Traditional Celtic Tunes from Cornwall Ireland Scotland and Wales.Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.

(Bass clef in C)An outlined course of study designed to follow the elementary and intermediate levels of any instructional method the Rubank Advanced Methods are considered to be one of the gold standards ofadvanced instrumental study. The specially designed units provide a complete pedagogy:? Scales and Arpeggios All of the major and minor keys are covered in the complete two-book course?Melodic Interpretation Including 20 contest level duets in each book? Solo Preparation Six contest level solos included? Articulation Studies Specialized for eachinstrument? Exercises in Fingering (woodwinds) Flexibility (brass) and Sticking (percussion)? Ornamentation All types are introducedGenerations of musicians have beentaught with Rubank methods ? join the tradition!

The Skye Steersman'S Song. Par REINSHAGEN FRANK. Song from the Hebrides. Compatible with clarinet and saxophone editions. Medium Writing these arrangements, Frank Reinshagen has created little masterpieces, which broaden the rhythmical and harmonic context of the original tunes in an interesting manner without detracting from their archaic and melancholic character. These original tunes are - in a direct or wider sense - of 'Celtic origin', in other words, they have been borrowed from the Irish, Scottish and Gaelic musical tradition.These through-composed arrangements are rather easy to perform from the rhythmical and technical point of view. Yet, they are quite demanding in respect of the key they are written in, their intonation and, especially, their interpretation. Their different instrumentations are fully compatible with each other and, due to their overall structure, they are also suitable to be played with multi-scored parts. Annotation on 'S mo lamh air a stiuir: The interpretation of 'S mo lamh air a stiuir - the song of a helmsman living on the Isle of Skye - should be interpreted with the musicians paying careful attention to its dynamics and phrasing, which reflect the up-and-down motion of the stormy Artic Ocean. For this arrangement the key D minor - which is one whole tone lower than the original - has been chosen to make sure that the piece is playable, especially for a clarinet quartet./ Répertoire / Quatuor de Cuivres