SKU: BT.EMBZ6725
Hungarian.
Zoltán Kodály s unaccompanied mixed choruses first appeared in print in 1943 as a collected volume published by the association Magyar Kórus. This collection contained twenty-five works. In 1951, the volume was released again in the author s edition, being expanded with eight new compositions, but without Els áldozás (First Communion). Reprint editions of this collection had been distributed by Editio Musica Budapest until 1972, when a commemorative extended edition of the mixed choruses was issued, edited by Lajos Bárdos. Until now, reprints of this collection with forty-five compositions have been circulated. Péter Erdei carefully compared the printed edition with themanuscripts of the works preserved at the Kodály Archives. As a result of his work, in 2011 we emended a number of misprints, including those that had been inherited since the earliest print. Seventy-five years after the first release, the time has come for Kodály s collected choral works for mixed voices to appear in a completely new, expanded edition. Our collection contains six compositions that were not included in earlier editions: Jövel, Szentlélek eristen (Come, Holy Spirit), Miatyánk (The Lord s Prayer), Miserere, Salló Pista, Semmit ne bánkódjál (Do Not Grieve), ejesztend t köszönt (A Christmas Carol). In addition, two versions - both equally authentic - are published of the work known under the title of Naphimnusz (Canticle of the Sun), due to earlier editions the new release comes with lyrics in Hebrew and English (Adoration), as well as Dénes Szed s Hungarian translation (Napének [Hymn of the Sun]). This is the most complete and most authentic edition of Kodály s mixed choruses to date it is printed in a slightly larger format than previous editions, and it contains new easily-legible music scores and an informative epilogue. Diese Ausgabe entstand unter der Mitwirkung von Lajos Bárdos.
SKU: BT.EMBZ6725A
Zoltán Kodály s unaccompanied mixed choruses first appeared in print in 1943 as a collected volume published by the association Magyar Kórus. This collection contained twenty-five works. In 1951, the volume was released again in the author s edition, being expanded with eight new compositions, but without Els áldozás (First Communion). Reprint editions of this collection had been distributed by Editio Musica Budapest until 1972, when a commemorative extended edition of the mixed choruses was issued, edited by Lajos Bárdos. Until now, reprints of this collection with forty-five compositions have been circulated. Péter Erdei carefully compared the printed edition with themanuscripts of the works preserved at the Kodály Archives. As a result of his work, in 2011 we emended a number of misprints, including those that had been inherited since the earliest print. Seventy-five years after the first release, the time has come for Kodály s collected choral works for mixed voices to appear in a completely new, expanded edition. Our collection contains six compositions that were not included in earlier editions: Jövel, Szentlélek eristen (Come, Holy Spirit), Miatyánk (The Lord s Prayer), Miserere, Salló Pista, Semmit ne bánkódjál (Do Not Grieve), ejesztend t köszönt (A Christmas Carol). In addition, two versions - both equally authentic - are published of the work known under the title of Naphimnusz (Canticle of the Sun), due to earlier editions the new release comes with lyrics in Hebrew and English (Adoration), as well as Dénes Szed s Hungarian translation (Napének [Hymn of the Sun]). This is the most complete and most authentic edition of Kodály s mixed choruses to date it is printed in a slightly larger format than previous editions, and it contains new easily-legible music scores and an informative epilogue.
SKU: GI.G-10260
UPC: 785147026013. English. Text Source: Based on a prayer of Augustine of Hippo, 354-430.
Sometimes the simplest words and music create the most heartfelt of holy moments. Based on a prayer of Augustine of Hippo, this beautifully singable, easy-to-learn anthem is perfect for Pentecost or any time of focus on the Holy Spirit.
SKU: HP.GC989R
UPC: 763628143343. By Mark Foreman. Acts 2:28, John 14:16,26.
Familiar hymn by Mark Foreman Jack Schrader's arrangement of Mark Foreman's gentle worship chorus, Come, Holy Spirit, includes an inspired middle section using the familiar hymn, Spirit of God, Descend upon My Heart. Perfect for Pentecost, this calm, yet powerful anthem is sure to fill many uses throughout the year.
SKU: HL.35030628
UPC: 888680092955. 5x5 inches.
A modern hymn classic from Keith and Kristyn Getty, this engaging tune and profound text is a paean of faith for the church. Useful as a congregational moment and equally at home in this choral adaptation, this is a welcome addition to songs that celebrate the ministry of the Holy Spirit in our lives. Arranged with reverence to the dignified stylings of the original, the voices have chorale-styled harmonies that are easily learned, giving directors time to work on creating clarity in this fine lyric. Score and Parts (fl, ob, cl, bn, hn 1-2, perc, vn 1-2, va, vc, db) available on CD-ROM and as a digital download.
SKU: BP.1453
A captivating prayer to the Holy Spirit. Many aspects of this anthem - modest choral and keyboard demands, the anthem's relative brevity and a message tailored for these frenetic times - contribute to its versatility. Excellent for prayer responses, benedictions and Pentecost celebrations.
SKU: LO.10-5768L
ISBN 9780787778880.
Lloyd Larson takes us to the heart of Pentecost in this new gospel song written for SATB choirs. Its original lyric, a prayer to be filled and guided by the Holy Spirit, is set to an uplifting tune in 9/8. The idiomatic piano accompaniment is a joy to play and the choral parts showcase Larsonâ??s gift for four-part writing, with gently contrapuntal moments as the music heads toward a beautiful fortissimo section in its final measures.
SKU: GI.G-002621
UPC: 641151026213. Text by Alan J. Hommerding.
The familiar tune ST. CATHERINE becomes a worthy vehicle for Alan Hommerding's text as arranged here by Wolfgang Lampert in a baroque-like style. The well-written organ part and counter-melodies (or optional flute line) support the unison choir in verses 1 and 3, verse 2, set for four-part chorus a cappella, is an unexpected delight and features an alternate choral harmonization.
