SKU: CY.CC3157

ISBN 9790530111260. 8.5 x 11 in inches.

White Christmas was written in 1940 and first performed by Bing Crosby on Christmas Day of 1941 (just a few weeks after the Pearl Harbor attack) and first recorded in 1942. It is one of the best selling songs ever written and is still dear to the hearts of many during the holiday season. Lisa Albrecht has beautifully arranged this 3 1/2 minute song for Trombone Quartet for intermediate to moderately advanced performers (parts are all in bass clef). This arrangement must be part of your next Christmas concert. Under license from Hal Leonard Music.

SKU: CY.CC3087

ISBN 9790530110645. 8.5 x 11 in inches.

Hill Country Miniatures for 8-part Trombone Ensemble was written by Richard J. Lawn in 2002 for the Trombone Choir at the University of Texas and its director Nathaniel Brickens. The work is dedicated to Donald Knaub its former director. It has become a staple in the American Trombone Ensemble repertoire since its original release. Mr. Lawn explains in the notes, his deep emotional connection to the Hill Country land and to his days at the Eastman School of Music, hearing the legendary Trombone Choir led by Emory Remington and following through to his days at the University of Texas with Knaub and Brickens, all of which inspired him to compose this work. This music is about 15 minutes in length and is for advanced performers. The four movements of the work are: Hickory Cove - September 2001 - a lyrical, somber and solemn introductory movement. Smithwick - a jaunty piece reflecting the Scottish and English heritage of this tiny Texas spot. The Narrows - As part of the Colorado River narrows, it twists and turns its way through the Texas Hill Country. You can hear the gentle waters winding through the cliffs and slopes. Blue Bonnet Boogie - The springtime brings a profusion of the Blue Bonnet, the Texas state flower. A sea of these swaying in the breeze brings out the good old down-home boogie-woogie! A jazz solo featuring Bass Trombone (written for Bill Reichenbach in mind) with solo written out or improvised using chord symbols adds a festive finish. Cherry Classics is proud to be the new distributor of this great work.

SKU: CY.CC2954

ISBN 9790530057735.

Ein feste Burg ist unser Gott (Our God is a secure fortress), BWV 80 is a church cantata based on Martin Luther's hymn that Bach composed for Reformation Day around the year 1723.
This movement Aria and Chorale is the second movement of the cantata. The Euphonium/Trombone part performs the bass solo and the Trumpet 1 part performs the Soprano/Oboe solo which is the Chorale itself in an embellished style of the melody.
Justin Bland has done a superb job of arranging this beautiful movement of about 4.5 minutes in length for moderately advanced performers.
Instrumentation is: Trumpet 1 (C & B-flat parts are provided), Trumpet 2/Flugelhorn in B-flat, Horn, Euphonium/Trombone in bass clef & Tuba.

SKU: CY.CC3171

ISBN 9790530111413. 8.5 x 11 in inches.

Mahler composed his 3rd Symphony in the summers of 1893 and 1894 in Steinbach on the Attersee near Salzburg. He spent most of his days those two summers composing in a tiny hut built to his specifications where he could compose in the meadow on the shore of the lake - undisturbed. Movement 5, What The Morning Bell Tells Me includes the voices of women's chorus, children and alto soloist and is a relatively short 4-minute bright rowdy episode, full of laughing voices, bells and angels. Ohad Wand arranged this great music for 12-part Trombone Choir while studying at the Eastman School and it was subsequently beautifully recorded by the Eastman Trombone Choir, directed by Dr. John Marcellus.

SKU: CY.CC2475

Equali were works written for equal, or similar, instruments; in the eighteenth century they were almost always used for funeral services and usually employed a quartet of trombones. The most famous of these were the three Beethoven wrote for the Linz Cathedral in Austria on All Soul's Day 1812. Two of these were adapted later for male voices and were sung at Beethoven's funeral.

These pieces are some of the most famous works for trombones, no doubt due to the fact that they were composed by Beethoven. They were commissioned by Franz Xaver Gloggl, Kappelmeister of the city of Linz, while Beethoven was visiting his brother. According to later accounts by Gloggl's son, although his father had a complete collection of trombones (soprano, alto, tenor, bass or quart) the three Equali were performed by a traditional quartet of alto, tenor and bass trombones.

This edition offers a compromise: the original score and parts are given exactly as written in the complete works, and a version designed for the less experienced players: the three movements are transposed down one step, edited with minor musical suggestions, and all four parts are written in bass clef.

Dr. Mathie has done the Trombone world a great service in bringing this great work in its two forms to publication.