As a prestigious composer of the early 20th century Maurice Ravel's Pièce En Forme De Habanera transcribed for Cello and Guitar by Joaquim de Sousa-Antunes contains many features which continue to make the composer's music popular and loved to this day. Known for his masterful melodies and rich harmonies  Pièce En Forme De Habanera clearly exemplifies these qualities through flourishing Cello lines and evocative chordal and rhythmic Guitar accompaniments. Moreover Habanera rhythms heard throughout the piece create further excitement. All of these musical elements combine to createa highly enjoyable piece for the Cello and Guitar repertoire. In addition the clear print of separate solo and accompaniment parts in this edition ofPièce En Forme De Habanera add to an irresistible purchase for aspiring Cello players.

for Cello and Guitar-Through the centuries the Christmas season has inspired composers poets lyricists and hymn writers to apply their craft in devotion to this event. This book presents 100 arrangements of favorite Christmas carols andadvent hymns for cello solo with guitar accompaniment. Suggested chordal accompaniment is included for each solo so that any chordal instrument can accompany the cello. Where appropriate capo chords are shown.The author has alsoindicated whether the guitarist should use fingerstyle or strum accompaniment. The music in this book spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughoutthe various seasons in the church year.

3 Nocturnes and 2 Interludes For Cello and Guitar. Par HEINIO MIKKO. Mikko Heiniö's Mot natten (Towards night), three nocturnes and two interludes for cello and guitar was composed in 2018. This suite found its inspiration and name in Finnish poet Bo Carpelan's (1926-2011) posthumous poetry collection Mot natten (2013), though the movements are not tied to specific poems. The first nocturne, Obscuro (‘twilight'), dominated by pizzicatos, is followed by a more dynamic interlude, Spasimo (‘spasm'). The fragile second nocturne, Sospiro (‘sigh'), is coloured by delicate micro-interval chords plucked on the guitar between the left hand and the nut. The interlude Passi (‘steps') leads with taps on the sound box straight into the third nocturne, Battito (‘beat'), the way having been paved by the heartbeat of strong guitar pizzicatos. The duration is c. 11'30''. The product includes one full score and separate parts for guitar and violoncello./ Répertoire / Violoncelle et Guitare

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