American Company
(34 results)
No shipping to countries within the European Union.
|
European Companies
(74 results) |
|
|
|
| A Brief Story of Peter Abelard Soprano Saxophone and Piano Chester
(Soprano Saxophone and Piano). By James Whitbourn. For Piano, Soprano Saxophone....(+)
(Soprano Saxophone and Piano). By James Whitbourn. For Piano, Soprano Saxophone. Music Sales America. Softcover. Chester Music #CH78969. Published by Chester Music
$15.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 77 Rounds And Canons Voice solo Novello & Co Ltd. | | |
| Bastian Hg Kinder Optimal Foerdern Schott
(TB BR) SKU: HL.49041727 Intelligenz, Sozialverhalten und gute Schulle...(+)
(TB BR) SKU: HL.49041727 Intelligenz, Sozialverhalten und gute Schulleistungen durch Musikerziehung. Composed by Bastian. This edition: Paperback/Soft Cover. Paperback. Serie Musik. Convincing arguments in favour of the demand for music education to take up a central position at schools. 108 pages. Schott Music #SEM 8381. Published by Schott Music (HL.49041727). ISBN 9783254083814. German. What do they all have in common - the universal scholar Hildegard von Bingen, the pianist Clara Schumann, the Nobel Prize winner Albert Einstein, the violinist of the century Yehudi Menuhin, the German ex-chancellor Helmut Schmidt, and the actress Katja Riemann? They all have experienced how active music-making can enhance the quality of life - Isolated examples? No! A six-year long-term study with children aged between six and twelve years scientifically substantiates: Music-making children and young people- improve their social behaviour- enhance their IQ- get good grades at school- compensate for their lack of concentration, etc. In the present paperback, Professor Hans Gunther Bastian, head of the research project, summarizes major results of the 700-page scientific study Musik(erziehung) und ihre Wirkung and provides convincing arguments in favour of the demand for music education to take up a central position at general-education schools.This book helps parents, teachers, music teachers, the young people themselves and politicians on a federal and lander level to see the potential that exists in music and music education. Let us see to it that there will be singing and music-making in our homes and at our schools, in order that those growing up learn to enjoy it. The time has come for this language which goes straight to our soul. (German ex-chancellor Helmut Schmidt). $12.99 - See more - Buy online | | |
| Dances on a Ground. Ensemble Version Stainer and Bell
Clarinet, Violin, Cello, Piano & optional Double Bass SKU: ST.Y261 Compos...(+)
Clarinet, Violin, Cello, Piano & optional Double Bass SKU: ST.Y261 Composed by Morgan Hayes. Chamber music. Version for Clarinet in A, Violin, Violoncello, Piano and optional Double Bass. Score and parts. Score and parts. Stainer & Bell Ltd. #Y261. Published by Stainer & Bell Ltd. (ST.Y261). ISBN 9790220222580. The ground bass, a type of theme-and-variations much favoured by English composers from Purcell to Britten, receives a 21st-century makeover in Morgan Hayes's Dances on a Ground. The 'ground' in this case is, appropriately, a robotic, march-like tune for cello that asserts itself in unrelenting mechanical repetitions according to the rules of the form. But among the other instruments there is little consensus about the path the music should take. Though the theme resists for a time, increasingly assaulted by their capricious flights of melody and spiky pizzicatos it abandons its stubborn resistance, is turned to fragments, then dissolves in a fierce conclusion, leaving only an outline of its former self. Premiered in Vilnius, Lithuania, in May 2009 by the Composers Ensemble with pianist Huw Watkins, Dances on a Ground revisits an earlier work written for the Smith Quartet, and presents its material in terms of a carefully chosen instrumentation of clarinet in A, violin, cello, piano and optional double bass. The same performers gave the work's UK premiere last September, at Kings Place, London. $18.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Get Set! Piano Christmas Crackers Piano solo - Easy Verlag Dohr
Piano SKU: BT.9780008306144 Composed by David Blackwell and Karen Marshal...(+)
Piano SKU: BT.9780008306144 Composed by David Blackwell and Karen Marshall. Get Set! Piano. Book Only. Composed 2018. 40 pages. Collins Music Publishing #9780008306144. Published by Collins Music Publishing (BT.9780008306144). ISBN 9780008306144. Get Set! Piano Christmas Crackers contains over 30 carols for the beginner pianist, featuring a range of techniques and quizzes to support musical development from the very first lessons to Grade 2. Full of festivefavourites such as Jingle bells, Silent night and Deck the halls, with a few lesser known carols included for good measure, many of the pieces have simple but effective teacher duet parts to encourage ensemble playing from thestart. The book is illustrated throughout in the charming Get Set! style, and students are encouraged to decorate and colour in the drawings to reflect their progress. Packed with fantastic, tried-and-tested arrangementsanda variety of fun activities to reinforce learning, this is the ultimate beginner piano Christmas book! $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Duarte: Variations On A Catalan Folksong Guitar Music Sales
Guitar (GUITAR) SKU: HL.14034682 Composed by John W. Duarte. Music Sales ...(+)
Guitar (GUITAR) SKU: HL.14034682 Composed by John W. Duarte. Music Sales America. Classical. Book [Softcover]. 12 pages. Music Sales #NOV120311. Published by Music Sales (HL.14034682). ISBN 9780853608080. UPC: 884088486440. 8.25x11.75x0.069 inches. Variations On A Catalan Folksong (Op. 25) were written by John W. Duarte for solo Guitar. They were based on the Spanish folk melody Canco Del Llabre, one of the most popular Catalan folk tunes to have survived to this day. John W. Duarte (1919-2004) was a British guitarist, composer, and music journalist. Having received a degree in Chemistry, his fascination with the endless possibilities of the Guitar caused him to abandon science in favour of music. Despite having never formally studied music, he is regarded as one of the foremost composers for Guitar of the 20th century. $15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sonata da Chiesa Concert band - Intermediate/advanced De Haske Publications
Concert Band/Harmonie and Organ - Grade 4 SKU: BT.DHP-1033416-010 Compose...(+)
Concert Band/Harmonie and Organ - Grade 4 SKU: BT.DHP-1033416-010 Composed by Kees Schoonenbeek. Solo Spectrum. Concert Piece. Set (Score & Parts). Composed 2003. De Haske Publications #DHP 1033416-010. Published by De Haske Publications (BT.DHP-1033416-010). Sonata da Chiesa for organ and wind orchestra is a work in three movements. The first movement presents three melodic lines which are developed in turn. The second movement introduces a theme by Johann Pachelbel followed by several variations on the theme - a technique favoured by Kees Schoonenbeek. The third movement is a neo-Baroque rondo which introduces thematic elements from the first movement. This is a work rich in colour and sound.
Sonata da Chiesa ist eine vielseitige Komposition für Orgel und Blasorchester. Das in einer Art Neobarock geschriebene Werk beginnt mit einem kontrastreichen ersten Teil, gefolgt von einer Reihe Variationen über ein Thema von Pachelbel im zweiten Satz, und wird schließlich durch ein Rondo abgeschlossen. Mit Sonata da Chiesa schrieb Kees Schonenbeek ein eindrucksvolles, eigenständiges Werk, das mit seiner Namensgeberin, der ursprünglichen Kirchensonate wenig mehr als die Orgel als Soloinstrument gemeinsam hat. $314.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Moses and Ramses Concert band - Intermediate/advanced De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1104914-140 Symphonic Poem...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1104914-140 Symphonic Poem for Wind Orchestra. Composed by Satoshi Yagisawa. Concert and Contest Collection CBHA. Score Only. Composed 2010. 177 pages. De Haske Publications #DHP 1104914-140. Published by De Haske Publications (BT.DHP-1104914-140). 9x12 inches. English-German-French-Dutch. This piece was commissioned by Matsudo Citizen Wind Orchestra for their 30th anniversary concert and premiêred by the band conducted by Kenichiro Hasunuma in July 2009. This piece is typical of Satoshi Yagisawa in that it depicts a magnificent spectacle. This one is set in ancient Egypt and is based on the story depicted in the famous film “The Ten Commandments†(1956, directed by Cecil B. DeMille). One day Moses, who was raised by the rich royal family, found out that he was originally Hebrew. The Hebrews had been forced to live as slaves. Ramses, the prince directly descended from the Pharaoh, envied Moses’ strength and popularity. After internal argument Moses decides todeliver the Hebrew from the Pharaoh’s tyranny and escape from Egypt with them.The music starts with brilliant royal fanfare and depicts magnificent architecture, the Hebrew people forced into hard labour, and the slaves escaping from the Pharaoh’s tyranny. At the climax they are at crisis point, trapped by the sea. Moses waves his staff and the miracle happens; the sea parts and Hebrew people successfully escape. Following on from Perseus - A Hero’s Quest in the Heavens, this work Moses and Ramses is another piece written in the dramatic style favoured by Satoshi Yagisawa.
Het oude testament verhaalt van Mozes die met zijn volk Egypte verlaat, na zijn strijd met de jonge farao Ramses. De film The Ten Commandments uit 1956 is gebaseerd op dit verhaal. Satoshi Yagisawa zette de beelden van dezemonumentale film om in de karakteristiek dramatische stijl die zo eigen is voor de verfilming. De muzikale beelden geven het koninklijke paleis weer, maar ook de architectonische pracht en praal van het oude Egypte. Ook komen deverlossing van de slavernij en de uittocht aan bod. Natuurlijk met als hoogtepunt dat Mozes de zee opent en het volk door de zee uit Egypte leidt. Een fantastisch spektakel!
Von Moses, der nach einem Streit mit dem jungen Ramses mit seinem ganzen Volk, Israel, das Land verließ, erzählt das alte Testament und der darauf basierende Film Die zehn Gebote von 1965. Satoshi Yagisawa setzte die Bilder dieses monumentalen Films in seinem charakteristischen dramatischen Stil um: Die musikalischen Bilder zeigen den Königshof, die architektonische Pracht des alten Ägypten, das versklavte Volk Israel und natürlich die Flucht mit dem Höhepunkt, als Moses das Meer teilt. Ein prachtvolles Spektakel!
Moses and Ramses (Mo se et Ramsès) est une commande de l’Orchestre d’Harmonie de la ville de Matsudo au Japon, l’occasion des festivités marquant le trentième anniversaire de la création de la formation. La première mondiale a eu lieu en juillet 2009. Elle fut assurée par la formation dédicataire, placée sous la direction de Kenichiro Hasunuma. Après Perseus - A Hero’s Quest in the Heavens, Satoshi Yagisawa nous livre une nouvelle œuvre dramatique, flamboyante et épique. L’action se déroule en Égypte ancienne, et suit la chronologie du célèbre film biblique Les Dix Commandements (1956), du réalisateur américain Cecil B. DeMille. Le jeune Mo segrandit au sein de la riche famille royale égyptienne. Devenu adulte, il découvre ses origines hébra ques. Or, Pharaon a réduit les Hébreux en esclavage. Le prince Ramsès, descendant direct de Pharaon, envie la force et la gloire de Mo se. Après une querelle grave, Mo se doit fuir dans le désert. Dans son exil, il décide de délivrer son peuple de la tyrannie de Pharaon et de le mener hors d’Égypte. L’œuvre débute avec une fanfare royale flamboyante qui sonne la grandeur architecturale de l’Égypte. Le peuple d’Israël est condamné subir les travaux forcés ; des esclaves échappent la tyrannie du Pharaon. Lorsque la musique atteint sa densité maximale, les Hébreux en fuite sont acculés devant la mer Rouge. Mo se invoque Dieu. Celui-ci lui ordonne de lever son b ton au-dessus des eaux de la mer Rouge. Mo se obéit et le miracle se produit ; les eaux se divisent en deux pour laisser passer les enfants d’Israël. $38.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lelio (Le retour a la vie) Hol. 55 Barenreiter
2 solo tenor voice, solo baritone voice, speaker, Mixed choir: SSTTBB, orchestra...(+)
2 solo tenor voice, solo baritone voice, speaker, Mixed choir: SSTTBB, orchestra (Tenor solo (2), Baritone solo, Speaker, Mixed choir: SSTTBB, Orchestra) SKU: BA.BA05447 Lyric monodrama in six parts. Composed by Hector Berlioz. Edited by Peter Bloom. This edition: complete edition, urtext edition. Linen. New Berlioz Edition (Neue Berlioz-Ausgabe - NBE) Volume 7. Complete edition, anthology. Hol. 55. Baerenreiter Verlag #BA05447_00. Published by Baerenreiter Verlag (BA.BA05447). ISBN 9790006471461. 33.1 x 26 cm inches. Text Language: French. Translation: Gerard de Nerval. Hector Berlioz. Llio was composed during Berlioz's stay in Italy in 1831. In April of that year he set out from Rome, where he held a scholarship as winner of the Prix de Rome, and travelled as far as Nice on hearing that his fiancee Camille Moke had rejected him in favour of another suitor. He had intended to return to Paris to exact revenge, but then he abandoned his plan and instead spent three weeks in Nice, returning in stages to Rome. On this return journey he conceived the idea of a semi-theatrical work that combined music and monologues to express the idea of returning to life after a profound traumatic experience.
The composition was finished in Rome in Iune 1831. In the spring of 1832, while staying with his parents in Dauphin, Berlioz copied the orchestral and vocal parts, and the work was first performed in conjunction with the Symphonie fantastique at the Paris Conservatoire on 9 December 1832. It was heard again three weeks later and again on 3 May 1835.
While designated as the second part of the Episode in the Life of an Artist, Lelio can never- theless be performed on its own, without the Symphonie fantastique to precede it. About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$363.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Judgment of Paris Stainer and Bell
Solo voices, choir, orchestra SKU: ST.MB42 Composed by Thomas Augustine A...(+)
Solo voices, choir, orchestra SKU: ST.MB42 Composed by Thomas Augustine Arne. Edited by Ian Spink. Library Volumes. Edited by Ian Spink. First published in 1978. Pages: 108. Format: Paperback. Dimensions (mm): 330 x 254 x 14. Opera. Full score. Stainer & Bell Ltd. #MB42. Published by Stainer & Bell Ltd. (ST.MB42). ISBN 9790220200175. Composed in 1740, this is a fascinating late example of the English masque tradition, and a relatively early work by a composer who began to occupy a central role in the life of London's musical theatre at about the time when Handel was abandoning Italian opera in favour of oratorio. The performing material is available for rental. $143.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Moses and Ramses Concert band - Intermediate/advanced De Haske Publications
Concert Band (Score & Parts) - Grade 4 SKU: HL.44011065 Symphonic Poem...(+)
Concert Band (Score & Parts) - Grade 4 SKU: HL.44011065 Symphonic Poem for Wind Orchestra. Composed by Satoshi Yagisawa. De Haske Concert Band. Set (Score & Parts). Composed 2010. De Haske Publications #1104914010. Published by De Haske Publications (HL.44011065). UPC: 884088640101. 9.0x12.0x0.97 inches. English-German-French-Dutch. This piece was commissioned by Matsudo Citizen Wind Orchestra for their 30th anniversary concert and premiered by the band conducted by Kenichiro Hasunuma in July 2009. This piece is typical of Satoshi Yagisawa in that it depicts a magnificent spectacle. This one is set in ancient Egypt and is based on the story depicted in the famous film The Ten Commandments (1956, directed by Cecil B. DeMille). One day Moses, who was raised by the rich royal family, found out that he was originally Hebrew. The Hebrews had been forced to live as slaves. Ramses, the prince directly descended from the Pharaoh, envied Moses' strength and popularity. After internal argument Moses decides todeliver the Hebrew from the Pharaoh's tyranny and escape from Egypt with them.The music starts with brilliant royal fanfare and depicts magnificent architecture, the Hebrew people forced into hard labour, and the slaves escaping from the Pharaoh's tyranny. At the climax they are at crisis point, trapped by the sea. Moses waves his staff and the miracle happens; the sea parts and Hebrew people successfully escape. Following on from Perseus - A Hero's Quest in the Heavens, this work Moses and Ramses is another piece written in the dramatic style favoured by Satoshi Yagisawa.
Het oude testament verhaalt van Mozes die met zijn volk Egypte verlaat, na zijn strijd met de jonge farao Ramses. De film The Ten Commandments uit 1956 is gebaseerd op dit verhaal. Satoshi Yagisawa zette de beelden van dezemonumentale film om in de karakteristiek dramatische stijl die zo eigen is voor de verfilming. De muzikale beelden geven het koninklijke paleis weer, maar ook de architectonische pracht en praal van het oude Egypte. Ook komen deverlossing van de slavernij en de uittocht aan bod. Natuurlijk met als hoogtepunt dat Mozes de zee opent en het volk door de zee uit Egypte leidt. Een fantastisch spektakel!
Von Moses, der nach einem Streit mit dem jungen Ramses mit seinem ganzen Volk, Israel, das Land verliess, erzahlt das alte Testament und der darauf basierende Film Die zehn Gebote von 1965. Satoshi Yagisawa setzte die Bilder dieses monumentalen Films in seinem charakteristischen dramatischen Stil um: Die musikalischen Bilder zeigen den Konigshof, die architektonische Pracht des alten Agypten, das versklavte Volk Israel und natürlich die Flucht mit dem Hohepunkt, als Moses das Meer teilt. Ein prachtvolles Spektakel!
Moses and Ramses (Moise et Ramses) est une commande de l'Orchestre d'Harmonie de la ville de Matsudo au Japon, a l'occasion des festivites marquant le trentieme anniversaire de la creation de la formation. La premiere mondiale a eu lieu en juillet 2009. Elle fut assuree par la formation dedicataire, placee sous la direction de Kenichiro Hasunuma. Apres Perseus - A Hero's Quest in the Heavens, Satoshi Yagisawa nous livre une nouvelle œuvre dramatique, flamboyante et epique. L'action se deroule en Egypte ancienne, et suit la chronologie du celebre film biblique Les Dix Commandements (1956), du realisateur americain Cecil B. DeMille. Le jeune Moisegrandit au sein de la riche famille royale egyptienne. Devenu adulte, il decouvre ses origines hebraiques. Or, Pharaon a reduit les Hebreux en esclavage. Le prince Ramses, descendant direct de Pharaon, envie la force et la gloire de Moise. Apres une querelle grave, Moise doit fuir dans le desert. Dans son exil, il decide de delivrer son peuple de la tyrannie de Pharaon et de le mener hors d'Egypte. L'œuvre debute avec une fanfare royale flamboyante qui sonne la grandeur architecturale de l'Egypte. Le peuple d'Israel est condamne a subir les travaux forces ; des esclaves echappent a la tyrannie du Pharaon. Lorsque la musique atteint sa densite maximale, les Hebreux en fuite sont accules devant la mer Rouge. Moise invoque Dieu. Celui-ci lui ordonne de lever son baton au-dessus des eaux de la mer Rouge. Moise obeit et le miracle se produit ; les eaux se divisent en deux pour laisser passer les enfants d'Israel. $172.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ode on St. Cecilia's Day 1692 Z 328 Breitkopf & Härtel
Basso (cello/double bass) (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0....(+)
Basso (cello/double bass) (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0.2.0.0. - timp - str - bc) SKU: BR.EOS-8063-26 Hail! Bright Cecilia. Composed by Henry Purcell. Stapled. Eulenburg Orchestral Series. Renaissance/early Baroque; Baroque. Part. 20 pages. Duration 60'. Breitkopf and Haertel #EOS 8063-26. Published by Breitkopf and Haertel (BR.EOS-8063-26). ISBN 9790004789810. 8.5 x 11.5 inches. The Ode was admirably set by Mr. Henry Purcell, and performed twice with universal applause. (The Gentlemen's Journal, 1692)
The popularity of Purcell's setting is apparent from the many sources that survive and from the printed extracts which appeared almost immediately after its first performance. The primary source for this edition is the largely autograph manuscript in the Bodleian Library. Rather to reduce the orthography to a norm, the capitalization of the vocal text favours Purcell's preferences. (Christopher Hogwood) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Stage and Screen Favourites Piano solo - Easy De Haske Publications
Piano - easy SKU: BT.DHP-1145521-401 Favourite pieces arranged for fiv...(+)
Piano - easy SKU: BT.DHP-1145521-401 Favourite pieces arranged for five finger piano with optional accompaniment parts. Five Finger Piano. Book Only. Composed 2014. 48 pages. De Haske Publications #DHP 1145521-401. Published by De Haske Publications (BT.DHP-1145521-401). ISBN 9789043136112. 9x12 inches. International. STAGE and SCREEN FAVORITES is an exciting selection of best-loved themes from popular musicals, from sing-along classics such as THE SOUND OF MUSIC and MY FAVOURITE THINGS to toe-tapping hits like CIRCLE OF LIFE and YOU´VE GOT A FRIEND IN ME. Asure-fire showcase to get those fingers moving!
Deze spannende selectie van de meest geliefde themas uit populaire musicals, als The Sound of Music en My Favourite Things tot swingende hits als Circle of Life en Youve got a Friend in Me, zet je vingers in beweging.
STAGE and SCREEN FAVORITES enthält eine mitrei�ende Auswahl an Lieblingsmelodien in besonders leicht spielbaren Arrangements, die auch schon für Anfänger geeignet sind. Wagen Sie sich an Musicalklassiker zum Mitsingen wie THE SOUND OF MUSIC und MYFAVOURITE THINGS bis zu Hits, bei denen jeder mitwippen muss wie CIRCLE OF LIFE und YOU´VE GOT A FRIEND IN ME. Dank der enthaltenen Begleitung für Lehrer oder Fortgeschrittene wird es noch voller klingen und noch mehr Spa� machen. So bringen Siegarantiert nicht nur Ihre Finger in Bewegung!
STAGE and SCREEN FAVOURITES offre une sélection passionnante de thèmes extraits de comédies musicales connues et appréciées de tous, de chansons célèbres telles queTHE SOUND OF MUSIC (La Mélodie du bonheur) et MY FAVOURITE THINGS (Mes joiesquotidiennes) ou encore de rythmes endiablés taper du pied gr ce CIRCLE OF LIFE (L´Histoire de la vie) et YOU´VE GOT A FRIEND IN ME (Je suis ton ami). Une méthode infaillible pour faire bouger ses doigts !
Unemozionante selezione di temi tratti da noti musical e canzoni famose. Un metodo infallibile per esercitarsi e muovere le dita sulla tastiera divertendosi! $18.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Theme and Variations (arr. for guitar) Fennica Gehrman
Guitar SKU: FG.55011-449-4 Composed by Jean Sibelius. Arranged by Nino At...(+)
Guitar SKU: FG.55011-449-4 Composed by Jean Sibelius. Arranged by Nino Atanaskovic. Fennica Gehrman #55011-449-4. Published by Fennica Gehrman (FG.55011-449-4). ISBN 9790550114494. An idiomatic guitar transcription of this Sibelius's solo cello work dating from 1887 when he was 22 years. The work owes much to Bach in terms of its style, although the theme on which the variations are based has a certain Finnish-Nordic flavour. Nino Atanaskovic has done a great favour for all guitarists by arranging this work for his instrument. Now even the guitarists can get a taste of Sibelius. $26.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Hymns, Psalms, Antiphons & other Latin Polyphony Stainer and Bell
SKU: ST.EC54 Composed by John Sheppard. Edited by Magnus Williamson. Libr...(+)
SKU: ST.EC54 Composed by John Sheppard. Edited by Magnus Williamson. Library Volumes. Edited by Magnus Williamson. First published in 2012. Pages: 304. Format: Hardback. Dimensions (mm): 324 x 247 x 29. Choral Score. Stainer & Bell Ltd. #EC54. Published by Stainer & Bell Ltd. (ST.EC54). ISBN 9790220222023. This is an important addition to the pair of consecutive EECM volumes of John Sheppard's Latin compositions for the Use of Salisbury published in the 1970s. Although he had evidently mastered the forms of Mass and votive antiphon, the composer is at his most characteristic in his settings of the plainsong melodies which form the bedrock of the Sarum liturgy. These account for most of the contents of this volume, together with free-composed settings of Biblical texts and a small corpus of devotional polyphony, most of it fragmentary. In general, textural richness is cultivated in preference to long arcs of melisma, and perfect time is favoured over imperfect, creating a directness of expression that seems to typify mid-Tudor polyphony. The format of this volume follows EECM's house style for post-Reformation composers. $180.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Duarte: Ten Tunes From Gilbert & Sullivan (Recorder Part) Recorder Music Sales
Recorder SKU: HL.14033070 Composed by John W. Duarte. Music Sales America...(+)
Recorder SKU: HL.14033070 Composed by John W. Duarte. Music Sales America. Opera or Operetta. Book [Softcover]. Music Sales #NOV120427. Published by Music Sales (HL.14033070). Ten Tunes From Gilbert And Sullivan have been arranged for Recorder with Guitar accompaniment by John W. Duarte. The recorder part is presented here. Included are classic tunes from The Mikado, HMS Pinafore, The Pirates of Penzance and more! John W. Duarte (1919-2004) was a British guitarist, composer, and music journalist. Having received a degree in Chemistry, his fascination with the endless possibilities of the Guitar caused him to abandon science in favour of music. Despite having never formally studied music, he is regarded as one of the foremost composers for Guitar of the 20th century. $6.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Symphony No. 63 'La Roxelane' Piano solo Edition HH
Piano solo SKU: HH.HH512-SOL Composed by Franz Joseph Haydn. Edited by Sa...(+)
Piano solo SKU: HH.HH512-SOL Composed by Franz Joseph Haydn. Edited by Sarah Jenner. Arranged by C.D. Stegmann. Playing score. Edition HH Music Publishers #HH512-SOL. Published by Edition HH Music Publishers (HH.HH512-SOL). ISBN 9790708185222. Symphony No.63 La Roxelane the first movement of which re-employs (with reduced instrumentation and some structural adjustment to conform to its new symphonic setting) the overture to Haydn’s opera Il mondo della luna which was originally composed for the 1777 season at Esterháza. The second movement, headed Roxelane Allegretto, is a set of variations on the French melody La Roxelane which reveals itself as an early example of the composer’s favoured double-variation form of contrasting major and minor key sections. Roxelane herself is the leading female character in Les trois sultanes, a stage play by Charles Simon Favart performed by Karl Wahr and his theatrical troupe in a German translation at Esterháza in that same year with (we assume) incidental music by Haydn. The Menuetto and concluding Finale Presto of the symphony were newly-composed and do not (as far as we know) make use of re-cycled theatrical music. $19.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Danseries. Progressive Anthology of Dances from the French Renaissance for Descant Recorder, optional Treble or Tenor Recorder and Keyboard Instrument Ut Orpheus
Recorder; Methods and Music for Children; Early Music SKU: UT.HS-303 V...(+)
Recorder; Methods and Music for Children; Early Music SKU: UT.HS-303 Vol. 2: Intermediate Level. Edited by Nicola Sansone. Saddle stitching. Classical. Ut Orpheus #HS 303. Published by Ut Orpheus (UT.HS-303). ISBN 9790215327016. 9 x 12 inches. This two-volume anthology has been designed on the living experience of teaching as material intended for descant recorder players at the beginner and intermediate level. The progressive order allows an approach to ensemble music, starting from the use of just the notes of the left hand, and proceeds with the acquisition of the new positions reaching the chromatic range of an octave and a sixth. The repertoire used consists exclusively of dance music from the French and Flemish area contained in various collections published between 1530 and 1583 by various composers and editors. This choice was dictated by a number of different factors: the extremely clear and symmetrical metric and formal schemes typical of the Renaissance dance form, with due and useful exceptions, help to understand the concept of musical phrase; the use of coded and recurring rhythmic formulas makes it possible to perfect the rhythmic division; harmony based mostly on the basic steps helps to form an experience of listening, intonation and understanding of the main harmonic functions. No less significant are other elements, such as variety in the length of the pieces, from a few bars up to several dozen, which favours the development of concentration and attention, with the same technical difficulties. Above all, however, the vastness of the repertoire, more than 500 compositions, makes it possible to choose and order the pieces with an idea of ​​technical and musical progressiveness comparable to that of a method. The edition is produced in such a way that all the pieces can be performed in four parts except for some in five parts, in different ensembles. The most basic is in reduced three-part form of descant, tenor and bass, the latter two are given respectively to the right and left hand of the keyboard player. Since recorders play at the octave above, the tenor part is also transposed in the same way to make the sound of the three upper voices homogeneous, while the bass retains its original range. It is also possible to enlarge the group to play the full four voices with the addition of an alto or tenor recorder playing the alto part, available in the separate part, and two more instruments, tenor and bass recorders or others, performing the respective lines alone or doubling with the keyboard. $30.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Trio Fennica Gehrman
Piano, Violin, Cello SKU: FG.042-07928-7 Composed by Mikko Heinio. Publis...(+)
Piano, Violin, Cello SKU: FG.042-07928-7 Composed by Mikko Heinio. Published by Fennica Gehrman (FG.042-07928-7). ISBN 979-0-042-07928-7. The Piano Trio (1988) employs the compositional ideas of Heinio's symphony Possible Worlds but in a more condensed form. The same harmonic material is taken through a number of worlds and picks up aspects from them en route. Extreme juxtapositions are avoided in favour of continuous transition. The work is in two movements, dominated by quickish tempi but connected by slow and meditative passages. $64.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Contemporary International Piano Music Piano solo Breitkopf & Härtel
Piano SKU: BR.BG-925 Composed by Rudolf (Hrsg.) Luck. Edited by Rudolf Lu...(+)
Piano SKU: BR.BG-925 Composed by Rudolf (Hrsg.) Luck. Edited by Rudolf Luck. Solo instruments; Softcover. Edition Gerig. Music post-1945. Score. 60 pages. Breitkopf and Haertel #BG 925. Published by Breitkopf and Haertel (BR.BG-925). ISBN 9790004131824. 9 x 12 inches. When the mathematically oriented compositional method started losing favour, composers began turning again more strongly to the piano, from the midsixties on, and discovered, as it were, the new poetry of the instrument through effects obtained with harmonics and preparation. For this reason, only a few pieces dating from before 1965 have been selected. Most of the following pieces were composed especially for this anthology. They are arranged in order of increasing difficulty. While the first volume is intended more for the amateur, the second volume presupposes a greater degree of skill. Due to the great number of composers, it was impossible even to pretend to offer a representative cross-section of contemporary German piano music. Several composers had to be excluded because they wrote no notable works for piano. Another criterion influencing the selection of pieces was the effort to present the most varies styles of piano writing possible. Moreover, special notice has been given to the works which display originality, even though their authors are not among the most widely known and marketable musicians of the day. $52.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Contemporary International Piano Music Piano solo Breitkopf & Härtel
Piano SKU: BR.BG-922 Composed by Rudolf (Hrsg.) Luck. Edited by Rudolf Lu...(+)
Piano SKU: BR.BG-922 Composed by Rudolf (Hrsg.) Luck. Edited by Rudolf Luck. Solo instruments; Softbound. Edition Gerig. Music post-1945. Score. 68 pages. Breitkopf and Haertel #BG 922. Published by Breitkopf and Haertel (BR.BG-922). ISBN 9790004140192. 9 x 12 inches. When the mathematically oriented compositional method started losing favour, composers began turning again more strongly to the piano, from the midsixties on, and discovered, as it were, the new poetry of the instrument through effects obtained with harmonics and preparation. For this reason, only a few pieces dating from before 1965 have been selected. Most of the following pieces were composed especially for this anthology. They are arranged in order of increasing difficulty. While the first volume is intended more for the amateur, the second volume presupposes a greater degree of skill. Due to the great number of composers, it was impossible even to pretend to offer a representative cross-section of contemporary German piano music. Several composers had to be excluded because they wrote no notable works for piano. Another criterion influencing the selection of pieces was the effort to present the most varies styles of piano writing possible. Moreover, special notice has been given to the works which display originality, even though their authors are not among the most widely known and marketable musicians of the day. $52.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Ingratissima Clori Edition HH
Soprano voice & basso continuo SKU: HH.HH105-FSP Composed by Benedetto Vi...(+)
Soprano voice & basso continuo SKU: HH.HH105-FSP Composed by Benedetto Vinaccesi. Edited by Michael Talbot. Voice (Soprano) & Basso Continuo. Full score and parts. Duration 7 minutes. Edition HH Music Publishers #HH105-FSP. Published by Edition HH Music Publishers (HH.HH105-FSP). ISBN 9790708041559. IThe text for Ingratissima Clori does not appear in Ottoboni’s Trattenimenti poetici, and its authorship is therefore uncertain. However, it exhibits one of Ottoboni’s most consistent stylistic ‘trademarks’ – the use of end rhyme throughout the recitative stanzas (i.e., not merely in a final couplet) – and the worldly wise view of romantic love expressed in it (amounting to: if one love object is unresponsive to you, seek another) is very much in his vein. It should be considered a candidate for his authorship. The text comprises two arias, each introduced by a short recitative. This is the ‘RARA’ layout that dominated the cantata around 1700, before becoming displaced from favour in its turn by the even more condensed ‘ARA’ layout. $19.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Symphony in C major Hob. I:69 Orchestra G. Henle
Orchestra SKU: BA.BA10989 Laudon. Composed by Franz Joseph Haydn. ...(+)
Orchestra SKU: BA.BA10989 Laudon. Composed by Franz Joseph Haydn. Edited by Sonja Gerlach and Wolfgang Stockmeier. This edition: urtext edition. Stapled. Score. Baerenreiter Verlag #BA10989_00. Published by Baerenreiter Verlag (BA.BA10989). ISBN 9790006575534. 31 x 24.3 cm inches. Key: C major. Letters of the composer have come down to us only on a few of Haydn’s symphonies, amongst them the “Laudon†Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher’s suggestion to name the symphony after the widely known and favoured general Gideon Ernst von Laudon (1717-1790). By using this name, both composer and publisher hoped to increase the commercial success of the work which possibly deserved a military eponym considering its instrumentation with timpani and trumpets. Also, the symphony requires two bassoons, but no flutes, corresponding with the available musicians at the court of Esterházy between 1775 and 1776.
In continuation of the collaboration between Bärenreiter and G. Henle Verlag, this edition is based on the Urtext of the Complete Edition “Joseph Haydn Works†published by G. Henle Verlag.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$59.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Greatest Orchestral Masterworks: 25 Scores + 25 Cd - Boxed Set [Sheet music + CD] Eulenburg
SKU: HL.49045038 25 Scores + 25 CDs. Composed by EAS. This edition...(+)
SKU: HL.49045038 25 Scores + 25 CDs. Composed by EAS. This edition: Slipcase/Cassette. Sheet music with CD. Study Score. Wer liest hort mehr! Die Reihe Eulenburg Audio+Score bietet Studienpartituren mit CDs zu den wichtigsten und schonsten Werken der Orchesterliteratur. Jetzt neu: Das Erganzungspaket mit 25 weiteren Meisterstucken zum bestehenden Set (EAS 100-50, 50 Partiut. Softcover with CD. 3494 pages. Eulenburg Edition #EAS100-60. Published by Eulenburg Edition (HL.49045038). ISBN 9783795772741. UPC: 841886024397. 9.0x6.5x9.5 inches. German - English. The 'Eulenburg Audio+Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. Each volume is clearly-presented with authoritative scores, informative prefaces detailing the biographical and creative background; - CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra.NEW: This box-set of 25 masterpieces in a handy slipcase containing volumes 51-75 in the series is amazing value: almost 50% cheaper than buying each volume separately! This is the perfect gift for any music-lover. 'Eulenburg Audio+Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focusing on the fields of opera, orchestral music, chamber music and vocal music, it is the favoured by conductors, orchestral musicians, soloists, students, teachers and music-lovers generally. The more you read, the more you hear! $249.00 - See more - Buy online | | |
| Jacob: Sonatina for Viola and Piano Viola, Piano Music Sales
Viola and Piano SKU: HL.14030790 Composed by Gordon Jacob. Music Sales Am...(+)
Viola and Piano SKU: HL.14030790 Composed by Gordon Jacob. Music Sales America. Post-1900. Book [Softcover]. Music Sales #NOV120069. Published by Music Sales (HL.14030790). ISBN 9780853604488. 8.0x12.0x0.198 inches. While Gordon Jacobs composed a vast amount of music - more than four hundred pieces -- he was particularly celebrated for his work for Viola and for woodwinds, as well as for his books on music pedagogy. Jacob had an early success with his Viola Concerto of 1926 which was premiered at a Promenade concert and which was the beginning of a series of strong contributions to Viola repertoire. This Sonatina for Viola and Piano demonstrates his sensitive writing for the instrument. It works very well when performed on clarinet as well.While many composers of the 20th century rejected serialism, atonality and other avant garde effects in favour of Romanticism, Jacob was much morean adherent to the musical models of the classic and baroque eras, while still encompassing modern harmonies. His work Music for a Festival, for symphonic wind band and brass ensemble, was used for the post-war Festival of Britain and he arranged the British national anthem for the coronation of Queen Elizabeth II. $19.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Classical Music for Children Violin and Piano [Sheet music + Audio access] Schott
Book/Suio Online Violin (Violin/Piano) SKU: HL.49047090 25 Easy Pieces...(+)
Book/Suio Online Violin (Violin/Piano) SKU: HL.49047090 25 Easy Pieces for Violin and Piano Book with Audio Online. Composed by Various. Edited by Peter Mohrs. Edition Schott. Baroque, Classical, Romantic. Softcover Audio Online. 40 pages. Schott Music #ED20684D. Published by Schott Music (HL.49047090). ISBN 9783795726966. UPC: 196288120612. 9.0x12.0x0.195 inches. 25 easy pieces from the Baroque, Classical and Romantic eras, playable in the first three finger patterns in the first position, forviolin pupils from the second year of learning. Apart from lesser known works, this edition also contains many popular pieces, such as themes from Vivaldi's Four Seasons, Handel's Fireworks Music and Water Music, Mozart's Magic Flute or Beethoven's Symphony No. 9.This volume's intention is to grant access to classical masterpieces of concert literature with the help of such easy arrangements and spread the joy of classical music. The approach to the pieces is made easier by the accompanying audio tracks which, on the one hand, offers the opportunity to listen to and get to know the pieces beforehand, and, on the other hand, thanks to the separate piano accompaniments, provides first experience in ensemble playing and conveys the vivid joy of music-making. When the tracks were recorded by Prof. Benjamin Bergmann, violin, and Leonid Dorfman, piano, they deliberately decided in favour of moderate tempos to make it easier for the young violinists to play along with the piano part. A treasure trove for auditions at schools and music schools. $18.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Classical Music for Children: 25 Easy Pieces for Violin and Piano Violin and Piano [Sheet music + CD] - Beginner Schott
Violin - very easy to easy SKU: HL.49018957 Book/CD. Composed by V...(+)
Violin - very easy to easy SKU: HL.49018957 Book/CD. Composed by Various. Edited by Peter Mohrs. This edition: Saddle stitching. Sheet music with CD. Edition Schott. 25 leichte Stucke aus Barock, Klassik und Romantik in den ersten drei Griffarten der 1. Lage spielbar, fur Violinschuler ab dem 2. Unterrichtsjahr. Eine Fundgrube fur Vorspiele in Schule und Musikschule. Classical. Softcover with CD. 60 pages. Schott Music #ED20684. Published by Schott Music (HL.49018957). ISBN 9783795759568. UPC: 196288125617. 9.0x12.0x0.194 inches. Andreas Schuermann. 25 easy pieces from the Baroque, Classical and Romantic eras, playable in the first three finger patterns in the first position, for violin pupils from the second year of learning. Apart from lesser known works, this edition also contains many popular pieces, such as themes from Vivaldi's Four Seasons, Handel's Fireworks Music and Water Music, Mozart's Magic Flute or Beethoven's Symphony No. 9. This volume's intention is to grant access to classical masterpieces of concert literature with the help of such easy arrangements and spread the joy of classical music.The approach to the pieces is made easier by the accompanying CD which, on the one hand, offers the opportunity to listen to and get to know the pieces beforehand, and, on the other hand, thanks to the separate piano accompaniments, provides first experience in ensemble playing and conveys the vivid joy of music-making.When the CD was recorded by Prof. Benjamin Bergmann, violin, and Leonid Dorfman, piano, they deliberately decided in favour of moderate tempos to make it easier for the young violinists to play along with the piano part. A treasure trove for auditions at schools and music schools. $22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Two comic cantatas Edition HH
Soprano voice and basso continuo SKU: HH.HH500-FSP Composed by Diogenio B...(+)
Soprano voice and basso continuo SKU: HH.HH500-FSP Composed by Diogenio Bigaglia. Edited by Michael Talbot. Full score and parts. Edition HH Music Publishers #HH500-FSP. Published by Edition HH Music Publishers (HH.HH500-FSP). ISBN 9790708185109. The eighteenth century saw a great increase in secular music for solo voice and continuo set to texts in Venetian, which was then a recognized literary language, not a mere dialect of Italian. Most of these compositions are short gondola songs or canzonettas, but a few are cantatas in several movements indistinguishable from their counterparts with Italian texts except in language and subject matter, which favours contemporary themes treated in a comic manner. The two Venetian cantatas for soprano and continuo by Diogenio Bigaglia (1678–1745) published here for the first time – they are probably the first of their type ever to appear in a modern edition – are excellently crafted examples of their type, revealing an unexpectedly racy side of their composer, a Benedictine monk. One is a set of instructions for a shopping trip given by a nun to her aged servant, and the other is a woman’s catty description of the rise from rags to riches of one of her neighbours through prostitution. The editions come with translations of the texts and a brief note on the pronunciation of Venetian. $31.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
Next page 1 31 |
|
| Learning Strategies For
Musical Success (GRIFFIN
MICHAEL) All Instruments [Sheet music] Faber Music Limited
Par GRIFFIN MICHAEL. When it comes to musical skill, why is it that some people ...(+)
Par GRIFFIN MICHAEL. When it comes to musical skill, why is it that some people achieve so much more than others? We are frequently led to believe this is because of a talent hardwired into their DNA. Now, music educator Michael Griffin dismisses that age-old notion in favour of another known factor: practice. His new book, Learning Strategies for Musical Success illustrates how the quantity and quality of practice is the greatest predictor of musical success so that aspiring musicians of all ages and abilities can best bring about expert performance. This inspiring, accessible guide will equip students, teachers, adult learners, and parents with the methods and mindset to improve the likelihood of learning music successfully. 'Deeply impressive - the breadth of research is fascinating!' - Victorian Music Teachers Association 'Terrific...eminently practical...excellent discussion...I came away inspired and excited.' - The Music Trust, Australia 'This book really does deliver' - American Music Teacher 'I can't think of any other book that draws on so many resources to create a new understanding of learning music. Every serious music student, music teacher, and parent of a music student will find important information in this book. Griffin gives clear examples of how concepts are applied that make for enjoyable reading. This book has a potential for making lifelong differences in the lives of music students, parents and teachers.” - Roy Ernst, PhD, LLD Professor Emeritus, Eastman School of Music of The University of Rochester 'A must buy for every music teacher and music student. Bravo on a most stimulating read. This draws together old wisdom and the latest research. I am re-reading this excellent book for the third time, highlighter pen in hand.' 5 stars (Amazon Rank) - William Bruce, Guildhall UK. 'A most stimulating read that has given me a great deal to think about.' - Nicholas Carpenter, Prebendal, UK. 'Fantastic book...simply brilliant!' - Ian Cooper, Norfolk Music Service, UK. 'A must read for all music educators. Michael Griffin has collected lessons from his own experience - which is extensive, and pertinent, recent research to provide a detailed overview of how we learn, and how students can be empowered and trained to become effective, efficient and independent learners. The book is well documented, making it convenient to go on to further reading about the topics of each chapter. The language is concise and easily understood, yet deeply practical and useful.' - 5 stars Robert Adams, Music Educator, New Haven, USA. 'Don't miss this opportunity!' - 5 stars Mary George, USA./ Méthode / Tout Instrument
26.32 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Mozart W.a. - Piano
Sonata C Major K. 309
(284b) G. Henle
Piano Sonata C major K. 309 (284b) Editor: Ernst Herttrich Fingering: Hans-Mart...(+)
Piano Sonata C major K. 309 (284b) Editor: Ernst Herttrich Fingering: Hans-Martin Theopold I wish to do it to reflect the character of Mad:selle Rose, Mozart replied when asked how he intended to set out the Andante of his Sonata in C major. In autumn 1777 he had got to know Rosina Cannabich in Mannheim and during her lessons immediately introduced her to the Sonata K. 309 that he had composed for her. Indeed, in December 1777 according to her teacher she was already able to perform it excellently. So that a great many other pupils might follow in her footsteps, we are now publishing this small gem that shows Mozartâs great skill in composing for the piano as a single edition with a new preface by the editor; it was previously only available in the complete volumes (HN 1 and 3). FIRST MOVEMENT The first movement of the C major Sonata K 309 is a model teaching sonata form structure. With sonata forms, as with Bach fugues, no formal dogmas underlie the process of composition, but each sonata varies anew a basic principle. For Mozart, this entailed strict adherence to certain fundamental patterns without his creative freedom. In his sonata movements in major keys, for example he favoured a distinct second subject in the dominant as most contemporary composers did. Haydn, on the other hand, reveled in experiment at this point. A brief analysis may help to demonstrate Mozart's standard sonata allegro form and the first movement of it is an ideal example for such an investigation. The first subject is a distinctive, marcato opening followed by a five-bar response. The falling fourth and rising sixth of the opening is one of Mozart's favourite motifs, his common melodic device. He often uses it in the minor as well as the major, and many of his themes start with this motif (e.g. the second movement of the A major Sonata K 331, the Adagio in B minor K 540, and subjects in the Symphonies K 114, 124, 319/II and 551/II). The seven measures of the main theme are repeated, slightly varied. Measures 15 to 21 conclude the first subject group with an answering phrase (3+3 bars). The transition consists of new material and then, in measure 35 (after two measures of preparation comes a second cantabile theme, in the dominant (G major) comprising 2x4 bars, which is also repeated and proceeds to a spirited closing theme (concluding group) using passage-work (m. 43) and incorporating a delightful diminuation of measures 35 36 in measure 45. The exposition ends with a codetta of five bars. The development presents the opening motif first in g minor, and then the various ideas of the first subject are worked out. With this procedure Mozart is keeping much more closely to textbook principles than he usually does. Two further statements of the opening motif lead back to the recapitulation in measure 94. The second subject, now in the tonic, has surprisingly changed place with its accompaniment. The opening is recalled again in an effectively assertive coda. SECOND MOVEMENT The second movement of this sonata is an introspective Andante un poco adagio. In a letter Mozart stated his desire to make this Andante match the character of the young pianist Rosa Cannabich for whom he wrote it: ...she is a sweet, pretty girl, just like the andante. For her age she is sensible and level-headed; she is serious, and doesn't talk too much, though what she says is pleasing and sympathetic. THIRD MOVEMENT An elegant and smoothly flowing Rondo of unusually large proportions concludes this Sonata. Paul and Eva Badura-Skoda
11.10 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| BACH ADAPTATIONS PIANO
TRANSC. BY WALTER RUMMEL Piano solo [Sheet music] - Intermediate/advanced Chester
This collection of Rummel's J.S. Bach 'adaptations' for the Piano...(+)
This collection of Rummel's J.S. Bach 'adaptations' for the Piano presents twelve titles from the original twenty-five originally published by J & W Chester between 1922 and 1938, demonstrating a range of styles from the contemplative Liebster Jesu, Wir Sind Hier to the uninhibited Sturze zu Boden. A close friend of Debussy, Rummel belonged to a younger generation of leading composers, leading a trend away from previous Keyboard transcribers, established by Busoni, Liszt, Reger and others who concentrated on adapting Bach's Organ works rather than the Vocal music.
<br>This vibrant collection is suitable for intermediate to advanced pianists but will be of interest to all who enjoy Bach's music for Keyboard.
<br>Born in Berlin to a diversely creative family, Walter Rummel (1887 - 1953) was surrounded by art and music from an early age. He came from a pedigree of distinguished musicians, his family home a favoured meeting place for musicians and artists alike. His great grandfather, Christian Rummel (1787 - 1849) was director of the court orchestra at Wiesbaden for Duke Wilhelm of Nassau and his maternal grandfather, Samuel Morse (1791 - 1892), the American painter and inventor of the telegraph. / [J.S. Bach Adaptions: Piano Transcriptions By Walter Rummel] / Classique / Partition /
17.50 EUR - Sold by Note4Piano Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| James Whitbourn: A Brief
Story of Peter Abelard:
Soprano Saxophone:
Instrumental Soprano Saxophone Chester
For Soprano Saxophone and Piano accompaniment.'Peter Abelard was a medieval phi...(+)
For Soprano Saxophone and Piano accompaniment.'Peter Abelard was a medieval philosopher poet and musician born in France in 1079. He taught at Notre Dame Cathedral in Paris lodging with Canon Fulbert whoadmired his work. In time he also became tutor to Fulbert's beautiful seventeen-yearoldniece Helo se.Abelard and Helo se began a passionate love affair (Dance of Peter and Helo se) which resulted in a son Astrolabe.For the sake of Abelard's position they married secretly and Canon Fulbert waspresent at their marriage. But Fulbert later reacted furiously to news that Abelard hadsent Helo se to a convent believing that hehad abandoned her in favour of his owncareer. In revenge he had Abelard castrated (Revenge of Canon Fulbert).After his mutilation Abelard became a monk and he and Helo se remained constantcorrespondents for theremainder of his life. He composed a hymnbook for Helo se who by then was Abbess of the convent of the Paraclete. Among the hymns was avisionary poem of the New Jerusalem set to a beautiful melody in the Dorian mode O QuantaQualia.On his death in 1142 his remains were taken to the Paraclete at Helo se's request andher body was later laid to rest in the same tomb. Finally their remains were taken toParis and in 1817 they were buriedtogether in one sepulchre (In Paradisum).Peter Abelard documented much of his own story in a number of writings includingthe Historia Calamitatum Mearum (The story of mytroubles).' - James Whitbourn
13.99 GBP - Sold by Musicroom UK | |
| Jakob Lenz (RIHM
WOLFGANG) Piano, Voice Universal Edition
Kammeroper Nr. 2. Par RIHM WOLFGANG. Chamber opera does not mean “little opera...(+)
Kammeroper Nr. 2. Par RIHM WOLFGANG. Chamber opera does not mean “little opera.” On the same scale as chamber music is to the symphony, it is rather the other way of talking onstage. The movable apparatus permits sophisticated voice-leading. A large ensemble demands simple conception to achieve the complexity it perhaps intends; this can be formulated more sharply and nuanced in a chamber ensemble. Therefore it is the subject which this type of presentation must sustain – or, better, provoke.
Büchner’s Lenz
is a description of the conditions within a process of collapse, moments of destruction already occurred but not yet accepted, evident in the points of contact with the environment. And it was those points of contact which Michael Fröhling attempted to reconstruct onstage. Lenz’s distraught state is always the same; only the proximity of the environment to that distraught state grows and ebbs.
The musical consequence
An hour of extreme chamber music results from this description: always bound for the main character – actually, not a commentary, but the main character himself as a multilayered level of action. Although Lenz acts on many levels – or tries to or believes he is – he has no room to manoeuvre. That is why he is also tightly interwoven in his sonic surroundings; the voices which only he hears are just as much himself as the two men with whom he foregathers (the liberal pragmatist Oberlin and the alert merchant who always “does the right thing” in every situation) – they evoke responses which he deeply desires. Omnipresent Friederike is just as much his inner world as Nature is – Nature, which he can no longer perceive unless it is personified, enlivened or dead.
Therefore, the music’s task is both to motivate the “situation” (atmospherically) and to be the psychological constant (via a network of entangled references per se) in an action as it is played out.
The compositional process
December 1977 to June 1978 – a period identical to the stepwise understanding of an existence as that of Jakob Lenz. Yet the more the historical figure became precisely attendant in my intellect in terms of data and atmosphere, the more it retreated in favour of a cipher of disturbance as I began to understand Lenz.
Thence the explanation for the failure of the attempts to approach him – including my attempt to interpret him via musical representation – because, essentially, Lenz himself is the failure. Only the naked stages of that failure remain portrayable, i.e. including the failure of those who wish to “help” Lenz, for example, while Lenz himself is already trapped inextricably in a state of complete destruction. I tried to compose my way into that situation as far as possible; the insistence of several rhythmic and harmonic configurations is the palpable expression of the main character’s ever-recurring rigidity. One sound pervades the entire work.
The musical stage
For me, this is a place where very magical and very human things take place. In Jakob Lenz, the human aspects often switch to magical ones, since the realism of a self-suasive, unhinged soul takes on surreal traits – or we simply cannot understand that otherwise except as not being real. A character like Jakob Lenz on the stage is complex due to the fact alone that it harbours many stages within itself, and music must represent those constantly present stages.
I have tried to do so in the most direct way – by not cleanly separating the musical layers, but keeping them constantly in evidence until they must break forth, each in accord with its own dramaturgy. In an overview, the large form takes on aspects of a rondo, performed in overlapping layers – a type of rondo relief, since perspectives of psychological proximity and distance are indeed formulated musically as atmospheric relations.
Above all: the thread on which Jakob Lenz hangs is the current onto the listeners’ hearts.
Wolfgang Rihm (January 1979)/ Répertoire / Chant et Piano
102.67 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Charles-Marie Widor:
Symphonie For Organ No.6
Op.42 No.2: Organ:
Instrumental Organ Hamelle
Charles-Marie Widor’s Symphonies for Organ Op.42 No.2. Charles-Marie Wido...(+)
Charles-Marie Widor’s Symphonies for Organ Op.42 No.2. Charles-Marie Widor (b. Lyons 1844 d. Paris 1937) first began his studies in his hometown but later pursued them in Brussels taking lessons with Nicolas-Jacques Lemmens on the Organ and composition lessons with François-Joseph Fétis. In 1868 he inaugurated the Organ at Notre-Dame Cathedral in Paris. He also deputized for Saint-Saëns at the Organ of La Madeleine and then in 1870 he was provisionally nominated organist at Saint-Sulpice. It was not until 1933 that he relinquished this post in favour of his pupil Marcel Dupré. Followingthe death of César Franck in 1890 it was Widor who was requested to direct Organ studies at the Paris Conservatoire and he followed this by taking charge of the composition class in 1896. Among his very many students were figures such as Louis Vierne and Charles Tournemire. Widor was a founder member of the Casa Velasquez in Madrid and the American Conservatoire in Fontainbleu. He was an exceptional virtuoso who could be heard in concerts in France and throughout the whole world. He left numerous works but it is above all his Organ music that is most performed today.
15.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| 77 Rounds And Canons Voice solo Novello & Co Ltd.
Kenneth Simpson. This collection is divided into ten sections: music - learning ...(+)
Kenneth Simpson. This collection is divided into ten sections: music - learning music - times and seasons - Christmas - greetings - gusto - drollery - getting around - birds and beasts - and miscellanea. Most of the items are musically straightforward and of moderate compass. / Voix
13.60 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Symphonie N06 Op. 42
(WIDOR CHARLES-MARIE) Organ [Sheet music] Hamelle
Par WIDOR CHARLES-MARIE. Charles-Marie Widor 's Symphonies for Organ, Op. 42 No....(+)
Par WIDOR CHARLES-MARIE. Charles-Marie Widor 's Symphonies for Organ, Op. 42 No. 2. Charles-Marie Widor (b. Lyons 1844, d. Paris 1937) first began his studies in his hometown, but later pursued them in Brussels, taking lessons with Nicolas-Jacques Lemmens on the Organ, and composition lessons with François-Joseph Fetis. In 1868, he inaugurated the Organ at Notre-Dame Cathedral in Paris. He also deputized for Saint-Saë ns at the Organ of La Madeleine, and then in 1870 he was provisionally nominated organist at Saint-Sulpice. It was not until 1933 that he relinquished this post in favour of his pupil Marcel Dupre. Followingthe death of Cesar Franck in 1890, it was Widor who was requested to direct Organ studies at the Paris Conservatoire, and he followed this by taking charge of the composition class in 1896. Among his very many students were figures such as Louis Vierne and Charles Tournemire. Widor was a founder member of the Casa Velasquez in Madrid and the American Conservatoire in Fontainbleu. He was an exceptional virtuoso who could be heard in concerts in France and throughout the whole world. He left numerous works, but it is above all his Organ music that is most performed today./ Répertoire / Orgue
24.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| James Whitbourn: A Brief
Story of Peter Abelard:
Soprano Saxophone:
Instrumental Soprano Saxophone and Piano [Sheet music] Chester
For Soprano Saxophone and Organ accompaniment.'Peter Abelard was a medieval phil...(+)
For Soprano Saxophone and Organ accompaniment.'Peter Abelard was a medieval philosopher poet and musician born in France in 1079. He taught at Notre Dame Cathedral in Paris lodging with Canon Fulbert whoadmired hiswork. In time he also became tutor to Fulbert's beautiful seventeen-yearoldniece Helo se.Abelard and Helo se began a passionate love affair (Dance of Peter and Helo se) which resulted in a son Astrolabe.For thesake of Abelard's position they married secretly and Canon Fulbert waspresent at their marriage. But Fulbert later reacted furiously to news that Abelard hadsent Helo se to a convent believing that he had abandoned her infavour of his owncareer. In revenge he had Abelard castrated (Revenge of Canon Fulbert).After his mutilation Abelard became a monk and he and Helo se remained constantcorrespondents for the remainder of his life. Hecomposed a hymnbook for Helo se who by then was Abbess of the convent of the Paraclete. Among the hymns was avisionary poem of the New Jerusalem set to a beautiful melody in the Dorian mode O Quanta Qualia.On his death in1142 his remains were taken to the Paraclete at Helo se's request andher body was later laid to rest in the same tomb. Finally their remains were taken toParis and in 1817 they were buried together in one sepulchre (InParadisum).Peter Abelard documented much of his own story in a number of writings includingthe Historia Calamitatum Mearum (The story of mytroubles).' - James Whitbourn
13.99 GBP - Sold by Musicroom UK | |
| Trinity College Drum Kit
Grades 3-5: Drum Kit:
Instrumental Tutor Drums [Sheet music + Audio access] - Intermediate Trinity College London
2020-2023. Everything a drummer needs to prepare for the performance and technic...(+)
2020-2023. Everything a drummer needs to prepare for the performance and technical work components of Trinity drum kit exams in 2020?2023. Encompassing a wider range of styles than ever before, the syllabus allows candidates to follow distinct stylistic pathways ? jazz, funk, Latin, musical theatre ? with arrangements of well-known works sitting alongside pieces specifically written for the syllabus by leading drum kit educators and performers. Performance notes are included for each piece, along with new technical work rudiments and exercises for each grade, and backing tracks are included as a free download.
23.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Guest Spot: Big Film Hits
Playalong For Flute:
Flute: Mixed Songbook Flute [Sheet music + Audio access] Amsco Wise Publications
The Guest Spot: Big Film Hits song book allows you to step out of your living r...(+)
The Guest Spot: Big Film Hits song book allows you to step out of your living room and into the spotlight by playing along with ten top-line arrangements of the most popular contemporary film hits. With theunique download card you'll also be able to listen to specially recorded versions of the tunes before playing along to them yourself. Some of the best of contemporary cinema theme tunes are included here assheet music such as Do You Want To Build A Snowman? from 'Frozen ' Happy from 'Despicable Me 2 ' Everything Is AWESOME!!! from 'The Lego Movie' and Skyfall. With this brilliant bookand download card of film theme sheet music you can recreate those amazing cinematic moments in your own home while also reliving the incredible soundtrack songs that enhanced the thrills and the laughs of your favouriteblockbusters. The innovative Download Card included with the book allows you to hear the tracks exactly as they're meant to be played with professionally-recorded demonstration audio.Not only this but the same song can be listened to again this time with the Flute part removed so that you can slot right in and play as if you were leading a full band. This great feature will ensure that you can play thesongs precisely as they're played in the films giving you an unprecedented level of accuracy and immersion when performing or practising. The theme tunes from films like 'The Hunger Games: CatchingFire ' 'The Fault In Our Stars' and 'The Hobbit' will bring a touch of Hollywood shine to your playing with the fantastic sound of the Flute taking these recognisable melody lines out of mere film fantasy. Alsoincluded is a Flute fingering chart ensuring you get these film themes off the page and through your fingers with ease. The Guest Spot: Big Film Hits is the ultimate in up-to-date film theme sheet music for
14.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Jakob Dont: Etudes &
Capricen Opus 35: Violin Violin Schott
The Austrian violinist and composer Jakob Dont (1815-1888) very early became a m...(+)
The Austrian violinist and composer Jakob Dont (1815-1888) very early became a member of the Vienna Hofburg Theatre later of the Court Chapel. Although he had made a name for himself as a soloist he decided in favour of a career in education. For his instrument the violin he wrote about 50 works most of them modern opera pot-pourris and character pieces which are forgotten today. Apart from the preliminary exercises for Kreutzer and Rohde his 'Studies and Caprices' (opus 35) however have become an integral part of violin lessons. Praised by Joachim Auer and Flesch these outstanding studies were edited by Max Rostal in consideration of a modern violin technique andcomplemented by preparatory exercises and variants.
16.50 GBP - Sold by Musicroom UK | |
| Ernest Doring: The
Guadagnini Family Of
Violin Makers:
Instrumental Reference Dover Publications
Along with the instruments of Stradivari and del Gesù the violins of Giovann...(+)
Along with the instruments of Stradivari and del Gesù the violins of Giovanni Battista Guadagnini have long been favoured by professional musicians for their responsiveness tonal quality and projection. Originally published in 1949 in a very limited edition this study remains the most comprehensive account of G. B. Guadagnini's work and the legacy carried on by his descendants.Author Ernest N. Doring conducted painstaking research into eighteenth-century documentation of Guadagnini's itinerant life. He traces the craftsman's progress from Piacenza Milan Cremona and Parma to Turin where Guadagnini created his most prized stringed instruments. A catalogue ofthe family's masterpieces is organized by city and provides a detailed provenance for each instrument. A new Introduction by Stewart Pollens a leading authority on musical instruments offers historical perspectives. Widely available for the first time in an affordable edition this rare and authoritative work provides violinists musicologists and music history enthusiasts with a fascinating resource.Reprint of the William Lewis & Son Chicago 1949 edition.
18.30 GBP - Sold by Musicroom UK | |
| John Zaradin: Chorinhos
for solo Guitar: Guitar:
Instrumental Album Guitar - Intermediate/advanced Spartan Press
9 pieces in Latin Style-9 Latin style pieces for both study and performance plu...(+)
9 pieces in Latin Style-9 Latin style pieces for both study and performance plus notes on the scores & fingering glossary of chord symbols and notes on rasgueados. The A-B-A-C-A Choros form is used as a basic structure for all of the pieces and the styles and moods of the music vary from traditional and classical to Bossa Nova and jazz samba. In Brasil the Choros (diminutive Chorinho) owes its development to musicians performing either solo or in groups who often being obliged to play long hours during functions and festivals would improvise and create variations on popular and traditional themes. The compositions here are all based on this idea of stating a theme andthen creating variations & contrasts. Although the melodic harmonic and rhythmic content of the Choros/Chorinho has evolved greatly over time its underlying beat feel is traditionally 2 per measure and written with a 2/4 time signature. This generally makes comfortable reading for the guitar player because the beamed note groupings define clearly the rhythm patterns to be played. However much music that originally appeared in 2/4 time is now published in 4/4 with a cut time feel and which seems to be favoured by many musicians including guitarists who work in folk and popular idioms. For this edition the time signature which allows a clearer page presentation is chosen for each piece and no musical difference between the 2/4 and the Cut-time signatures is intended.
9.95 GBP - Sold by Musicroom UK | |
| Celtic Choirbook: SATB Choral SATB SATB A Cappella Schott
Celtic music is enjoying a well-deserved revival. This revival may have been in...(+)
Celtic music is enjoying a well-deserved revival. This revival may have been inspired by historical Hollywood epics by popular dance acts such as â€Riverdance†by Michael Flatley or purely by the emotional power of Celtic melodies. The songs all tell stories that have been passed down through successive generations with more facets than any other kind of traditional music: some are melancholy dirges some playful and lively dance tunes. This book brings together 20 of these traditional melodies in contemporary modern arrangements for mixed chorus. In them you will find homophonic movements sweeping melodic lines vocal imitations of Celtic instruments and rousingrhythms. The irresistible charm of this music will leave no choral singer unmoved and is bound to find favour with audiences.
11.99 GBP - Sold by Musicroom UK | |
| Zoroastre - RCT 62 A-B
Symphonies (RAMEAU
JEAN-PHILIPPE) Orchestra [Score] Barenreiter
Par RAMEAU JEAN-PHILIPPE. Richer than ever – Rameau’s “Zoroastre” in the...(+)
Par RAMEAU JEAN-PHILIPPE. Richer than ever – Rameau’s “Zoroastre” in the version of 1756. Opera in five acts. Rameau’s revised version of his opera “Zoroastre”, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today’s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau’s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime „Hymne à la Lumière“, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with “Zoroastre” the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck’s opera reform by many years. Here we present the instrumental numbers for concert performance. - Based on the first scholarly-critical edition, published as part of “Opera Omnia Rameau” - Instrumental numbers in order of performance, but also grouped by key in the list of contents, enabling them to be combined freely into orchestral suites - Published with performance material on hire / Date parution : 2022-11-08/ Répertoire / Orchestre
78.88 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Zoroastre rct 62B (RAMEAU
JEAN-PHILIPPE) Opera Barenreiter
Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Ra...(+)
Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Rameau?s ?Zoroastre? in the version of 1756. Opera in five acts. Rameau?s revised version of his opera ?Zoroastre?, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today?s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau?s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime ?Hymne à la Lumière?, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with ?Zoroastre? the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck?s opera reform by many years. - One of Rameau?s main works for the stage, now available with all its versions - With a straight-forward piano reduction in the vocal score by François Saint-Yves - Available on sale full score (B0A8867-01) and vocal score (BA08867-90) - Performance material available for hire BA08867-72 - Jean-Philippe Rameau - Opera Omnia (OOR) IV/26 / Date parution : 2022-07-30/ Répertoire / Chant et Piano
522.00 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Zoroastre rct 62B (RAMEAU
JEAN-PHILIPPE) Piano, Voice Barenreiter
Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Ra...(+)
Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Rameau?s ?Zoroastre? in the version of 1756. Opera in five acts. Rameau?s revised version of his opera ?Zoroastre?, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today?s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau?s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime ?Hymne à la Lumière?, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with ?Zoroastre? the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck?s opera reform by many years. - One of Rameau?s main works for the stage, now available with all its versions - With a straight-forward piano reduction in the vocal score by François Saint-Yves - Available on sale full score (B0A8867-01) and vocal score (BA08867-90) - Performance material available for hire BA08867-72 - Jean-Philippe Rameau - Opera Omnia (OOR) IV/26 / Date parution : 2022-07-30/ Répertoire / Chant et Piano
64.96 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Georg Friedrich Händel:
Alessandro: Mixed Choir:
Score Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Oratorio in three parts-In quite characteristic fashion for the times Handel&rs...(+)
Oratorio in three parts-In quite characteristic fashion for the times Handel’s opera “Alessandro” looks at various episodes in the life and rule of Alexander the Great (356 323 BC). This legendary warrior and military commander conquered large parts of the world before meeting an untimely end at the age of 32. A central conflict in Handel’s opera is Alessandro being in love with two women Lisaura and Rossane who compete for his favour. In addition his claim to be of divine parentage is underlined occasioning him to demand the subservience of his followers which meets with vigorous disapproval.Handel composed “Alessandro” for the Royal Academyof Music to a libretto by Paolo Antonio Rolli in the 1725/26 season. The work was premiered at the King’s Theatre in London on 5 May 1726. “Alessandro” was the first of five operas for the Royal Academy operas which saw Handel compose for three of the most famous singers of his time: Francesco Bernardi (called Senesino) Francesca Cuzzoni and Faustina Bordoni.Ortensio Mauro’s libretto “La superbia d’Alessandro ” which was performed for the first time in Hanover in 1690 in a musical setting by Agostino Steffani and staged again in the city the following year under the title “Il zelo di Leonato” but with numerous alterations served as the source text for Handel’s “Alessandro”. One of the main aspects Rolli had to consider when preparing the libretto for the London performances was to keep the roles of the famous singers of the Royal Academy well balanced yet at the same time to engineer a musical contest between the prima donnas Cuzzoni and Bordoni (Lisaura and Rossane) as well. From a business point of view it made good sense for such rivalry would surely increase public interest in the opera.It is no longer possible to ascertain which changes Handel made during the following performance series of the 1727/28 season. For the performance series of 1732/33 Handel made substantial revisions to the opera: six numbers were deleted in their entirety the finale in part as well and the recitatives were made much shorter with the parts of Cleone and Leonato omitted
233.50 GBP - Sold by Musicroom UK | |
| Guest Spot: Big Film Hits
Playalong For Clarinet:
Clarinet: Mixed Songbook Clarinet [Sheet music + Audio access] Amsco Wise Publications
This new Guest Spot: Big Film Hits song book allows you to step out onto the st...(+)
This new Guest Spot: Big Film Hits song book allows you to step out onto the stage and into the spotlight and play along with top-line arrangements for ten of your favourite contemporary film hits. With theincluded download card you'll be able to listen to specially recorded versions of the tunes before playing along to them yourself. Some of the best and most popular film theme tunes are included here as sheetmusic such as Do You Want To Build A Snowman? from 'Frozen ' Happy from 'Despicable Me 2 ' Everything Is AWESOME!!! from 'The Lego Movie' and Skyfall. With this fantastic book of filmtheme sheet music you can recreate those hits of the cinema that were so brilliantly soundtracked by these songs in your own home while also reliving the best moments and scenes from your favouriteblockbusters. The innovative Download Card included with the book allows you to hear the tracks exactly as they're meant to be played with the professionally-recorded demonstrationaudio. Then the same song can be listened to with the Clarinet part removed so that you can slot right in and play as if you were leading a full band. This great feature will ensure that you can play the songs precisely asthey're played in the films giving you an unprecedented level of accuracy when performing or practising. Songs like All Of The Stars I See Fire and Atlas will bring a touch ofHollywood to your playing with the cool sound of the Clarinet making instant classics of these recognisable melody lines. Also included is a Clarinet fingering chart ensuring you get these film themes off the page and throughyour fingers with ease. The Guest Spot: Big Film Hits is the ultimate in up-to-date film theme sheet music for the Clarinet. Featuring the hottest songs from the latest Hollywood blockbusters this is a music
14.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Eulenburg Audio+Scores -
Boxed Set Orchestra [Study Score / Miniature + CD] Eulenburg
The 'Eulenburg Audio Score' series contains the orchestral world's greatest musi...(+)
The 'Eulenburg Audio Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. Each volume is clearly-presented with authoritative scores, informative prefaces detailing the biographical and creative background- - CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra.NEW: This box-set of 25 masterpieces in a handy slipcase containing volumes 51-75 in the series is amazing value: almost 50% cheaper than buying each volume separately!This is the perfect gift for any music-lover. 'Eulenburg Audio Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focusing on the fields of opera, orchestral music, chamber music and vocal music, it is the favoured by conductors, orchestral musicians, soloists, students, teachers and music-lovers generally. The more you read, the more you hear! / Tout Instrument
220.89 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Dora da Costa: Voilà
Viola: 35 Duets for
Viola: Viola Duet: Score Cramer Music
Doris da Costa and Tom Hedges' Voil Viola Duets was written for Viola and Violi...(+)
Doris da Costa and Tom Hedges' Voil Viola Duets was written for Viola and Violin players wanting to play duets with friends and teachers or for new Viola pupils swapping from the Violin to the Viola.Changing instruments can be challenging as the alto clef requires completely new reading skills regardless of a player’s standard on the Violin. In this book an alternative Violin part is included to help to familiarise a Violinist with the music and to add instrumental flexibility.A large variety of styles and genres are included: the 16th Century Madrigal the Baroque Concerto dance forms arrangements of traditionalfavourites world music jazz or swing numbers and programmatic 21st century entries.There is much here to challenge the musical and technical demands of the Viola and Violin: string crossing shifting (up to 3rd position) chromatic scales as well as a range of articulation and playing techniques. Time signatures are varied with duets in simple compound and irregular meters. An assortment of key signatures and modes add further challenges.The pieces vary in difficulty: from an easy grade 3 standard to a moderately difficult grade 5. The duets can be used for concert repertoire for GCSE assessments for sight-reading practice to support technical studies or to round off a lesson.
6.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| John W. Duarte:
Variations On A Catalan
Folksong: Guitar:
Instrumental Work Guitar [Score] Novello & Co Ltd.
Variations On A Catalan Folksong (Op. 25) were written by John W. Duarte for sol...(+)
Variations On A Catalan Folksong (Op. 25) were written by John W. Duarte for solo Guitar. They were based on the Spanish folk melody Canco Del Llabre one of the most popular Catalan folk tunes to have survived to this day.John W. Duarte (1919-2004) was a British guitarist composer and music journalist. Having received a degree in Chemistry his fascination with the endless possibilities of the Guitar caused him to abandon science in favour of music. Despite having never formally studied music he is regarded as one of the foremost composers for Guitar of the 20th century.
10.99 GBP - Sold by Musicroom UK | |
| L. Marsh: Show Some Pluck
String Orchestra: String
Orchestra: Instrumental
Album String Quartet: 2 violins, viola,
cello [Sheet music] - Intermediate/advanced Spartan Press
This lively 'Pizzicato' encore brings the house down! A foot-tapping ragtime rhy...(+)
This lively 'Pizzicato' encore brings the house down! A foot-tapping ragtime rhythm. David Marsh has asked for his royalties to be redirected in favour of The Neurofibromatosis Association (see www.nfauk.org). Double basses are optional.Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.
12.95 GBP - Sold by Musicroom UK | |
Next page 1 31 61 |
|