Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ? Maintenance ? Reeds ? Mouthpieces ? Ligatures ? Sound ? Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW?s alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it?s all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here?s the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book?s 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn?t think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, ?Now the Fun Begins?. There are also interesting side comments we don?t often hear like: in the 70s so many young players like Ponzol were trying to get Trane?s recorded sound by working on metal Links because that?s what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn?t have as much spit in the sound for him. It?s interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I?ve never heard anyone else recommend these exercises and yet here they are in Peter?s book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So ?the circle is unbroken? LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

Cet ouvrage est le son saxophone parfait. D'une manière décontractée, mais néanmoins exacte, Dirko Juchem explique tous les effets qu'un saxophoniste devrait être capable de maître sur son instrument : professionnel de respiration, embouchure, intonation, vibrato, growl, subtone, fausses doigtés, notes hautes, Lauba, jazz et le phrasé de roche sont tous attaquer en détail et démontrée sur le CD qui l'accompagne. Session supplémentaire pistes offrent la possibilité de mettre les connaissances acquises en pratique immédiatement 'avec une bande'.En raison de la façon décontractée de transmettre les connaissances fondamentales, ' Saxophon-Sound ' est un ajout précieux enseignements instrumental et même le saxophoniste expérimenté trouveront les techniques avancées, telles que les doigtés fausses ou des notes élevées, à être professionnel pratiquant matériel. ' Saxophon-Sound ' est idéal pour des leçons de saxophone et peut être utilisé comme matériau accompagnement motivant à toute méthode coutumier.Nouvelle édition 2005 / Saxophone

Cette collection de transcriptions de sax ténor 26 met en vedette certains des solos plus importantes du géant jazz John Coltane / Saxophone

Voici les 27 facile-intermediate arrangements de mélodies familiers en classique, folklorique et styles de jazz. Chaque morceau est présenté comme un trio, mais ces arrangements ingénieux travail tout aussi bien que les solos ou duos - avec ou sans accompagnement. Vous pouvez même inviter les autres instrumentistes à jouer ainsi que par les éditions Flute, clarinette, violon et laiton Junior livre b de cette série. Cette série très souple de livres instrumentales coordonnées a été conçue pour donner aux jeunes la chance de jouer ensemble dans diverses combinaisons de chiffres et d'instruments. * Parfait pour un, deux ou trois saxophones - avec ou sans accompagnement * peut aussi servir en respectant les dispositions dans les éditions Junior livre b de cette série pour Flute, clarinette, violon ou de laiton * livre d'accompagnement Piano avec les symboles de corde de guitare disponibles * idéal pour usage individuel ou en classe / Niveau : Facile / Méthode en anglais / Méthode / Saxophone

oeuvre contemporaine originale pour saxophone alto. Commande du festival Tous en scène de Dreux 2012. Kosso Kosso est un conte africain imaginaire. Conçu comme une histoire, cette pièce propose de nombreux modes de jeux à utiliser comme une large palette de couleurs pour donner vie à cette aventure. Chaque interprète recherchera une interprétation personnelle pour mettre en valeur l'aspect théâtral de la pièce et pour captiver les spectateurs tout au long de ce récit. Degré : moyenne difficulté (4-5) Durée : 4 mn 20 s / Saxophone / niveau : Intermédiaire / Partition

Music Minus One Soprano Saxophone-After years of neglect the saxophone quartet is rapidly regaining favor as an ensemble capable of the highest standards of musical expression. This is why many excellent composers especially those of French origin have written some of their best music for saxophone quartet so that today there exists a large repertory for this ensemble many of the best of which are included on this MMO album. Includes compositions by Pierné Boccherini Cailliet Clerisse and Hermann. Magnifique! Includes a high-quality printed music score and a compact disc containing a complete performance with soloist then a second version with the accompaniment minus you the soloist. Performed byStanley DeRusha soprano saxophone Accompaniment: Leblanc Fine Arts Saxophone Quartet: Arthur Ulichy alto saxophone Joseph Aaron tenor saxophone John Hibler baritone saxophone

Studies for Saxophone- This collection by Jayson Mackie contains 20 solo compositions in a Latin style for the Eb Alto Saxophone. Latin music has been a particular favourite genre of mine to write in having grown up listening to jazz bands and playing in them as a teenager. Most people can name a handful of the more well-known dances (thanks to the popularity of Strictly Come Dancing!) but I knew there were many more lesser-known Latin styles out there. So in August 2015 I decided to research some of the many dance forms of the Caribbean and South America. After listening to these and discovering a little of theirhistory and musical characteristics I decided to write my own versions. Latin Lovelies is the result. - Jayson Mackie

Par PROST NICOLAS. La pédagogie et l\'enseignement du saxophone ne cessent d\'évoluer dans un monde moderne, un monde en mouvement où les styles musicaux se croisent et se rejoignent. Après une spécialisation du saxophone de genre «classique» ou «jazz» au c?ur du xxe siècle, nous voilà plongés dans un métissage des esthétiques, sans frontière. Cette méthode tend à illustrer que le saxophone ne peut dissocier classique (musique mélodique, savante, écrite) et jazz (musique improvisée) permettant ainsi au saxophoniste en herbe de libérer sa parole musicale grâce à son imagination et sa créativité. Nous avons pris le soin de veiller à une progression précise et rapide des apprentissages, sans artifice technique et avons mis l\'accent sur l\'apport purement musical, que ce soit par de courtes pièces inspirées de « grands airs» de la musique classique, ou par des morceaux originaux ou des standards liés à la musique de jazz. Conjointement, une base théorique ainsi que des clés d\'écoute sont proposés pour faciliter la performance instrumentale. Les 20 leçons de la méthode couvrent une année complète d\'apprentissage et s\'adressent à tous les âges et profils : élève d\'un conservatoire, d\'une école de musique, jeune ou adulte amateur, accompagné d\'un professeur ou en totale autonomie. Vous avez en main le support idéal qui vous pe1mettra de découvrir ce magnifique instrument qu\'est le saxophone au travers d\'une grande diversité de répertoires et de styles ; alors ... amusez-vous bien ! Nicolas PROST Il y a encore de cela quelques années, le jazz et l\'improvisation au saxophone s\'adressaient souvent à des élèves avancés. Mon expérience d\'enseignant m\'a montré qu\'en improvisant dès le début de son apprentissage, l\'élève développe un sens de l\'écoute, du rythme et de la créativité. Dans cette méthode vous aurez des outils pour improviser dès les premières leçons ! Avec des indications simples, vous allez découvrir et vous initier au plaisir de jouer et d\'improviser. Cette «rampe de lancement» pour l\'improvisation pourra s\'accompagner par la suite, si vous en éprouvez l\'envie et le besoin, de notions plus poussées. Grâce aux accompagnements enregistrés par un trio de grands musiciens, ayant l\'habitude de jouer ensemble cette musique, vous pourrez vous immerger au c?ur de cette formation, en étant dans votre propre quartet de jazz. Vous pourrez ainsi jouer à votre guise avec ou sans votre professeur. Prenez autant de plaisir que nous en avons eu pour concevoir cette méthode, et maintenant : Go ! Stéphane COLIN / Date parution : 2022-11-08/ Méthode / Saxophone

Une série très souple de livres conçu pour encourager les jeunes à jouer ensemble dans diverses combinaisons de chiffres et d'instruments, parfaits pour les frais de scolarité de groupe. Livre 1 offre 19 trios de simple intermédiaire pour saxophone alto et ténor à l'aide de mélodies familières disposés dans des styles classiques, de folkloriques et de jazz, y compris les pays Garden, Dieu reste Ye Merry Gentlemen, danse du chapeau mexicain Hornpipe de marin. Cette collection peut être utilisée pour solo, duo ou trio jouant et peut également être utilisée avec des dispositions correspondantes du même matériau dans le livre i pour Brass, violon, clarinette, flûte. Un livre d'accompagnement piano est disponible. / Niveau : Débutant / Méthode en anglais / Méthode / Saxophone

Latin Saxophone Soloist by Gabriel Rosati & Darrow Hunt provides an extensive study into the various Latin saxophone styles including: Salsa, Mambo, Merengue, Calypso, Cha Cha etc. These exciting 50 examples will have you spending many enjoyable hours learning the intricacies of Latin saxophone playing. The book is transcribed note for note (for both Bb & Eb instruments) from the superbly recorded audio CD. Each example is recorded twice, the first version with Sax, Piano, Bass and Percussion and the second version with just Piano, Bass and Percussion so that the Sax player can practise along with the rhythm section.

Par O'NEILL JOHN. These methods provide complete courses for players off all ages, guiding students from their first note to 'classics', together with compositions by contemporary writers. Each book is accompanied by high quality rhythm section tracks recorded on compact disc. Right from the start, students can enjoy authentic jazz sounds, playing in the company of professionals. With step-by-step instruction and a progression of specially written pieces, the fundamental elements of good technique are introduced alongside the rhythmic subtleties of jazz. Improvisation is encouraged from an early stage and is given direction through the systematic study of scales and arpeggios and advice on ear-training and chord patterns. With supplementary suggestions for listening and reading, and an Appendix containing all the chord progressions for 'live' accompaniment of the tunes, 'The Jazz Methods' are ideally suited to both students working alone and those learning with a teacher. 'John O'Neill has a solid understanding of jazz and how it can be taught. I highly recommend his educational jazz materials.' (Jamey Aebersold) '...a rare opportunity for a new player (or a more experienced one) to develop a really musical facility. A rare addition to the jazz improvising library.' (Lee Konitz, international jazz saxophone soloist) The Saxophone is, for many, the instrument of jazz and there is an enormous and exciting repertoire waiting to be explored by newcomers to the instrument. 'The Jazz Method for Saxophone' will guide beginners of all ages from producing their first note on the saxophone to the performance of full-blown jazz pieces, including 'classics' by Thelonious Monk, Charlie Parker, Sonny Rollins and Horace Silver, as well as contributions from leading contemporary jazz players and composers. Backing for all the music-specially recorded for this method is provided on the accompanying CD so that, right from the start, student saxophonists can enjoy an authentic jazz sound, playing in the company of a top-class rhythm section (bass, guitar, drums) used later to support first attempts at improvisation. / Méthode / Méthode / Saxophone

Add unique saxophone sounds to your palette of colours! The saxophone is capable of a great range of sounds from laughs and growls to multiphonics and percussion effects. This book shows you how to do 19 different inventiveeffects with etudes that put them in a musical context. The accompanying CD provides play-along tracks for the etudes and examples of each sound effect in isolation.

Selections from the original motion picture soundtrack 'Episode II Attack Of The Clones' arranged for Alto Saxophone. The arrangements in this series are fully compatible with each other and can be played together or as solos. Each book includes a fully orchestrated accompaniment CD. Each song on the CD includes a complete demonstration track followed by a play-along accompaniment track. Also includes colour pictures from the film. Suitable for grade 3-4 standard.