Hypnotic Ciel Étoilé it means ?starry sky? in French uses the bass as a dark night of sound dotted with pointillist percussive sounds from the cymbals and crotales. The work is written in thirty-six bars each one a ?star? played very slowly and at varying speeds.Kaijai Saariaho is a contemporary Finnish composer living and working in Paris and considered to be part of the so-called ?French Spectralist? school of composition. Unlike many of herother works Ciel Étoilé has no electronic extensions but fully explores the multiple sonorities of the bass. She gained international renown for her first opera l?Amour du Loin and continues a prolific compositional life with awide range of international performances.

12 outstanding arrangements for the beginning jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos are included: swing ballads rock pop holiday Latin and a great warm-up chart titled 'Loosen Up.' This collection of charts is written for full instrumentation of 5 saxophones 3 trumpets 3 trombones and 4 rhythm but designed to sound full and complete with reduced instrumentation of just nine players - 2 Alto Saxes Tenor Sax 2 Trumpets Trombone Piano Bass and Drums. Optional parts are available for C Flute Tuba (doubles Bass part) Horn in F (doubles 1st Trombone) and Baritone Horn T.C. (doubles 1st Trombone).Rhythm section parts offer suggestions for voicings and rhythms and guitar chord frames are included to assist young guitarists. Solos are written out for improvised sections and there is plenty of full sounding ensemble. Conductor's book includes a full length CD recording. Titles are: Chattanooga Choo Choo * El Gato Gordo * James Bond Theme * A Jazzy Merry Christmas * The Judge * Li'l Darlin' * Loosen Up * One O'Clock Jump * Over the Rainbow * Peter Gunn Theme * The Pink Panther * Rock This Town.

12 outstanding arrangements for the beginning jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos are included: swing ballads rock pop holiday Latin and a great warm-up chart titled 'Loosen Up.' This collection of charts is written for full instrumentation of 5 saxophones 3 trumpets 3 trombones and 4 rhythm but designed to sound full and complete with reduced instrumentation of just nine players - 2 Alto Saxes Tenor Sax 2 Trumpets Trombone Piano Bass and Drums. Optional parts are available for C Flute Tuba (doubles Bass part) Horn in F (doubles 1st Trombone) and Baritone Horn T.C. (doubles 1st Trombone).Rhythm section parts offer suggestions for voicings and rhythms and guitar chord frames are included to assist young guitarists. Solos are written out for improvised sections and there is plenty of full sounding ensemble. Conductor's book includes a full length CD recording. Titles are: Chattanooga Choo Choo * El Gato Gordo * James Bond Theme * A Jazzy Merry Christmas * The Judge * Li'l Darlin' * Loosen Up * One O'Clock Jump * Over the Rainbow * Peter Gunn Theme * The Pink Panther * Rock This Town.

Elle est belle, admirable et elle est mon amour, mon Admirabelamour, et c'est pour la rejoindre au plus vite que je traverse la Place de l'Etoile à 18 heures dans cette voiture sans freins, accélérateur bloqué. Voici une des fictions que je peux me faire lorsque ce morceau, difficile, est correctement interprété. Certains accords sont chiffrés avec un point d'interrogation, par exemple F ?, Eb ?... Ceci, pour les solistes et accompagnateurs-improvisateurs éventuels, est une façon d'indiquer que si vos patterns nécessitent de se raccorder à une tonalité, c'est à peu près celle-ci qui convient. En effet, pour des raisons un peu plus que dodécaphoniques et un peu moins que sérielles, on ne peut, malgré certaines apparences, trouver de résolutions harmoniques ni dans un cadre tonal ni dans un cadre modal, pour la bonne raison que la somme du nombre de croches pour chacune des notes de la gamme chromatique est égale dans l'arrangement tout entier, et que toutes les notes sont équitablement réparties dans l'ensemble de l'harmonie. De plus la ligne de basse obéit à des règles telles que l'on n'y puisse déceler de tonique valable tout son long, et que le rythme lui-même, extrapolation d'une walking bass un-peu-très-beaucoup-ivre, ne doit pas chercher à ' justifier ' ses quatre temps par des accents usuels. Au contraire, jouer chaque note de cette partie comme si elle était un premier temps. (Claude Barthélemy) / Big Band / Partition

With the chicken-flavored title, this Kris Berg chart is just plain funky. The laid-back tempo is around 100 BPM, there is a suggested written tenor solo, and some slap bass licks on the hip bass part. The lead trumpet range for 'Chicks Dig It' is to written B above the staff. Optional flute and vibes too! (6:05) / Ensemble De Jazz

Originally recorded by The Meters in 1969 Cissy Strut has since become a model for playing funk recorded by both jazz and rock artists. The signature bass line is played by trombones tenors and baritone sax and the entire band joins in with the catchy riffs. There are short solo breaks for the bass and drums along with solo or soli spots for saxes and trumpets.

Jazz Ensemble Library – Grade 4This medium tempo samba features a quartet of alto tenor trumpet and trombone on the melody along with clever counterlines from the rest of the ensemble. A recurring unison bass lineriff holds it all together amid a solo section for alto and trumpet then a drum/percussion feature section. The tutti ensemble chorus starts soft then builds gradually to a roar before returning to the head.

Mix the stylish spy music from the 1960s with a dose of cool jazz and you have a winning combination for jazz ensemble. From the Pixar Studio's samsh-hit movie here is a high-energy and entertaining chart that captures the essence of the soundtrack.Arranged for 5 Saxes 4 Trumpets 4 Trombones and Rhythm (Guitar Bass Drums and Piano).

Formed in 1952, the Modern Jazz Quartet has influenced the landscape of contemporary jazz for over 40 years. With elements of classical music blended with cool jazz and blues, ?The Golden Striker? epitomizes their elegant brand of jazz. This hard-swinging chart features the unique counterpoint of the original along with feature spots for the bass, saxes, and an optional open solo section.

Recorded by the Mel Lewis Jazz Orchestra (“Soft Lights And Hot Music”) Michael Abene's outstanding chart casts this Irving Berlin standard in a totally new light. (You will find the melody in the bass line of the 2ndphrase). Featuring a blazing tempo with furious lines and screaming ensemble passages this is an exciting piece for mature bands! (Woodwind doubles optional)

Recorded by The Clayton-Hamilton Jazz Orchestra on their CD Absolutely! this light Latin setting opens with a unique intro featuring guitar and arco bass. What follows is a lush ensemble statement with drums playing on brushesleading to an extended solo section for piano. Very nice!

The music of Brazilian composer/pianist Eliane Elias is featured on the acclaimed CD “Impulsive!” by the Danish Radio Jazz Orchestra. Legendary arranger Bob Brookmeyer has crafted a magnificent multi-style show pieceusing Eliane's sophisticated composition. First we hear an intense Latin groove with blistering ensemble lines. This is followed by a medium swing section with space for soloists before returning to the opening feel. Includes soloopportunities for drums and bass as well.

The Yellowjackets Songbook contains 20 great tunes from across their entire career. All charts have been approved by the Yellowjackets and are exactly as recorded. The complete package contains six separate spiral-bound books, one each for: piano/partial score, C melody lead sheet, synthesizer/miscellaneous parts, Bb & Eb horn melody part, bass, drums. Over 400 pages! / Ensemble Music / Recueil / Jazz Ensemble

Epitaph written for a 31-piece ensemble was the masterwork of composer/bassist Charles Mingus. The extended suite is comprised of multiple movements reflecting a wealth of compositional styles (not just jazz) thatdemonstrate Mingus' invaluable contribution to 20th-century American music. Since its last performance 15 years ago additional movements have been discovered that were originally intended to be a part of the work. This unique500-page score includes these “missing movements” along with historical and program notes. Prepared and edited under the guidance of Gunther Schuller and Sue Mingus it provides a monumental resource for study andanalysis. The first jazz composition of such magnitude ever to be published it is presented in this edition as he left it: a summary work a portrait for all time of his life in music. “I wrote it for my tombstone.”- Charles Mingus