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Aida - Prelude from the Opera for Brass Quintet
Aida - Prelude from the Opera for Brass Quintet
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Giuseppe Verdi
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Cherry Classics Music
MÉDITATION - From the Opera Thaïs (for Violoncello and Piano accompaniment)
MÉDITATION - From the Opera Thaïs (for Violoncello and Piano accompaniment)
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MÉDITATION - From the Opera Thaïs (for Violin and Piano accompaniment)
MÉDITATION - From the Opera Thaïs (for Violin and Piano accompaniment)
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Maxwell Davies Resurrection (G) Lib
Opera
Chester
Opera SKU: HL.14020982 Composed by Sir Peter Maxwell Davies. Music Sales ...
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Opera
SKU: HL.14020982
Composed by Sir Peter Maxwell Davies. Music Sales America. Opera or Operetta. Choral Score. Chester Music #SOS04624. Published by Chester Music (HL.14020982).
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Peter Maxwell Davies: The No. 11 Bus Libretto
Opera
[Libretti]
Chester
By Sir Peter Maxwell Davies (1934-). For Opera, Lyrics Only. Shows and Cantatas....
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By Sir Peter Maxwell Davies (1934-). For Opera, Lyrics Only. Shows and Cantatas. 20th Century. Libretto. Text language: English. 20 pages
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The Cunning Little Vixen
Opera
Barenreiter
Opera in three acts. Composed by Leos Janacek (1854-1928). Edited by Jiri Zahr...
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Opera in three acts. Composed by Leos Janacek (1854-1928). Edited by Jiri Zahradka. This edition: complete edition, urtext edition. Cloth bound. Kritische Gesamtausgabe der Werke von Leos Janacek A/8. Complete Edition, Score. Baerenreiter Verlag #BA06867- 01. Published by Baerenreiter Verlag
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The Lighthouse Vocal Score
Opera
[Vocal Score]
Chester
By Peter Maxwell Davies. For Opera. 20th Century, Opera. Sheet Music. 120 pages....
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By Peter Maxwell Davies. For Opera. 20th Century, Opera. Sheet Music. 120 pages. Published by Chester Music.
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The Martyrdom of ST. Magnus
Opera
[Libretti]
Boosey and Hawkes
A Chamber Opera in Nine Scenes. By Peter Maxwell Davies. (Libretto). Boosey and...
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A Chamber Opera in Nine Scenes. By Peter Maxwell Davies. (Libretto). Boosey and Hawkes Stage Works. 32 pages. Published by Boosey and Hawkes.
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Peter Maxwell Davies: Kommilitonen! (Young Blood!) - Full Score: Opera: Score
Opera
[Sheet music]
Chester
Lyric opera in two acts. Libretto by David Pountney.Commissioned?jointly by the ...
(+)
Lyric opera in two acts. Libretto by David Pountney.Commissioned?jointly by the Royal Academy of Music London UK and The Juilliard School New York USA.UK premiere: 18th March 2011 - Royal Academy of MusicOpera and Sinfonia at the Royal Academy of Music London conducted by Jane Glover.US premiere: 16th November 2011 - Students of The Julliard School at Peter Jay Sharp Theatre New York conducted by AnneManson.Overview.The piece consists of three interlocking stories of students involved in political action in three different situations.?Die Weiße Rose? was the name taken by a group of students atthe University of Munich led by Sophie and Hans Scholl. They produced leaflets protesting against the National Socialist government of Germany in 1942-3 until they were arrested and guillotined.?Soar to Heaven? follows twocharacters Wu and Zhou involved on opposite sides of the Cultural Revolution in China.?The Oxford Revolution? tells the story of James Meredith who fought a lonely battle against segregation and racial prejudice to becomethe first black student to enrol at ?Ole Miss? the University of Mississippi in the USA.Librettist's Note.There are inevitably and properly some differences between the original libretto and whatMax ultimately set to music. Most of these are insignificant but all the Latin texts in the opera were added by Max and texts for the alternating black / white choruses (Scene 19) and final chorus (Scene 28) were written by him.
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Leos Janácek: The Cunning Little Vixen: Opera Vocal Scores: Vocal Album
Opera
Barenreiter
Opera in three acts. Leos Janácek began composing his seventh opera, ?The Cunni...
(+)
Opera in three acts. Leos Janácek began composing his seventh opera, ?The Cunning Little Vixen?, based on the popular feuilletons of Rudolf Tesnohlídek, in January 1922. The first copy of the score, since lost, was completed by Václav Sedlácek in October 1923, while the second copy was prepared by Jaroslav Kulhánek in January 1924. The world premiere took place on 6 November 1924 under the direction of Ota Zítek and was conducted by Frantisek Neumann. The vocal score was published in Czech before the event and then again in 1925 along with the German translation by Max Brod, which is something of a separate version of the text in its own right. This volume of the complete edition reprints the critical edition by Jirí Zahrádka, which was published by Universal Edition in 2010. The present edition newly includes transcriptions of the libretto in three languages (Cz/Eng/Ger) and a detailed Critical Report (Eng). The edition draws on all extant sources and ? in consideration of Janácek?s active participation in rehearsals for the premiere production ? integrates both the dynamics of Franti?ek Neumann and the performance markings of Sir Charles Mackerras into the musical text. This is the third opera to be published in the complete edition, following ?Fate? and ?The Makropulos Affair?.
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Io RCT 45 (RAMEAU JEAN-PHILIPPE)
Opera
Barenreiter
Acte de Ballet. Par RAMEAU JEAN-PHILIPPE. Rameau Io RCT 45 (Vocal Score) In Rame...
(+)
Acte de Ballet. Par RAMEAU JEAN-PHILIPPE. Rameau Io RCT 45 (Vocal Score) In Rameau's operatic oeuvre, 'Io' is certainly the work shrouded in the most mystery: the acte de ballet has survived only in the form of a copy of the score and parts which was made by a collector from the generation after Rameau from the autograph that now is lost. Although the copy seems to have been used, presumably for a trial read-through, the work was apparently never regularly performed during Rameau's lifetime. And for good reason: the work breaks off abruptly at the beginning of the divertissement; neither the librettist nor a plan for a theatre location are known. Because of its incompleteness, 'Io' was long regarded as Rameau's last work, but there is much to suggest that the composition must have been written between 1740 and 1745. The introduction to this edition examines the references regarding the dating as well as various hypotheses about performance possibilities and librettists. The plot revolves around one of those typical mythological flirtations that are inevitably to be expected when Jupiter and a nymph, here Io, are involved. With the appearance of madness, La Folia, the work reaches a dramaturgical climax. However after this, the opera breaks off. In order to make the piece performable, the editors of ?Opera Omnia Rameau? propose an addition to the divertissement as well as an ending borrowed from the ballet bouffon 'Platée' in its 1745 version, which shows numerous parallels to 'Io'. Thus, these additions come as close as possible to Rameau's style of the 1740s while bringing the plot to a conclusion. - Fragmentary work completed with original music by Rameau - Based on the score of ?Opera Omnia Rameau?, Volume V/1 - Particularly suitable for academies and conservatories as few soloists are required and the few choral movements can be sung by soloists / Date parution : 2023-06-01/ Répertoire / Opéra
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Georg Friedrich Händel: Messiah (Oratorio 1741): Mixed Choir: Vocal Score
Opera
[Vocal Score]
Schirmer
Although slow to be accepted in England where the public thought it was blasphe...
(+)
Although slow to be accepted in England where the public thought it was blasphemous the Messiah is now Handel's best-known oratorio and well-loved worldwide. It is for four soloists SATB chorus and orchestral which is here replaced by a piano accompaniment. This is the Schirmer edition of the Vocal Score revised according to the original score by Max Spicker and edited by T. Tertius Noble.
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Joe Lovano Improvisation
Opera
Music Sales
Jouer d'un instrument avec plus de spontanéité et le sentiment, détendez-vous...
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Jouer d'un instrument avec plus de spontanéité et le sentiment, détendez-vous et laissez votre flux musical idées. Développez votre propre voix avec les Techniques de pratiques qui ont helper faire Joe Lovano l'un des improvisateurs MOST respectés de notre temps. Dans ce Master CLASSNO vous montre comment jouer avec la spontanéité du Grand et du sentiment. Il vous enseigner la façon d'interpréter l'essence mélodique, rythmique et harmonique d'un morceau. Créez vos idées d'improvisation à partir de ces éléments musicaux. Et assurez-vous que journeyve quelque part. Ces idées Lovano apporte à la vie en solo, duo, trio et quatuor a rempli de son sax lignes expressives. Ses leçons vous aideront à profiter au maximum de votre temps de pratique seul, et d'interagir de façon plus créative avec d'autres musiciens. P Plus important encore, Lovano vous incitera à vous détendre, écouter la musique, sentir l'humeur et laissez vos flux d'idées. / Opéra Théorique/Didactique
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Peter Maxwell Davies: Cinderella (German Libretto): Opera: Libretto
Opera
[Sheet music]
Chester
This short opera (duration of 50 minutes) aptly designed for children to perfor...
(+)
This short opera (duration of 50 minutes) aptly designed for children to perform with modest resources is a version of the familiar tale though with certain adaptations.Musically the piece is a bright sequence of littlesongs choruses dialogue scenes and dances probably best suited to children between the ages of eight and twelve though the parts of the ugly sisters can usefully be taken by boys with broken voices.The music is scored foran orchestra of recorders trumpet percussion strings and keyboard and ranges through a variety of styles. The opera has eleven solo parts and a chorus who act as a train ball guests and the magic kittens. It is alsosuitable for performance by children aged eight and upwards.
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Peter Maxwell Davies: The Lighthouse: Chamber Ensemble: Score
Opera
[Sheet music]
Chester
Chamber opera in a prologue and one act. A ghost story telling of the mysteriou...
(+)
Chamber opera in a prologue and one act. A ghost story telling of the mysterious disappearance of three lighthouse keepers in the Hebrides. This is a mystery story in the form of a chamber opera. The prologue is set as acourt of enquiry into the unexplained disappearance of the three keepers from a lighthouse. Questions are posed by a solo horn which may sound from among the audience and three officers give answer. Gradually they move fromstraight testimony into fantastical imaginings of evil during a 'flashback' to the lighthouse; but then we snap back to the courtroom. In the main act the three singers become the vanished keepers. They have been together formonths long enough to be fully aware of each other's weaknesses; petty bickerings suggest a relationship which is stable but liable to become highly unstable at any moment. They sing songs to reduce the tension Blazes beginningwith a rough ballad of street violence accompanied by violin and banjo. Sandy's song with cello and out-of-tune upright piano is a thinly disguised description of sexual bliss and Arthur's with brass and clarinet is atub-thumping hymn. But the songs serve only to resurrect in their minds ghosts from the past and as the fog descends each of the keepers becomes convinced that he is being claimed by the Beast. They prepare to meet its dazzlingeyes which become the lights of the relief vessel and the three men reappear as officers met at the lighthouse only by an infestation of rats. They leave and at the end the last hours of Blazes Sandy and Arthur begin to playover again.Study Score. Duration c. 1h 25mins.
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Peter Maxwell Davies: Cinderella English Text: Opera: Vocal Score
Opera
[Sheet music]
-
Intermediate
Chester
This short opera (duration of 50 minutes) aptly designed for children to perfor...
(+)
This short opera (duration of 50 minutes) aptly designed for children to perform with modest resources is a version of the familiar tale though with certain adaptations. Cinderella is an au pair girl who arrives on the scene bytrain and there are three ugly sisters who get their just deserts in marriage to the appalling leaders of the armed forces. Writing for children in the Orkney Islands Davies has also included some local references: these can bechanged to suit other times and places. Musically the piece is a bright sequence of little songs choruses dialogue scenes and dances probably best suited to children between the ages of eight and twelve though the parts of theugly sisters can usefully be taken by boys with broken voices.Text only.Duration c. 50mins.
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Peter Maxwell Davies: Cinderella - German Text: Opera: Vocal Score
Opera
[Sheet music]
-
Intermediate
Chester
This short opera (duration of 50 minutes) aptly designed for children to perfor...
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This short opera (duration of 50 minutes) aptly designed for children to perform with modest resources is a version of the familiar tale though with certain adaptations. Cinderella is an au pair girl who arrives on the scene bytrain and there are three ugly sisters who get their just deserts in marriage to the appalling leaders of the armed forces. Writing for children in the Orkney Islands Davies has also included some local references: these can bechanged to suit other times and places. Musically the piece is a bright sequence of little songs choruses dialogue scenes and dances probably best suited to children between the ages of eight and twelve though the parts of theugly sisters can usefully be taken by boys with broken voices.Text only.Duration c. 50mins.
13.99 GBP - Sold by Musicroom UK
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Stiffelio (VERDI GIUSEPPE)
Opera
Avant Scène Opéra
Par VERDI GIUSEPPE. / Livre / Opéra
28.00 EUR - Sold by LMI-partitions
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Peter Grimes (BRITTEN BENJAMIN)
Opera
[Book]
Avant Scène Opéra
Par BRITTEN BENJAMIN. / Date parution : 2022-02-18/ Livre / Opéra
28.00 EUR - Sold by LMI-partitions
(Seller in french langage)
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On order
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Max Reger: Contribuciones al Estudio de la Modulación: Theory
Español
Opera
Real Musical
Contribuciones al Estudio de la Modulación
11.50 GBP - Sold by Musicroom UK
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Peter Maxwell Davies: Resurrection (G): Opera: Libretto
Opera
[Sheet music]
Chester
Resurrection (G)
3.99 GBP - Sold by Musicroom UK
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