Gospel Riffs God Would Love To Hear by Andrew D. Gordon is a compendium of Gospel riffs for Piano and Keyboard players to learn the art of Gospel stylings.The book has the Piano right and left hands notated as well as a separate Organ part. There are also examples of some traditional Gospel songs showing how to incorporate the riffs in the book into these well known Gospel songs. Play in the styles of Ray Charles and Andre Crouch and see how Blues Jazz and other contemporary styles are associated with the Gospel sound.

London College of Music and Media Electronic Keyboard Handbook: Ensemble Level 1 as compiled and edited by Ann Hohenkerk.

The Crash Course: Keyboard is a tuition method designed to allow you to learn the Keyboard in just 8 weeks. This fast-track guide will help you develop technique and style on the Keyboard, taking you from novice to competent performer day-by-day. The included audio download features demonstrations of every exercise.Crash Course Keyboard requires a commitment to learning, but features daily lessons, end-of-week tests and demonstration audio to turn your dream of playing the Keyboard into reality in the shortest possible time. Using the book and audio download, you'll develop good Keyboard technique, learn to read notation and chord symbols and understand music theory. As you progress through the days and weeks, you'll begin to play tunes, bass lines and riffs, before improvising and eventually being able to play a range of styles, from blues and jazz to rock and reggae.The Crash Course series condenses many years of learning into an eight week schedule, allowing you to learn the most fundamental parts of the Keyboard in just two months. Each day of each week is logically structured so that you learn the basics through all the key concepts in the most ordered way possible. The accompanying audio download gives you instant online access to matching audio demonstrations of all the exercises, so that you can hear exactly how things should sound, before nailing it yourself.The author, David Mitchell, is an experienced music educator and musician, who has also included a helpful introductory section, where he details what to expect from the Crash Course Keyboard, as well as a brief note on the capabilities of the Keyboard, how to practise effectively and a quick guide to notation, ensuring that even absolute beginners can get started on the instrument with this course.If you are looking for a way to learn the Keyboard but feel like you're too busy during the day, or don't have the motivation to devote so much time to practising, Crash Course Keyboard is for you. By devoting a set amount of time per day to learning, you will progress quickly while the incentive to play will not decrease. In just two months, your playing could be up to a standard you're proud of. / Clavier

Strauß-Festival-...für Keyboards Soundmodule und Computer. General Midi - kompatibel zu allen GM & GS-Instrumenten allen 3 5' SMF-Laufwerken IBM/IBM-kompatibel/ATARI/Apple (mit Apple File Exchange). Texte in ASCII-Format. Topaktuelle Arrangements angesagter Evergreens: Wiener Blut; Annen-Polka; Frühlingsstimmen-Walzer; Kaiser-Walzer; Künstlerleben; Leichtes Blut; Radetzky-Marsch; Unter Donner und Blitz; An der schönen blauen Donau; Tritsch Tratsch-Polka. Plus Bonus-Track (Medley). Alle Titel mit Noten. Der Notenausgabe ist eine Musikdaten-Diskette beigelegt deren einzelne Titel sowohl einen Klavier-Part als auch eine professionell arrangierteBegleitung enthalten. Diese Standard Midi Files können von jedem SMF-Player der in der Lage ist die Daten zu lesen abgespielt werden. Die Noten für die rechte Hand finden Sie stets auf Midi-Kanal 4 die der linken Hand auf Midi-Kanal 3. In der Bedienungsanleitung Ihres SMF-Players finden Sie detailierte Hinweise zum Stummschalten einzelner Midi-Kanäle. Die 3 5' DD Diskette ist in MS-DOS formatiert und hat eine Kapazität von 720 KB. Die Midi-Files sind im Format 0 abgespeichert und entsprechen dem GM Standard. Außerdem finden Sie auf der Diskette sämtliche Texte im ASCII-Format die Sie für Ihren eigenen Gebrauch ausdrucken können.

E-Z Play Today Volume 23-This collection in our patented E-Z Play® Today notation features 50 simple arrangements of must-know hits for the Keyboard including And So It Goes Axel F Billie Jean Can't Help Falling in Love Defying Gravity Don't Stop Believin' Ebony and Ivory Fallin' Fields of Gold Hallelujah In My Life Killing Me Softly with His Song Rolling in the Deep Sweet Caroline Sweet Dreams (Are Made of This) That's What Friends Are For You Are the Sunshine of My Life You're My Best Friend and many more.

Cet outil est destiné tout spécialement à l'apprentissage de l'harmonie par des organistes exerçant déjà comme accompagnateurs liturgiques, mais n'ayant jamais eu l'opportunité d'approcher cette discipline de manière concrète et méthodique.Grâce aux nombreux exercices proposés dans différentes tonalités, l'organiste étudiant pourra développer sa connaissance du clavier, indispensable à l'amélioration de ses accompagnements et de ses improvisations.L'objectif est donc de proposer une approche de la basse chiffrée qui soit à la fois actuelle et pragmatique (1re partie) et, une fois ces fondements de l'harmonie acquis, d'initier à l'écriture de la basse d'un chant donné à partir de mélodies didactiques, puis d'exemples tirés du répertoire liturgique d'aujourd'hui (2e partie). / Clavier

Keyboard From The Beginning is a practical teaching method for younger students who are just starting to learn the instrument. Ideal for 6- to 12-year-olds this introduction to playing the Keyboard or Pianouses a mix of original and favourite melodies as well as fun pictures to get pupils making music from their very first lesson.   Keyboard From The Beginning uses enjoyable melodies tointroduce different techniques and principles guiding young students in the beginning of their Keyboard-playing career. No previous musical knowledge or experience is necessary this book will take students from the absolutebeginning to playing their first fun tunes with ease.    Using over 30 enjoyable and simple tunes this book will allow young beginners to express their musicality at the same time as learning thebasics of playing. With timeless tunes like Au Clair De La Lune This Old Man London Bridge and Ode To Joy children will learn to play these simple melodies while at the same time learning new notes andtechniques like different time signatures rests dotted rhythms and even scales and chords.    As the book progresses new techniques are introduced providing a structured and logical course making this an ideal book for students to work from either on their own or as part of a larger group. Fun images throughout make this a hugely fun and enjoyable book to introduce young beginners to the joys of playing theKeyboard.   Keyboard From The Beginning is a brilliant way for young pupils with no previous musical experience to learn to play the Keyboard. Musical melodies easy-to-understandlessons and colourful images combine to create a Keyboard method that will keep children interested and start them on their way towards becoming proficient keyboardists. 

Electronic Keyboard Grades 4-5 Trinity Edition-The best-selling Improve your sight-reading! series by renowned educationalist Paul Harris has now been extended to offer a series of editions supporting the Trinity College London electronic keyboard sight-reading criteria. The books have been specifically written to reflect Trinity’s parameters for each grade and contain new material throughout. Designed to help you overcome all your sight-reading problems these books follow the same progressive format as previous editions: technical aspects are introduced step by step firstly through rhythmic and melodic exercises then by studying prepared pieces with associated questions and finally‘Going solo’ with a series of meticulously graded sight-reading pieces.

George Berg’s eight keyboard suites Op. 5 were published in London around 1760 while the composer was travelling in Italy. They are his most varied and resourceful compositions following generally in the tradition of Handel’s suites but adding stylistic elements culled from Italian German and French music in a playfully eclectic manner. This is sparkling idiomatic music suitable equally for private enjoyment and concert use but until now hardly known even to specialists in the keyboard repertoire.