Great significance is attached to the Marian antiphons along with the cult of the veneration of the Virgin Mary. This two volume edition contains Latin settings of Marian antiphons from the 18th to the 20th century. The first volume already published contains settings of the Marian antiphon Salve Regina whilst the second volume contains the three other Marian antiphons and the Marian hymn Ave maris stella.These two volumes contain an anthology of works by Johann Michael Haydn Bruckner Gounod Dvorák Elgar Grieg Liszt Mendelssohn a.o. which have been arranged for medium voice and organ without compromising any of the originality of the pieces.

Looking On Darkness for Accordion solo was composed by Bent Sørensen in 2000. Programme note: It is in the attempt to recreate a lost world without any illusion of its feasibility that we find the Danish composer Bent Sørensen's beautiful and melancholic music. Sørensen one of the most frequently performed contemporary Scandinavian composers has taken the title Looking on Darkness from Shakespeare's Sonnet No. 27. The thematic and intellectually clearly constructed form in which the inherent emotion is centrally placed and which characterises the sonnet also forms the basis of Sørensen'scomposition which is dedicated to Frode Haltli. As in Shakespeare's sonnet the past memory arises in Sørensen's music as it were out of nothing out of the darkness the silence; the concrete rattle of the accordion buttons and the sensitive dripping notes in the opening section vibrate on the borderline between the concrete and the hereafter. Loss and mourning for that which is lost and will never come again flow into the fleeting and poetic tones and meld together; the music oscillates lingers holds tightly to the absence slackens its grip tries again moves carefully onwards like the fragmentary memories in Samuel Beckett's late prose before the sorrowful voice of the piece just as beautiful and unobtrusive withdraws again and leaves us to the silence to what used to be.

Album Pour Bals A Papa N°1
Partitions Pour Piano Ou Accordéon, Paroles Et Accords.

Dans Les Albums Bals A Papa Nous Avons Souhaité Regrouper En Albums, Des Répertoires Constitués Et Sélectionnés Par Genres : Paso Doble, Tangos, Marches, Valses, Jazz, Etc... Chacun D'eux Contient Environ Une Quarantaine De Titres D'hier Et D'aujourd'hui, Mais Tous De Notoriété Nationale Ou Internationale : Standards Et Succès Confirmés. /

Environ 100 de mélodies les plus populaires de tous les temps, arrangé pour l'accordéon, y compris : Aloha Oe · Ave Maria · Blue Danube Waltz · Fantasie Impromptu · Pierre et le loup · Vallée de la rivière Rouge · Le · vers luisants La Rose jaune du Texas · Mariage de la · vents et plus encore. / Accordéon / 48 pages / Partition

Ambiance Jazz
Partitions Pour Piano Ou Accordéon Et Accords.

Frédéric Schlick A Commencé A Jouer De L'accordéon A Huit Ans Et S'est Produit En Public Quatre Ans Après Avec Plusieurs Orchestres. Cet Ancien Forain Propriétaire D'un Manège Jusque Dans Les Années 1990, N'a Pas Peur De L'aventure. Encouragé Par De Grands Jazzmen Tels Que Birelli Lagrène Ou Art Van Damme, Frédéric Schlick Ecrit Avec Aisance. Son Style Est Très Personnel Et Sensible, Ses Airs Résonnent Déjà Comme De Futurs Standards. /