For baritone and orchestra (2014)-The Vocal Score for True Fire by Kaija Saariaho composed in 2014 and arranged for Baritone Voice and Orchestra. True Fire was commissioned by the Los AngelesPhilharmonic Orchestra NDR Sinfonieorchester BBC Symphony Orchestra and Orchestre national de France. The composition is a setting of five texts three of which are from renowned transcendentalist poet Ralph Waldo Emerson'sSpiritual Laws. The other texts are Irish poet Seamus Heaney's 'The Spirit Level' Songs of the Tewa and a piece of writing by Palestinian poet Mahmoud Darwish.  This beautiful workwas first performed at the Walt Disney Concert Hall in Los Angeles on the 14th of May 2015.

Baritone Voice And Piano Performing Score-Composed in 2012 the two pieces in Sadie Harrison’s Heartoutbursts! take their inspiration from traditional English folk.'...in the folk-song there is to be found the complete history of a people recorded by the race itself through the heartoutbursts of its healthiest output. It is a history compiled with deeper feeling and more understanding than can be found among the dates and data of thegreatest historian...'(Percy Grainger 1922)In 1905 Joseph Taylor won a Lincolnshire folksong competition with his rendition of Brigg Fair a song he had learnt from a gypsy. Australian composer Percy Graingersubsequently published a setting in his Lincolnshire Posy with Delius using the tune in his rhapsody Brigg Fair. Both composers sought to vivify the tradition of English folksong celebrating not only the ancient tunes and words but also the qualities of particular folksingers like Joseph Taylor.Harrison’s own Australian Heartoutbursts! follow unashamedly in the Grainger tradition with echoes of the original folktunes underpinning both songs Brigg Fair and The Seeds of Love. Although different in character both texts use similar images as analogies for the joys and despairing associated with love - the lark and violet symbolize youth the lily as virginity the red rose as true love and the willow representing falsehood and abandonment.

for Baritone and Piano. Par PHILIPS JULIAN. Swift Partitions by Julian Philips is a 13-minute set of songs for baritone and piano. This setting of eight short poems by American poet Emily Dickinson, each exploring her relationship to the sea, is not narrative, but instead alternates philosophical meditations on the sea (Songs 1, 3, 5 8) with more immediate \'encounters\': a surreal walk with the sea (Song 2), two near drownings (Songs 4 5) and a river\'s almost erotic desire to join the ocean (Song 8). 1. An Everywhere of Silver 2. I started Early ? took my Dog 3. Though the great Waters sleep 4. The waters chased him as he fled 5. Water makes many Beds 6. Three times ? we parted ? Breath ? and I 7. Fortitude incarnate 8. My River runs to thee Completed in June 1998, Swift Partitions was commissioned by the Welsh baritone Jeremy Huw Williams, with funds from the Arts Council of Wales, and premiered with pianist Nigel Foster, at St Mary\'s Church Warwick, on 9 July 1998. The score (EP 73505) is available for sale. / Date parution : 2022-09-07/ Répertoire / Baryton et Piano

For Baritone and Piano.Published in 2001-02.Commissioned by Jeremy Huw Williams and Iwan Llywellyn-Jones.First performed by Jeremy Huw-Williams and Iwan Llywellyn-Jones North Wales International MusicFestival St Asaph Cathedral September 2002.Score and Part.

Par FRANCES-HOAD CHERYL. Commissioned by the Oxford Lieder Festival, for baritone and piano, this song sets text by Charles Baudelaire in an English translation by Eleanor Brown. Premiered by Ashley Riches, baritone and Michael Dussek, piano. / Date parution : 2022-04-26/ Répertoire / Baryton et Piano

Bass (With Online Accompaniments)-The vocal and musical abilities of high school and college singers have guided the song choices in this series. These volumes introduce classical voice students to American art song with some of the most often studied music in the genre. The Tenorand Baritone/Bass volumes have the same song list but in different keys. The same is true of the Soprano and Mezzo-Soprano/Alto song lists.

Karl Jenkins' Ave Verum is a beautiful setting of the 14th century Eucharistic hymn for Voice with Piano Accompaniment. This is an exquisite sacred solo complete with gently rocking rhythms and Karl Jenkins' uniquely atmospheric sound world. An optional second voice part is included which gives the opportunity to perform a hauntingly beautiful duet. This piece provides a wonderful enrichment to any vocalist's repertoire.

Setting of a poem by Hilaire Belloc. Written at the request of CRUSAID and first performed in London in May 1990 by David Wilson-Johnson and David Owen Norris.

Par PHILIPS JULIAN. Four Sonnets of John Clare by Julian Philips is a 12-minute work for baritone and piano which sets four sonnets by the English poet John Clare. The work reflects on different aspects of Clare\'s human experience: the transcience of worldly renown, the loss of inspiration, a fear of neglect in death and a love of the numinous in nature, and the music seeks to match Clare\'s poetic gestures with clarity and economy. 1. Fame 2. The Death of Beauty 3. Memory 4. The Shepherd\'s Tree The Four Sonnets of John Clare were completed in April 2002 and commissioned by Wigmore Hall, with funds made available by the Ralph Vaughan Williams Trust. The set was written specially for Sir Thomas Allen and Graham Johnson, who gave its premiere on 16 July 2002 at London\'s Wigmore Hall. The work is dedicated to William Lyne. The score (EP 73506) is available for sale. / Date parution : 2022-09-07/ Répertoire / Baryton et Piano

Once Did I Breathe Another's Breath was commissioned for the 2013 Ludlow Weekend of English Song with funds provided by Finzi Friends and specifically Ernie Kay Brian & Mary Midgley and Adrian & NormaWilliams.The first performance of Once Did I Breathe Another's Breath was given by Ashley Riches and Iain Burnside on 31st May 2013 at the Ludlow Weekend of English Song in Ludlow Assembly Rooms.

Par FRANCES-HOAD CHERYL. everything grows extravagantly was co-commissioned by Oxford Lieder and the Oxford Botanic Garden

Par CLERC EMMANUEL. Quatre textes mis en musique pour BARYTON et piano : une évocation du grillon qui vit caché et heureux, du chat qui sert en voulant nuire, de la montagne qui accouche d'une souris, et enfin de la rose-thé, la plus délicate de toutes ! Musiques exquises, tout en nuances, aux mélodies raffinées et aux harmonies subtiles qui éclairent d'un jour nouveau ces textes du XVIIIe ou XIXe. Des mélodies élégantes pour illustrer ces fables sensibles, astucieuses ou espiègles / Date parution : 2015-08-03/ Répertoire / Baryton et Piano