SKU: BT.DHP-1175788-070
ISBN 9789043154154. International.
When I’m Sixty-Four is a famous love song by The Beatles, in which a young man sings to his beloved. ’Sixty-Four’ is the age people were allowed to retire at in 1967. This version for brass quartet is a nice addition to one’s repertoire, andperfect for all types of occasions.In When I’m Sixty-Four een beroemd liefdesliedje van The Beatles zingt een jonge man zijn geliefde toe. Vierenzestig is de leeftijd waarop mensen in het Groot-Brittannië van 1967 met pensioen gingen. Deze versie voor koperkwartet is eencharmante toevoeging aan elk repertoire en een perfect stuk voor diverse gelegenheden.When I’m Sixty-Four ist ein berühmtes Liebeslied der Beatles aus dem Jahr 1967, in dem ein junger Mann seine Herzensdame fragt, ob sie wohl mit sixty-four“, mit 64, noch immer zusammen sein werden, um den Lebensabend gemeinsam zu genießen.Die hier vorliegende Version für Blechbläserquartett ist ein schönes Repertoirestück, das zu vielen Gelegenheiten passt.When I’m Sixty-Four est l’une des toutes premières composition de Paul McCartney dans laquelle un jeune homme s’adresse une jeune fille pour lui promettre un amour éternel. Cette version pour quatuor de cuivres est un complémentindispensable votre répertoire et trouvera sans aucun problème sa place dans tous vos prochains programmes.When I’m Sixty-Four (Quando avrò 64 anni) è una celeberrima canzone d'amore dei Beatles, nella quale un giovane si rivolge alla sua amata. ‘Sessantaquattro' era l'et in cui, nel 1967, i lavoratori potevano andare in pensione. Questa versione per quartetto d'ottoni è una gradevole aggiunta al repertorio ed è perfetta per tutte le occasioni.
SKU: AP.1-ADV20413
UPC: 805095204131. English.
Scored for standard brass quintet with optional drums, the relaxed intro of this contemporary original, I Gotta Funk, Buddy, gives way to a lively funk theme that everyone will love. Trumpets start the piece with Harmon mutes, and first trumpet is given the chance to stretch out on a solo midway through the piece. If a drummer is used, an open solo of 3--7 bars can also be featured.
SKU: BT.AMP-306-400
ISBN 9789043138130. 9x12 inches. English-German-French-Dutch.
Part of the Anglo Music Play-along Series, Philip Sparkeâ??s 15 Easy Classical Solos is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument, this book introduces the beginning player to the world of the classics by using simple yet attractive melodies that fit their limited range. The carefully selected pieces include music from the 16th to the 20th century and cover a wide variety of styles, from Bach to Grieg and from Purcell to Satie. This book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.Philip Sparkeâ??s 15 Easy Classical Solos, onderdeel van de Anglo Music Play-Along Series, is bedoeld voor de jonge instrumentalist die iets meer dan een octaaf kan spelen. Het boek sluit qua instrumentaal bereik en gebruikte toonsoortenaan bij het Artist Level van Hal Leonards Essential Elements ®, maar kan ook los daarvan worden gebruikt.De zorgvuldig geselecteerde melodieën, die specifiek zijn toegesneden op elk instrument, beslaan een breed scala van klassieke stijlen:van Bach tot Grieg en van Purcell tot Satie.Het boek bevat waardevol materiaal ter aanvulling op elke lesmethode en wordt geleverd met pianobegeleiding en een cd met demo- en meespeeltracks.15 Easy Classical Solos ist als Ergänzung zur bewährten Anglo Music Play-Along Reihe gedacht und richtet sich an Schüler, die ungefähr einen Tonumfang von einer Oktave beherrschen. Das Niveau entspricht dem des Artist Levels der Essential Elements ® Methode von Hal Leonard, kann aber auch unabhängig davon verwendet werden. Genau auf jedes Instrument zugeschnitten, ermöglicht die wohlüberlegte Stückeauswahl ein erstes Kennenlernen von Melodien aus verschiedenen Epochen der Klassik von Grieg über Purcell bis Satie. Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.15 Easy Classical Solos, de Philip Sparke, est un ouvrage qui sâ??adresse aux jeunes musiciens, maîtrisant un peu plus dâ??une octave. 15 Easy Classical Solos a été conçu pour être joué en corrélation avec les séries Artist et/ou Master Level de la collection Essential Elements ®, publiée par les éditions Hal Leonard. Mais il peut également être utilisé indépendamment.Spécifiquement adapté chaque instrument, ce volume rassemble quinze mélodies écrites par des compositeurs aussi variés que Bach, Purcell, Grieg et Satie.Comprenant les parties dâ??accompagnement de piano et une version dâ??accompagnement sur compact disc, ces ouvrages représentent une sourcecomplémentaire inestimable toute méthode pédagogique. Il concetto della collana Anglo Music Play-Along Series è quello di integrare al più presto nel processo di apprendimento dei giovani strumentisti la possibilit di poter suonare accompagnati al piano o con lâ??ausilio di unâ??incisione su CD. Ilchiaro vantaggio di questo metodo è che gli allievi imparano da subito lâ??aspetto fondamentale del suonare insieme, vale a dire tenere il tempo in modo costante. 15 Easy Classical Solos consente agli allievi che hanno una conoscenza limitatadelle note di suonare brani di Bach, Schubert, Purcell, Grieg e altri, grazie alle versioni facilitate. Il livello di 15 Intermediate Classical Solos permette invece agli allievi che padroneggiano lâ??estensione superiore a unâ??ottava dicimentarsi nei â??primi concertiâ? con brani di Haendel, Clementi, Rameau, Glueck, Beethoven e altri. Il CD propone una traccia con lâ??incisione completa e una con il solo accompagnamento.
SKU: GI.G-5676
There is a bit of toccata action in the organ that will require some agility, while the quartet’s part is straightforward— though not without rhythmic or harmonic interest! The piece can also be done by organ alone, or by organ with solo trumpet. The tune by David G. Wilson is also known as ONSLOW SQUARE. Horn in F can be substituted for Trombone I.
SKU: M7.AHW-1101
English.
I simply can't say it better than the Doc himself. Read what he says about the Pivot System, then grab some samples, then a physical book shipped right to your home above. From the Forward During the initial or formative years of a player's career, he acquires the mechanical habits which determine the extent of his development invariably by pure chance. If he happens to be numbered among the few fortunate ones who unconsciously utilize their physical factors to advantage, eventually someone will mistakenly refer to him as being a 'natural' or 'born with it.' If, as is more likely the case, he happens to be one whose physical factors clash or function incorrectly, he inadvertently seals his own fate. Either he can give up shortly after high school as most do, or he can continue down the blind alley of his own circumscribed potential. Most of these unfortunates merely resign themselves to a career of mediocrity ('I never had the chops'), shying away (rom the 'lead book' in favor of second, third or fourth parts. A few (even worse) go on mouthpiece jags or scavenger hunts for no pressure systems, etc. , always seeking, but never finding the 'gimmick' which will 'straighten out my chops.' Some, however, after a thorough analysis, adopt the scientific principles which utilize every one of their playing factors with maximum efficiency. These principles are what is called the PIVOT SYSTEM. - Doc Reinhardt.
SKU: M7.AHW-412
In the jazz tradition the Tuba was the bass in the rhythm section up until the mid-twenties. It was then the upright bass replaced the Tuba in many ensembles as the jazz music moved north and continued to develop. After this period the Tuba's roll, as bass in the rhythm section, was at a standstill and did not develop through Swing and Bebop. It wasn't until Cool Jazz of the 1950's when the Tuba was used by Miles Davis and Gil Evans in 'Birth of the Cool' as an ensemble horn. The Tuba, like swimming, is something you can't do any longer than you can hold your breath. In order to maintain a steady beat while playing in the rhythm section I have developed a system of breathing called Pant Breathing. Using this method, the player can maintain a steady beat within the rhythm section, without losing time while taking deep breaths.
SKU: CY.CC3020
ISBN 9781774310601. 8.5 x 11 in inches.
About the Taiwan Fantasia, van Deursen states: After having lived in Taipei for a number of years, I learned many of the local folk and popular songs. Some of the melodies are exceptionally beautiful, and my idea was to somehow combine all the elements that have made up my musical experiences over these years - Chinese melodies, western orchestral music and jazz; I wanted to see if these songs could survive with a totally different harmonic structure and concept. My original goal was to write a simple arrangement of the two songs, but quickly I discovered more melodies building upon the original ones and thus the Variations were born. Composed in 1995, this work of about 10 minutes in length is in one continuous movement, but is divided into seven short sections of contrasting moods including two cadenzas, for Trumpet and Trombone. The music is appropriate for advanced performers. Parts in C and B-flat are supplied for the Trumpets. A recording of Taiwan Fantasia can be purchased on iTunes from the album by the Yeh Shu Han Brass Quintet.
SKU: GI.G-6352
UPC: 785147635291.
Here’s one to grab the attention of the assembly before the Christmas Eve worship begins! A splendid display of heraldry by the brass gives way to the brilliant toccata for organ. The brass rejoins with the ageless tune for “Hark! the Herald Angels Sing.†This Fanfare-Toccata also can be performed to great effect on Christmas morning or as a concert piece. Horn in F can be substituted for Trombone I.
