This popular traditional spiritual Sinner Man has been arranged and adapted for SSAA a cappella choir by Kirby Shaw. Performance Time 2.20 minutes.

The delicate mystery of love has been the subject of poets and composers many times over. In this sophisticated setting, Priano suggests that the answer lies in the giving of oneself to another without expecting anything in return. Exquisite! / Choeur SSAA

First performed by The Persuasions and popularized by The Nylons this tune has been sung by countless contemporary a cappella groups. Originally from the collection Contemporary A Cappella Volume 1 now for treble voicestoo!Available separately: SATB a cappella SSAA a cappella and TTBB a cappella.

Ever since John Coltrane's 1961 recording Rodgers & Hammerstein's My Favorite Things has been a favorite choice for jazz improvisation. Mitos Andaya's SSAA setting is second to none for advanced women's ensembles and all-statehonor groups. Duration: ca. 5:15 (without instrumental break).

This is hilarious! Ellen Foncannon has created a clever parody on Bach's famous “Fugue in G Minor” that will have your audience in stitches! Your students will have a blast singing such funny words with such seriousBaroque music which has been simplified for young voices. From the first note to the resounding “A-Choo!” at the end this uproariously funny novelty is sure to be a big hit in your concert! Available: SATB SSAA TTBB 2-Part 3-Part.

Since Brahms' 'Guten Abend, gut Nacht', lullabies have been a popular element in many a concert progamme. Heinrich Poos set to music three traditional lullabies for women's choir which are perfect for evening concerts or serenades at events on a smaller scale. / Choer SSAA

A guaranteed showstopper! This playful Irish children's song has been set with rousing clapping and stomping to reflect how it might have been sung by children during their playtime. The vocals are set in a simple homophonic style which makes the body percussion achievable. Can be performed with or without piano. Don't miss this fantastic concert closer!

?Hey Brother? ?Levels? and ?Without you? are now available for six-part mixed or female choir. The arrangements offer a wide variety of vocal and choral possibilities and attention has been paid that all parts are of the same musical standard. Whether homophonic or unisono they artfully intertwine from one passage to the next. However for all their sophistication the arrangements remain manageable and easy to learn displaying the typical groove of each Avicii song within a multi-layered texture.

‘Njoktje’ is the South Sámi word for a swan and this music is based on an old yoik (a traditional Sámi form of song) which creates and ‘audio image’ of this beautiful bird rather than simply describing it. In this piece which was recorded by Cantus on their album Northern Lights elements from the original yoik have been used together with the composer’s own experience of the bird as well as his own musical language.   An independent four-part yoik ostinato in the alto 2 part underpins much of this work and that combined with the flowing melodies and close harmonies creates a unique and very attractivesoundscape.   Fjellheim’s distinctive and approachable musical language which many will recognise from the use of his music at the opening of Disney’s Frozen will appeal to both singers and audience.

The traditional text with spiritual roots has been adapted by the composer. With an unadorned melody set in a simple but beautiful musical language with open transparent harmonies this music can be sung well by groups of many different abilities and in many situations. Duration: 3:00.

Louisa May Alcott's text has been set to lovely work for treble chorus and piano suitable for school or church.

The Lamb is John Tavener's setting of a poem by William Blake arranged here for unaccompanied Upper Voices by Barry Rose. The work lasts around 3 minutes. TheLamb has long been a favourite of choirs and audiences alike and with this unique arrangement it can also be enjoyed by Upper Voices. The work was composed by Tavener in just a single afternoon and wasdedicated to his nephew's third birthday.   This arrangement received a positive review from Geoffrey Webber in the January/February 2016 edition of Choir & Organ.

The SSA/SATB arrangement of this Carly Simon song as arranged by Craig Hella Johnson has been sung and enjoyed by hundreds of thousands. Now skillfully adapted and arranged by Emily Crocker both men's and women's choirs can now experience this vibrant concert-pop work. The ranges and parts have been carefully scored for the most successful results.

The poem by Yeats that serves as the text for this Ron Kean piece has been set by many fine composers. Ron's approach is unique bringing in overtones through whirlies to add an ultra-spiritual dimension to the impact of the work. Ron's vocal writing is always careful pulling lines into one another with suspended results. Singers simply love to sing them because everyone is equally important. Selected for the Iris Levine Treble Chorus Series this piece fits any general program for advanced treble high school college and community choir. Medium.

This women's arrangement was designed specifically for female quartets and choruses looking for something with flair. Written and recorded by KT Tunstall the song became a hit after being featured prominently in the 2006 film The Devil Wears Prada and has been used numerous times since in TV film and other media. Rund's approach is simple accessible and builds toward a powerful ending.