The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio.
1. Hillbilly Fingerstyle Blues Guitar ? An Introduction
2. Learning the Songs
3. Understanding the Tablature
4. The Songs
5. 1) Knoxville Blues?Sam McGee
6. 2) Easy Rider?Sam McGee
7. 3) Railroad Blues?Sam McGee
8. 4) Sally Long?Sam McGee
9. 5) Fuzzy Rag?Riley Puckett
10. 6) Worried Blues?Frank Hutchison
11. 7) Train That Carried The Girl From Town?Frank Hutchison
12. 8) The Miner?s Blues?Frank Hutchison
13. 9) K. C. Whistle?Lester McFarland
14. 10) John Hardy Was A Desperate Little Man?The Carter Family
15. 11) Johnson City Blues?Clarence Greene
16. 12) Brown Skin Blues?Dick Justice
17. 13) Cocaine?Dick Justice
18. 14) She Lied To Me?Emry Arthur
19. 15) Everyday Dirt?David McCarn
20. 16) Take Them For A Ride?David McCarn
21. 17) Jailhouse Rag?David Miller
22. 18) Match Box Blues?Larry Hensley
23. 19) New Chattanooga Mama?Lake Howard
24. 20) Soap Box Blues?Debs Mays
25. 21) Rabbit Blues?Debs Mays
26. 22) Graveyard Blues?Hobart Smith
27. 23) Railroad Bill?Hobart Smith
28. 24) K. C. Moan?Hobart Smith
29. 25) Mississippi Heavy Water Blues?Roscoe Holcomb
30. 26) Riley And Spencer?Fields Ward
31. 27) Raggin? The Wires?E. C. Ball
32. 28) Ain?t No Grave Can Hold My Body Down?E. C. Ball
33. Appendix?Default Chord Positions
34. ABOUT THE AUTHOR
35. Afterword
36. ACKNOWLEDGEMENTS
/ Partitions variété - pop - rock / Variété internationale / Guitare tablatures / MEL BAY

Guitar Play-Along DVD Volume 28-Guitar Play-Along DVD Volume 28: Blues Rock lets you hear and see how to play blues rock songs like never before. Just watch listen and learn! Each song starts with a lesson from a professional guitar teacher. Then the teacher performs the complete song along with professionally recorded backing tracks. You can choose to turn the guitar off if you want to play along or leave the guitar in the mix to hear how it should sound. You can also choose from three viewing options: fret hand with tab wide view with tab pick & fret hands close-up. Each DVD includes great songs that all guitarists will want to know!

Par MARSHALL DAVE. Dropped D Guitar: Bach to Blues provides in-depth strategies to help the seasoned beginner to intermediate guitarist gain familiarity with the patterns of dropped D, utilizing a series of hands-on exercises for playing in dropped D tuning. Actual music is provided (no scales here) in the major keys of C, G, D, A, and the minor keys of Dm, Am, and Em. In addition, the guitarist is given a wide-ranging source of music, in a variety of musical styles and keys. There are works written by classical masters, traditional music, and early blues - all arranged for fingerstyle guitar in dropped D tuning in both standard notation and tablature. Background narrative is given on musical periods, composers, and the music to add to the reader\'s understanding and interest. All instructional and solo material is played by the author on the accompanying CD. / Niveau : Débutant à Intermédiaire / All Styles - Methods / Tablatures / Guitare Tablatures Flatpick et Fingerpick

and Renaissance Music For Guitar-A collection of 28 fingerstyle guitar solos and duets by fingerstyle guitarist John Renbourn. These solos are drawn from Medieval and Renaissance lute dance tunes and solos. All solos are in notation and tablature. The onlineaudio contains 17 of the solos from the book.

Guitar Play-Along Volume 28-This interactive and easy-to-follow method will have you playing your favourite Greg Koch solos in no time! All you have to do is follow the Tablature notation listen to the demonstrations on the accompanying CD and then start playing along to the high-quality backing tracks. Furthermore if you are a Mac or PC user the CD is enhanced so you can adjust the recording to any tempo without changing the pitch!

This volume in the Guitar Recorded Versions series contains 28 Beatles songs released between 1967-1970 all arranged for guitar tab.Songs include: 'Across the Universe' 'All You Need Is Love' 'Back in the U.S.S.R.' 'The Ballad of John and Yoko' 'Come Together' 'A Day in the Life' 'Don't Let Me Down' 'The Fool on the Hill' 'Get Back' 'Hello Goodbye' 'Here Comes the Sun' 'Hey Jude' 'I Am the Walrus' 'Lady Madonna' 'Let It Be' 'The Long and Winding Road' 'Lucy in the Sky with Diamonds' 'Magical Mystery Tour' 'Ob-La-Di Ob-La-Da' 'Octopus's Garden' 'Old Brown Shoe' 'Penny Lane' 'Revolution' 'Sgt. Pepper's Lonely Hearts Club Band' 'Something' 'Strawberry Fields Forever' 'While My Guitar Gently Weeps' 'With a Little Help from My Friends'.

With the help of this book Jim Ferguson who is one of the foremost names in jazz guitar instruction helps you unleash the improvisational power of the same fingerboard shapes that are utilized by many guitargreats.Material includes numerous major minor and dominant chord-based patterns and superimpositions along with a host of ideas and concepts to help you assemble them into dynamic solos. Four complete solos on commonsong forms/progressions are included along with a 28-track CD. Presented in standard notation and TAB.

Glenn Weiser. Centerstream Publications. Features 45 Irish and Scottish harp tunes (28 tunes are by Turlough O'Carolan) arranged at the intermediate level for solo guitar. Standard tunings are used throughout for classical guitarists as well as steel-string fingerstylists.

Ce recueil contient les riff de guitare de 28 hits, en notation standard et en tablature. Le CD inclus contient une piste de démo pour chaque riff. / Guitare

Media Type : Book Level : Intermediate Musical Genre : Latin American Number of pages : 128 Due to some deep-seated cultural irony known only to its native population, the Argentine tango has a profound grip on Finland where dance clubs and popular singers thrive on this particular style of music. In this collection, Finnish guitarist Òle Halen shares his enthusiasm for the genre by presenting tangos for solo guitar by some of the best Latin American and Spanish tango composer/guitarists, plus transcriptions and arrangements by such luminaries as Francisco Tárrega and Daniel Fortea of Spanish and Italian works originally composed for instruments other than the guitar. Written in standard notation and tablature.

Description This is a challenging set of three lessons presenting a variety of tunes from string band rags to classic rags to novelty instrumentals. The three audio CDs give 3 full hours of note-by-note, phrase-by-phrase instruction. LESSON ONE: Two New Orleans standards are presented in this lesson. Both are played in the key of C with a style that combines an alternating bass with single-string runs and counterpoint lines. Mabel's Dream was popularized by the King Oliver Band. High Society is a well known Mardi Gras instrumental. LESSON TWO: Two rags are presented in this lesson. We begin in a dropped D tuning with the classic rag Powder Rag. This is followed by an arrangement of the 1928 Dallas String Band recording of Dallas Rag. This combines alternating bass with counterpoint techniques and single-string runs. LESSON THREE: One of Rev. Davis's most popular show instrumentals was Soldier's March. It has sections played in the keys of F and C and is a challenging guitar solo that takes the listener from early morning to lights out in the day of a soldier.