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| Sueños de Flamenco Flute and Guitar Theodore Presser Co.
Chamber Music flute, guitar SKU: PR.114422330 Composed by Stacy Garrop. S...(+)
Chamber Music flute, guitar SKU: PR.114422330 Composed by Stacy Garrop. Sws. Set of performance scores. 8 pages. Duration 5 minutes. Theodore Presser Company #114-42233. Published by Theodore Presser Company (PR.114422330). ISBN 9781491133781. UPC: 680160683253. 9 x 12 inches. Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope.
Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). I made this edition of the piece for flute and guitar in 2020.
-S.G. Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spain's ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusia's isolated mountain regions to survive. Not surprisingly, the topics of the gypsies' songs frequently touch on longing, despair, rage, anguish, and hope. Suenos de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). I made this edition of the piece for flute and guitar in 2020. -S.G. Flamenco is an art form involving highly dramatic music and dance. The form is strongly associated with the Andalusia region of southern Spain. Its actual origins are less clear, though historians theorize that gypsies brought the predecessors of flamenco to the region as they migrated from India prior to the 15th century. The form took on traits from cultures that the gypsies encountered in Andalusia, including Spanish, Sephardic, Islamic, and Moorish musical traditions. Over the centuries, Spainââ¬â¢s ruling classes undertook systematic persecutions of populations who did not agree with their religious ideals, forcing gypsies to take refuge in Andalusiaââ¬â¢s isolated mountain regions to survive. Not surprisingly, the topics of the gypsiesââ¬â¢ songs frequently touch on longing, despair, rage, anguish, and hope.Sueños de Flamenco (Flamenco Dreams) portrays a young gypsy couple who dance the flamenco with great longing, passion, and vigor. The piece was commissioned by Duo Montagnard (Joseph Murphy, saxophone, and Matthew Slotkin, guitar). I made this edition of the piece for flute and guitar in 2020.-S.G. $27.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Passion Camille Flute and Guitar Music Distribution Services
Flute and Guitar SKU: M7.DOHR-95296 Composed by Bojidar Dimov. Sheet musi...(+)
Flute and Guitar SKU: M7.DOHR-95296 Composed by Bojidar Dimov. Sheet music. Score (also performance score). 11 pages. MDS (Music Distribution Services) #DOHR 95296. Published by MDS (Music Distribution Services) (M7.DOHR-95296). ISBN 9790202002964. $13.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Robert Xavier Rodriguez - Il Lamento di Tristano Flute and Guitar [Score and Parts] Schirmer | | |
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| Johann Sebastian Bach:
Flute Solos from Sacred
and Secular Vocal Works
2: Flute: Flute and Guitar [Score] Barenreiter
Arias with 1 or 2 flutes obbligato (with the complete vocal part)-Arias with 1 o...(+)
Arias with 1 or 2 flutes obbligato (with the complete vocal part)-Arias with 1 or 2 Flutes obbligato (with the complete vocal part). Selected movements from secular cantatas from St John Passion Magnificat in D major Christmas Oratorio and Easter Oratorio. Contents:Magnificat D-dur. Nr. 9 Alt: Esurientes (2 Flöten)Johannes-Passion. Nr. 9 Sopran-Arie: Ich folge dir gleichfalls mit freudigen SchrittenWeihnachtsoratorium. Nr. 15 Tenor-Arie: Frohe Hirten eilt ach eiletOsteroratorium. Kommt eilet und laufet. Nr. 5 Sopran-Arie: Seele deine SpezereienKantate 201. Geschwinde ihr wirbelnden Winde. Nr. 13 Alt-Arie: Aufgeblasne Hitze (2 Flöten)Kantate 204. Ich bin in mirvergnügt. Nr. 6 Sopran-Arie: Meine Seele sei vergnügtKantate 210. O holder Tag erwünschte Zeit. Sopran-Arie: Schweigt ihr Flöten schweigt ihr TöneKantate 211. Schweigt stille plaudert nicht. Nr. 4 Sopran-Arie: Ei! wie schmeckt der Coffee süßeKantate 214. Tönet ihr Pauken! Erschallet Trompeten! Nr. 3 Sopran-Arie: Blast die wohlgegriffnen Flöten (2 Flöten)
17.00 GBP - Sold by Musicroom UK | |
| Verite Alain - Bresil -
Flute, Guitare
Français Flute and Guitar Lemoine, Henry
Si l'on vous invite à un voyage de découverte, qui plus est au Brésil, le ref...(+)
Si l'on vous invite à un voyage de découverte, qui plus est au Brésil, le refuserez-vous ?C'est à cela que nous convie Alain Vérité, dans le parcours de ses pièces pour flûte et guitare, écrites avec un soin méticuleux. Elles permettent à des élèves encore au début de leur apprentissage de ces deux instruments, de découvrir un côté souvent caché de cette richissime musique brésilienne, et ce plaisir partagé ne peut que les encourager dans leur passion naissante. Merci Alain, pour ce musical cadeau que tu leur (et nous) fais. Yannick Le Goff La musique du Brésil est un monde en soi, riche, chaleureux, et divers. Les pièces de ce recueil, aux rythmes variés, appartiennent au style Chôro, caractérisé par son aspect très chantant, dansant, et... ensoleillé. Et illustré aussi bien par Villa-Lobos que par Jobim, par N. Freire que Caetano Veloso ! Car le mélange de tournures mélodiques et harmoniques européennes et de figures rythmiques créoles le place au carrefour du classique et de nombre de musiques actuelles, du Brésil mais aussi du Cap-Vert ou des Caraibes. On trouvera ici des Chôrinhos (petits chôros) vifs et syncopés, des Rumbas nonchalantes, une Romanza et une Valsinha (petite valse), mélodiques et rêveuses. L'association de la flûte traversière et de la guitare, très fréquente dans le chôro depuis son apparition (fin du XIXe siècle, à Rio) jusqu'à nos jours, est trop peu publiée, et presque toujours pour des niveaux plus avancés (comme ceux que l'on trouve chez l'excellent, et actuel, Celso Machado). Quoi qu'il en soit, elle convient particulièrement bien à l'esprit de cette musique, que l'on découvrira donc au mieux, avec le profit et le plaisir partagé du jeu en duo. C'est en tout cas le désir, et le souhait, de l'auteur. Alain Vérité Compositeur/Auteur : VERITE Alain Discipline/Instrument : flûte et guitare Collection : Junior de Thierry Masson Support : Partition Style/Genre : classique Date de parution : août-06 Nombre de pages : 14 14
16.00 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Anthony Payne: 1940's
Childhood: Flute &
Guitar: Instrumental Work Flute and Guitar [Sheet music] Chester
Work for Flute and Guitar commissioned by Clive Conway and Gerald Garcia.Anthon...(+)
Work for Flute and Guitar commissioned by Clive Conway and Gerald Garcia.Anthony Payne: 'As a passionate Elgarian for most of my musical life I was fascinated by the prospect of writing something which reflected or somehowincorporated his Memorial Chimes written for the Loughborough Carillon a piece moreover which I did not know although I pride myself on an intimate acquaintance with the greater part of his output. My own style is a far cryfrom that of the English late-romantics which I so love but I have recently discovered how to relate to their music in more than just spiritual and emotional particulars and in Spring's Shining Wake I produced a gloss of Delius'In a Summer Garden finding equivalents in my vocabulary for each of that work's procedures somethings approaching the original closely and sometimes shadowing it from afar.p>When I saw the Elgar I immediately realised that thiskind of approach was out of the question. For one thing it is quite a short piece and frankly it is not one of the master's great inspirations. It does however possess one characteristically haunting phrase and I saw how Icould draw it within my own harmonic and textural orbit not the sort of idea to base a work on but a happy little discovery such as one often makes during the course of composing a work.I accordingly set out to write a shorttone poem which somehow draws together the sonorous 'objets trouvés' which float into the mind during intense contemplation of a still landscape memories of the past (the Elgar) intimations of magic in the wind sudden intenseperceptions of the cosmic forces of which we form such an insignificant part ominous vibrations borne on the air from some other existence.
16.99 GBP - Sold by Musicroom UK | |
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