SKU: HL.49033323
ISBN 9783795757311. 9.0x12.0x0.675 inches. German.
This saxophone method is suitable for lessons and self-study and is aimed at young people and adults who want to learn to play the saxophone with fun and success. This is why this established method focuses on well-known songs - long-winded explanations and dry exercises are avoided. All subject matters have been wrapped up in attractive songs and pieces which sound like real music right from the beginning thanks to the live recorded playback tracks. Thus, exercising is fun. Another successful instrumental method in the well-known 'Hobby' series. Dirko Juchem has made a name for himself as a saxophonist, saxophone teacher and specialist author on both a national and international level for many years.His saxophone sound and wide range of styles are well in demand: He has played with well-known German and international artists such as Rolf Zuckowski, Barbara Dennerlein, Thomas Anders, Anne Haigis, Harald Juhnke, Pe Werner, Sara K. as well as with musicians of Jethro Tull, Jazz-Kantine or the Mike Oldfield Band. Apart from numerous concerts and productions with other artists and bands, he performs again and again with his own programmes - solo, as a duo or with an entire band. Up to now, he has performed in more than 100 CD and LP productions, and his tours have taken him as far as Los Angeles and Taiwan.Having taught at various music schools as a saxophone teacher and held lectures at the Bundesakademie Remscheid as a guest lecturer, he knows the problems of saxophonists from first-hand experience.In addition, Dirko Juchem is the author of numerous textbooks and tune books for the saxophone as well as a specialist author of articles for musicians' journals ('Sonic', 'Sound Check', 'Fachblatt Musikmagazin').
SKU: BR.PB-32117
ISBN 9790004215845. 10 x 12.5 inches.
The cantata Schmucket das Fest mit Maien has survived without any information about the time of its composition, its purpose, or its scoring. The librettist is also unknown, although there is a comparatively similar text in the work of the Silesian poet Hans Assmann Freiherr von Abschatz (1646-1699), printed in Leipzig in 1704. Since the copy of the score that serves as the source for this edition was probably written after 1708, and the work is closely related to the cantata Daran erkennen wir (PB 32090), it could have been written during Kuhnau's first years as Thomaskantor from 1701 on.The text set to music provides information about the purpose of the cantata. In the course of the work, the image of the bridegroom and his bride from the Song of Songs is reinterpreted as the sending of the Holy Spirit upon the congregation of Christians. In the first part, passages from the Song of Songs predominate while the second part quotes their symbolic interpretations or treats them in free poetry. In the concluding chorale, a stanza from Philipp Nicolai's Wie schon leuchtet der Morgenstern (How beautifully the morning star shines), the outpouring and the flames are also mentioned, so the purpose to the feast of Pentecost is clear.Another special feature of the cantata is the varied and colorful instrumentation with the scoring of two flutes, two oboes and bassoon in individual movements, in addition to the usual, sometimes divided strings.
SKU: M7.DOHR-17604
ISBN 9790202036044.
Von der Existenz der sieben verschollenen Klaviersonaten Hob. XVI: 2a-e und g-h wissen wir lediglich durch Haydns Eintragungen ihrer Incipits im sogenannten Entwurf-Katalog. Entstanden sind die fraglichen sieben Sonaten nach derzeitigem Forschungsstand vermutlich in der Zeit zwischen 1766 und 1772. Die vom Haydn-Spezialisten Thomas Enselein erstellten Rekonstruktionen dieser sieben Sonaten sind sowohl in Einzelausgaben wie auch in einem Sammelband (E.D. 17600) erhältlich. Zur jeder Neufassung hat Enselein einen Werkstattbericht (deutsch/englisch) erstellt, in dem er sein Vorgehen bei der Rekonstruktion der einzelnen Sonate erläutert.
SKU: M7.DOHR-17606
ISBN 9790202036068.
SKU: HL.49008422
ISBN 9790001131940. 12.0x8.75x0.13 inches.
Composed in anticipation of the Bach anniversary in 2000. The forms and religious symbolism in Holliger's piece are not restricted in their reference to the Cantor of St Thomas' Leipzig, but include the interwoven contradictory attitudes towards Bach of Schumann and Liszt. A technically and musically demanding concert piece. Prelude (Inner Voice) * Fugue * Barcarole * Sphinxes (Intermezzo I) * petit Csardas obstine * Sphinxes (Intermezzo II) * Ciacona monoritmica.
SKU: HF.FH-3098
ISBN 9790203430988. 9 x 12 inches.
Der Terzenkrimi - das sind 13 kleine Studien fur Tastentater, die keine Etuden mogen. Die Stucke sind witzig und einfallsreich. Der Etudencharakter ist nicht vordergrundig. Trotzdem kommt er nicht zu kurz. Ideal fur alle, die zwar viel lernen mochten, aber den Etuden im Allgemeinen nichts abgewinnen konnen. Der Komponist Rodolphe Haimann wurde 1960 in Arras (Frankreich) geboren. Er studierte Musikwissenschaft und Kunstgeschichte in Gottingen und danach Klavier (bei Agathe Wanek), Violine (bei Doris Spemann), Liedgestaltung (bei Burkhardt Schaeffer) sowie Komposition (bei Friedrich K. Wanek) am Peter-Cornelius-Konservatorium in Mainz. Es folgte ein Studium an der California State University in Fresno (USA) in den Fachern Klavier (bei Philip Lorenz) und Komposition (bei Jack Fortner). Rodolphe Haimann bestreitet zahlreiche Konzerte als Solist, Liedbegleiter und im Klavier-Duo mit Thomas Noichl im In- und Ausland. Seit 1991 ist Rodolphe Haimann Lehrbeauftragter fur Klavier und Komposition am Camerloher-Gymnasium in Freising (Musisches Gymnasium). Er ist Gastdozent an der Musikakademie Marktoberdorf und Mitglied der EPTA (European Piano Teachers Association).
SKU: M7.VOGG-816
ISBN 9783802408168. German.
Für Gitarristen der Mittelstufe Über 60 der bekanntesten und wichtigsten Stücke für die Konzertgitarre (Solo und Duo) aus drei Jahrhunderten in traditioneller Notation - die unentbehrliche Stückesammlung, die in keinem gutsortierten Notenregal fehlen darf! Endlich alle Stücke, die man sich bisher in Einzelausgaben anschaffen oder aus Dutzenden von Sammlungen zusammenstellen musste, in einem einzigen Band! Von Aguado und Bach bis zu Sor und Tárrega, hier findet sich für jeden Gitarristengeschmack das Richtige. Alle Stücke spielfertig eingerichtet mit Fingersätzen und Lagenangaben. Die beiden aufwendig produzierten Begleit-CDs sind nicht nur ein idealer Begleiter beim Üben, sondern auch ein absoluter Hörgenuss für jeden Liebhaber klassischer Gitarrenmusik.
SKU: BR.OB-32117-16
ISBN 9790004350843. 10 x 12.5 inches.
SKU: BR.OB-32117-26
ISBN 9790004350867. 10 x 12.5 inches.
SKU: BR.OB-32117-15
ISBN 9790004350836. 10 x 12.5 inches.
SKU: BR.OB-32117-11
ISBN 9790004350829. 10 x 12.5 inches.
SKU: BR.OB-32117-19
ISBN 9790004350850. 10 x 12.5 inches.
SKU: BR.CHB-5366
ISBN 9790004412961. 7.5 x 10.5 inches. Latin.
Kurt Thomas' Mass in a op. 1 for Soloists and two mixed choirs a cappella was composed in 1925 at the end of his music studies in Leipzig. It is dedicated to his patron, Thomaskantor (choirmaster of St. Thomas) Karl Straube, in highest gratitude and reverence. It was published in the same year as his first printed work by Breitkopf & Hartel, founding a long-term collaboration which later enabled the publication of the Small Sacred Choral Music op. 25 (CHB 5344) and the conducting tutorial Lehrbuch der Chorleitung (BV 271). In 1927, it was awarded with the Beethoven-Preis of the Prussian Academy of Arts. The work is set for double choir throughout, partly also giving way to eight-part passages and shorter sections in which the choir sings in turn with the four solo voices. The Venetian polychorality is also used as a stylistic device, emphasizing the model character of baroque choral music.
SKU: BR.OB-32034-19
ISBN 9790004350911. 10 x 12.5 inches.
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring.
SKU: BR.OB-32034-15
ISBN 9790004350898. 10 x 12.5 inches.
SKU: BR.OB-32034-11
ISBN 9790004350881. 10 x 12.5 inches.
SKU: BR.OB-32034-20
ISBN 9790004350928. 10 x 12.5 inches.
SKU: BR.OB-32034-26
ISBN 9790004350935. 10 x 12.5 inches.
SKU: BR.OB-32034-16
ISBN 9790004350904. 10 x 12.5 inches.
SKU: BR.OB-32034-54
ISBN 9790004350966. 10 x 12.5 inches.
SKU: BR.OB-32034-53
ISBN 9790004350959. 10 x 12.5 inches.
SKU: M7.DOHR-17607
ISBN 9790202036075.
SKU: M7.DOHR-17601
ISBN 9790202036013.
SKU: M7.DOHR-17603
ISBN 9790202036037.
SKU: M7.DOHR-17602
ISBN 9790202036020.
SKU: BR.OB-32117-30
ISBN 9790004350874. 10 x 12.5 inches.