SKU: HL.49046375

ISBN 9781540084590. UPC: 840126908251.

Peter Gabriel's 1992 Gospel Ballad; as performed by Vocal Line. A new choral series that sets a new standard: Familiar traditionals are replaced by legendary pop and jazz classics, the arrangers - among them Jens Johansen, Bertrand Groger, Oliver Gies, Thierry Lalo, Dylan Bell - rank among the great figures of the European choral scene, and the book comes along in an absolutely choir-friendly format: as a handy, modern separate edition at an affordable price - a valuable addition for all jazz, pop and gospel ensembles looking to add new pieces to their repertoire. further editions: Straighten up and Fly right / Smells Like Teen Spirit / African Call / Blues on Sunday / As.

SKU: HH.HH563-CHS

ISBN 9790708185789.

This simple,four-part setting of the introit 'Rorate Caeli' captures both the hope and the intimacy traditionally associated with Advent. With its haunting, cascading phrases, it is a valuable addition to the Advent repertoire. The text is the introit for the fourth Sunday of Advent and can be sung liturgically. This short composition would also make a beautiful contribution to an Advent or a Christmas concert, its warm harmonies leading the listener from the darkness of Advent to the spirit of Christmas.

SKU: GI.G-008623

UPC: 641151086231. Text by Herman G. Stuempfle, Jr.

This fine piece couples the stately tune SINE NOMINE with a new text. This text, commissioned for the sesquicentennial year of the Archdiocese of Chicago, speaks eloquently of the nature of the church and its mission. The setting was first used for the Archdiocese's Liturgy by the Lake celebrated in Chicago's Grant Park in August of 1994. This setting is suitable for festive celebrations: Chrism Masses, ordinations or commisionings, parish anniversaries, church or altar dedications, diocesan celebrations, etc. Since the tune is traditionally coupled with William Walsham How's For All the Saints, six verses of that hymn have been provided throughout the score as an alternate text.

SKU: CA.5031449

ISBN 9790007135379. Key: C major. Language: Latin.

Haydn's Missa Sancti Joannis Nepomuceni, dated 21 May 1772, is dedicated to the Bohemian martyr and patron Saint of bridges, Johannes Nepomuk (ca. 1340-1393, canonized in 1729). Despite the addition of woodwinds and brass to the three-part string section, the Mass is in a comparatively simple, compact form as was expressly required by Count Hieronymus Colloredo, Haydn's second employer in Salzburg. Even in the final sections of the Gloria and Credo Haydn forgoes not only vocal virtuosity, but also the polyphonic artifices which traditionally characterize these passages in the Mass. Like the Missa Sancti Amandi (1776), the Nepomuk Mass does not employ vocal soloists. Score and part available separately - see item CA.5031400.

SKU: CA.5031412

ISBN 9790007223793. Key: C major. Language: Latin.

Haydn's Missa Sancti Joannis Nepomuceni, dated 21 May 1772, is dedicated to the Bohemian martyr and patron Saint of bridges, Johannes Nepomuk (ca. 1340-1393, canonized in 1729). Despite the addition of woodwinds and brass to the three-part string section, the Mass is in a comparatively simple, compact form as was expressly required by Count Hieronymus Colloredo, Haydn's second employer in Salzburg. Even in the final sections of the Gloria and Credo Haydn forgoes not only vocal virtuosity, but also the polyphonic artifices which traditionally characterize these passages in the Mass. Like the Missa Sancti Amandi (1776), the Nepomuk Mass does not employ vocal soloists. Score and part available separately - see item CA.5031400.

SKU: CA.5031409

ISBN 9790007223779. Key: C major. Language: Latin.

Haydn's Missa Sancti Joannis Nepomuceni, dated 21 May 1772, is dedicated to the Bohemian martyr and patron Saint of bridges, Johannes Nepomuk (ca. 1340-1393, canonized in 1729). Despite the addition of woodwinds and brass to the three-part string section, the Mass is in a comparatively simple, compact form as was expressly required by Count Hieronymus Colloredo, Haydn's second employer in Salzburg. Even in the final sections of the Gloria and Credo Haydn forgoes not only vocal virtuosity, but also the polyphonic artifices which traditionally characterize these passages in the Mass. Like the Missa Sancti Amandi (1776), the Nepomuk Mass does not employ vocal soloists. Score and parts available separately - see item CA.5031400.