One of the least known of the great Russian pianists of the late 19th and early 20th Centuries, Alexander Siloti (1863-1945) was one of the most influential and progressive. As a concert promoter, he introduced the music of dozens of composers to the Russian public in the famous Siloti Concerts of 1903-1917, including Albeniz, Debussy, de Falla, Delius, Elgar, Enesco, Mahler and Schoenberg. A student of Liszt (and one of the teachers of Rachmaninoff), Siloti is a central figure in the development of the great age of the piano virtuoso. As with many of his colleagues, transcribing and arranging existing music for the piano was a major part of Siloti's activity, and since he madeno recordings, his published transcriptions are one of the few existing keys we have to his musical taste and philosophy. In an extended biographical essay, Dr. Charles Barber explores this issue and writes cogently about the style and influence of this remarkable man. The Alexander Siloti Collection is dominated by Siloti's remarkable transcriptions and arrangements of the music of J.S. Bach, notable particularly for their pianistic character and faithfulness to the unique genetic code of Bach's design. Some of the Bach works included are: Prelude in B Minor, BWV855a, Gigue from Suite in Bb Major, Chaconne in D Minor, the Organ Preludes in E Minor and G Minor and the celebrated Toccata and Fugue in D Minor, BWV 565. Music by Gluck, Mozart and Chopin is also contained in this generous compilation of pianistic wizardry. This addition to The Master's Collection is likely to be one of the most talked about piano folios of the year. (288 pages, smythe sewn binding).Prelude in B MinorAdagioAirChaconne in D MinorGigueAndanteFantasia in C MinorOrgan Prelude in E MinorParaphraseOrgan Prelude in G MinorPreludePrelude from Cantata No. 29Prelude from Cantata No. 35SicilianoToccata and Fugue in D MinorMelodyVariationsVariations in F MajorEtude No. 25 in F MinorScherzo in B-flat MinorAu bord d'une sourceAu lac de WallenstadtConsolation No. 3 in D-flat MajorConcert Etude in D-flat MajorSposalizioIl PenserosoSursum CordaLe cygneHumoresqueTheme original et variationsA Song of IndiaFour Russian Folk SongsFour Russian Folk SongsFour Russian Folk SongsTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesNo. 3. On the Beautiful Blue DanubeTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesTwelve Themes from Famous WaltzesEtude in C-sharp MinorPoemeRomanzePrelude in G-sharp Minor / Piano / Carl Fischer

Tim Alexander - long time keyboardist for Asleep At The Wheel gives you a lick-by-lick guide to the great sounds of the Honky Tonk era. Discover the techniques and tricks that will capture the great western swing including intervals chords arpeggios octaves basslines trumpet-style Piano and much more. Furthermore Alexander presents a complete breakdown of some classic Honky Tonk standards including Stay A Little Longer and I Had A Little Mule

Par ROSENBLATT ALEXANDER. Der 1956 in Moskau geborene Alexander Rosenblatt absolvierte am renommierten Konservatorium seiner Heimatstadt ein Klavier- und Kompositionsstudium. In seiner Tonsprache verbindet er klassische Elemente mit Jazz-Element zu einer originellen Stilmischung, zu einer ganz charakteristischen Musiksprache. Als Pianist trat er insbesondere im Klavierduo mit O. Sinking hervor, ein Genre, das ihm dann auch als Kreativer besondere Erfolge einbrachte: So gewann er 2001 beim Internationalen Kompositionswettbewerb in Tokio einen Sonderpreis für sein „Modern Piano Duet“. Seine Liszt Fantasy schrieb Rosenblatt zum 200. Geburtstag des großen Virtuosen Franz Liszt./ Répertoire / Piano

Dennis Alexander a écrit un morceau vivant, dansant qui se déplace partout dans le clavier. En temps de coupe, ce solo nécessite comptage attention, et une attention particulière aux détails aidera à identifier et à exécuter les articulations variées. Son vif, nature rythmique est représentée par des accords staccato et syncope. Arpèges lisses dans la basse donnent un peu de piquant et d'intérêt, et les accents occasionnels fournissent zeste supplémentaire à cette pièce presto. / Piano

(Homage to Haydn). Par GOEHR ALEXANDER. My piece is subtitled ‘Homage to Haydn’. Why? Because it is modelled on Haydn’s Variations in F minor/major. But modelled does not imply pastiche or imitation. From Brahms onwards (if not before) there are countless examples of pieces modelled on others in a variety of ways. To do this does not imply a closeness to the original, rather inevitably a distance from it. I don’t know whether a listener would be the wiser for knowing the original. In any case a composition must stand on its own feet. Alexander Goehr / Date parution : 2016-11-20/ Répertoire / Piano

Complete Piano Sonatas II-Piano works were at the centre of Alexander Scriabin's compositional output. As an outstanding pianist he began writing mainly miniatures for his instrument in the style of Romantic Piano pieces. But it was also Scriabin who unlike any other composer of his generation contributed to the continuation of the sonata tradition. Particular milestones in his output were Sonatas nos. 4 and 5 of 1903 and 1907 in which we hear forms and harmonies not heard previously. When these works are occasionally given the name 'Poème' Sonatas this indicates that they stem from the time and allude to the compositional context of Scriabin'sdaring Orchestral works 'Le Divin Poème' and 'Le Poème de l´exstase'. The editor Christoph Flamm is an expert in Russian music particularly Piano music. His research for example into Nikolai Medtner and the editions based on these findings are regarded as standard works. For his Bärenreiter edition of Scriabin's Sonata no. 5 Christoph Flamm has drawn on sources which were until recently regarded as lost or could only be consulted with great difficulty. Scriabin's Complete Piano Sonatas will be published in 4 volumes. - Urtext edition based on the latest source research. - With facsimiles which also give information about the rediscovered sources. - Detailed foreword (Ger/Eng) and critical commentary (Eng).

Par SCRIABINE ALEXANDER. Le répertoire de piano ne manque vraiment pas de morceaux de bravoure et de virtuosité, mais l?Étude en ré dièse mineur de l?opus 8 de Scriabine occupe à coup sûr l?une des premières places en termes de popularité. On ne pouvait pas imaginer le moindre concert de Horowitz dans lequel, au moment des «bis», cette explosive Étude d?octaves n?aurait pas illuminé le grand piano de concert. «Patetico» est-il indiqué en titre, et c?est bien, en effet, un déchaînement sonore de passions auquel on assiste. Les éditions G. Henle publient en édition séparée le Urtext de cette redoutable étude, avec des doigtés du pianiste mondialement connu Boris Giltburg. Champ libre pour tous les virtuoses et ceux qui rêvent de le devenir! / Date parution : 2022-04-05/ Répertoire / Piano

The contents of this book have been personally selected by Dennis Alexander as some of his all-time favorite sheet music solos. Many of the solos are among the most requested by piano teachers and students alike. The varied styles of each piece makes this book a valuable supplement to most piano methods. This book contains 8 early intermediate to interemediate pieces including: Dizzy Delight * El Zapateado * Mooncrossing * Newport Rock * Notturno * Screamin' Cat Boogie * Turboccata * Valse Romantique.

La première publication de deux inconnus pièces pour piano par Alexander Glasunov de 1928 ! Il est fort probable qu'ils sont des arrangements de chansons folkloriques de tartare de Crimée, quelque chose que les compositeurs aiment faire dans les années 1920 - l'origine exacte des chansons, howe / Piano

Prélude et Nocturne op. 9 for Piano left hand-Skrjabin Alexander Prelude Et Nocturne Op9 Piano Left Hand Urtext Book

An Urtext edition of Alexander Scriabin's Piano Sonata No.6 Op.62 as edited by Valentina Rubcova with fingering by Michael Schneidt.