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| Mass in G major
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra [Vocal Score] - Easy
Carus Verlag
By Franz Schubert (1797-1828). Edited by Bernhard Paul. For Soli STB, SATB Choir...(+)
By Franz Schubert (1797-1828). Edited by Bernhard Paul. For Soli STB, SATB Choir, [2 Trumpets, Timpani], 2 Violins, Viola, Cello/Contrabass, Organ. This edition: Paperbound. G-Dur (G major). Stuttgart Urtext editions. Score available separately - see item CA.4067500. Masses, Latin. Level 3. Vocal score. Language: Latin. D 167. 36 pages. Duration 25 min. Published by Carus Verlag
$13.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Missa Divi Xaverii ZWV 12
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra - Advanced
Barenreiter
Solo soprano voice, solo alto voice, solo tenor voice, solo bass voice, Mixed ch...(+)
Solo soprano voice, solo alto voice, solo tenor voice, solo bass voice, Mixed choir-SATB, orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra) - Level 5 SKU: BA.BA09594 Composed by Jan Dismas Zelenka. Edited by Václav Luks. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. ZWV 12. Baerenreiter Verlag #BA09594_00. Published by Baerenreiter Verlag (BA.BA09594). ISBN 9790260107526. 31 x 24.3 cm inches. Text language: Czech, English, German. Preface: Stockigt, Janice B. / Luks, Václav. The â??Missa Divi Xaveriiâ? ZWV 12, an expansive and unusually richly scored work, marks a highlight in the uvre of Jan Dismas Zelenka (1679-1745). It was composed in 1729 while he was working at the Dresden court.
The principal source of this first edition is the damaged autograph score which had long been kept under lock and key. Passages missing because of its damaged condition have been supplemented using secondary sources or reconstructed by Václav Luks, clearly marked as such in the musical text.
The first performance to use the present new edition took place in the summer of 2014, when it was performed at the Utrecht Early Music Festival. A CD recording by Collegium 1704, conducted by Václav Luks, has been released by the label Accent (ACC 24301).
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Dettingen Te Deum
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra [Score]
Carus Verlag
(Dettinger Te Deum). By George Frideric Handel (1685-1759). Edited by Benedikt P...(+)
(Dettinger Te Deum). By George Frideric Handel (1685-1759). Edited by Benedikt Poensgen. For Soli ATB, SSATB choir, 2 oboes, bassoon, 3 trumpets, timpani, 2 violin, viola, basso continuo. This edition: Paperbound. Praise and thanks. Full score. Language: English/German. Composed 1743. HWV 283. 144 pages. Duration 40 min. Published by Carus Verlag
$66.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| TSAR SULTAN, THE: Flight of the Bumble Bee
Soli, Mixted choir and accompaniment
Lucks Music Library
(2.2.2.2/4.2.3.1,timp,per c,str) SKU: TM.06482SC Composed by Nikolay Andr...(+)
(2.2.2.2/4.2.3.1,timp,perc,str) SKU: TM.06482SC Composed by Nikolay Andreyevich Rimsky-Korsakov. Score. Lucks Music Library #A1926. Published by Lucks Music Library (TM.06482SC). Transposed: CL 1&2, HN 1&2, TPT 1&2. $10.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| TSAR SULTAN, THE: Flight of the Bumble Bee
Soli, Mixted choir and accompaniment
Lucks Music Library
(2.2.2.2/4.2.3.1,timp,per c,str) SKU: TM.06482SET Composed by Nikolay And...(+)
(2.2.2.2/4.2.3.1,timp,perc,str) SKU: TM.06482SET Composed by Nikolay Andreyevich Rimsky-Korsakov. Set Type: D. Set of parts. Lucks Music Library #A1926. Published by Lucks Music Library (TM.06482SET). Transposed: CL 1&2, HN 1&2, TPT 1&2. $75.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| St. Mark Passion
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra [Score]
Carus Verlag
(Version Hellmann/Glockner). Composed by Johann Sebastian Bach (1685-1750). Edit...(+)
(Version Hellmann/Glockner). Composed by Johann Sebastian Bach (1685-1750). Edited by Andreas Glockner. Arranged by Diethard Hellmann. For SAT vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 violins, viola, 2 viola da gamba, basso continuo, [2 lutes]. This edition: Paperbound. Stuttgart Urtext Edition. German title: Markuspassion Glockner. Oratorios, Passions, Lent and Passiontide, Holy Week. Full score. Language: German. Composed 1723/1964/2001. BWV 247. Duration 75 minutes. Published by Carus Verlag
$77.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Te Deum
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horn...(+)
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, Tuba, timpani, 2 violins, viola, cello, contrabass, organ SKU: CA.2719014 Composed by Anton Bruckner. Edited by Ernst Herttrich. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; Carus sheet music series: Vocal scores XL. Violoncello. Innovative practice aids, Sacred vocal music, Praise and thanks. Single Part, Cello. WAB 45. 12 pages. Duration 25 minutes. Carus Verlag #CV 27.190/14. Published by Carus Verlag (CA.2719014). ISBN 9790007200770. Text language: Latin. Anton Bruckner's Te Deum - a high point in the composer's output and one of the most important works of the sacred choral repertoire in the 19th century - is now available in a modern, scholarly edition. The Carus edition draws on both the two sources regarded as important, the autograph score and the first printed edition, with careful consideration given to variant readings. And so a music text has been prepared which reflects the composer's intentions as closely as possible. Great emphasis has been placed on a clear-to-read layout of the full score pages, as well as excellent legibility for the parts, which are available on sale. With current performance practice in mind, the clarinet parts are notated in B flat instead of A, corresponding with the first printed edition. The vocal score has been newly prepared to reflect current practical requirements. As an economical alternative, a chorus score is available. Bruckner's Te Deum is also available in carus music, the choir app. The app contains the music and a recording, as well as a coach to help with learning each choral part. In preparation: arrangement of the Te Deum for soli, choir, brass quintet and organ. Score and part available separately - see item CA.2719000. $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Psalm 42
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Carus Verlag
Orchestra Soli STTBB, Coro SATB, Fl, Ob, Clt, Fg, Cor, [Timp], 2 Vl, Va, Vc, Cb,...(+)
Orchestra Soli STTBB, Coro SATB, Fl, Ob, Clt, Fg, Cor, [Timp], 2 Vl, Va, Vc, Cb, Org SKU: CA.4007250 Arrangement for chamber orchestra (Homolka). Composed by Felix Bartholdy Mendelssohn. Arranged by Jan-Benjamin Homolka. Carus sheet music series: Great choral works in small scorings. Foreword in German and English. Sacred vocal music, Psalms, German. Full Score. Op. 42, MWV A 15. Duration 24 minutes. Carus Verlag #CV 40.072/50. Published by Carus Verlag (CA.4007250). ISBN 9790007240059. German/English. Psalm texts inspired Mendelssohn throughout his composing career. In 1837 Robert Schumann judged Mendelssohn's setting of Psalm 42 as the highest level that he has achieved as a composer of church music, indeed the highest level that modern church music has ever reached. With this arrangement of Mendelssohn's cantata Wie der Hirsch schreit (As the hart longs) smaller choirs and choirs with more limited resources of space or finance can now perform this popular work. The original symphonic wind and brass forces have been reduced from 15 to 5 wind and brass forces. All the vocal parts (soloists and chorus) are identical with the original version, so that the vocal scores and chorus scores of that version can be used. Can be performed by smaller choirs with smaller instrumental forces Usable with the vocal scores and choral scores from the original version. Complete performance material available on loan. carus plus: the work is also available in carus music, the choir app, and the practice CD series Carus Choir Coach. Score available separately - see item CA.4007200. $85.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| La damnation de Faust, op. 24 Holoman 111
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra - Intermediate/advanced
Barenreiter
Solo voices, choir, orchestra (Mezzo Voice Solo, Tenor Voice Solo, BarSolo, Bass...(+)
Solo voices, choir, orchestra (Mezzo Voice Solo, Tenor Voice Solo, BarSolo, Bass Voice Solo, Mixed choir: SSTTBB, children choir: SS, 3Fl, 2 Ob, 2 clarinet, clarinet-B, 4bassoon, 4Hn, 2 Trp, 2 Pist, 3trombone, Op, Tb, timpani, percussion, 8, 10harp, Str) - Level 4 SKU: BA.BA05448 Lègende dramatique in four parts. Composed by Hector Berlioz. Edited by Julian Rushton. This edition: complete edition, urtext edition. Linen. New Berlioz Edition (Neue Berlioz-Ausgabe - NBE) Volume 8a/b. Complete edition, Score. Opus 24. 453/556 pages. Duration 2 hours. Baerenreiter Verlag #BA05448_00. Published by Baerenreiter Verlag (BA.BA05448). ISBN 9790006471478. 33.2 x 26.5 cm inches. Text Language: French. Text: Berlioz, Hector / Nerval, Gérard de. In 1828 Berlioz wrote the Huit scènes de Faust. The work was soon withdrawn but almost twenty years later each of the eight scenes found a place in the Lgende dramatique La damnation de Faust dedicated to Franz Liszt. The first part of the Damnation exposes the figure of Faust and has an introductory nature. From the second part onwards, the course of action is largely based on Goethe’s drama.
Contrasting characters and dramatic effect are of central importance in understanding Berlioz’s musical thought and his compositional process. Magic and fairy tale, incantations and ghosts, have been the ever-recurring themes of opera since the Baroque. It is precisely this fantasy in Berlioz's Faust, the “Opra de Concert en Quatre actsâ€, which comes very close to the spirit of Goethe's presentation.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Vespro della Beata Vergine
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra [Vocal Score]
Schott
Vocal Score. By Claudio Monteverdi. Arranged by Jerome Roche. Schott. Size 7.5x1...(+)
Vocal Score. By Claudio Monteverdi. Arranged by Jerome Roche. Schott. Size 7.5x10.75 inches. 175 pages. Published by Schott.
$23.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Glagolitic Mass
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Solo voices, choir, orchestra (Solo SATB voices, Mixed choir, 4Fl(Flote I-III mu...(+)
Solo voices, choir, orchestra (Solo SATB voices, Mixed choir, 4Fl(Flote I-III muta in Piccolo-Flote), 2 Ob+EnglHn, 3clar(clar III muta in Bass-clar), 3bsn(bassoonott III muta in Kontra-bassoonott), 4Hn, 4Trp, 3tbn, Tb, 3timp, Tri, Tr-Kl, Be-Hang, Tam, Glsp, Gl, Cel, 2 harp, Org, Str) SKU: BA.BA06863 September 1927 Version. Composed by Leos Janacek. Edited by Jirà Zahrádka. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek. Series B, Volume 5-II. September 1927 Version. Complete edition, Score. 179 pages. Duration 41 minutes, 13 seconds. Baerenreiter Verlag #BA06863_00. Published by Baerenreiter Verlag (BA.BA06863). ISBN 9790260105317. 34.2 x 27 cm inches. Text Language: Church Slavic. “The Glagolitic Massâ€, one of the 20th century masterpieces of sacred music, has a very complex genesis and constitutes an intricate editorial challenge.
This new critical edition presents two different versions of the work in two separate volumes (B/5-I, BA 6862 und B/5-II, BA 6863): the “September 1927†version which the composer completed before the first rehearsals and subsequent premiere in Brno and the version he partly reworked for the first Prague performance in April 1928. This second version was then revised further and published after Janacek’s death by Universal Edition Wien in 1930. Known as the “final authorised version“, it has been newly edited for this publication which is based on the engraver’s copy of the score prepared by Janacek’s regular copyist Václav Sedlacek.
The new Barenreiter edition also contains an informative preface (Cz/Eng/Ger/Fr/Ru) as well as detailed critical commentary. The “September 1927†version can be seen more as a supplement and appears without text commentary.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| L'Étoile
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Solo voices, choir, orchestra (5 Soprano, 4 Mezzo, 4 Tenor, Baritone, 2 Bass Voi...(+)
Solo voices, choir, orchestra (5 Soprano, 4 Mezzo, 4 Tenor, Baritone, 2 Bass Voice Solos, 2 speaker, Mixed choir, 2 Fl(2 Fl-picc), Ob, 2 clarinet, bassoon, 2 Horn, 2 Corenets, trombone, timpani, Gl, Tr-B, Be, Tri, 2 Violin, Viola, Cello, Double Bass) SKU: BA.BA08708-01 Opéra-bouffe in three acts. Composed by Alexis Emmanuel Chabrier. Edited by Hugh MacDonald and Paul Prévost. This edition: complete edition, urtext edition. Linen. L'Opera francais. Complete edition, Score. Duration 2 hours, 15 minutes. Baerenreiter Verlag #BA08708_01. Published by Baerenreiter Verlag (BA.BA08708-01). ISBN 9790006537846. 33 x 27 cm inches. Text Language: French. Preface: Prévost, Paul / Macdonald, Hugh. Text: Leterrier, Eugène / Vanloo, Albert. WithL'Etoile, Chabrier composed a light-hearted opera which has increasingly enjoyed revivals in recent years.
The plot is introduced by King Ouf I who offers his subjects an execution every year on his birthday. Unfortunately the problem now arises that no crime has recently been committed which might serve as a reason for an execution. Finally, he finds a would-be victim in the young Lazuli. However, according to predictions by the astrologer Siroco, Lazuli's fate is closely linked to the king's own life. The comic opera is further bolstered by a story of mistaken identities which involves a great deal of diplomacy, a love story and a large number of refined, yet catchy melodies.
Chabrier was a master of the sensitive and complicated art of musical comedy, a field where he can be compared in equal measure to Offenbach, Rossini and Mozart.
This vocal score is based on the full score edited by Hugh Macdonald which is published as part of the seriesL'Opera francais.
- Authoritative Urtext edition based on the seriesL'Opera francais
- Original French text with a German singing translation
- Comprehensive foreword (Ger/Eng/Fr)
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Benvenuto Cellini Holoman 76
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Solo voices, choir, orchestra (Soprano Voice Solo, Mezzo Voice Solo, 4Tenor Voic...(+)
Solo voices, choir, orchestra (Soprano Voice Solo, Mezzo Voice Solo, 4Tenor Voice Solo, BarSolo, 3Bass Voice Solo, Mixed choir: SSTTBB, 2 Fl, 2 Ob, 2 clarinet, 4 bassoon, 4Hn, 4Trp, 2 Pist, 3trombone, Op, 3timpani, percussion, 4harp, Str, Buhnenmusik: 2 guitar, 2 Trp, percussion) SKU: BA.BA05441 Opéra comique. Principal versions Paris 1, Paris 2 and Weimar. Part volumes a-d. Composed by Hector Berlioz. Edited by Hugh MacDonald. This edition: complete edition, urtext edition. Linen. New Berlioz Edition (Neue Berlioz-Ausgabe - NBE) Volume 1a-d. Oper (Opera). Complete edition, Score. Hol 76. Duration 2 hours, 45 minutes. Baerenreiter Verlag #BA05441_00. Published by Baerenreiter Verlag (BA.BA05441). ISBN 9790006494996. 33.2 x 26 cm inches. Text Language: French. Text: Wailly, Léon de. Benvenuto Cellini, premiered in 1838, is inspired by the life of the legendary Florentine goldsmith and Renaissance figure. The premiere was a disatster yet even by Berliozâ??s high standards it contains music of exceptional inventiveness and beauty.
The work is challenging not least due to the three versions which exist:
I The original version (Paris 1) as Berlioz composed it
II The version premiered in Paris (Paris 2) after rehearsal and copied into an archival full score
III The Weimar version based on the revival in 1852 following changes suggested by Liszt
Our edition offers a solution to the problem of publishing operas which have been heavily revised by their composers, so that any of its many versions may be adopted on stage today.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Occasional Oratorio HWV 62
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Solo voices, choir, orchestra (Soprano Voice Solo, Tenor Voice Solo, Bass Voice ...(+)
Solo voices, choir, orchestra (Soprano Voice Solo, Tenor Voice Solo, Bass Voice Solo, Mixed choir: SSAATTBB, 2 Ob, 2 bassoon, 2 Hn, 3Trp, timpani, 3V, Va, Bassi, Org) SKU: BA.BA04089 Oratorio in three parts. Composed by George Frideric Handel. Edited by Merlin Channon. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 23. Complete edition, Score. HWV 62. Duration 2 hours, 20 minutes. Baerenreiter Verlag #BA04089_00. Published by Baerenreiter Verlag (BA.BA04089). ISBN 9790006550081. 33 x 26 cm inches. Text Language: English. Text: Newburgh Hamilton. The “Occasional Oratorio†was composed as a reaction to a political event which shook the whole of England : the Jacobite rebellion of 1745-46 against the Hanoverian monarchy was crushed under the leadership of the Duke of Cumberland. Handel, who was working on the oratorio “ Judas Maccabaeus†at the time, composed the oratorio quickly and reused some movements from earlier works. With the choice of a libretto by Newburgh Hamilton he demonstrated his support for the monarchy. The work was first performed on 14 February 1746 at the Covent Garden Theatre in London .
For the first time this seldomly performed oratorio which nevertheless contains wonderful music is available in an Urtext edition based on the “ Halle Handel Edition†. All available sources have been consulted. Further movements which Handel added for later performances are included in the appendix.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Vespers 1610
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra [Study Score / Miniature]
Carus Verlag
Composed by Claudio Monteverdi (1567-1643). Edited by Uwe Wolf. For SSATTBB voca...(+)
Composed by Claudio Monteverdi (1567-1643). Edited by Uwe Wolf. For SSATTBB vocal soli, SATB/SATB choir, 2 flutes, 2 fifari, 3 horns, 3 trombones, 2 violins, 3 violas, cello, violone, basso continuo. This edition: paperback. Stuttgart Urtext edition. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Study score. Text language: Latin. No. 206. 192 pages. Duration 90 minutes. Published by Carus Verlag
$34.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Te Deum
Soli, Mixted choir and accompaniment [Vocal Score]
Carus Verlag
Composed by Anton Bruckner (1824-1896). For SATB vocal soli, SATB choir, 2 flute...(+)
Composed by Anton Bruckner (1824-1896). For SATB vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, 2 violins, viola, cello, double bass, organ. Stuttgart Urtext Edition. Sacred vocal music; occasions: Praise and thanks. Vocal score. Text language: Latin. Duration 25 minutes. Carus Verlag #CV 27.190/03. Published by Carus Verlag
$17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Tamerlano HWV 18
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Solo voices, orchestra (Soprano Voice Solo, Mezzo-Soprano Voice Solo, 2 Alto Voi...(+)
Solo voices, orchestra (Soprano Voice Solo, Mezzo-Soprano Voice Solo, 2 Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, 2 recorder-A, 2 Fl, 2 Ob, 2 clarinet, Str, Continuo) SKU: BA.BA04052 Dramma per musica in three Acts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Serie II, Band 15. Complete edition, Score. HWV 18. Duration 3 hours. Baerenreiter Verlag #BA04052_00. Published by Baerenreiter Verlag (BA.BA04052). ISBN 9790006495702. 33.1 x 26 cm inches. Nicola Francesco Haym. Handel began the composition of Tamerlano, one of the supreme masterpieces of Baroque opera seria, on 3rd July 1724. The libretto was an adaptation by Nicola Haym of Agostino Piovene's Tamerlano, Tragedia per musica, which had been set to music by Francesco Gasparini, and performed in Venice in 1711. When Handel dated the last page of the autograph on 4rd July the work appeared to be complete; but during the three months which passed before the premiere at the King's Theatre in the Haymarket on 31 October, so many alterations and revisions were made that a fresh performing-score had to be writtern very late in the proceedings, to replace an earlier one which is now 1ost.
There were twelve performances between 31 October 1724 and 8 May 1725. Handel revived the opera only once, in 1731, for three performances. For this revival he marked in the performing score a number of cuts in the recitatives, which are reproduced in the present edition; there is more recitative in Tamerlano than in any other Handel opera.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Passion nach Barthold Heinrich Brockes, HWV 48
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo (2), Tenor solo...(+)
Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo (2), Tenor solo (2), Bass solo (2), Mixed choir (SATB), Orchestra) SKU: BA.BA11311 Composed by George Frideric Handel. Edited by Felix Schroeder. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. HWV 48. Baerenreiter Verlag #BA11311_00. Published by Baerenreiter Verlag (BA.BA11311). ISBN 9790006574650. 31 x 24.3 cm inches. Language: German. Preface: Schütz, Gudula. Text: Barthold Heinrich Brockes. Handel composed his only oratorio in German between 1716 and 1717 basing it on the then popular Passion text by Barthold Heinrich Brockes entitled “Der für die Sünde der Welt gemarterte und sterbende Jesus†(“The Story of Jesus, Suffering and Dying for the Sins of the Worldâ€). Handel’s affinity to opera is evident in the musical realisation of the emphatic text as he creates a synthesis between traditional Protestant church music and the depiction of human passion in the manner of opera seria.
This edition is based on the corresponding volume of the “Halle Handel Edition†(BA 4021). The full score, parts and vocal score have been newly engraved. The piano reduction has been simplified and brought up to today’s standards, thus making it much more manageable to play.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Passion nach Barthold Heinrich Brockes, HWV 48
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Soloists, Mixed choir (SATB), Orchestra (Sg-S-solo,2Sg-A-solo,2Sg -T-solo,2Sg-B-...(+)
Soloists, Mixed choir (SATB), Orchestra (Sg-S-solo,2Sg-A-solo,2Sg-T-solo,2Sg-B-solo,mixed choir-SATB,2Ob,2bassoon,2V,Va,Bc(Vc,Basso,harpsichord)) SKU: BA.BA11311-90 Composed by George Frideric Handel. Edited by Felix Schroeder. Arranged by Andreas Kohs and Walter Heinz Bernstein. This edition: urtext edition. Paperback. Barenreiter Urtext. Vocal Score. HWV 48. Baerenreiter Verlag #BA11311_90. Published by Baerenreiter Verlag (BA.BA11311-90). ISBN 9790006574469. 27 x 19 cm inches. Language: German. Preface: Schütz, Gudula. Text: Barthold Heinrich Brockes. Handel composed his only oratorio in German between 1716 and 1717 basing it on the then popular Passion text by Barthold Heinrich Brockes entitledDer fur die Sunde der Welt gemarterte und sterbende Jesus(The Story of Jesus, Suffering and Dying for the Sins of the World). Handel's affinity to opera is evident in the musical realisation of the emphatic text as he creates a synthesis between traditional Protestant church music and the depiction of human passion in the manner of opera seria.
This edition is based on the corresponding volume of theHalle Handel Edition(BA 4021). The full score, parts and vocal score have been newly engraved. The piano reduction has been simplified and brought up to today's standards, thus making it much more manageable to play.
$41.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Now thank we all our God (Nun danket alle Gott)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo SKU: CA.3119213 Church cantata. Composed by Johann Sebastian Bach. Edited by Christine Blanken. Arranged by Christine Blanken. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Viola. Composed ca. 1730. BWV 192. 8 pages. Duration 15 minutes. Carus Verlag #CV 31.192/13. Published by Carus Verlag (CA.3119213). ISBN 9790007210267. Text language: German/English. The cantata Nun danket alle Gott (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended for Leipzig, but was actually written in 1730 for Bach's prestigious position as Kapellmeister of Saxe-Weissenfels. The court of Duke Christian enjoyed the its sojourn in the newly-renovated castle of its secondary residence in Sangerhausen and, at Trinity, in the court church, celebrated the anniversary of its consecration with festive music. Bach evidently occasionally contributed to this. The work does not survive complete. Even in the 18th century a full score evidently no longer existed, just a set of parts, the tenor part of which is entirely missing. For the new edition the missing part has been reconstructed by Detlev Schulten (Leipzig). Score and part available separately - see item CA.3119200. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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| Christopher Norton:
Micromusicals - A
Christmas Carol: Mixed
Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Boosey and Hawkes
Raising the curtain on Christopher Norton’s Micromusicals – exciting...(+)
Raising the curtain on Christopher Norton’s Micromusicals – exciting and accessible musicals for schools based on popular classroom teaching topics from the creator of the internationally-acclaimed Microjazz series. Designed for children aged 6-12 each production lasts around 30 minutes and can be learned rehearsed and performed in as little as 2 days.Stage a real class act with this comprehensive and flexible resource:* Succinct casting and direction suggestions * Optional props list with a wealth of additional downloadable resources * Straightforward and catchy songs with complete demonstration and backing tracks on an accompanying CD * Voice and piano scoreswith guitar chords * A wide range of flexible easy band and orchestral parts available to download which can be played in conjunction with the backing tracks or as part of an independent live orchestral or band * Photocopiable lyric sheets (also available as downloads for printing or projection) * Wide-ranging cross-curricular teaching and classroom activity suggestions * A customisable poster to publicise performances A Christmas Carol is an English literary classic written by Charles Dickens and was first published in December 1843. The popular novella is studied at Key Stage 2 and 3 as part of the National Curriculum in England as well as at schools and colleges elsewhere in the UK and around the world. In this new Micromusical adaption the abridged story is told through drama and song.TestimonialsThe micro-musicals have enriched our curriculum and have enabled the topics taught in class to come alive. Through the micro-musicals the children have gained a deeper and broader understanding of the curriculum and have developed a bank of rich language which has supported their writing outcomes. The micro-musicals have provided an excellent opportunity to teach music through all areas of the curriculum and we have been able to use music as a platform to learn history science geography and literature. They have been a good value for money and a valuable resource.-Bronwen Chalmers Head Teacher Davies Lane Primary School
Pre-shipment lead time: In Stock | | |
| Antonio Caldara: Stabat
Mater G: Voice: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Full score performance material and Vocal score available for sale.Suitable for...(+)
Full score performance material and Vocal score available for sale.Suitable for smaller-scale performances.Straightforward Piano reduction in the Vocal score.Antonio Caldara (1670 1736) is primarily known for his numerous oratorios and operas which brought him great popularity during his lifetime. Besides these large-scale compositions Caldara also wrote smaller Vocal works of which his ?Stabat Mater? is the best known.This publication is based on Eusebius Mandyczewski?s edition of the ?Stabat Mater? which has until now been the definitive edition. The notation and key signatures havebeen adapted to today?s standards. The effective instrumentation with two Trombones and Strings supports the solemn character of the work and enables smaller-scale performances.
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| Johann Pachelbel: Christ
lay in grim deaths
prison: Mixed Choir:
Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra [Sheet music]
Barenreiter
Easter Cantata-Christ lag in Todesbanden (Christ lay in grim death's prison)East...(+)
Easter Cantata-Christ lag in Todesbanden (Christ lay in grim death's prison)Easter CantataIn recent years the demand for making available a larger number of choral works by Johann Pachelbel (1653-1706) has made itself felt more strongly than ever before. Within the past few years the search for unpublished manuscripts of choral compositions written by Johann Pachelbel has been taken up again and not in vain. Approximately twenty instrumentally accompanied arias and thirty elaborate choral works intended for services of worship have recently been found. These date from the days when Pachelbel was an active church musician in Erfurt and Nuremberg and include compositionsof various categories e.g. motets cantatas magnificats and masses.The excellency of Pachelbel's choral works may be attributed in large part to the magnificence and splendour of their tonal character. They are unusually vocal choral and singable. In the very best sense of the term they are what the Germans call 'Gebrauchsmusik' that is to say they are functional music written for specific use in the church service. They are not music written for its own sake.Full score performance material (BA2875) choral score (BA2875-91) available for sale
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| 8. Sinfonie (PENDERECKI
KRZYSZTOF)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra [Study Score / Miniature]
Schott
Lieder der Vergänglichkeit for three soloists (SMezBar), mixed choir and orches...(+)
Lieder der Vergänglichkeit for three soloists (SMezBar), mixed choir and orchestra. Par PENDERECKI KRZYSZTOF. The form of this work is not so much based on the classical symphony, but is closer to a song cycle structure which has now grown to include 13 movements for choir and orchestra. The Romantic characteristics and form of the 8th Symphony are both reminiscent of Gustav Mahler’s choral symphonic works and his Lied von der Erde. Krzysztof Penderecki here extends and augments his expressive musical material, for example through cluster techniques and glissandi, possibilities which he has been systematically exploring since the 1950s. He has compiled the texts from poetry by Eichendorff, Rilke, Brecht, Kraus, Hesse, Goethe, Bethge and von Arnim on the theme of ’forests and trees’, which has long been close to his heart as demonstrated by his private arboretum near Luslavice (’my personal Ithaca’) containing over 1500 species of trees./ Répertoire / Solistes, Choeur et Orchestre
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier | | |
| Claudio Monteverdi:
LOrfeo: Mixed Choir:
Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Favola in musica in un prologo e cinque atti-Monteverdi’s opera “L&r...(+)
Favola in musica in un prologo e cinque atti-Monteverdi’s opera “L’Orfeo” based on the legend of Thracian singer Orpheus and his love of Eurydice is a masterpiece of musical declamation and ornamentation. It was first performed during the 1607 carnevale in the “Palazzo Ducale” in Mantua. When an edition remains true to its sources this certainly does not mean that it is not also practical to use as is demonstrated in this Bärenreiter edition of Monteverdi’s “L’Orfeo”. Edited by Rinaldo Alessandrini the new publication follows the Bärenreiter edition of Monteverdi’s “Il ritorno d’Ulisse in patria”. Two contemporary prints of “L’Orfeo” from the years 1609 and 1615 have been passed down to us. Four copies of each of these prints still survive today in public libraries. The later print includes many corrections to the earlier edition and was accordingly used as the primary source for this Bärenreiter edition. However when solving musical problems the editor frequently follows the more coherent style of the earlier print. The numerous interesting variants not only between the two editions but also amongst the eight surviving copies are listed in the critical commentary.This edition of “L’Orfeo” offers in addition to Monteverdi’s somewhat sparse original figures also figures added to the bass line by the editor. The continuo player should however feel free to follow his own judgment. The notation has been when necessary adapted to suit modern practice for example with regard to the clefs. The sections that were originally written in “chiavetta” have been transposed a fifth lower. In the appendix these sections also appear in their original notation in facsimile as well as transposed a fourth lower.Detailed introduction by the editor (Ital/Eng/Ger) on the work’s genesis and performance practiceComprehensive critical commentary (Eng) in the scoreIdiomatic piano reduction
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| Wolfgang Amadeus Mozart:
Missa in C major K.257:
Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra [Sheet music]
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
Pre-shipment lead time: In Stock | | |
| Wolfgang Amadeus Mozart:
Missa in C major K.257:
Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
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| Wolfgang Amadeus Mozart:
Missa in C major K.257:
Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
| | |
| Wolfgang Amadeus Mozart:
Missa in C major K.257:
Mixed Choir: Parts
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
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| Wolfgang Amadeus Mozart:
Missa in C major K.257:
Continuo: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was pre...(+)
Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale
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| Dido and Aeneas (PURCELL
HENRY)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra [Score]
Barenreiter
Par PURCELL HENRY. Purcell Dido and Aeneas (Full Score, paperback) The opera ?Di...(+)
Par PURCELL HENRY. Purcell Dido and Aeneas (Full Score, paperback) The opera ?Dido and Aeneas?, a recount of the well-known story from Book IV of Virgil's Aeneid, has established itself as a favourite with the public. This is due to the skill of composer Henry Purcell and his librettist Nahum Tate, who combined an overriding tragic theme with masterfully inserted comic episodes. Long believed to have been conceived in 1689 for a performance at a ?School for Young Gentlewomen?, scholars have debated the origins of ?Dido? in recent decades, a process hampered by the lack of early musical sources. This edition addresses these challenges and evaluates the earliest sources that reproduce the opera in its surviving form. Surprisingly, these date from the 1770s and 80s, some ninety years after the work was written. Three key manuscripts ? now held at the Bodleian Library in Oxford (UK), at Tatton Park Library which is a National Trust property near Manchester (UK), and at the Wakayama Prefectural Library (Japan) - were all copied from the same original, most likely a handwritten score from 1704 which reappeared in the early 1770s, only to disappear again. This is the first 'Dido' edition based on the Tatton Park manuscript as the main source. It was produced during the second half of the 18th century by Philip Hayes, one of England's most prominent musicians. He was known in musicology for his meticulous copies of Purcell's music, often from the autograph manuscripts. The Bodleian and Wakayama manuscripts are presented in a new light and their role in this edition has been reassessed accordingly. - Urtext edition based for the first time on the Tatton Park manuscript as the main source - Informative Foreword (Eng/Ger) on the genesis, transmission, reception and performance practice - Complete facsimile reproduction of the Chelsea libretto / Date parution : 2023-06-01/ Répertoire / Solistes, Choeur Mixte et Orchestre
(Seller in french langage)
Pre-shipment lead time: In Stock | | |
| Georg Friedrich Händel:
Dixit Dominus HWV 232:
SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time...(+)
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time in Italy in c. 1707. Although he was only 22 years old the work already demonstrates his wide spectrum of compositional abilities which are later fully realized in his operas and oratorios. Central to this work are the six choral movements which with their polyphonic structure are closely related to German choral music of the 17th century.The first Urtext edition BA 4002 based on the Halle Handel Edition was published in 1960. At that time no critical commentary was published so that in cases of doubt the basis on which editorialdecisions were made was not officially recorded. A new complete edition volume (BA 10704/01) due to be published in 2013 will include a detailed foreword providing information on the genesis and the first performance of this work as well as information on the psalm on which this work is based and on performance practice. In addition several facsimiles pages will be included giving a view into the source material. The critical commentary will provide a detailed insight into all the available sources and how they have been passed down.This newly revised Urtext performing edition offers a thorough revision of this frequently-performed work and meets all the requisites of a scholarly-critical edition. Former readings in the old edition regarding a small number of pitches but mostly basso continuo figures and the underlying text have now been able to be amended on the basis of the new findings. In the new edition the work appears in nine movements no longer eight which reflects the composer's intentions.The new performance material is not compatible with the old one.Presented in a revised Urtext editionClear straightforward Piano reduction in the vocal scoreUrtext of the Halle Handel EditionFull score performance material (BA10704) & Vocal score (BA10704-90) available for sale
Pre-shipment lead time: In Stock | | |
| Georg Friedrich Händel:
Dixit Dominus HWV 232:
SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra [Part]
Barenreiter
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time...(+)
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time in Italy in c. 1707. Although he was only 22 years old the work already demonstrates his wide spectrum of compositional abilities which are later fully realized in his operas and oratorios. Central to this work are the six choral movements which with their polyphonic structure are closely related to German choral music of the 17th century.The first Urtext edition BA 4002 based on the Halle Handel Edition was published in 1960. At that time no critical commentary was published so that in cases of doubt the basis on which editorialdecisions were made was not officially recorded. A new complete edition volume (BA 10704/01) due to be published in 2013 will include a detailed foreword providing information on the genesis and the first performance of this work as well as information on the psalm on which this work is based and on performance practice. In addition several facsimiles pages will be included giving a view into the source material. The critical commentary will provide a detailed insight into all the available sources and how they have been passed down.This newly revised Urtext performing edition offers a thorough revision of this frequently-performed work and meets all the requisites of a scholarly-critical edition. Former readings in the old edition regarding a small number of pitches but mostly basso continuo figures and the underlying text have now been able to be amended on the basis of the new findings. In the new edition the work appears in nine movements no longer eight which reflects the composer's intentions.The new performance material is not compatible with the old one.Presented in a revised Urtext editionClear straightforward Piano reduction in the vocal scoreUrtext of the Halle Handel EditionFull score performance material (BA10704) & Vocal score (BA10704-90) available for sale
| | |
| Georg Friedrich Händel:
Dixit Dominus HWV 232:
SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time...(+)
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time in Italy in c. 1707. Although he was only 22 years old the work already demonstrates his wide spectrum of compositional abilities which are later fully realized in his operas and oratorios. Central to this work are the six choral movements which with their polyphonic structure are closely related to German choral music of the 17th century.The first Urtext edition BA 4002 based on the Halle Handel Edition was published in 1960. At that time no critical commentary was published so that in cases of doubt the basis on which editorialdecisions were made was not officially recorded. A new complete edition volume (BA 10704/01) due to be published in 2013 will include a detailed foreword providing information on the genesis and the first performance of this work as well as information on the psalm on which this work is based and on performance practice. In addition several facsimiles pages will be included giving a view into the source material. The critical commentary will provide a detailed insight into all the available sources and how they have been passed down.This newly revised Urtext performing edition offers a thorough revision of this frequently-performed work and meets all the requisites of a scholarly-critical edition. Former readings in the old edition regarding a small number of pitches but mostly basso continuo figures and the underlying text have now been able to be amended on the basis of the new findings. In the new edition the work appears in nine movements no longer eight which reflects the composer's intentions.The new performance material is not compatible with the old one.Presented in a revised Urtext editionClear straightforward Piano reduction in the vocal scoreUrtext of the Halle Handel EditionFull score performance material (BA10704) & Vocal score (BA10704-90) available for sale
| | |
| Georg Friedrich Händel:
Dixit Dominus HWV 232:
SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time...(+)
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time in Italy in c. 1707. Although he was only 22 years old the work already demonstrates his wide spectrum of compositional abilities which are later fully realized in his operas and oratorios. Central to this work are the six choral movements which with their polyphonic structure are closely related to German choral music of the 17th century.The first Urtext edition BA 4002 based on the Halle Handel Edition was published in 1960. At that time no critical commentary was published so that in cases of doubt the basis on which editorialdecisions were made was not officially recorded. A new complete edition volume (BA 10704/01) due to be published in 2013 will include a detailed foreword providing information on the genesis and the first performance of this work as well as information on the psalm on which this work is based and on performance practice. In addition several facsimiles pages will be included giving a view into the source material. The critical commentary will provide a detailed insight into all the available sources and how they have been passed down.This newly revised Urtext performing edition offers a thorough revision of this frequently-performed work and meets all the requisites of a scholarly-critical edition. Former readings in the old edition regarding a small number of pitches but mostly basso continuo figures and the underlying text have now been able to be amended on the basis of the new findings. In the new edition the work appears in nine movements no longer eight which reflects the composer's intentions.The new performance material is not compatible with the old one.Presented in a revised Urtext editionClear straightforward Piano reduction in the vocal scoreUrtext of the Halle Handel EditionFull score performance material (BA10704) & Vocal score (BA10704-90) available for sale
| | |
| Georg Friedrich Händel:
Dixit Dominus HWV 232:
SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time...(+)
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time in Italy in c. 1707. Although he was only 22 years old the work already demonstrates his wide spectrum of compositional abilities which are later fully realized in his operas and oratorios. Central to this work are the six choral movements which with their polyphonic structure are closely related to German choral music of the 17th century.The first Urtext edition BA 4002 based on the Halle Handel Edition was published in 1960. At that time no critical commentary was published so that in cases of doubt the basis on which editorialdecisions were made was not officially recorded. A new complete edition volume (BA 10704/01) due to be published in 2013 will include a detailed foreword providing information on the genesis and the first performance of this work as well as information on the psalm on which this work is based and on performance practice. In addition several facsimiles pages will be included giving a view into the source material. The critical commentary will provide a detailed insight into all the available sources and how they have been passed down.This newly revised Urtext performing edition offers a thorough revision of this frequently-performed work and meets all the requisites of a scholarly-critical edition. Former readings in the old edition regarding a small number of pitches but mostly basso continuo figures and the underlying text have now been able to be amended on the basis of the new findings. In the new edition the work appears in nine movements no longer eight which reflects the composer's intentions.The new performance material is not compatible with the old one.Presented in a revised Urtext editionClear straightforward Piano reduction in the vocal scoreUrtext of the Halle Handel EditionFull score performance material (BA10704) & Vocal score (BA10704-90) available for sale
| | |
| Georg Friedrich Händel:
Dixit Dominus HWV 232:
SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra [Part]
Barenreiter
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time...(+)
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time in Italy in c. 1707. Although he was only 22 years old the work already demonstrates his wide spectrum of compositional abilities which are later fully realized in his operas and oratorios. Central to this work are the six choral movements which with their polyphonic structure are closely related to German choral music of the 17th century.The first Urtext edition BA 4002 based on the Halle Handel Edition was published in 1960. At that time no critical commentary was published so that in cases of doubt the basis on which editorialdecisions were made was not officially recorded. A new complete edition volume (BA 10704/01) due to be published in 2013 will include a detailed foreword providing information on the genesis and the first performance of this work as well as information on the psalm on which this work is based and on performance practice. In addition several facsimiles pages will be included giving a view into the source material. The critical commentary will provide a detailed insight into all the available sources and how they have been passed down.This newly revised Urtext performing edition offers a thorough revision of this frequently-performed work and meets all the requisites of a scholarly-critical edition. Former readings in the old edition regarding a small number of pitches but mostly basso continuo figures and the underlying text have now been able to be amended on the basis of the new findings. In the new edition the work appears in nine movements no longer eight which reflects the composer's intentions.The new performance material is not compatible with the old one.Presented in a revised Urtext editionClear straightforward Piano reduction in the vocal scoreUrtext of the Halle Handel EditionFull score performance material (BA10704) & Vocal score (BA10704-90) available for sale
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| Georg Friedrich Händel:
Dettinger Te Deum - HWV
283: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s vi...(+)
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
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| Wolfgang Amadeus Mozart:
Requiem K.626: Mixed
Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
How practical! Mozart's 'Requiem' is now appearing in this handy soft-cover and...(+)
How practical! Mozart's 'Requiem' is now appearing in this handy soft-cover and affordable full score to complement the substantial linen-bound complete edition volume.The tried and tested musical text of the 'Requiem' remains the same whilst the Foreword has been revised and supplemented by an English translation.- The tried-and-tested content of the complete edition volume now in a soft-cover score- Foreword in German and now also in English
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| Georg Friedrich Händel:
Dettinger Te Deum - HWV
283: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s vi...(+)
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
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| Georg Friedrich Händel:
Dettinger Te Deum - HWV
283: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s vi...(+)
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
| | |
| Georg Friedrich Händel:
Dettinger Te Deum - HWV
283: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s vi...(+)
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
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