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Habanera (for bass - C minor/major)
Habanera (for bass - C minor/major)
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Lenguaje Grado Medio V.2B (IBANEZ / CURSA)
Español
Opera
[Sheet music]
Real Musical
Par IBANEZ / CURSA. Cómoda y atractiva metodología de Lenguaje Musical que com...
(+)
Par IBANEZ / CURSA. Cómoda y atractiva metodología de Lenguaje Musical que comprende los Grados Elemental y Medio completos. Cada uno de los seis cursos está dividido en tres partes (A - B - C) correspondientes a cada trimestre escolar. A su vez cada cuaderno se divide ques. En ellos convergen diferentes contenidos encaminados a comprender y superar un mismo aspecto musical. / Pédagogie / Solfège/Formation Musicale / Opéra Théorique ou Didactique
15.00 EUR - Sold by LMI-partitions
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Lenguaje Grado Medio V.2A (IBANEZ / CURSA)
Español
Opera
[Sheet music]
Real Musical
Par IBANEZ / CURSA. Cómoda y atractiva metodología de Lenguaje Musical que com...
(+)
Par IBANEZ / CURSA. Cómoda y atractiva metodología de Lenguaje Musical que comprende los Grados Elemental y Medio completos. Cada uno de los seis cursos está dividido en tres partes (A - B - C) correspondientes a cada trimestre escolar. A su vez cada cuaderno se divide ques. En ellos convergen diferentes contenidos encaminados a comprender y superar un mismo aspecto musical. / Pédagogie / Solfège/Formation Musicale / Opéra Théorique ou Didactique
15.00 EUR - Sold by LMI-partitions
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Lenguaje Grado Medio V.1A (IBANEZ / CURSA)
Español
Opera
[Sheet music]
Real Musical
Par IBANEZ / CURSA. Cómoda y atractiva metodología de Lenguaje Musical que com...
(+)
Par IBANEZ / CURSA. Cómoda y atractiva metodología de Lenguaje Musical que comprende los Grados Elemental y Medio completos. Cada uno de los seis cursos está dividido en tres partes (A - B - C) correspondientes a cada trimestre escolar. A su vez cada cuaderno se divide ques. En ellos convergen diferentes contenidos encaminados a comprender y superar un mismo aspecto musical. / Études et exercices / Etude / Opéra Théorique ou Didactique
15.00 EUR - Sold by LMI-partitions
(Seller in french langage)
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Lenguaje Grado Elemental V.2B (IBANEZ / CURSA)
Español
Opera
[Sheet music]
Real Musical
Par IBANEZ / CURSA. Cómoda y atractiva metodología de Lenguaje Musical que com...
(+)
Par IBANEZ / CURSA. Cómoda y atractiva metodología de Lenguaje Musical que comprende los Grados Elemental y Medio completos. Cada uno de los seis cursos está dividido en tres partes (A - B - C) correspondientes a cada trimestre escolar. A su vez cada cuaderno se divide ques. En ellos convergen diferentes contenidos encaminados a comprender y superar un mismo aspecto musical/ Solfège/Formation Musicale / Opéra Théorique ou Didactique
16.70 EUR - Sold by LMI-partitions
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Lenguaje Grado Elemental V.3B (IBANEZ / CURSA)
Español
Opera
[Sheet music]
Real Musical
Par IBANEZ / CURSA. Cómoda y atractiva metodología de Lenguaje Musical que com...
(+)
Par IBANEZ / CURSA. Cómoda y atractiva metodología de Lenguaje Musical que comprende los Grados Elemental y Medio completos. Cada uno de los seis cursos está dividido en tres partes (A - B - C) correspondientes a cada trimestre escolar. A su vez cada cuaderno se divide ques. En ellos convergen diferentes contenidos encaminados a comprender y superar un mismo aspecto musical./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
16.70 EUR - Sold by LMI-partitions
(Seller in french langage)
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Germaine Tailleferre : 4 Opéras Bouffes Vol.2 - La Pauvre Eugénie / M. Petitpois Achète Un Château
Français
Opera
Billaudot
Poursuivant la petite histoire de l'art lyrique français, Germaine Tailleferre ...
(+)
Poursuivant la petite histoire de l'art lyrique français, Germaine Tailleferre et Denise Centore évoquent maintenant le grand style réaliste tel que l'ont pratiqué, entre autres compositeurs, Gustave Charpentier et Alfred Bruneau, qui ont osé amener sur la scène lyrique, le langage de tous les jours et le costume du prolétaire. L'action de la Pauvre Eugénie se situe à Paris en 1905, dans un atelier de lingerie, celui de Madame Phémie, qui a un mari, Monsieur Ernesse, et trois ouvrières : Titine la gavroche, Paula la sentimentale, et Eugénie, l'héroïne de cette histoire, ou plutôt, de ces tranches de vie, selon le style de l'époque. C'est le pendant musical des Rougon-Macquart de Zola. Gégène n'apparaîtra qu'à l'heure du dénouement. Au début de l'opéra, dans l'atelier, les trois ouvrières travaillent à des jupons de linon ennuagés de dentelle, et la mauvaise humeur de Monsieur Ernest s'exprime à la cantonade. Madame Phémie, la femme de ce dernier, presse ses ouvrières et découvre qu'Eugénie mange du saucisson à l'ail. Eugénie est mise à la porte pour cette faute grave et, désespérée, elle veut se jeter dans la Seine. Titine et Paula, horrifiées, lui parlent de l'enfant qu'elle a eu avec Monsieur J. Duplan, qui devait l'épouser. Elle ne peut pas l'abandonner. Soudain, on frappe à la porte, et apparaît Gégène qui vient livrer un boa pour Madame Phémie. Indignation de Titine et Paula, Madame Phémie va mettre un boa alors qu'elle a mis à la porte une fille-mère ! Gégène, indigné, veut voir Eugénie, dont il tombe amoureux ! Tout est bien qui finit bien, Eugénie part avec Gégène, quittant ainsi celle qui l'exploitait.Le dernier opéra évoque la période d'Offenbach, il s'agit de Monsieur Petitpois achète un château. Les personnages, en costume Second Empire, évoluent dans un château médiéval proche de Romorantin. C'est le domaine ancestral de Monsieur le Duc de la Bombardière. Le duc a un fils, lieutenant hussard et joli garçon, une servante familière et dévouée, Cunégonde, nourrice d'Adélestan, et un notaire compétent, Maître Pointillard. Mais il n'a pas d'argent, tout au moins, commence-t-il à n'en avoir plus assez. Il lui faut vendre son château, et il attend la visite d'un acquéreur éventuel, Monsieur Petitpois. Il s'entretient de l'affaire avec son notaire, et ne dédaignera pas de prendre l'avis de Madame Cunégonde, sa servante, sitôt terminée l'ouverture de l'opéra. / Orchestre / Partition
38.10 EUR - Sold by LMI-partitions
(Seller in french langage)
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Lenguaje Grado Medio V.1B (IBANEZ / CURSA)
Español
Opera
[Sheet music]
Real Musical
Par IBANEZ / CURSA. Cómoda y atractiva metodología de Lenguaje Musical que com...
(+)
Par IBANEZ / CURSA. Cómoda y atractiva metodología de Lenguaje Musical que comprende los Grados Elemental y Medio completos. Cada uno de los seis cursos está dividido en tres partes (A - B - C) correspondientes a cada trimestre escolar. A su vez cada cuaderno se divide ques. En ellos convergen diferentes contenidos encaminados a comprender y superar un mismo aspecto musical. / Études et exercices / Etude / Opéra Théorique ou Didactique
15.00 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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Macbeth
Français
Opera
Billaudot
La référence LV0183 de l'éditeur Billaudot dont l'auteur célèbre est Verdi ...
(+)
La référence LV0183 de l'éditeur Billaudot dont l'auteur célèbre est Verdi Giuseppe, qui a pour titre Macbeth, a été écrite et composée pour Diverses Formations. Cette partition musicale appartient à la catégorie Livres, Revues, DVD, Logiciels Et Accessoires. / Livret
13.00 EUR - Sold by LMI-partitions
(Seller in french langage)
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Jazz Theory Book
Opera
Sher Music Company
Plus de 500 pages de texte et plus de 750 exemples musicaux.Ecrit dans le langag...
(+)
Plus de 500 pages de texte et plus de 750 exemples musicaux.Ecrit dans le langage du musicien de jazz travail, ce livre est facile à lire et facile à utiliser. Dans le même temps, c'est l'étude la plus complète de l'harmonie de jazz et de la théorie jamais publié. TZ théorie livre prend l'étudiant de techniques plus fondamentaux tels que la construction de la corde et la progression de l'II-V-I grâce à la théorie de l'échelle, le blues, changements 'I ' ve Got Rhythm', barre oblique chords, le bebop et échelles pentatonique, comment lire un aorize de feuille de plomb tunes et une étude de reharmonization qui est presque un livre en soi. Satisfaction garantie ou argent sera remboursé. Mark Levine a travaillé avec Bobby Hutcherson, Cal Tjader, Joe Henderson, Woody Shaw et de nombreux autres grands du jazz. / Opéra Théorique/Didactique
57.20 EUR - Sold by LMI-partitions
(Seller in french langage)
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Maria Stuarda
Opera
[Sheet music]
Ricordi
La référence NR13491301 de l'éditeur Ricordi dont l'auteur célèbre est Doni...
(+)
La référence NR13491301 de l'éditeur Ricordi dont l'auteur célèbre est Donizetti Gaetano, qui a pour titre MARIA STUARDA , a été écrite et composée pour Chant/Vocal/Choeur et plus particulièrement pour Oeuvres Théâtrales/Oratorios Et Ballets. Cette partition musicale appartient à la catégorie Classique. / Oeuvres Théâtrales/Oratorios Et Ballets / Partition
15.83 EUR - Sold by LMI-partitions
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Solfège En Bandes Dessinees (VACCA MARIA)
Opera
[Sheet music]
Carisch
Par VACCA MARIA. Mini est une petite souris sympathique et très intelligente. E...
(+)
Par VACCA MARIA. Mini est une petite souris sympathique et très intelligente. Elle aime la musique et joue de plusieurs intruments mais ce qu'elle préfère c'est faire du solfège parce qu'elle adore le rythme et peut ainsi jouer parfaitement en suivant le rythme. Dansvre, Mini va t'apprendre les règles principales du solfège pour que, comme elle , tu puisse apprendre à aimer le rythme et la musique.Bon travail!/ Solfège/Formation Musicale / Opéra Théorique ou Didactique
17.20 EUR - Sold by LMI-partitions
(Seller in french langage)
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Zauberflöte Kv 620 (MOZART WOLFGANG AMADEUS)
Opera
[Sheet music]
Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Wittmann, C F/ Répertoire / ...
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Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Wittmann, C F/ Répertoire / Opéra
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Sources Epoques Vol. 0929 (BARDEZ JEAN-MICHEL)
Opera
[Sheet music]
Carisch
Par BARDEZ JEAN-MICHEL. Très facile en clé de sol, sans accompagnement. oeuvre...
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Par BARDEZ JEAN-MICHEL. Très facile en clé de sol, sans accompagnement. oeuvres à chanter ou à jouer à l'instrument.Chaque pièce étant précédée d'une gravure ancienne, d'une préparation mélodique et rythmique issue du texte ainsi que d'un commentaire./ Recueil / Opéra Théorique ou Didactique
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Recueil ? Airs d?opéra (VIVALDI ANTONIO) (VIVALDI ANTONIO)
Français
Opera
Editions Buissonnieres
Par VIVALDI ANTONIO. C'est seulement en 1713 que Vivaldi aborde l'opéra ; certa...
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Par VIVALDI ANTONIO. C'est seulement en 1713 que Vivaldi aborde l'opéra ; certaines sources parlent de 94 productions, mais seules 50 ont été identifiées. La musique de ces opéras n'ayant pas été imprimée, contrairement aux livrets, il ne reste trace (complète ou partielle) que d'une vingtaine d'opéras. Impresario du Teatro San Angelo de Venise, Vivaldi écrira la majorité de ces opéras pour ce théâtre. Les 30 airs de ce recueil sont proposés en réduction chant-clavier, pour voix de contre-ténor, extraits des opéras : Andromeda Liberata, Ottone in villa, L'Olimpiade, Tietiberga, Tito Manlio, Il Tigrane, Bajazet, Il Giustino, Olando finto pazzo, La Verità in cimento, La Fida nonfa, Orlando Furioso. / Date parution : 2014-07-01/ Recueil / Contre Ténor
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Elisir D Amore (L'elixir d'amour)
Opera
[Sheet music]
Ricordi
La référence PR00003704 de l'éditeur Ricordi dont l'auteur célèbre est Doni...
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La référence PR00003704 de l'éditeur Ricordi dont l'auteur célèbre est Donizetti Gaetano, qui a pour titre ELISIR D'AMORE , a été écrite et composée pour Chant/Vocal/Choeur et plus particulièrement pour Oeuvres Théâtrales/Oratorios Et Ballets. Cette partition musicale appartient à la catégorie Classique. / Oeuvres Théâtrales/Oratorios Et Ballets / Partition
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Le Comte Ory -Opera In Two Acts-
Opera
Barenreiter
Mit ?Le comte Ory' erscheint der fünfte Band aus der vielbeachteten Reihe ?Work...
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Mit ?Le comte Ory' erscheint der fünfte Band aus der vielbeachteten Reihe ?Works of Gioachino Rossini'. Nach seiner Uraufführung in Paris feierte das Werk große Erfolge an den europäischen Bühnen des 19. Jahrhunderts. Die turbulente Komödie um den Grafen Ory, der sich mit seinen wüsten Kumpanen Zutritt zu einem Nonnenkloster verschafft, ist eines von Rossinis effektvollsten Meisterwerken.Der Herausgeber Damien Colas legt in Zusammenarbeit mit dem ?Center for Italian Opera Studies Chicago' eine kritische Neuausgabe vor, die unter Heranziehung einer Vielzahl von Quellen einen originalen Text des Werkes präsentiert, der in vielen Fällen von der bislang erklungenen Überlieferung abweicht. So konnten originale Besetzungen, formale Verläufe und zahlreiche fragliche Lesarten wieder hergestellt bzw. korrigiert werden. / Opéra
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Die Harmonie der Welt Teil C (HINDEMITH PAUL)
Opera
Schott
Par HINDEMITH PAUL. The opera is set in a variety of locations between the years...
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Par HINDEMITH PAUL. The opera is set in a variety of locations between the years 1608 and 1630 and throws a spotlight on individual scenes, sometimes presented simultaneously, from the life of the astronomer Johannes Kepler (1571-1630); the opera takes its name from Kepler’s theoretical work ‘Harmonices mundi’. Hindemith utilises substantial historical studies as the basis for his sketches of individuals within Kepler’s circle who each accompany the astronomer’s scientific endeavours with a variety of personal ambitions. The military commander Wallenstein attempts to utilise Kepler’s astrological abilities to realise his own pretensions to power while Kepler’s assistant Ulrich aspires to scientific fame and recognition. Kepler’s mother urges her son to apply his scientific abilities to the services of her black magic and the Lutheran minister Hizler forbids the astronomer to receive communion because Kepler questions the doctrine of Holy Communion in the Lutheran church and expresses sympathy for Calvinist doctrine. The few figures shed in a positive light include Kepler’s wife Susanna who supports her husband’s pursuit of truth and knowledge and the child Susanna who listens to the voices of nature and the moon in her childish naivety, thereby gaining revelatory knowledge. At the end of his life, Kepler takes stock of his situation, succumbs to a state of resignation and considers death as the greatest harmony of all. In his state of agony, music of the spheres can be heard; the constellations appear as allegorical figures in the opera and contradict Kepler’s negative concepts: lying beyond all that can be researched by mankind is a final majestic realm with the powers to ‘permit us to be amalgamated into a gigantic harmony of the spheres.’ / Date parution : 2022-07-20/ Répertoire / Opéra
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Monteverdi C. - L'orfeo - Vocal Score
Opera
[Vocal Score]
Barenreiter
Monteverdi’s opera “L’Orfeo”, based on the legend of Thracian singer Orp...
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Monteverdi’s opera “L’Orfeo”, based on the legend of Thracian singer Orpheus and his love of Eurydice, is a masterpiece of musical declamation and ornamentation. It was first performed during the 1607 carnevale in the “Palazzo Ducale” in Mantua. When an edition remains true to its sources, this certainly does not mean that it is not also practical to use, as is demonstrated in this Bärenreiter edition of Monteverdi’s “L’Orfeo”. Edited by Rinaldo Alessandrini, the new publication follows the Bärenreiter edition of Monteverdi’s “Il ritorno d’Ulisse in patria”. Two contemporary prints of “L’Orfeo” from the years 1609 and 1615 have been passed down to us. Four copies of each of these prints still survive today in public libraries. The later print includes many corrections to the earlier edition and was accordingly used as the primary source for this Bärenreiter edition. However, when solving musical problems the editor frequently follows the more coherent style of the earlier print. The numerous interesting variants, not only between the two editions but also amongst the eight surviving copies, are listed in the critical commentary. This edition of “L’Orfeo” offers in addition to Monteverdi’s somewhat sparse original figures also figures added to the bass line by the editor. The continuo player should, however, feel free to follow his own judgment. The notation has been, when necessary, adapted to suit modern practice, for example with regard to the clefs. The sections that were originally written in “chiavetta” have been transposed a fifth lower. In the appendix these sections also appear in their original notation in facsimile as well as transposed a fourth lower. - Detailed introduction by the editor (Ital/Eng/Ger) on the work’s genesis and performance practice - Comprehensive critical commentary (Eng) in the score - Idiomatic piano reduction Edition no.: BA 8793-90 ISMN: 9790006533121 Composer / Author: Monteverdi, Claudio Title: L'Orfeo Favola in musica in one prologue and five acts Detailed instrumentation: Soprano solo (7), Tenor solo (4), Bass solo (3), Mixed choir: SSATTB, Male choir: TTBBB, Orchestra Librettist: Striggio, Alessandro (junior) Editor: Alessandrini, Rinaldo Foreword / Introduction: Alessandrini, Rinaldo Product format: Piano reduction, Urtext edition Language(s) of work: Italian Language(s) of text: German, Italian, English Publisher: Bärenreiter Binding: Paperback Print run: 1st printing 2012 Pages / Format: XIV, 143 S. - 27,0 x 19,0 cm Weight: 428 g
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Alan Jay Lerner Frederick Loewe: Camelot: Opera: Libretto
Opera
[Libretti]
Faber Music Limited
Camelot is a popular Musical which also received a film adaptation in 1967. Ava...
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Camelot is a popular Musical which also received a film adaptation in 1967. Available here is the Libretto for the Musical with book and lyrics by Alan Jay Lerner and music by Frederick Loewe. The show is based on the King Arthur legend as based on the T.H. White novel The Once and Future King.
8.50 GBP - Sold by Musicroom UK
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Solfeggi Parlati Cant.App.2 C. (PANETTA)
Opera
[Sheet music]
Berben Edizioni Musicali
Par PANETTA. / Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Gluck C.w. - Les Pelerins De La Mecque
Opera
[Libretti]
Actes Sud
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Music to "Soliman second, ou Les Trois Sultanes" (GLUCK CHRISTOPH WILLIBALD)
Opera
[Sheet music]
Barenreiter
Comédie (Laxenburg 1765) Gluck Complete Works IV/4. Par GLUCK CHRISTOPH WILLIBA...
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Comédie (Laxenburg 1765) Gluck Complete Works IV/4. Par GLUCK CHRISTOPH WILLIBALD. The critical edition presents the music to the verse comedy “Soliman second, ou Les Trois Sultanes” by Charles-Simon Favart (1710–1792), which was performed before the Viennese courtly audience in the Schlosstheater Laxenburg by the French troupe of the Burgtheater on 18 May 1765. This is the first time that Gluck’s music to the Favartian comedy has appeared in print. A popular comedy which in particular was known for its exotic colour, “Soliman second” quickly made its mark on many European stages. Through the good offices of the court theatre director Count Durazzo, the libretto made its way to Vienna too. As “Direttore della Musica” at Vienna’s Burgtheater and an accomplished writer of French opéras-comiques, Gluck may have been commissioned to compose the vocal numbers – four solo airs and a duet – which were meant to be performed in the comedy. As far as can be established, Gluck’s involvement in incidental music is an exception in his artistic output. In addition to the detailed introduction to the history of the work, the volume contains the Critical Report providing exhaustive information on the source material, editorial technique and performance practice. The libretto for the premiere performance and illustrative extracts from the sources are reproduced in facsimile./ Répertoire / Opéra
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Ear Training + 2Cd Ita
Opera
Volonte and Co
Per il musicista contemporaneo.Una volta sentito un motivo riesce a rieseguirlo ...
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Per il musicista contemporaneo.Una volta sentito un motivo riesce a rieseguirlo a memoria, a ideare una melodia e mettere tutto ciò per iscritto senza cambiare nemmeno una nota, oppure suonare subito, senza alcun apparente sfasatura tra il pensiero e l'esecuzione. Nonostante di soi si riferisca a questa abilità in termini di 'dono? -ovvero un qualcosa che è stato conferito ad una persona da una forza esterna- in realtà questa dote si basa su abilità concrete che possono essere apprese attraverso una corretta educazione musicaesto testo, completato da 2 cd allegati, accompagna passo dopo passo proprio nella direzione di un giusto ed efficace percorso didattico attraverso il famoso corso di Ear training del Musician Institute. Grazie a questo metodo si potranno migliorare lmente le proprie abilità musicali. Le analisi e le lezioni comprendono: l Intonazione di base - l Cantare scale maggiori e minori - l Riconoscimento degli intervalli - l Trascrizione di melodie e ritmi - l Riconoscimento di accordi e successioni di / Opéra Théorique/Didactique
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