David Knotts' Coyote Star Song for Piano Trio.American Indian myth tells the story of Coyote who makes a ladder stretching from earth to sky. Five wolves climb up to have a closer look at the two grizzly bears they can see from down below. Coyote warns them not to get too close but their curiosity gets the better of them. The wolves look at the bears: the bears look at the wolves. ‘that looks good’ thinks Coyote so he leaves them there. Coyote makes pictures of stars all over the sky. - David KnottsCommission made possible by Judy Blendis.

Cheryl Frances-Hoad's The Forgiveness Machine for Piano Cello and Violin. 'The Forgiveness Machine was commissioned by the Phoenix Piano Trio as part of their Beyond Beethoven Project. My work is very closely modeled on the second movement of Beethoven’s Archduke Trio and comprises a set of loosely structured variations many of which are motivically very similar to Beethoven's. This work is dedicated to the memory of my grandmother Christina Hoad. I received this commission in the last months of her life and would often sit in the room listening to the Archduke on my headphones while she rested. Beethoven’s music to me atthat time had an almost transcendental quality to it temporarily permitting an escape from the reality and inevitability of my Nan’s illness. It was this quality of serenity beauty and dignity that I tried to emulate in my work. The title is taken from an art work by Karen Green: the Forgiveness Machine was made after the death of her husband David Foster Wallace and encourages members of the public to write down on a piece of paper what they want to forgive/be forgiven for before feeding it to the machine which sucks up the piece of paper and shreds it (the artwork is some seven foot long). Whilst in my case there is nothing to forgive it was the feeling of catharsis that many people reported after interaction with this artwork that struck a chord with me and had tremendous relevance to this work.' - Cheryl Frances-Hoad

Arensky's Piano Trio Op.32 was composed in memory of cellist Karl Davidov friend of both the composer and Tchaikovsky as well as director of the St. Petersburg Conservatory during Arensky's studies. The cello plays a prominent role in the trio at times matching or surpassing the violin in importance.

Cette oeuvre pour violon, violoncelle et piano en un seul mouvement, est née d'une commande pour accompagner une exposition de tableaux consacrée aux de portraits de Debussy et Schumann. / Violon, Violoncelle Et Piano