SKU: BT.1385-06-400-S
ISBN 9789043125192. 9x12 inches. French.
Der Schatz an französischen Volksliedern ist endlos! Einfache Strophen, einfache Refrains, einfache Rhythmen - aus einfachen Zutaten ergeben sich unendlich viele Kombinationsmöglichkeiten. Diese 36 französischen Kinderlieder haben schon viele Generationen glücklich gemacht. Einige davon sind auch bei uns bekannt!Mit Klavierbegleitung auf CD. Des mots, quelques strophes, un refrain, une mélodie et un rythme simples. Si peu de choses, au fond, et pourtant, si diverses, toujours actuelles et jamais démodées ! Ainsi, les 36 chansons traditionnelles rassemblées dans ce recueil ont étéchantées par plusieurs générations d´enfants. Que du bonheur ! (Avec compact disc et accompagnement de piano).
SKU: HL.48010836
UPC: 073999656015. 8.25x11.75x0.127 inches.
Contents: Intrada • The Irishe Ho-Hoane • A Toye • The Irishe Dumpe • Alman.
SKU: HL.14040366
8.5x11.75x0.104 inches. French.
SKU: BT.DHP-1186032-070
ISBN 9789043156615. International.
Tired of all the traditional Christmas Carols? Try Mariah Carey’s lovely ‘All I Want for Christmas is You’, in this great quartet arrangement. Even genoeg van alle traditionele kerstliedjes? Probeer dan eens Mariah Careys fris-en-fruitige nummer ‘All I Want for Christmas Is You’ in dit superleuke arrangement voor kwartet. Haben Sie genug von all den traditionellen Weihnachtsliedern? Versuchen Sie es mit diesem tollen Arrangement für Quartett von Mariah Careys wunderschönem All I Want for Christmas is You“. Vous vous lassez des chants de Noël traditionnels ? Essayez le délicieux All I Want for Christmas is You de Mariah Carey, ici en excellent arrangement pour quatuor.
SKU: BT.DHP-1196060-404
ISBN 9789043156103. English-German-French-Dutch.
The concept of the successful Swing Quartets, Jazz Quartets and Groove Quartets publications is now also available in a Christmas edition: Bert Lochs has arranged four traditional Christmas songs in a swing style with combo accompaniment. The Swingin' Christmas Quartets are available for trumpet, flute, clarinet and alto saxophone quartets, and all four versions can be combined to create whichever instrumentation you require. The online audio for each piece contains not only a demo version with a full line-upâ??and a pure playback versionâ??but additionally four versions in which each of the four wind voices is omitted in turn, making them ideal forpractice purposes. Het concept van de succesvolle uitgaven Swing Quartets, Jazz Quartets en Groove Quartets is nu ook toegepast op muziek voor Kerst: Bert Lochs heeft vier traditionele kerstliederen gearrangeerd in swingstijl met combobegeleiding. De Swingin' Christmas Quartets zijn verkrijgbaar voor trompet-, fluit-, klarinet- en altsaxofoonkwartet, en ze kunnen worden gecombineerd in elke samengestelde bezetting. De online audio bevat voor elk stuk niet alleen een volledige demoversie en een meespeelversie, maar ook vier opnamen waarin telkens een van de vier partijen is weggelaten: ideaal om mee te oefenen.Das Konzept der erfolgreichen Ausgaben Swing Quartets, Jazz Quartets und Groove Quartets ist nun auch im weihnachtlichen Gewand verfügbar: Bert Lochs hat vier traditionelle Weihnachtslieder in einem swingenden Stil mit Combo-Begleitung arrangiert. Die Swingin' Christmas Quartets sind verfügbar für Trompeten-, Flöten-, Klarinetten- und Altsaxophonquartett, wobei alle vier Versionen beliebig miteinander kombinierbar sind. Im Online-Audioteil dieser Ausgabe gibt es nicht nur eine Demoversion in voller Besetzung und eine reine Playback-Version, sondern zusätzlich auch Tracks, bei denen je eine der vier Stimmen weggelassen ist, sodass diese zuÃ?bungszwecken dazu gespielt werden kann. Le concept succès des Swing Quartets, Jazz Quartets et Groove Quartets se présente maintenant également en habits de Noël : Bert Lochs a arrangé quatre chants traditionnels de Noël dans un style swingué avec accompagnement de combo. Les Swingin' Christmas Quartets sont disponibles pour quatuors de trompettes, fl tes, clarinettes et saxophones altos, toutes les versions étant combinables entre elles. Dans la partie audio disponible en ligne de cette publication figurent non seulement une version de démonstration avec lâ??instrumentation complète et une version dâ??accompagnement, mais aussi quatre versions dans lesquelles chacune des quatre voix estsupprimée tour de rôle afin de permettre chaque instrumentiste de sâ??entraîner individuellement.
SKU: BT.DHP-1125340-070
9x12 inches. International.
Nico Dezaire and Peter Kleine Schaars created this medley in traditional style from: Away in a Manger, Es ist ein Ros' entsprungen, In dulci jubilo, Still, Still, Still und Silent Night. Nico Dezaire und Peter Kleine Schaars schreven samen deze sfeervolle kerstmedley in traditionele stijl. De volgende bekende liederen komen voorbij: Away in a Manger, Es ist ein Ros' entsprungen, In dulci jubilo, Still, Still, Stillen Stille Nacht.Nico Dezaire und Peter Kleine Schaars schufen ein stimmungsvolles Weihnachtsmedley für Blechbläserquartett im traditionellen Stil aus diesen vier bekannten Liedern: Away in a Manger, Es ist ein Ros' entsprungen, In dulci jubilo, Still, Still, Still und Stille Nacht. Joy of Christmas racchiude quattro canzoni natalizie - Away in a Manger, Es ist ein Ros' entsprungen, In dulci Jubilo, Still, Still, Still e Silent Night - in un arrangiamento in stile tradizionale.
SKU: HF.FH-2049
ISBN 9790203420491. 9 x 12 inches.
1. Intrade (Johann Hermann Schein); 2. Menuett im Kanon (W. L. Freiherr v. Radolt); 3. Intrade (Johann Christoph Pezel); 4. Menuett (Wolfgang Friedemann Bach?); 5. Allegro (Wolfgang Amadeus Mozart); 6. Passacaille (Georg Friedrich Handel); 7. Allegretto und Gavotte (J. G. Witthauer); 8. Deutscher Tanz As-Dur (Ludwig van Beethoven); 9. Allegro (Johann Joseph Fux); 10. Ayre/Air (Jeremiah Clarke); 11. Rigaudon (Louis-Claude Daquin); 12. Bourree (Leopold Mozart); 13. Ecossaise (Ludwig van Beethoven); 14. Variationen (Wolfgang Amadeus Mozart); 15. 2 Menuette (Johann Sebastian Bach); 16. Balletto (Giovanni Gastoldi); 17. Sarabande (J-P. Rameau); 18. Aria (Georg Friedrich Handel).
SKU: HL.48186051
UPC: 888680829292. 9.0x12.25x0.324 inches.
Alessandro Stradella: Sonata a 8 Viole e 1 Tromba (Trumpet & Orchestra).
SKU: CF.W2682
ISBN 9781491144954. UPC: 680160902453. 9 x 12 inches. Key: E major.
Edited by Elisa Koehler, Associate Professor and Chair of the Music Department at Goucher College, this new edition of Johann Nepomuk Hummel's Concerto in E Major for trumpet in E and piano presented in its original key.The concerto by Johann Nepomuk Hummel (1778–1837)holds a unique place in the trumpet repertoire. Like theconcerto by Joseph Haydn (1732–1809) it was written forthe Austrian trumpeter Anton Weidinger (1766–1852) andhis newly invented keyed trumpet, performed a few timesby Weidinger, and then forgotten for more than 150 yearsuntil it was revived in the twentieth century. But unlikeHaydn’s concerto in Eb major, Hummel’s Concerto a Trombaprincipale (1803) was written in the key of E major for atrumpet pitched in E, not E≤. This difference of key proved tobe quite a conundrum for trumpeters and music publishersin the twentieth century. The first modern edition, publishedby Fritz Stein in 1957, transposed the concerto down onehalf step into the key of E≤ to make it more playable on atrumpet in Bb, which had become the standard instrumentfor trumpeters by the middle of the twentieth century.Armando Ghitalla made the first recording of the Hummel in1964 in the original key of E (on a C-trumpet) after editinga performing edition in 1959 in the transposed key of E≤ (forBb trumpet) published by Robert King Music. Needless tosay, the trumpet had changed dramatically in terms of design,manufacture, and cultural status between 1803 and 1957, andthe notion of classical solo repertoire for the modern trumpetwas still in its formative stages when the Hummel concertowas reborn.These factors conspired to create confusion regarding thenumerous interpretative challenges involved in performingthe Hummel concerto according to the composer’s originalintentions on modern trumpets. For those seeking the bestscholarly information, a facsimile of Hummel’s originalmanuscript score was published in 2011 with a separatevolume of analytical commentary by Edward H. Tarr,1 whoalso published the first modern edition of the concertoin the original key of E major (Universal Edition, 1972).This present edition—available in both keys: Eb and Emajor—strives to build a bridge between scholarship andperformance traditions in order to provide viable options forboth the purist and the practitioner.Following the revival of the Haydn trumpet concerto, acase could be made that some musicians were influencedby a type of normalcy bias that resulted in performancetraditions that attempted to make the Hummel morelike the Haydn by putting it in the same key, insertingunnecessary cadenzas, and adding trills where they mightnot belong.2 Issues concerning tempo and ornamentationposed additional challenges. As scholarship and performancepractice surrounding the concerto have become betterknown, trumpeters have increasingly sought to performthe concerto in the original key of E major—sometimes onkeyed trumpets—and to reconsider more recent performancetraditions in the transposed key of Eb.Regardless of the key, several factors need to be addressedwhen performing the Hummel concerto. The most notoriousof these is the interpretation of the wavy line (devoid of a “tr†indication), which appears in the second movement(mm. 4–5 and 47–49) and in the finale (mm. 218–221). InHummel’s manuscript score, the wavy line resembles a sinewave with wide, gentle curves, rather than the tight, buzzingappearance of a traditional trill line. Some have argued that itmay indicate intense vibrato or a fluttering tremolo betweenopen and closed fingerings on a keyed trumpet.3 In Hummel’s1828 piano treatise, he wrote that a wavy line without a “trâ€sign indicates uneigentlichen Triller oder den getrillertenNoten [“improper†trills or the notes that are trilled], andrecommends that they be played as main note trills that arenot resolved [ohne Nachschlag].4 Hummel’s piano treatisewas published twenty-five years after he wrote the trumpetconcerto, and his advocacy for main note trills (rather thanupper note trills) was controversial at the time, so trumpetersshould consider all of the available options when formingtheir own interpretation of the wavy line.Unlike Haydn, Hummel did not include any fermatas wherecadenzas could be inserted in his trumpet concerto. The endof the first movement, in particular, includes something likean accompanied cadenza passage (mm. 273–298), a featureHummel also included at the end of the first movement ofhis Piano Concerto No. 5 in Ab Major, Op. 113 (1827). Thethird movement includes a quote (starting at m. 168) fromCherubini’s opera, Les Deux Journées (1802), that diverts therondo form into a coda replete with idiomatic fanfares andvirtuosic figuration.5 Again, no fermata appears to signal acadenza, but the obbligato gymnastics in the solo trumpetpart function like an accompanied cadenza.Other necessary considerations include tempo choicesand ornamentation. Hummel did not include metronomemarkings to quantify his desired tempi for the movements,but clues may be gleaned through the surface evidence(metric pulse, beat values, figuration) and from the stratifiedtempo table that Hummel included in his 1828 piano treatise,where the first movement’s “Allegro con spirito†is interpretedas faster than the “Allegro†(without a modifier) of the finale.6In the realm of ornamentation, Hummel includes severalturns and figures that are open to interpretation. This editionincludes Hummel’s original symbols (turns and figuration)along with suggested realizations to provide musicians withoptions for forming their own interpretation.Finally, trumpeters are encouraged to listen to Mozart pianoconcerti as an interpretive context for Hummel’s trumpetconcerto. Hummel was a noted piano virtuoso at the end ofthe Classical era, and he studied with Mozart in Vienna asa young boy. Hummel also composed his own cadenzas forsome of Mozart’s piano concerti, and the twenty-five-year-oldcomposer imitated Mozart’s orchestral gestures and melodicfiguration in the trumpet concerto (most notably in the secondmovement, which resembles the famous slow movement ofMozart’s Piano Concerto No. 21 in C Major, K. 467).
SKU: HL.48186049
UPC: 888680829285. 9.0x12.25x0.368 inches.
Alessandro Stradella: Symphonia avanti il Barcheggio (Trumpet & Orchestra).
SKU: BT.DIF97841