Over 40 beautiful easy piano arrangements of beloved John Williams themes, including: Theme from Angela's Ashes · Catch Me If You Can · Theme from E.T. (The Extra-Terrestrial) · Harry's Wondrous World · Hedwig's Theme · Hymn to the Fallen · The Imperial March (Darth Vader's Theme) · Theme from Jaws · Theme from J.F.K. · Luke and Leia · March of the Resistance · Olympic Fanfare and Theme · Raiders March · Rey's Theme · Scherzo for Motorcycle and Orchestra · Theme from Schindler's List · Somewhere in My Memory · Sophie's Theme · Star Wars (Main Theme) · With Malice Toward None · and more.

Compiled and edited by David Blackwell Piano Mix 3 is packed full of brilliant music that has been specially arranged for Easy Piano. Featuring a diverse range of styles and genres from centuries ago to the present day to help pianists progress from Grades 3 to 4.   The repertoire in Piano Mix 3 reflects the type of music in the ABRSM Piano syllabuses. In Piano Mix 3 the pieces are mostly at Grade 3 standard helping pianists progress to Grade 4 towards the end of the book. The series has been compiled and edited by David Blackwell with arrangements by Alan Bullard NikkiIles Christopher Norton and Tim Richards to name a few. Every arrangement is enjoyable to play because it fits well under the pianist’s hands while remaining faithful to the original work.   Well-known music includes Dvorák’s Slavonic Dance The Lark Ascending by Vaughan Williams and Consider Yourself from Oliver! There are also lots of unsung melodies to be discovered like Clog Dance from Hérold’s ballet La Fille Mal Gardée and a traditional Serbian folk tune Djurdjevka. From the Orchestra to the opera and from folk to jazz there’s a world of music at your fingertips!   Swing low sweet chariot  arr.Richards in included on ABRSM Grade 3 Piano Syllabus 2017-2018

Compiled and edited by David Blackwell Piano Mix 1 is packed full of brilliant music that has been specially arranged for Easy Piano. Featuring a diverse range of styles and genres from centuries ago to the present day to help pianists progress from Grades 1 to 2.   The repertoire in Piano Mix 1 reflects the type of music in the ABRSM Piano syllabuses. In Piano Mix 1 the pieces are mostly at Grade 1 standard helping pianists progress to Grade 2 towards the end of the book. The series has been compiled and edited by David Blackwell with arrangements by Alan Bullard NikkiIles Christopher Norton and Tim Richards to name a few. Every arrangement is enjoyable to play because it fits well under the pianist’s hands while remaining faithful to the original work.   Well-known music includes Handel’s Fireworks Minuet Saint-Saëns’ Lion from The Carnival of the Animals and opera classics from Bizet and Verdi. There are also lots of unsung melodies to be discovered like Dowland’s Lute Song Harry J. Lincoln’s Bees-Wax Rag and a traditional Swiss piece called In the Alps. From the Orchestra to the opera and from folk to jazz there’s a world of music at your fingertips!

for Piano and Orchestra-Study Score format 22.4 x 16.5 cm.Mozart’s Piano Concerto In C Minor K.491 is one of his best-known works in the genre not least because of the special character of its minor key (rarely encountered in Mozart’s music) and the dramatic contrast between the soloist and Orchestra.

Piano Reduction-Sarabande de Jon Lord fut compos? en 1975 et sorti comme disque solo l?ann?e d?apr?s. Cette nouvelle ?dition r?vis?e bas?e sur la version de concert du compositeur de 2010 est la toute premi?re version publi?e de l??uvre. Lord l?avait con?ue pour accompagner son Concerto for Group and Orchestra lors d?interpr?tations en direct. Un morceau virtuose qui combine les forces de groupe de rock et d?orchestre inspir? par les suites pour clavier de Jean-S?bastien Bach. Cette nouvelle ?dition compl?te est ?dit?e par le chef d?orchestre Paul Mann collaborateur musical de Jon Lord depuis longtemps. Elle se repose sur de nombreuses sources qui ?taient indisponibles auparavant comme le manuscrit de la version originale ainsi qu?une copie de la partition corrig?e en consultation avec le compositeur apr?s la premi?re de 2010. Par cons?quent cette ?dition est sans doute une repr?sentation aussi pr?cise que possible des derni?res r?flexions de Jon Lord sur cette ?uvre.