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Cornucopia (Guitar Part)
Cornucopia (Guitar Part)
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Geofonica Artistworks
À vos guitares, prêts, jouez! Vol. 4
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Paul Lansky : Partita
Guitar and Percussion
-
Advanced
Carl Fischer
(Suite for Guitar and Percussion). By Paul Lansky (1944-). For guitar, percussio...
(+)
(Suite for Guitar and Percussion). By Paul Lansky (1944-). For guitar, percussion (vibraphone, glockenspiel, bongos, 2 woods, 2 metals). Score and part(s). 28 pages. Duration 17 minutes, 25 seconds. Published by Carl Fischer
$32.99 - See more - Buy online
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George Crumb: Mundus Canis - Five Humoresques For Guitar And Percussion
Guitar and Percussion
[Score]
Peters
(A Dog's World) Composed by George Crumb (1929-). Full score (2 copies necessary...
(+)
(A Dog's World) Composed by George Crumb (1929-). Full score (2 copies necessary for performance) for guitar and percussion. With standard guitar notation (no tablature), percussion notation and performance notes. 11 pages. Published by C.F. Peters.
(1)
$44.95 - See more - Buy online
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En Perspective
Guitar and Percussion
[Sheet music]
Dhalmann
Trois duos pour guitare et percussionCommande d'Etat et de l'Enm de Sceaux/Bourg...
(+)
Trois duos pour guitare et percussionCommande d'Etat et de l'Enm de Sceaux/Bourg-la-reine, catégorie pédagogie - niveau cycle3.Le cahier de charge de cette oeuvre impliquait de développer dans chacune de ses parties un rapport de la guitare à la percussion toujours différent, aussi :- la première pièce, avec vibraphone seul, aborde plus particulièrement les résonances et l'aspect polyphonique.- la deuxième pièce, avec ajout d'un tambour de bois et cinq wood-blocks, aborde l'aspect rythmique et digital des deux instruments- La troisième pièce, avec ajout de cinq cymbales, est une sorte d'improvisation comme avec un Ud.L'esprit qui anime cette oeuvre étant proche des musiques improvisées, je ne saurais trop conseiller l'écoute des musiques arabo-persanes (Iran, Irak, etc.) afin de se familiariser avec cette manière de faire sonner l'instrument autrement, c'est à dire comme si l'instrumentiste jouait à certains moments avec un plectre.L'écriture, et donc le jeu de la guitare, est caractérisée par une multiplicité de modes de jeux européens et non européens qui sont autant de ' portes ouvertes ' sur d'autres cultures. Le percussionniste devra donc développer un jeu en accord avec cette particularité.D'un point de vue pédagogique, les élèves travailleront l'oeuvre dans l'optique d'aborder les différents paramètres du son (hauteur, durée, intensité, timbre, spatialisation, masse, registres, modes d'attaques et de détachés, polyphonie?) dans un constant souci d'équilibre général car les deux instruments sont traités à égalité de difficultés - il leur faut développer une écoute mutuelle et une prise de direction à tour de rôle.Bien que chaque pièce puisse être jouée séparément, il est souhaitable, en concert ou en audition, de toutes les jouer et ce, dans l'ordre proposé, ce cycle constituant un tout en trois mouvements.Eu égard à l'exigence de l'écriture, ce petit cycle a tout à fait sa place dans un concert assuré par des instrumentistes professionnels.Bernard de Vienne / Duos Pour Guitare Et Percussions
60.30 EUR - Sold by LMI-partitions
(Seller in french langage)
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