The Piano Guys' sixth studio album, Uncharted, reached number 1 in the US classical charts following its release in 2016. The album contains Themes from Pirates Of The Caribbean, Can't Stop The Feeling from the DreamWorks Animation film Trolls and an inspired blend of Adele's Hello and Mozart's Lacrimosa, amongst eight other beautiful melodies. This matching folio contains all 11 songs from the album in arrangements for solo Piano with optional Cello as performed by The Piano Guys.

Arrangeur: Ted Barclay. Par BARCLAY TED. / Niveau : Assez Facile / Répertoire / Violoncelle et Piano

Cello Play-Along Volume 6-The Cello Play-Along series will help you to play your favourite songs quickly and easily on the Cello. This volume features all 11 pieces from The Piano Guys' album Uncharted - simply follow the printed sheet music and then play along using the original backing tracks. The Piano Guys' sixth studio album Uncharted reached number 1 in the US classical charts following its release in 2016. The album contains Themes from Pirates Of The Caribbean Can't Stop The Feeling from the DreamWorks Animation film Trolls and an inspired blend of Adele's Hello and Mozart'sLacrimosa amongst eight other beautiful melodies. Available online for download or streaming the backing tracks included with this book feature audio recorded by The Piano Guys. Watch the official music video for The Piano Guys' Hello/Lacrimosa:

Team Strings 2 is ideal for individual group and class tuition allowing the violin viola or cello and double bass to be taught in the same lesson. This method contains carefully-graded music in a wide variety of styles developing instrument-related aural skills improvisation and composition. Book only edition.

This collection of sixteen original imaginative studies for solo cello has been specially designed for young players of Grades 1-3 ability. Throughout the book progressive technical points go hand-in-hand with musical development. The studies cover a variety of keys modes rhythmic patterns and styles including jazz while also encouraging self-expression. The descriptive titles are intended to help the cellist play in a style appropriate to each study. Teachers and pupils will find this invaluable yet light-hearted collection both enjoyable and stimulating.

Fourteen original imaginative studies for solo cello specially designed to lead on from elementary studies for younger players to the more advanced material of Dotzauer and Popper. Each piece concentrates on one or two aspects of technique and the whole set covers a wide range of left and right hand skills including spicatto bowing string crossing moto perpetuo cantabile and easy double stopping. Teachers and pupils will find this invaluable yet light-hearted collection both enjoyable and stimulating.

Does the thought of sight-reading make you groan? The ability to sight-read fluently is a vital skill enabling you to learn new pieces more quickly and play with other musicians. The best-selling Improve Your Sight-reading! series by renowned educationalist Paul Harris is designed to help you overcome all your sight-reading problems especially in the context of graded exams. Step by step you build up a complete picture of each piece firstly through rhythmic and melodic exercises related to specific technical issues then by studying prepared pieces with associated questions and finally ‘going solo’ with a series ofmeticulously graded sight-reading pieces. New edition devised to support the revised sight-reading criteria from the ABRSM from 2012.

Does the thought of sight-reading make you groan? The ability to sight-read fluently is a vital skill, enabling you to learn new pieces more quickly and play with other musicians. The best-selling Improve Your Sight-reading! series, by renowned educationalist Paul Harris, is designed to help you overcome all your sight-reading problems, especially in the context of graded exams. Step by step you build up a complete picture of each piece, firstly through rhythmic and melodic exercises related to specific technical issues, then by studying prepared pieces with associated questions, and finally ?going solo? with a series of meticulously graded sight-reading pieces. New edition, devised to support the revised sight-reading criteria from the ABRSM from 2012.

Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note.'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'

Two small chamber works by Frank Bridge available together for performance by Cello and Piano. Edited by Julian Lloyd Webber.