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| Andrew Lloyd Webber for Classical Players - Cello and Piano Cello, Piano [Sheet music + Audio access] Hal Leonard
With online audio of piano accompaniments. By Various. By Various. Broadway. ...(+)
With online audio of piano
accompaniments. By Various.
By Various. Broadway.
Softcover Audio Online. 56
pages. Published by Hal
Leonard
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Souvenirs Cello, Piano - Intermediate Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musique de scène pour « Le Voyageur sans bagages ». Composed by Francis Poulenc. Classical. Book and Part(s). Composed 2016. 5 pages. Editions Salabert #SLB 00595900. Published by Editions Salabert (BT.SLB-00595900). INSSTR inches. French. A previously unreleased piece by Francis Poulenc, published with permission from the Bibliothèque Historique de la Ville de Paris and Benoît Seringe, secretary of the Association des amis de Francis Poulenc [Association of the Friends ofFrancis Poulenc]. Le Voyageur sans bagage [The Traveller Without Luggage], which had been premiered in 1937 with music by Darius Milhaud, was reprised on 1 April 1944 at the Thé tre de la Michodière; Francis Poulenc was asked to compose new stage music. Theentire unpublished score lay undiscovered until Bérengère de l’Épine, a librarian at the Bibliothèque Historique de la Ville de Paris, announced the existence of a manuscript in the Association de la Régie Thé trale collection.Poulenc finalised the score between 19 and 21 March 1944. It contains nine songs, all written for a small instrumental ensemble including oboe, clarinet, cello and piano. However, at the end of the manuscript, the composer echoes the second song Lent [Slow] and creates another version for cello and piano; curiously, the original version of the song has not been erased in the manuscript. Poulenc seems to suggest that we consider the piece for cello and piano, that we have publishedhere, as a different piece of music. It was premiered on Wednesday 23 January 2013 by Marc Coppey, accompanied by Jean-François Heisser, in the organ auditorium of the Conservatoire National Supérieur de Musique et Danse de Paris (CNSMDP), during thesymposium for the fiftieth anniversary of Poulenc’s death.Given in a dramatic context, some elements allow us to get an idea of the character of the piece, which Benoît Seringe, Poulenc’s beneficiary, judiciously chose to name Souvenirs.The main character of Anouilh’s play, Gaston, is suffering from amnesia at the end of World War One. Several families try to claim him; they want him to be their missing relative. The Renaud family prove to be particularly stubborn, but Gaston doesnot recognize himself in the child and young man they depict: a ruthless and violent person. In Act 1 Scene 3, left alone for a moment, overwhelmed by the story of the “old Gaston†that is gradually coming to light, and outraged by the desire ofthose around him to appropriate him (to the detriment of the person he would like to be from now on), he whispers these words: “You all have proof, photographs that look like me, memories as clear as day… I’ve listened to you all and it’s slowlycausing a hybrid person to rise up in me; a person in which there is a piece of each of your sons and nothing of me.†Poulenc chose to place the second piece from his stage music score as these words are spoken.He borrowed part of the material, as he often did, from an earlier composition. In this particular case, the beginning is a recycled version of the “slow and melancholic†section from L’Histoire de Babar , composed between 1940 and 1945, andpremiered in 1946 (unless it is Babar that reuses the musical idea from Voyageur ).The eponymous elephant decides to leave in search of the great forest. He embraces the old lady, promises her he will return and reassures her that he will never forget her. Left alone, the old lady, feeling sad and pensive, wonders when she’ll seeher friend Babar again. The situation is similar to that in Voyageur sans bagage: solitude, sadness, a distressing and introspective time, fear of oblivion, the presence of memories…
Pièce inédite de Francis Poulenc, publiée avec l’autorisation de la Bibliothèque historique de la ville de Paris et de Benoît Seringe, secrétaire de l’Association des Amis de Francis Poulenc.Le 1er avril 1944, Le Voyageur sans bagage d’Anouilh, qui avait été créé en 1937 avec de la musique de Darius Milhaud, est repris au Thé tre de la Michodière. Francis Poulenc a été sollicité afin d’écrire une nouvelle musique de scène. On ignoraittout de cette partition inédite, jusqu’au jour où Bérengère de l’Épine, conservateur la Bibliothèque historique de la ville de Paris, nous signala l’existence d’un manuscrit dans le fonds de l’Association de la Régie thé trale.Poulenc mit au point sa partition entre le 19 et le 21 mars 1944. Elle comprend neuf numéros, tous écrits pour un petit effectif instrumental réunissant un hautbois, une clarinette, un violoncelle et un piano.Cependant, la fin de son manuscrit, le compositeur reprend le no 2 Lent et en donne une seconde version, pour violoncelle et piano. Curieusement, la version originale de ce numéro n’est pas biffée dans le manuscrit.Poulenc semble nous inviter considérer comme un morceau distinct cette pièce pour violoncelle et piano dont nous proposons ici l’édition. Elle a été créée par Marc Coppey, accompagné de Jean-François Heisser, lors du concert donné durant lecolloque organisé pour le cinquantenaire du décès de Poulenc, le mercredi 23 janvier 2013, salle d’orgue du Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP).Quelques éléments sur le contexte dramatique permettront de se faire une idée du caractère du morceau, que Benoît Seringe, ayant droit Poulenc, a judicieusement choisi d’intituler Souvenirs.Le personnage principal de la pièce d’Anouilh, Gaston, a été retrouvé amnésique la fin de la Première Guerre Mondiale. Plusieurs familles le réclament. On veut voir en lui un parent disparu. Les Renaud se montrent particulièrement tenaces ; maisGaston ne parvient se reconnaître dans l’enfant et le jeune homme dont on lui trace le portrait : un être violent et sans scrupule. Au tableau 3 de l’acte I, resté seul un moment, écrasé par l’histoire de cet autre lui-même qu’il découvre peu peu, indigné par le désir des personnes qui l’entourent de le ramener elles au détriment de celui qu’il voudrait être désormais, il se murmure ces paroles : « Vous avez tous des preuves, des photographies ressemblantes, des souvenirs précis commedes crimes… je vous écoute tous et je sens surgir peu peu derrière moi un être hybride où il y a un peu de chacun de vos fils et rien de moi »…C’est sur ces mots que Poulenc a choisi de placer le no 2 de sa partition de musique de scène.Comme il le fait souvent, il emprunte une composition antérieure une part de son matériau. Dans ce cas précis, il réutilise pour le début du morceau la section « Lent et mélancolique » de l’Histoire de Babar, composée entre 1940 et 1945, créée en1946 ( moins que ce ne soit Babar qui réutilise l’idée musicale du Voyageur). Le héros-éléphant s’est décidé partir pour retrouver la grande forêt. Il a embrassé la vieille dame, lui a promis de revenir, l’a rassurée : jamais il ne l’oubliera.Restée seule, la vieille dame, triste et pensive, se demande quand elle reverra son ami Babar. La situation est similaire celle du Voyageur sans bagage : solitude, tristesse, instantde trouble et de retour sur soi, crainte de l’oubli, présence des souvenirs…. $11.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Cello Music Part 1: Baroque and Classical (Version 2.0)
Cello, Piano [CD Sheet Music] Subito Music
For Cello. (Cello). CD Sheet Music (Version 2.0). PDF file on CD. 1000 pages. Pu...(+)
For Cello. (Cello). CD Sheet Music (Version 2.0). PDF file on CD. 1000 pages. Published by Subito Music.
(8)$19.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Violoncello Music for Beginners 2 Cello, Piano - Easy EMB (Editio Musica Budapest)
Cello and Piano - easy SKU: BT.EMBZ6748 Easy concert pieces in first p...(+)
Cello and Piano - easy SKU: BT.EMBZ6748 Easy concert pieces in first position. By Arpad Pejtsik. By Endre Lengyel. EMB Music for Beginners. Educational Tool. Book Only. Composed 1973. 64 pages. Editio Musica Budapest #EMBZ6748. Published by Editio Musica Budapest (BT.EMBZ6748). Hungarian-English-German-French. The volumes of the series cover the entire music literature from the earliest centurties to our days. The material of the individual volumes containing short, easy pieces to be played in the first three-four years of studying the instrument has been compiled by accomplished music teachers. The majority of the contemporary works included in the volumes have been published in this series for the first time. An ABRSM syllabus title, 2010-16, Grade 2-3. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| More Time Pieces for Cello - Volume 1 Cello, Piano [Set of Parts] ABRSM Publishing
By Various. Edited by William Bruce / Tom Wells. For Cello, Piano. Violoncello a...(+)
By Various. Edited by William Bruce / Tom Wells. For Cello, Piano. Violoncello and Piano. Set of parts
$16.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| For Bob Cello, Piano Chester
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.284546 (+)
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.284546 Cello and Piano Version. Composed by Kevin Volans. Music Sales America. Classical. Softcover. Chester Music #CH86372 . Published by Chester Music (HL.284546). For Bob is arranged for Cello and Piano. First performed by Elisabeth Smalt and Kevin Volans, London 2016. Composers Note: I have no idea where this piece came from and how it is structured. But before and after I wrote it I was nagged by the question: what does the viola have to do with the piano? Did this combination evolve by unfortunate accident? The viola was perfected in the 18th century. Its natural metier is (private) chamber music. The piano on the other hand kept growing and blossomed in the 19th century as the ultimate public instrument. If the piano is to play with the viola, it has to rein back its power and pose as an accompanist. Maybe a third instrument, perhaps from the 20th century, is needed to mediate between these two very different sound worlds. So whenwe play this 'trio' with 2 instruments I invite the listener to mentally add the silent part(ner). - Kevin Volans. $20.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| For Bob Cello, Piano Chester
Cello and Piano. Composed by Kevin Volans. Music Sales America. Classical. ...(+)
Cello and Piano. Composed by
Kevin Volans. Music Sales
America. Classical.
Softcover. Chester Music
#CH86372. Published by
Chester Music
$20.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Right from the Start Cello, Piano - Beginner Boosey and Hawkes
Cello and Piano. By Sheila Nelson. (Cello). Boosey and Hawkes Chamber Music. Si...(+)
Cello and Piano. By Sheila Nelson. (Cello). Boosey and Hawkes Chamber Music. Size 9x12 inches. 20 pages. Published by Boosey and Hawkes.
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Selah - Listening CD Cello, Piano [CD] SoundForth
(Cello and Piano Meditations). Composed by Elisabeth Boyle. String ensemble. For...(+)
(Cello and Piano Meditations). Composed by Elisabeth Boyle. String ensemble. For instrumental. Recordings. Listening CD. SoundForth #278887. Published by SoundForth
$15.95 - See more - Buy online | | |
| Super Solos Cello, Piano [Sheet music + CD] - Intermediate Anglo Music
Cello and Piano - late intermediate SKU: BT.AMP-353-400 10 Selected So...(+)
Cello and Piano - late intermediate SKU: BT.AMP-353-400 10 Selected Solos with Piano Accompaniment. Composed by Philip Sparke. Super Solos. Tuition. Book with CD. Composed 2013. 56 pages. Anglo Music Press #AMP 353-400. Published by Anglo Music Press (BT.AMP-353-400). ISBN 9789043138710. 9x12 inches. English-German-French-Dutch. Philip Sparke’s Super Solos is the third volume of a progressive series of solo books that takes the young wind player from beginner to accomplished musician. Following on from the first two books in the series (Starter Solos and Skilful Solos) this collection generally contains longer pieces suitable for the developing young musicians. Specifically tailored for each instrument, Super Solos extends technical and musical demands, takes the player into new keys with larger instrumental ranges and adds new notes in a gradual and logical manner.The books provide invaluable additional material to complement any teaching method. Including play-along CD.
Na Starter Solos en Skilful Solos sluit Philip Spark deze reeks met het nieuw verschenen boek Super Solos. De solos in deze boeken zijn qua mogelijkheden en moeilijkheidsgraad perfect toegesneden op het betreffende instrument.Bovendien vult het de vorige uitgaven in deze reeks gestructureerd aan, waardoor het de instrumentalist een zinvol en motiverend vervolg biedt. Elk boek bevat een cd met begeleiding. Het voordeel hiervan is dat jonge muzikanten de belangrijkeaspecten van het samenspel al vanaf het begin kunnen ervaren. Zo ontwikkelen ze essentiële vaardigheden, zoals het luisteren tijdens het spelen en het handhaven van een strak tempo.
Nach STARTER SOLOS und SKILFUL SOLOS vollendete Philip Sparke seine Reihe Solobücher mit SUPER SOLOS. Die Soli in jedem Buch sind genau auf die Bedürfnisse und Anforderungen des jeweiligen Instruments zugeschnitten, im Schwierigkeitsgrad angepasstund schaffen somit einen Rahmen, in dem sich Instrumentalschüler neue Elemente in sinnvoller Reihenfolge aneignen können. Dank der im Buch und auf CD enthaltenen Klavierbegleitung lernen sie außerdem wichtige Aspekte des Ensemblespiels. SUPER SOLOS für fortgeschrittene Schüler hält mitreißende Stücke parat, mit denen neue technische und musikalische Schwierigkeiten gemeistert und ein größerer Tonumfang sowie neue Tonarten gelernt werden können. Inhalt: Little Overture - Berceuse - March of the Toy Soldiers - Air and Variations - Chicago Blues - Moto Perpetuo - Song of Farewell - Promenade - September Song - Scherzo Finale Super Solos s'inscrit dans la lignée des recueils Starter Solos et Skilful Solos. Jouer avec un accompagnateur est un travail d'équipe qui développe l'écoute et la capacité de réaction. Super Solos est le moteur indispensable de votre avancée dans le monde de la musique. Dopo Starter Solos e Skilful Solos, Philip Sparke completa la serie di libri per strumenti solisti con Super Solos. I brani proposti rispondono alle richieste e alle caratteristiche dei vari strumenti. Grazie al CD incluso, conlaccompagnamento del pianoforte, si apprendono i vari aspetti del suonare in ensemble.
$22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Cello Time Christmas: Piano Book Cello, Piano Oxford University Press
By Kathy Blackwell; David Blackwell. For Piano Accompaniment. Cello Time. 44 pag...(+)
By Kathy Blackwell; David Blackwell. For Piano Accompaniment. Cello Time. 44 pages. Published by Oxford University Press
$15.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Gershwin for Classical Players Cello, Piano [Sheet music + Audio access] Hal Leonard
Cello and Piano Book/Online Audio. Composed by George Gershwin (1898-1937). ...(+)
Cello and Piano Book/Online
Audio. Composed by George
Gershwin (1898-1937). For
Classical Players. Softcover
Audio Online. 56 pages.
Published by Hal Leonard
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Jigs, Reels and More Cello, Piano Boosey and Hawkes
Cello and Piano. By Edward Huws Jones. (Cello). Boosey and Hawkes Chamber Music...(+)
Cello and Piano. By Edward Huws Jones. (Cello). Boosey and Hawkes Chamber Music. Size 9x12 inches. 40 pages. Published by Boosey and Hawkes.
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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| Amazing Solos Cello, Piano Boosey and Hawkes
La musique dans ce livre est séduisante, parfois vraiment grande musique qui se...(+)
La musique dans ce livre est séduisante, parfois vraiment grande musique qui se trouve juste être simple. Aucun des pièces est simplement ' enseignement ' - presque al d'entre eux avait une vie réussie de leurs propres avant ils ont trouvé leur chemin ici - et ils ont été choisis pour leurs forces individuelles, purement musicales. Toutefois, le livre est plus qu'une collection de pièces remplit - les pièces qu'il compte près de graduée et très varié dans leurs demandes, afin que tout joueur qui travaille à travers eux auront la chance de consolider et de leur technique de Pologne. Ils sont aussi plus généralement variées dans le style. Ils donneront quelque plaisir inattendu et signpost certaines voies intéressantes et agréables qui pourraient autrement sont demeurées inexplorées. / Violoncelle Et Piano
26.10 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Sonata Brevis Cello, Piano Simrock
Créée en 1955, cette pièce, comme par exemple le violoncelle Sonate opus 2 co...(+)
Créée en 1955, cette pièce, comme par exemple le violoncelle Sonate opus 2 composé quelques années plus tôt, montre familiarité de Bertold Hummel avec ' son ' instrument dont il étudie avec Atis Teichmanis. La totalité de l'ouvrage est imprégné par son plaisir à jouer et une mélodie compréhensible - en particulier, le mouvement final brillant en 7/4 laisse une marque forte. La nouvelle édition nouvellement définie et soigneusement révisée sera un ajout intéressant au répertoire de jeunes violoncellistes. / Violoncelle Et Piano
18.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Robert Schumann: Concerto
for Cello and Orchestra
(Concertstück): Cello
and Cello, Piano Peters
Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Redisc...(+)
Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Rediscovered.
In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. It is presented in a beautifully printed edition for cello with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher.
Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Matching orchestral material available separately from Edition Peters Recording of the Concertstück featuring Josephine Knight available from Dutton
Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists.
Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. It is presented in a beautifully printed edition for cello, with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher.
?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.?
17.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| B Kelly: Sonatina: Cello:
Instrumental Work Cello, Piano [Sheet music] - Advanced Spartan Press
'Apart from the piano the cello is my favourite instrument. I taught myself how...(+)
'Apart from the piano the cello is my favourite instrument. I taught myself how to play it while still at school then took lessons with John Snowdon when I was a student at the R.C.M.. I had to give the cello up to concentrate on other things but my love for the instrument lingered on and in the past few years I have written works for two four and eight cellos so it seemed logical to write something for one hence this Sonatina! The dedication is to Naomi Butterworth who has championed my cello music and given many performances of it.'Bryan Kelly
7.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Pavane Op. 25
Français Cello, Piano [Sheet music] Billaudot
La référence CC1904 I de l'éditeur Billaudot dont l'auteur célèbre est Lieg...(+)
La référence CC1904 I de l'éditeur Billaudot dont l'auteur célèbre est Liegeois Cornélis, qui a pour titre PAVANE OPUS 25, a été écrite et composée pour Violoncelle et plus particulièrement pour Violoncelle Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violoncelle Et Piano / Partition
6.50 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Instrumental Solos Cello, Piano [Sheet music + CD] Alfred Publishing 30.26 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
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