the piece, which Benoît Seringe, Poulenc’s beneficiary, judiciously chose to name Souvenirs.The main character of Anouilh’s play, Gaston, is suffering from amnesia at the end of World War One. Several families try to claim him; they want him to be their missing relative. The Renaud family prove to be particularly stubborn, but Gaston doesnot recognize himself in the child and young man they depict: a ruthless and violent person. In Act 1 Scene 3, left alone for a moment, overwhelmed by the story of the “old Gaston†that is gradually coming to light, and outraged by the desire ofthose around him to appropriate him (to the detriment of the person he would like to be from now on), he whispers these words: “You all have proof, photographs that look like me, memories as clear as day… I’ve listened to you all and it’s slowlycausing a hybrid person to rise up in me; a person in which there is a piece of each of your sons and nothing of me.†Poulenc chose to place the second piece from his stage music score as these words are spoken.He borrowed part of the material, as he often did, from an earlier composition. In this particular case, the beginning is a recycled version of the “slow and melancholic†section from L’Histoire de Babar , composed between 1940 and 1945, andpremiered in 1946 (unless it is Babar that reuses the musical idea from Voyageur ).The eponymous elephant decides to leave in search of the great forest. He embraces the old lady, promises her he will return and reassures her that he will never forget her. Left alone, the old lady, feeling sad and pensive, wonders when she’ll seeher friend Babar again. The situation is similar to that in Voyageur sans bagage: solitude, sadness, a distressing and introspective time, fear of oblivion, the presence of memories…
Pièce inédite de Francis Poulenc, publiée avec l’autorisation de la Bibliothèque historique de la ville de Paris et de Benoît Seringe, secrétaire de l’Association des Amis de Francis Poulenc.Le 1er avril 1944, Le Voyageur sans bagage d’Anouilh, qui avait été créé en 1937 avec de la musique de Darius Milhaud, est repris au Thé tre de la Michodière. Francis Poulenc a été sollicité afin d’écrire une nouvelle musique de scène. On ignoraittout de cette partition inédite, jusqu’au jour où Bérengère de l’Épine, conservateur la Bibliothèque historique de la ville de Paris, nous signala l’existence d’un manuscrit dans le fonds de l’Association de la Régie thé trale.Poulenc mit au point sa partition entre le 19 et le 21 mars 1944. Elle comprend neuf numéros, tous écrits pour un petit effectif instrumental réunissant un hautbois, une clarinette, un violoncelle et un piano.Cependant, la fin de son manuscrit, le compositeur reprend le no 2 Lent et en donne une seconde version, pour violoncelle et piano. Curieusement, la version originale de ce numéro n’est pas biffée dans le manuscrit.Poulenc semble nous inviter considérer comme un morceau distinct cette pièce pour violoncelle et piano dont nous proposons ici l’édition. Elle a été créée par Marc Coppey, accompagné de Jean-François Heisser, lors du concert donné durant lecolloque organisé pour le cinquantenaire du décès de Poulenc, le mercredi 23 janvier 2013, salle d’orgue du Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP).Quelques éléments sur le contexte dramatique permettront de se faire une idée du caractère du morceau, que Benoît Seringe, ayant droit Poulenc, a judicieusement choisi d’intituler Souvenirs.Le personnage principal de la pièce d’Anouilh, Gaston, a été retrouvé amnésique la fin de la Première Guerre Mondiale. Plusieurs familles le réclament. On veut voir en lui un parent disparu. Les Renaud se montrent particulièrement tenaces ; maisGaston ne parvient se reconnaître dans l’enfant et le jeune homme dont on lui trace le portrait : un être violent et sans scrupule. Au tableau 3 de l’acte I, resté seul un moment, écrasé par l’histoire de cet autre lui-même qu’il découvre peu peu, indigné par le désir des personnes qui l’entourent de le ramener elles au détriment de celui qu’il voudrait être désormais, il se murmure ces paroles : « Vous avez tous des preuves, des photographies ressemblantes, des souvenirs précis commedes crimes… je vous écoute tous et je sens surgir peu peu derrière moi un être hybride où il y a un peu de chacun de vos fils et rien de moi »…C’est sur ces mots que Poulenc a choisi de placer le no 2 de sa partition de musique de scène.Comme il le fait souvent, il emprunte une composition antérieure une part de son matériau. Dans ce cas précis, il réutilise pour le début du morceau la section « Lent et mélancolique » de l’Histoire de Babar, composée entre 1940 et 1945, créée en1946 ( moins que ce ne soit Babar qui réutilise l’idée musicale du Voyageur). Le héros-éléphant s’est décidé partir pour retrouver la grande forêt. Il a embrassé la vieille dame, lui a promis de revenir, l’a rassurée : jamais il ne l’oubliera.Restée seule, la vieille dame, triste et pensive, se demande quand elle reverra son ami Babar. La situation est similaire celle du Voyageur sans bagage : solitude, tristesse, instantde trouble et de retour sur soi, crainte de l’oubli, présence des souvenirs…. $11.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Postcards from Ukraine Cello, Piano Theodore Presser Co.
Chamber Music Cello, Piano SKU: PR.114423720 Composed by Andrii Dido...(+)
Chamber Music Cello, Piano SKU: PR.114423720 Composed by Andrii Didorenko. Set of Score and Parts. Duration 10 minutes. Theodore Presser Company #114-42372. Published by Theodore Presser Company (PR.114423720). ISBN 9781491129487. UPC: 680160690404. POSTCARDS FROM UKRAINE is a charming-yet-fiery suite of six character pieces reflecting the culture and music of Didorenkoâ??s homeland. The work was composed in early 2022 following the invasion. Movements 2 and 3 are inspired by folk music with the piano imitating sounds of the bandura, and the other four movements are free settings of authentic folk melodies. More and more in recent times, I turn to the musical heritage of my native Ukraine for inspiration. Shortly after the start of the war in Spring 2022, my friend and New York pianist Evelyne Luest approached me with a suggestion to compose a piece based on Ukrainian folk music. As I began to research authentic song and dance styles, I was immediately drawn to their soulful melodies and stirring rhythms. Postcards from Ukraine came into being in just under a month.The second of these six pieces is written in the style of duma, a sung epic poem recited by itinerant bards, accompanied on a bandura; strumming on the high piano strings imitates the banduraâ??s sound. In the third piece, an ostinato bass is another impression of bandura playing, while the cello references Carpathian dance tunes. The other four pieces are my interpretations of true Ukrainian folk songs, typically sung a cappella by a womenâ??s choir, from small villages that keep their vocal traditions alive. $19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Cello Music Part 2: Romantic and Early Modern (Version 2.0)
Cello, Piano [CD Sheet Music] Subito Music
For Cello. (Cello). CD Sheet Music (Version 2.0). PDF file on CD. 2400 pages. Pu...(+)
For Cello. (Cello). CD Sheet Music (Version 2.0). PDF file on CD. 2400 pages. Published by Subito Music.
(4)$19.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Cantica Cello, Piano Music Sales
Cello and Piano SKU: HL.14006097 Composed by Per Norgard. Music Sales Ame...(+)
Cello and Piano SKU: HL.14006097 Composed by Per Norgard. Music Sales America. Classical. Book and Part(s). Music Sales #KP00873. Published by Music Sales (HL.14006097). ISBN 9788759872222. Danish. Programme Note CANTICA for cello and piano (1977)When in 1975 I had finished composing my Symphony no. 3 (begun in 1973), I wrote three simple melodies for two psalm texts by Ole Sarvig: The Year and Choral Hymn. These three tunes were derived from the same material as the second movement of the symphony and could be harmonized together in several different tempo relationships, like proportional canons. For this reason they inspired me to write several choral and instrumental works in the following decade: Frost Psalm, Winter Cantata, the tuba octet Now all the earth is white with snow, Canticles (and others).Cantica, meaning song or singing, was composed (forthe Danish musicians Hans Erik Dechert og Kjeld Hansen) as a instrumental little brother the long, polyphonic choral pieces. As in these the canonical melodies in Cantica drift from foreground to background, from cello to piano. The melodies are simple, diatonic and in traditional rhythms and the surface of the music in a way traditional. The intention of the composer with this easily understood expression is to lead the listeners ears to the many internal, proportional developments. The story is in a way hidden between the lines. In the myriads of rhythmic and tempo relations the Golden Mean (near to 2:3:5:8: et cetera) plays an important role, like in nature. Among the experiences giving by this natural phenomenon are - perhaps - the musical points to be found (?).Per Norgard(1997). $16.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Cello Sonata No. 2 in G Minor, Op. 117 Cello, Piano G. Henle
Composed by Gabriel Faure (1845-1924). Edited by Fabian Kolb. Henle Music Foli...(+)
Composed by Gabriel Faure
(1845-1924). Edited by Fabian
Kolb. Henle Music Folios.
Softcover. G. Henle #HN1358.
Published by G. Henle
$24.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Concerto No. 4 for Cello und Orchestra, Op. 65 in G Major
Cello, Piano [Sheet music + CD] - Intermediate Dowani
By G. Goltermann (1824-1898). For Cello. DOWANI Urtext 3 Tempi Play Along - Ce...(+)
By G. Goltermann (1824-1898). For Cello. DOWANI Urtext 3 Tempi Play Along - Cello. Artist: Konstantin Krimets - Conductor; Russian Philharmonic Orchestra - Orchestra accompaniment; Sergey Sudzilovsky - Cello; Vitaly Junitsky - Piano. Level: Intermediate. Sheet Music with CD (3 Tempi Play Along). Published by Dowani International.
(1)$19.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| String Things, Book 1 - Cello Cello, Piano - Intermediate Jackman Music Corporation
By Various. Arranged by A. Laurence Lyon. For Cello and Piano. Published by Jack...(+)
By Various. Arranged by A. Laurence Lyon. For Cello and Piano. Published by Jackman Music Corporation. Level: Medium.
(1)$8.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Song for Chris Cello, Piano Novello & Co Ltd.
(Cello and Piano). Composed by Edward Gregson. For Cello, Piano Accompaniment. M...(+)
(Cello and Piano). Composed by Edward Gregson. For Cello, Piano Accompaniment. Music Sales America. 52 pages. Novello and Co Ltd. #NOV958089. Published by Novello and Co Ltd.
$22.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Franz Liszt - Csardas Obstinee Cello, Piano EMB (Editio Musica Budapest)
Cello; Piano Accompaniment SKU: HL.50512037 Cello and Piano. Compo...(+)
Cello; Piano Accompaniment SKU: HL.50512037 Cello and Piano. Composed by Franz Liszt. Edited by Csiky Boldizsar. Arranged by Csí, ky Boldizsá, and r. Romantic. EMB. Classical. Softcover. 14 pages. Editio Musica Budapest #Z14779. Published by Editio Musica Budapest (HL.50512037). ISBN 9790080147795. UPC: 884088668723. 9.0x12.0x0.079 inches. Ferenc Liszt; Boldizsar Csiky. The arranger of this work (a well-known Hungarian composer living in Romania) writes: +This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinate one, may refer to its ostinato character. This is close to Liszt's programme concept, but the French word 'obstine' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the latter suggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration of stubborn resistance and defiance to the point of exhaustion was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltan Kocsis played the piece in Transylvania. At that time, I asked the composer, +Is the character of the continuous staccato in the left hand sharp, short, or an accompanying background like a constant shadow? Is it a weighty Brahmsian staccato, an ominous knocking? - and so on. Then there are the Bartokian false relations that keep recurring in the work, the B-E flat-G, etc. That foreshadows Debussy, creating harmonic thrills that, when I hear the work, keep my continuing interest alive for it. Finally, my immediate reason for arranging the work was of a family nature: in connection with Liszt's jubilee year, my daughter, who is a cellist, wanted a 'more energetic' piece to play at a bicentenary concert an addition to the existing slow, lyrical, or sombre works written by Liszt for the cello.+. $27.45 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 21 Etudes for Violoncello Cello, Piano G. Henle
Score & Parts Cello SKU: HL.51481132 For Violoncello and Piano. Co...(+)
Score & Parts Cello SKU: HL.51481132 For Violoncello and Piano. Composed by Jean-Louis Duport. Edited by Norbert Gertsch. Henle Music Folios. Classical. Softcover. 42 pages. G. Henle #HN1132. Published by G. Henle (HL.51481132). UPC: 840126989656. 9.0x12.0x0.35 inches. “More than 20 years ago I was called upon by friends, artists, and aficionados to write about fingerings for the violoncello,†then-famous Berlin cellist Jean-Louis Duport thus opens his “Essai†from 1806, dedicated to “Professeurs de Violoncelle.†His methodology revolutionized cello technique, and the 21 etudes printed in its appendix are still regarded today as perhaps the most important set of studies for all budding cellists. Modelled after the volumes of etudes for violin, Henle is also issuing the Urtext here, together with all original fingerings and bowings, while also offering alternatives by the famous cellist and teacher Wolfgang Emanuel Schmidt. This edition also offers a second cello part provided by Duport for accompaniment. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the work
- Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
- most beautiful music engraving
- page-turns, fold-out pages, and cues where you need them
- excellent print quality and binding
- largest Urtext catalogue world-wide
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$28.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| From Jewish Life Cello, Piano Classical guitar Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited by Julian Schwarz. 12+8 pages. Carl Fischer Music #BF141. Published by Carl Fischer Music (CF.BF141). ISBN 9781491159989. UPC: 680160918584. The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.
The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.
The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.
The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.
Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music. The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music. The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayerâ€, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.†This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer†and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication†(the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Songâ€, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music. $16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonate for Cello and Piano Cello, Piano Schott
Cello - difficult SKU: HL.49016913 Composed by Olli Mustonen. This editio...(+)
Cello - difficult SKU: HL.49016913 Composed by Olli Mustonen. This edition: Saddle stitching. Sheet music. Cello-Bibliothek (Cello Library). Classical. Score and part. Composed 2006. 40 pages. Duration 15'. Schott Music #CB193. Published by Schott Music (HL.49016913). ISBN 9790001147620. UPC: 884088262228. 9.0x12.0x0.127 inches. Mustonen belongs to the young generation of composing piano virtuosos. What is remarkable is that 'his instrument' is not placed in the foreground of his works. He rather composed pieces for strings, sonatas with piano accompaniment, orchestral works and even a piece for guitar referring to the history of his home country Finland.The cello sonata was premiered by Mustonen with the cellist Daniel Muller-Schott in Hamburg. No special emphasis is given to polyphonic coexistence; instead, the piano, playing chordally, acts as a real accompaniment most of the time. Cantilenas of the cello, tricky rhythms, and almost symphonic sound eruptions make the piece a sure-fire hit with the public. $40.00 - See more - Buy online | | |
| Fourteen Pieces for Cello and Piano Cello, Piano [Book] Kevin Mayhew
Arranged by Julian Lloyd Webber. For Cello, Piano. Book. 56 pages. Published by ...(+)
Arranged by Julian Lloyd Webber. For Cello, Piano. Book. 56 pages. Published by Kevin Mayhew Publishers
$12.49 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 20 Sacred and Spiritual Solos for Cello/Bassoon Cello, Piano [Reduction] - Intermediate/advanced Last Resort Music Publishing
Arranged by Daniel Kelley. For Cello (or Bassoon) and Piano. Solos. Recital, Chu...(+)
Arranged by Daniel Kelley. For Cello (or Bassoon) and Piano. Solos. Recital, Church. Level: Intermediate/Advanced. Piano Score and Solo Part. Published by Last Resort Music Publishing.
(1)$24.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| More Time Pieces for Cello - Volume 1 Cello, Piano [Set of Parts] ABRSM Publishing
By Various. Edited by William Bruce / Tom Wells. For Cello, Piano. Violoncello a...(+)
By Various. Edited by William Bruce / Tom Wells. For Cello, Piano. Violoncello and Piano. Set of parts
$16.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Prayers Remain Forever Cello, Piano Carl Fischer
By Martin Bresnick (1946-). For cello, piano. 24 pages. Duration 14 minutes, 3...(+)
By Martin Bresnick (1946-). For cello, piano. 24 pages. Duration 14 minutes, 30 seconds. Published by Carl Fischer
$22.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Three Times Four Op. 123 Cello, Piano Sikorski
Cello; Piano Accompaniment (Score and Solo Part) SKU: HL.50600437 Drei...(+)
Cello; Piano Accompaniment (Score and Solo Part) SKU: HL.50600437 Drei mal vier. Composed by Krzysztof Meyer. String. Classical, Contemporary. Softcover. 28 pages. Sikorski #SIK1495. Published by Sikorski (HL.50600437). 8.0x11.75 inches. For cello and piano. “This work was the result of a collaboration with my wonderful friend, the outstanding cellist Julius Berger. Several years ago, his exceptional interpretation of my Concerto for violin and violoncello impressed me deeply. Later, when he played my 2nd Sonata for violoncello solo, a work written for him, my enthusiasm became even greater. In my new piece, composed on the occasion of his 60th birthday, I intended to write kind of music in which not only virtuosity but also a beautiful sound should stand at the forefront. Above all, however, I wanted to please Julius with it and also give enjoyment to the audience. The title 'three times four' describes the basic idea of the work: three musical characters are varied in four different respective forms. Or put the other way round: four characteristic sound designs appear in three different shapes. It is difficult to say more about the piece than that. My ideal is music that is sufficient unto itself, a kind of music that requires no commentary - that itself says so much that all commentary becomes superfluous.†(Krzysztof Meyer). $20.99 - See more - Buy online | | |
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| Sheku Kanneh-Mason: Song
(KANNEH-MASON SHEKU) Cello, Piano [Sheet music] Faber Music Limited
Par KANNEH-MASON SHEKU. Sheku Kanneh-Mason: Song is a kaleidosope of music for s...(+)
Par KANNEH-MASON SHEKU. Sheku Kanneh-Mason: Song is a kaleidosope of music for solo cello, cello and piano, plus a beautiful cello duet and trio, from the award-winning and internationally acclaimed cellist. This collection presents music from Sheku?s third album, Song, which is a very personal collection that refers to the unique singing tone of the cello. Pieces include Deep River by Samuel Coleridge Taylor, Burt Bacharach?s I Say a Little Prayer and Parry?s Myfanwy, which is arranged for cello trio. / Date parution : 2022-10-25/ Recueil / Violoncelle et Piano
22.67 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Stephen Sondheim:
Sondheim for Classical
Players: Cello and
Accomp.: Artist Cello, Piano [Sheet music + Audio access] Hal Leonard
This collection features intermediate-level arrangements for cello and piano acc...(+)
This collection features intermediate-level arrangements for cello and piano accompaniment in a range flattering to the cello. The music has been edited with added dynamics, articulations and phrasing, making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic grand piano. Includes separate pull-out solo part. Songs include: Agony · Anyone Can Whistle · The Ballad of Sweeney Todd · Children Will Listen · Green Finch and Linnet Bird · Johanna · Night Waltz · Not While I'm Around · Pretty Women · Send in the Clowns · Sunday · With So Little to Be Sure Of. The price of this book includes a unique code that provides access to audio tracks online, for download or streaming. The tracks include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right - available exclusively from Hal Leonard.
18.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Broadway Songs for
Classical
Players-Cello/Piano:
Cello and Accomp.: Cello, Piano [Sheet music + Audio access] Hal Leonard
With online audio of piano accompaniments-Intermediate level arrangements for so...(+)
With online audio of piano accompaniments-Intermediate level arrangements for solo instruments and piano accompaniment in a range flattering to each instrument. The music has been edited with added dynamics articulations and phrasing making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic grand piano and are available online for download or streaming. Includes: All I Ask of You (from The Phantom of the Opera) · Bring Him Home (from Les Misérables) · Memory (from Cats) · Some Enchanted Evening (from South Pacific) · The Sound of Music · Till There Was You (from The Music Man) · Tonight (from West Side Story) · and more. Audio is accessed online using the uniquecode inside the book and can be streamed or downloaded. The audio files include PLAYBACK a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right.
15.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| I Could Sing Of Your Love
Forever Vol.4 Cello, Piano Hal Leonard
Brentwood-Benson Music Publications presents Vol. 4 in its Instrumental Worship ...(+)
Brentwood-Benson Music Publications presents Vol. 4 in its Instrumental Worship Series with I Could Sing of Your Love Forever: 12 instrumental duets for piano and cello. These tasteful, worship-centric arrangements by Christopher Phillips, Music Director at Christ Church Nashville, are perfect for offertories, postludes, or as intimate, stand-alone performances. With a focus on flexibility, these inspiring arrangements also offer the solo instrumental part transposed to include C instruments (Violin/Flute/etc.) and Bb instruments (Trumpet/Clarinet/etc.).As an added bonus, this folio comes with a complete demonstration listening CD which can be used both as a reference recording for your rehearsals or simply for your own listening pleasure and quiet times of reflection and worship.Further enhancing the value and usability of this featured publication, a CD Piano Accompaniment Track is available as a separate purchase. This enables the solo instrumentalist to perform these arrangements without the need of live piano accompaniment. / Violoncelle Et Piano
22.58 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Solos For The Cello
Player Cello, Piano [Sheet music] Schirmer
Ed. Otto Deri. 17 pieces appropriate for recital or contest use. Contents: Alleg...(+)
Ed. Otto Deri. 17 pieces appropriate for recital or contest use. Contents: Allegro Maestoso (Handel)
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Allegro Spiritoso (Senaille)
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Andante (Beethoven)
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Andante (Gluck)
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Aria (Lotti)
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Bourrée I (Bach) -
Country Dance
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La Cinquantine (The Golden Wedding)
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Larghetto (Handel)
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Lento (Schumann)
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Lullaby
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Menuet (Mozart)
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Nina (Pergolesi)
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Romance
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Sicilienne (Debussy)
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The Swan (Saint-Saëns)
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Village Song (Popper)./ Recueil / Violoncelle et Piano
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| Pieces For Violoncello Cello, Piano EMB (Editio Musica Budapest)
Peu de gens savent que Franz Liszt organisé certaines de ses pièces pour piano...(+)
Peu de gens savent que Franz Liszt organisé certaines de ses pièces pour piano pour le violoncelle, avec accompagnement de piano, et cette version de l'oeuvre apparu dans d'impression pendant la durée de vie du maestro. Árpád Pejtsik sélectionné deux de ces volumes pour cette compilation d'jubilé marque de Liszt: Elégies I et II Les autres compositions de Liszt qui apparaissent dans la collection ont été également à l'origine pour des oeuvres pour piano: l'Ave Maria et Cantique d'amour (des pièces de la Harmonies poétiques et religieuses de cycle) ont été transcrites par un élève de Liszt, Robert Pflughaupt, la version pour violoncelle, transposée en sol majeur, de la Consolation E Major est par Jules de Swert, violoncelliste solo à l'orchestre de Weimar de ces jours, celle de l'Angélus (le morceau d'ouverture dans le tome 3 du cycle intitulé Années de Pèlerinage) est par Lothar Windsperger, un compositeur qui vivait Deutsch au tournant du siècle 19ème-20ème. / Violoncelle Et Piano
33.71 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| B Kelly: Sonatina: Cello:
Instrumental Work Cello, Piano [Sheet music] - Advanced Spartan Press
'Apart from the piano the cello is my favourite instrument. I taught myself how...(+)
'Apart from the piano the cello is my favourite instrument. I taught myself how to play it while still at school then took lessons with John Snowdon when I was a student at the R.C.M.. I had to give the cello up to concentrate on other things but my love for the instrument lingered on and in the past few years I have written works for two four and eight cellos so it seemed logical to write something for one hence this Sonatina! The dedication is to Naomi Butterworth who has championed my cello music and given many performances of it.'Bryan Kelly
7.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Judith Weir: Three
Chorales: Cello:
Instrumental Work Cello, Piano Chester
These three pieces for cello and piano are meditations – personal secular...(+)
These three pieces for cello and piano are meditations – personal secular and musical – on images from religious poetry. The title of No. 1 Angels bending near the earth comes from a carol which begins‘It came upon the midnight clear’ by the Massachusetts pastor and poet Edmund Sears. The full reference is to “angels bending near the earth/to touch their harps of gold” and this is the inspiration forthe music with piano arpeggios swooping down over the rich central band of sound produced by the cello. No. 2’s title In death’s dark vale is a brief paraphrase (from a Scottish hymnal) of Psalm 23; thefull quotation is “yea though I walk through the valley of the shadow of death I will fear no evil”. The image here is of human life lived against the prospect of impending death. The cello plays a hasty self-absorbed continuo whilst around it piano motifs and chords of different height and depth create an evolving backdrop. No. 3 O sapientia is the only movement which quotes a musical original; Hildegard ofBingen’s hymn O virtus sapientiae –“O strength of wisdom”. This is a calm elegaic set of variations for the cello on Hildegard’s melody accompanied by mostly bright optimistic refl ections from thepiano. Commissioned by cellist Jonathan Miller of Boston MA. First performance on 23 September 2016 at Hamilton Hall Salem MA by Jonathan Miller (cello) and Randall Hodgkinson (piano)
17.99 GBP - Sold by Musicroom UK | |
| Robert Schumann: Concerto
for Cello and Orchestra
(Concertstück): Cello
and Cello, Piano Peters
Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Redisc...(+)
Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Rediscovered.
In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. It is presented in a beautifully printed edition for cello with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher.
Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Matching orchestral material available separately from Edition Peters Recording of the Concertstück featuring Josephine Knight available from Dutton
Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists.
Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. It is presented in a beautifully printed edition for cello, with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher.
?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.?
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| Edward Gregson: A Song
For Chris: Cello:
Instrumental Work Cello, Piano [Sheet music] - Advanced Novello & Co Ltd.
In memory of Christopher Rowland. Originally a concerto for Cello and chamber or...(+)
In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part.The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet (written in the same year as Christopher Rowland was born!). Indeed the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged again using an ABA structure. Here the writing for solo cello is quite virtuosic but not I hope in a shallow sense. The music builds inexorably towards a powerful climax underpinned by the opening twelve-note chord's re-appearance together with a violent outburst from the timpani at which point a tonal resolution (on G) arrives through a pianissimo held chord on strings which leads directly to the final movement - Song. And so the music arrives at its emotional heart through a simple melody (present in other forms throughout the work) announced by solo cello at the very top of its register against a quiet backdrop of horns and strings. A solo oboe enters with cello in canonic reply and all the time the music builds in texture and
19.99 GBP - Sold by Musicroom UK | |
| Bohuslav Martinu:
Nocturnes For Cello And
Piano H189: Cello:
Instrumental Work Cello, Piano [Sheet music] Leduc, Alphonse
Nocturnes is a set of four studies for Cello and Piano by Bohuslav Martinu. Thes...(+)
Nocturnes is a set of four studies for Cello and Piano by Bohuslav Martinu. These four pieces can be played for a recital or a contest separately or following one another by upper-intermediate players and above. This volume features: I. Andantino moderato – two first parts starting with a solo of Piano including many accidentals some trills and some pizzicatos II. Lento– starts by an exchange of sets of chords between the Piano and the Cello which is played a second time at the end of the piece III. Moderato –starts by the Piano on its own which is the joined by the Cello IV. Allegretto moderato – swapping from pizzicato to bow few times in the suite Bohuslav Martinu (1890-1959) is a Czech composer and a violinist. Even though he was interested in different genres (including Romanticism Jazz and Expressionism) he wrote mainly neo-classical pieces including 16 symphonies 14 ballets and 15 operas.
20.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| George Gershwin: Play
Gershwin For Cello and
Piano: Cello:
Instrumental Album Cello, Piano - Intermediate Faber Music Limited
A collection of pieces that pay tribute to Gershwin's unique melodic genius whi...(+)
A collection of pieces that pay tribute to Gershwin's unique melodic genius which gave us such gems as Embraceable You Summertime I Got Rhythm 'S Wonderful and Lady Be Good. These and other favourites are arranged here as impressive Cello solos with Piano accompaniment. This book includes a separate Cello part.
9.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| David Popper: Easy
Studies Op. 76: Cello Cello, Piano Dowani
for Cello and Piano (Cello)-Revised edition with new piano accompaniments by J. ...(+)
for Cello and Piano (Cello)-Revised edition with new piano accompaniments by J. Schlichting.1 I G Major / Sol majeur / G-Dur2 II C Major / Ut majeur / C-Dur3 VII D Major / Ré majeur / D-Dur4 XV D Major / Ré majeur / D-Dur
22.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Bohuslav Martinu: Suite
Miniature H192: Cello:
Instrumental Work Cello, Piano Leduc, Alphonse
Composed by the Czech composer Bohuslav Martinü in 1930 Suite Miniature is a...(+)
Composed by the Czech composer Bohuslav Martinü in 1930 Suite Miniature is a chamber work for Cello and Piano that lasts 10 minutes and 30 seconds. The difficulty for Cello is considered as medium and for the Piano easy to medium. Suite Miniature is divided in seven sections: I. Moderato II. Poco andante III. Poco moderato IV. Andante V. Poco allegro VI. Allegretto VII. Moderato Good for recitals this piece is really melodic and cheerful with some parts quiet and others quite energetic. BohuslavMartinü(1890-1959) also wrote 13 other ballets 15 operas and 6 symphonies and some orchestral and chamber music.
15.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Felix Mendelssohn
Bartholdy: Cello Works
Complete Volumes 1 & 2:
Cello: Cello, Piano Barenreiter
For Violoncello and Pianoforte-Felix Mendelssohn Bartholdy’s works for vi...(+)
For Violoncello and Pianoforte-Felix Mendelssohn Bartholdy’s works for violoncello and piano occupy a special place within the repertoire of cellists and chamber musicians. The lyrical Song without Words (Romance sans paroles) is among the most popular of all teaching pieces.Mendelssohn was inspired by his contacts with the leading cellists of his day to write for this instrument. This unique Urtext edition contains all of Mendelssohn’s finished works for violoncello and piano as well as reconstructions and completions of his unfinished works for the same scoring. The editor R. Larry Todd has composed the cello part for the variations and has completed the graceful Assaitranquillo.Urtext edition containing all of Mendelssohn’s works for violoncello and piano in 2 volumesAlso includes reconstructions or completions of Mendelssohn’s unfinished works for violoncello and pianoInformative Foreword (Eng/Ger) and Critical Commentary (Eng) with facsimile pagesSpecial price for both volumes I and II (BA9098)
52.00 GBP - Sold by Musicroom UK | |
| Felix Mendelssohn
Bartholdy: Cello Works
Complete Volume 2: Cello:
Instrumental Cello, Piano Barenreiter
For Violoncello and Pianoforte-Felix Mendelssohn Bartholdy’s works for vi...(+)
For Violoncello and Pianoforte-Felix Mendelssohn Bartholdy’s works for violoncello and piano occupy a special place within the repertoire of cellists and chamber musicians. The lyrical Song without Words (Romance sans paroles) is among the most popular of all teaching pieces.Mendelssohn was inspired by his contacts with the leading cellists of his day to write for this instrument. This unique Urtext edition contains all of Mendelssohn’s finished works for violoncello and piano as well as reconstructions and completions of his unfinished works for the same scoring. The editor R. Larry Todd has composed the cello part for the variations and has completed the graceful Assaitranquillo.Urtext edition containing all of Mendelssohn’s works for violoncello and piano in 2 volumesAlso includes reconstructions or completions of Mendelssohn’s unfinished works for violoncello and pianoInformative Foreword (Eng/Ger) and Critical Commentary (Eng) with facsimile pagesSpecial price for both volumes I and II (BA9098)
24.00 GBP - Sold by Musicroom UK | |
| Felix Mendelssohn
Bartholdy: Cello Works
Complete Volume 1: Cello:
Instrumental Cello, Piano Barenreiter
For Violoncello and Pianoforte-Felix Mendelssohn Bartholdy’s works for vi...(+)
For Violoncello and Pianoforte-Felix Mendelssohn Bartholdy’s works for violoncello and piano occupy a special place within the repertoire of cellists and chamber musicians. The lyrical Song without Words (Romance sans paroles) is among the most popular of all teaching pieces.Mendelssohn was inspired by his contacts with the leading cellists of his day to write for this instrument. This unique Urtext edition contains all of Mendelssohn’s finished works for violoncello and piano as well as reconstructions and completions of his unfinished works for the same scoring. The editor R. Larry Todd has composed the cello part for the variations and has completed the graceful Assaitranquillo.Urtext edition containing all of Mendelssohn’s works for violoncello and piano in 2 volumesAlso includes reconstructions or completions of Mendelssohn’s unfinished works for violoncello and pianoInformative Foreword (Eng/Ger) and Critical Commentary (Eng) with facsimile pagesSpecial price for both volumes I and II (BA9098)
34.50 GBP - Sold by Musicroom UK | |
| Leonard Bernstein: West
Side Story: Cello:
Instrumental Album Cello, Piano [Sheet music + CD] - Intermediate/advanced Boosey and Hawkes
Instrumental Solos-Since its opening in 1957 the musical West Side Story has bee...(+)
Instrumental Solos-Since its opening in 1957 the musical West Side Story has been a hit on Broadway. Made into a successful film starring Rita Moreno Natalie Wood and Richard Beymer in 1961 this tale of star-crossed lovers caught between feuding New York gangs has been gripping audiences for decades.The arrangements in the West Side Story: Instrumental Solos series remain faithful to Bernstein's original score. In this edition the pieces have been idiomatically adapted for the solo Cello.This book features 10 of the best-known songs from the musical including Maria Tonight America I Feel Pretty and more.West Side Story:Instrumental Solos - Cello comes with an enhanced CD featuring Piano accompaniments for all tracks. Playable on both CD player and computer tempo adjustment software is also included for CD-Rom computer use only.
24.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Robert Schumann: Five
Pieces In Folk Style
Op.102 - Cello Version:
Cello: Cello, Piano [Sheet music] G. Henle
Op 102-Although Schumann had learnt the cello for a while in his youth he only ...(+)
Op 102-Although Schumann had learnt the cello for a while in his youth he only began to compose for this instrument in later life. Apart from the cello concerto only his Five Pieces op. 102 have survived as original works for thecello. Clara was delighted with them: 'These are pieces in folk style with such a freshness and originality that I was enchanted'. The 'Neue Zeitschrift für Musik' wrote: 'These pieces are less apt for a virtuoso player than awell versed one who can speak on his instrument with tone and meaning.' This edition in the best Urtext quality is particularly to be recommended for teaching purposes and for making music at home.
16.75 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| A Kernis: Air: Cello and
Accomp.: Instrumental
Work Cello, Piano [Sheet music] Associated
A wonderful piece for Cello with Piano accompaniment by Aaron Jay Kernis. The co...(+)
A wonderful piece for Cello with Piano accompaniment by Aaron Jay Kernis. The composer describes this piece as: songlike and melodic ... the 'purest' and sparest piece I've written in a few years.
13.99 GBP - Sold by Musicroom UK | |
| Ludwig van Beethoven:
Sonatina In D Minor After
WoO 43: Cello:
Instrumental Work Cello, Piano [Sheet music] - Intermediate Peters
Cello and Piano version edited by J. Stutschewsky and I. Thaler.
13.95 GBP - Sold by Musicroom UK | |
| Nicolas Bacri: Quatre
élégies op.127: Cello
and Accomp.: Instrumental
Work
Français Cello, Piano Chant du Monde
Quatre élégies op.127. Work for cello (or viola) and piano, commissioned by t...(+)
Quatre élégies op.127. Work for cello (or viola) and piano, commissioned by the "Sommets Musicaux de Gstaad" Festival ? I. Nocturne, II. Berceuse (Hommage à Brahms), III. Souvenir, IV. Canto di speranza
17.25 GBP - Sold by Musicroom UK | |
| Premiers Pas (SAINT-LEGER
PASCAL) Cello, Piano [Score and Parts] - Easy FLEX Editions
Cello and Piano. Par SAINT-LEGER PASCAL. Les jeunes musiciens se régaleront ave...(+)
Cello and Piano. Par SAINT-LEGER PASCAL. Les jeunes musiciens se régaleront avec cette pièce qui trouvera toute sa place dans un programme d'audition ou de concert. - Pascal SAINT-LEGER - Une pièce adaptée pour un examen de Cycle I 2e année - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Violoncelle 1 Piano - Niveau de Difficulté : 2/6 - Facile - Durée : 2 mn 15 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Pascal SAINT-LEGER - / Niveau : Facile / Classique, Pédagogique / Répertoire / Violoncelle et Piano
12.19 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Star Wars : Episodes I II
And III Instrumental
Solos For Strings Cello, Piano Alfred Publishing
This book is part of a String series arranged for Violin, Viola, and Cello. The ...(+)
This book is part of a String series arranged for Violin, Viola, and Cello. The arrangements are completely compatible with each other and can be played together or as solos. Each book features a specially designed piano accompaniment that can be easily played by a teacher or intermediate piano student, and a carefully crafted removable part, complete with bowings, articulations, and keys well suited for the Level 2-3 player. A fully orchestrated accompaniment CD is also provided. Each song on the CD includes a DEMO track, which features a live string performance, followed by the PLAY-ALONG track by itself. / Violoncelle Et Piano
23.25 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| QUATRE ÉLÉGIES, OP.127
(BACRI NICOLAS) (BACRI
NICOLAS) Cello, Piano [Sheet music] Chant du Monde
Par BACRI NICOLAS. Work for cello (or viola) and piano, commissioned by the 'Som...(+)
Par BACRI NICOLAS. Work for cello (or viola) and piano, commissioned by the 'Sommets Musicaux de Gstaad' Festival I. Nocturne, II. Berceuse (Hommage Brahms), III. Souvenir, IV. Canto di speranza / Date parution : 2023-04-14/ Répertoire / Violoncelle (ou Alto) et Piano
26.02 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| BOOSEY and HAWKES
PIAZZOLLA ASTOR - 25
PIAZZOLLA TANGOS - CELLO
AND PIANO Cello, Piano Boosey and Hawkes
composer/Author (EN) : Piazzolla, Astor Artisane 1 from A Midsummer Night's...(+)
composer/Author (EN) : Piazzolla, Astor Artisane 1 from A Midsummer Night's Dream Ausencias (The Absent) Chanson de la Naissance (Song of the Birth) from Famille d'artistes Dansée (Dance) from A Midsummer Night's Dream Duo I from A Midsummer Night's Dream El Viaje (Voyage) Fracanapa La Chanson Du Popo (The Song of Popo) from Famille d'artistes Libertango Los Sueños (Dreams) Milonga from A Midsummer Night's Dream Milonga for Three Milonga Picaresque Mumuki Nuevo Mundo (New World) Oblivion Ouverture from A Midsummer Night's Dream Psicosis (Psychosis) Sensuel (Sensual) from A Midsummer Night's Dream Sentimental from Famille d'artistes Sin Rumbo (Aimless) Street Tango Tango Final from Famille d'artistes Todo Fué (It All Was) Vuelvo Al Sur (I'm Returning South) / Partitions classique / Cordes / Alto / BOOSEY
28.50 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Luigi Boccherini: 6
Sonates: Cello:
Instrumental Album Cello, Piano Ricordi
per Violoncello e pianoforte-Luigi Boccherini's Six Sonatas For Cello. Contents:...(+)
per Violoncello e pianoforte-Luigi Boccherini's Six Sonatas For Cello. Contents: I. Sonata in La II. Sonata in Do III. Sonata in Sol IV. Sonata in Mib V. Sonata in Fa VI. Sonata in La
15.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Sonate Cello, Piano [Sheet music] Bote and Bock
Par WINTERBERG HANS. Hans Winterberg, born in Prague in 1901, lived through almo...(+)
Par WINTERBERG HANS. Hans Winterberg, born in Prague in 1901, lived through almost the entire period of the 20th century and was influenced as a composer by its most important artistic innovations. Already a brilliant pianist as an adolescent, he studied with Alois Hába and Alexander von Zemlinsky in Prague. Both his life and his music reflect the Austrian-Czech-Jewish cultural symbiosis; he saw himself as a bridge builder between Western and Eastern, i.e. Slavic, cultures. Owing to his Jewish ancestry, he was deported to the Terezin concentration camp after the annexation of Czechoslovakia by Nazi Germany. He was the only Jewish representative of the Czech musical avant-garde of the 1920s and 1930s to survive the Shoah and, in 1947, followed his non-Jewish wife and their daughter to the FRG in the course of the expulsion of the German-speaking population from Czechoslovakia. Winterberg's fascinating oeuvre, which was kept under lock and key in a German music archive for years after his death, is now being made accessible in first editions due to a cooperation between the Exilarte Center for Banned Music at the University of Music in Vienna and Boosey & Hawkes. The first printed edition is Winterberg's Cello Sonata, composed in 1951, in which all the characteristics of his unmistakable personal style come to the fore: dance-like energy, polyrhythm, intimate yet unsentimental melos, subtle handling of folkloristic material, and an unerring sense of form and balance. This work is of medium technical and great interpretative difficulty. / Date parution : 2024-01-06/ Répertoire / Violoncelle et Piano
38.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
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