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| Paganini Variations - Piano Concerto No.3 Piano and Orchestra Wilhelm Hansen
Full Score. Composed by Poul Ruders. Music Sales America. Classical. Scor...(+)
Full Score. Composed by Poul Ruders. Music Sales America. Classical. Score Only. Composed 2017. 80 pages. Edition Wilhelm Hansen #WH32201. Published by Edition Wilhelm Hansen (HL.232526).
$60.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Nameless Seas (Piano Concerto) Piano and Orchestra Fennica Gehrman
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Stu...(+)
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Study score. Fennica Gehrman #55011-372-5. Published by Fennica Gehrman (FG.55011-372-5). ISBN 9790550113725. Images of the sea figure prominently throughout my life and memories: from holidays on the Atlantic coast during my Canadian childhood to my current Baltic home, and the imagined, only later experienced Mediterranean of my ancestral heritage. As an immigrant (son of an immigrant) bound to two northern countries, the sea is emblematic of my twin homelands, from the expanses of water surrounding them to those separating them. A Mari usque ad Mare. The sea is also an enduring image of the unknown, of expanses unexplored, of the raw power of nature and, for too many currently, of terror holding a hope of refuge - or the pain of loss. Such disparate ideas were captured for me in the seascapes of the New York painter MaryBeth Thielhelm, whom I met in 2008 during a residency on the Gulf of Mexico. Her vast, abstract, nearly monochromatic depictions of imaginary seas in wildly varying moods were the catalyst for a concerto where the piano is frequently far from a hero battling a collective, but rather acts as a channel for elemental forces surging up from the orchestra, floating - sometimes barely so - on its constantly shifting surface. There are few themes to speak of, beyond a handful of iconic ideas that periodically cycle upward. Rather, the piano's material is largely an ornamentation of the more primal rhythmic and harmonic impulses from the orchestra below - a poetic interpretation, if you will, of the more immediate experience of facing the vastness of some unknown body of water. The title Nameless Seas is borrowed from one of Thielhelm's exhibitions, as are those of the four movements, which are bridged together into two halves of roughly equal weight - one rhapsodic and free, the other more single-minded and direct, separated only by a short breath. The opening movement, Nocturne, is predominantly calm, if brooding, darkness and light alternating throughout. Lyrical arabesques sparkle over gently lapping cross-currents in the strings and mirrored timpani, the piano's full power only rarely deployed. The waves gradually build, drawing in the full orchestra for a meeting of forces in Land and Sea, a brighter, more warmly lyrical scene that unfolds in series of dreamlike, sometimes even nostalgic visions, which for me carry strong memories of sitting on rocks above surging Atlantic waves. The third movement, Wake, is a fast, perpetual-motion texture of glinting, darting rhythms and sudden shafts of light, with a prominent part for the steel drums, limning the piano's quicksilver figurations. An ecstatic climax crashes into a solo cadenza that grows progressively calmer and more introspective rather than virtuosic. Much of the tension finally releases into Unclaimed Waters, a drifting, meditative seascape in which the piano is progressively engulfed by a series of ever-taller waves, ultimately dissolving into a tolling, rippling continuum of sound. It has been a great privilege to realize such a long-held dream as this piece, and to write it for not one, but two great pianists. Risto-Matti Marin and Angela Hewitt, both of whose friendship and support have been unfailing and humbling, share the dedication. Nameless Seas was commissioned by the PianoEspoo festival and Canada's National Arts Centre, with the premieres in Ottawa and Helsinki led by Hannu Lintu and Olari Elts. Thanks are due also to the Jenny and Antti Wihuri fund, whose generous grant provided me with much-needed time, and Escape to Create in Seaside, Florida, the source to which I returned to do a large part of the work. $49.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Bent Sorensen: 'La Notte' Piano Concerto (Score) Piano and Orchestra Wilhelm Hansen
Piano and Orchestra SKU: HL.14030961 Composed by Bent Sorensen. Music Sal...(+)
Piano and Orchestra SKU: HL.14030961 Composed by Bent Sorensen. Music Sales America. Classical. Score. 96 pages. Edition Wilhelm Hansen #KP00980. Published by Edition Wilhelm Hansen (HL.14030961). ISBN 9788759857458. English. Score of the Danish Composer's Concerto for Piano and Orchestra written in 1996. Bent Sorensen writes: 'The title of this piano concerto came, as usual, very early to me, when my thoughts about the work had started to circulate, but before 'real' music was written down. I held on to the Italian title, even though its association with Vivaldi had no influence on my music, and even when German, French, English, and Danish titles covering almost the same content -'Nachtmusik', 'Nocturne', 'By Night', 'Om Natten', were just about to get the upper hand. The piano concerto has, then, in my opinion, something to do with night, but to describe this further is at least as difficult to me as it is to defend the final Italian title against those which were rejected. The Piano Concerto is in two movements. The first, swarming, is perhaps the mystery of the night, and the second perhaps the dreams of the night; with this, however, I have already given the concerto a more programmatic content than I can defend. Each movement ends with a cadenza and perhaps the last of those - the ending of the work that is - is inspired by a sequence from Bruce Chatwin's wonderful book 'The Viceroy of Ouidah': Or the Amazons howling. 'No, No, No. It was not the leopard that killed him. Not the buffalo that killed him. It was night. Night that killed him!'. $109.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Piano Concerto in A minor Op. 16 Piano and Orchestra Breitkopf & Härtel
Piano/harpsichord and orchestra (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - st...(+)
Piano/harpsichord and orchestra (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str) SKU: BR.PB-15164-07 Urtext. Composed by Edvard Grieg. Edited by E.-G. Heinemann. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Solo concerto; Romantic. Study Score. 108 pages. Duration 30'. Breitkopf and Haertel #PB 15164-07. Published by Breitkopf and Haertel (BR.PB-15164-07). ISBN 9790004215906. 6.5 x 9 inches. The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto's size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Gunter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. Piano reduction and fingering by Einar Steen-Nokleberg. $24.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Concerto in A minor Op. 16 Piano and Orchestra Breitkopf & Härtel
Piano/harpsichord and orchestra (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - st...(+)
Piano/harpsichord and orchestra (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str) SKU: BR.PB-15152 Urtext. Composed by Edvard Grieg. Edited by Ernst-Gunter Heinemann. Orchestra; Softcover. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag Solo concerto; Romantic. Full score. 108 pages. Duration 30'. Breitkopf and Haertel #PB 15152. Published by Breitkopf and Haertel (BR.PB-15152). ISBN 9790004215579. 10 x 12.5 inches. The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto's size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Gunter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. Piano reduction and fingering by Einar Steen-Nokleberg. $66.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Lamentate Piano and Orchestra [Study Score / Miniature] Universal Edition
Composed by Arvo Part (1935-). With Standard notation. Universal Edition #UE0326...(+)
Composed by Arvo Part (1935-). With Standard notation. Universal Edition #UE032667. Published by Universal Edition
$77.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Quintet Piano and Orchestra EMB (Editio Musica Budapest)
String Orchestra and Piano SKU: BT.EMBZ6338 Composed by Bela Bartok. Set ...(+)
String Orchestra and Piano SKU: BT.EMBZ6338 Composed by Bela Bartok. Set (Score & Parts). Composed 1970. 304 pages. Editio Musica Budapest #EMBZ6338. Published by Editio Musica Budapest (BT.EMBZ6338). Béla Bartók composed his Piano Quintet while at grammar school in Pozsony (Pressburg, now Bratislava), and it still shows the influence of Brahms in its melody and harmony. The work was always resoundingly successful at his youthful concerts. When on 7 January 1921 the Waldbauer Quartet wanted to repeat the programme of a concert given ten years previously, Bartók was displeased that this early work of his should be performed once again. Finally he consented to the performance, and played the piano part himself. The quintet was greeted with tumults of applause, unlike the other pieces on the programme, which were written later. According to a communication by Márta Ziegler,Bartók threw away the score in anger, and for many years it was believed to have been destroyed. In 1963, the editor Denijs Dille received a package inside which were the score and parts, which had been thought lost. Denijs Dille wrote: 'In preparing the text of this edition for practical purposes, I used the autograph score, and Bartók's own handwritten parts for the first and second violins, viola, and cello. [...] Bartók made so many deletions and significant changes in the score that the resulting version was somewhat different from the original. In this edition we give the last version, supplemented with the minor changes and signs that can be found in the string parts.'. $113.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Rapsodie sur un theme de Paganini op. 43 Piano and Orchestra Breitkopf & Härtel
Piano/harpsichord and orchestra (picc.2.2.cor ang.2.2 - 4.2.3.1 - timp - perc(4)...(+)
Piano/harpsichord and orchestra (picc.2.2.cor ang.2.2 - 4.2.3.1 - timp - perc(4) - hp - str) SKU: BR.PB-15160 Urtext. Composed by Sergej Rachmaninow. Edited by Norbert Gertsch. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Variations; Solo concerto; Late-romantic; Early modern. Sheet Music. Duration 22'. Breitkopf and Haertel #PB 15160. Published by Breitkopf and Haertel (BR.PB-15160). ISBN 9790004215654. 10 x 12.5 inches. Paganini's Capricci served as inspiration for many composers. In addition to Brahms, Schumann and Liszt, Rachmaninoff was also inspired by the idea. His Rhapsody on a Theme by Paganini has since become one of his best known and most popular works and was an immediate success. In 1934, between two intense concert seasons, Rachmaninoff took advantage of the peace and quiet at his villa on Lake Lucerne to compose the Variations. Paganini's virtuosity and joy of playing are juxtaposed with the Gregorian sequence Dies irae. A symbol of the evil spirit to which Paganini sold his soul? At least that is how Rachmaninoff wrote it in a letter to the choreographer Fokine. For the demanding piano part, the composer and celebrated pianist himself had to start practicing very early: The composition is very difficult, and I should really start practicing now, but I get lazier with my finger exercises year after year.The editor, Norbert Gertsch, presents with this edition for the first time an Urtext edition of the work that Joachim Kaiser described as Rachmaninoff's most spiritual, witty, elegant work for piano.. $160.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto for Piano and Orchestra, No. 19 F major, KV 459 Piano and Orchestra Barenreiter
Piano, Orchestra (2. Violin) SKU: BA.BA05386-75 Composed by Wolfgang Amad...(+)
Piano, Orchestra (2. Violin) SKU: BA.BA05386-75 Composed by Wolfgang Amadeus Mozart. Edited by Paul Badura-Skoda. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. K. 459, No. 19. 10 pages. Baerenreiter Verlag #BA05386_75. Published by Baerenreiter Verlag (BA.BA05386-75). ISBN 9790006470235. 32.5 x 25.5 cm inches. Key: F major. About Barenreiter Urtext Orchestral Parts Why musicians love to play from B�¤renreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composerâ��s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$8.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Piano Concerto No. 2 in D minor Op. 40 MWV O 11 Piano and Orchestra Breitkopf & Härtel
Piano/harpsichord and orchestra (solo: pno - 2.2.2.2 - 2.2.0.0 - timp - str) ...(+)
Piano/harpsichord and orchestra (solo: pno - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.PB-5507 Urtext based on the Leipzig Mendelssohn Complete Edition. Composed by Felix Bartholdy Mendelssohn. Edited by Christoph Hellmundt. Orchestra; Softcover. Partitur-Bibliothek (Score Library). A repertoire work in an Urtext performing editionEB 8655 is printed in score form; two copies are needed for performance. Solo concerto; Romantic. Full score. 96 pages. Duration 25'. Breitkopf and Haertel #PB 5507. Published by Breitkopf and Haertel (BR.PB-5507). ISBN 9790004211663. 10 x 12.5 inches. The music text is based on the volume of the Leipzig Mendelssohn Complete Edition, in which Christoph Hellmundt rightly pointed to the existence of a secondary version for piano and string orchestra as well as an arrangement for piano solo made by the composer. Nevertheless, Mendelssohn's op. 40 remains foremost a Concerto for piano and orchestra - a fact that is unequivocally underscored by the practical new edition.
A repertoire work in an Urtext performing edition. $73.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Concerto No. 2 in F minor Op. 21 Piano and Orchestra Breitkopf & Härtel
Piano/harpsichord and orchestra (solo: pno - 2.2.2.2. - 2.2.1.0. - timp - str) <...(+)
Piano/harpsichord and orchestra (solo: pno - 2.2.2.2. - 2.2.1.0. - timp - str) SKU: BR.PB-4485 Composed by Frederic Chopin. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Frederic Chopin's Piano Concertos in e minor op. 11 and f minor op. 21 were written when the composer had just barely entered his twenties. EB 3942 is printed in score form; two copies are needed for performance.Have a look. Solo concerto; Romantic. Full score. 68 pages. Duration 30'. Breitkopf and Haertel #PB 4485. Published by Breitkopf and Haertel (BR.PB-4485). ISBN 9790004203910. 9 x 12 inches. Frederic Chopin's Piano Concertos in e minor op. 11 and f minor op. 21 were written when the composer had just barely entered his twenties. Since he needed effective, virtuoso works for his major concert appearances with orchestral accompaniment, he decided to simply write them himself. Although it is clear that the piano part always holds center stage in these pieces, Chopin never degrades the orchestra by turning it into a stereotypical cue-giver. This is confirmed by the imaginatively orchestrated tutti transition in the first movement, the lengthy string tremolo in the middle movement and the col legno passage in the finale.The first performance of the f-minor concerto took place in Warsaw on 17 March 1830. The first edition of the score was published in 1879 by Breitkopf & Hartel in Leipzig. The present edition for two pianos by Ignaz Friedmann was first issued in 1913 in the framework of the 12-volume Chopin edition for which the Polish pianist undertook a careful evaluation of the sources.
Frederic Chopin's Piano Concertos in e minor op. 11 and f minor op. 21 were written when the composer had just barely entered his twenties. $66.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Grande Polonaise in E Flat Major Op. 22 for Piano and Orchestra Piano and Orchestra PWM (Polskie Wydawnictwo Muzyczne)
(Chopin National Edition Series A Vol. XVf). Composed by Frederic Chopin (1810-1...(+)
(Chopin National Edition Series A Vol. XVf). Composed by Frederic Chopin (1810-1849). Edited by Jan Ekier. For Orchestra, Piano (Score). PWM. Softcover. Polskie Wydawnictwo Muzyczne #51600005. Published by Polskie Wydawnictwo Muzyczne
$14.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Concerto for Piano in D minor Op. 13 Piano and Orchestra Breitkopf & Härtel
Piano/harpsichord and orchestra (solo: pno- 2.2.2.2 - 4.2.3.0 - timp - str) S...(+)
Piano/harpsichord and orchestra (solo: pno- 2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.PB-32026 Urtext. Composed by Eduard Franck. Edited by James Tocco. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Have a look into PB 32026. Solo concerto; Romantic. Full score. 120 pages. Duration 30'. Breitkopf and Haertel #PB 32026. Published by Breitkopf and Haertel (BR.PB-32026). ISBN 9790004215142. 10 x 12.5 inches. Finally performable again Eduard Franck's Piano Concerto in D minor Op. 13 is the first major orchestral work by this Mendelssohn pupil. The pianist, already celebrated at a young age, had early plans for the piano concerto that he completed at the latest in 1846. Contemporary critics emphasized the catchy motives and the balanced relationship of solo instrument to the orchestra. Ignaz Moscheles was impressed by the noble manner, the poetic ideas, and the orchestration. Thanks to the kind support of the Accademia di Santa Cecilia, in whose library the orchestral parts, once thought to be lost, are preserved, the work can be introduced for the first time in the present edition. $106.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto For Piano And Orchestra No 3 Gift Of Dreams Piano and Orchestra [Score] Fennica Gehrman
Composed by Einojuhani Rautavaara (1928-). For piano and orchestra. Score. Publi...(+)
Composed by Einojuhani Rautavaara (1928-). For piano and orchestra. Score. Published by Fennica Gehrman
$39.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Concerto for Piano and Orchestra in G minor, op. 33 B 63 Piano and Orchestra - Intermediate/advanced Barenreiter
Piano, orchestra (Piano,2Fl,2Ob,2Clar,2bas soon,2Hn,2Trp,Timp,2V,Va, Vc,Db) - Le...(+)
Piano, orchestra (Piano,2Fl,2Ob,2Clar,2bassoon,2Hn,2Trp,Timp,2V,Va,Vc,Db) - Level 4 SKU: BA.BA10420 Composed by Antonin Dvorak. Edited by Robbert van Steijn. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 33. Duration 00:40:00. Baerenreiter Verlag #BA10420_00. Published by Baerenreiter Verlag (BA.BA10420). ISBN 9790260108387. 31 x 24.3 cm inches. Key: G minor. Preface: David R. Beveridge. Composed in 1876, Dvorákâ??s only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this pianistically unassuming work by adding stylisations of their own. Our Urtext edition revaluates the sources, frees the work from subsequent interventions and presents it to full advantage in its authentic form.
The principal source of our new edition is the first complete print issued by the publisher Hainauer in 1883, which has been meticulously collated with the autograph. The anonymous original piano reduction is so full of mistakes that editor Robbert van Steijn decided instead to present the version by Karel Å olc.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$83.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Piano Concerto No. 1 in B flat minor Op. 23 Piano and Orchestra Breitkopf & Härtel
Piano/harpsichord and orchestra (solo: pno - 2.2.2.2. - 4.2.3.0. - timp - str) <...(+)
Piano/harpsichord and orchestra (solo: pno - 2.2.2.2. - 4.2.3.0. - timp - str) SKU: BR.PB-4960 Composed by Pjotr Iljitsch Tschaikowsky. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Solo concerto; Romantic. Full score. 120 pages. Duration 32'. Breitkopf and Haertel #PB 4960. Published by Breitkopf and Haertel (BR.PB-4960). ISBN 9790004207451. 10 x 12.5 inches. The roller coaster of opinions - worthless, absolutely unplayable (claims Nikolaj Rubinstein, basically Tchaikovsky's desired pianist for his Concerto in B flat minor); brilliant, magnificent (Hans von Bulow, then first performer and dedicatee of the work) - demonstrates the work's initially ambivalent reception. Tchaikovsky's Piano Concerto No.1 is one of the most powerful and popular compositions of the classical music repertoire altogether; and it is also quite unconventional and runs counter to the norms of the time. Though it may seem strange to us today, let us recall that during his lifetime, Tchaikovsky was regarded disputable abroad (and especially in Germany), was considered an ultra-modern Russian composer, and was even accused of being a musical nihilist and primitivist. But one glance at the score of the piano concerto suffices to reveal its truly amazing character ... $92.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Piano Concerto No. 4 in G major Op. 58 Piano and Orchestra Breitkopf & Härtel
Piano/harpsichord and orchestra (solo: pno - 1.2.2.2. - 2.2.0.0. - timp - str) <...(+)
Piano/harpsichord and orchestra (solo: pno - 1.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.PB-14620 Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Hans-werner Kuthen. Orchestra; Softbound. Partitur-Bibliothek (Score Library). The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. Solo concerto; Classical. Full score. 96 pages. Duration 34'. Breitkopf and Haertel #PB 14620. Published by Breitkopf and Haertel (BR.PB-14620). ISBN 9790004211038. 10 x 12.5 inches. Ludwig van Beethoven wrote his Piano Concerto no. 4 in 1805, thus contemporaneously with the opera Fidelio and the Symphonies nos. 5 and 6. The first performance took place on 22 December 1808 at the now legendary academy (subscription concert) in which Beethoven presented the two new symphonies and the Choral Fantasy op. 80 to the Viennese public for the first time. The work was first published that year by Breitkopf & Hartel. The autograph of the score is no longer extant. The principal source of the musical text on which the present edition is based is a scribal copy examined and corrected by Beethoven. $59.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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| Robert Schumann: Great
Works For Piano And
Orchestra: Piano: Score Piano and Orchestra Dover Publications
Clara Wieck’s sincerest wish was that her future husband Robert Schumann ...(+)
Clara Wieck’s sincerest wish was that her future husband Robert Schumann turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839 just one year before her marriage she explained that “it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano…” In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music but he also found the time to comply with his beloved Clara’s wish by creating a number of musical pieces composed specifically for Piano andOrchestra. Although Schumann’s genius is most in evidence in his masterful solo Piano compositions and superb lieder his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann’s Piano music are evident in these compositions. Three of his finest are presented here in full score including the A Minor Piano Concerto one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music diverting substantially from the classic models of the day and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann’s compositions for Piano and Orchestra are: Piano Concerto In A minor Op. 54 (published 1846) Concertstück Op.92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians music lovers and students as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at
20.30 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Hans Abrahamsen: Left
Alone: Piano: Score Piano and Orchestra [Sheet music] - Intermediate/advanced Wilhelm Hansen
Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen ...(+)
Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen in 2014-15. Commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic Orchestra. Premiered by the WDR Sinfonieorchester and Alexandre Tharaud (piano) concducted by Ilan Volkov on January 29 2016 Cologne. Programme Note: I was born with a right hand that is not fully functional and though it never prevented me from loving playing the piano as well as I could with this physical limitation it hasobviously given me an alternative focus on the whole piano literature and has given me a close relationship with the works written for the left hand by Ravel and others. This repertoire has been with me since my youth. My very first public performance of one of my own works was in autumn 1969. The piece was called October and I played the piano with my left hand and the horn my principal instrument (the only instrument that can be played with only the left hand). Part of the piece requires the performer to play natural harmonics of the horn directly into the open strings of the grand piano to create resonance. The pedal was kept down by an assistant lying on the floor. Through decades the idea of writing a larger work for piano left hand has been in my mind. This new work is not written for a pianist with only one hand but rather by a composer who can only play with the left hand. The title Left alone contains all kinds of references not only to the obvious fact that the left hand is playing alone. Left alone is divided into two large parts each consisting of three smaller movements – in effect six in total. The work was commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic and written for Alexandre Tharaud. Hans
64.99 GBP - Sold by Musicroom UK | |
| Lamentate (PART ARVO) Piano and Orchestra [Study Score / Miniature] Universal Edition
Homage to Anish Kapoor and his sculpture 'Marsyas'. Par PART ARVO. Arvo Pärt ab...(+)
Homage to Anish Kapoor and his sculpture 'Marsyas'. Par PART ARVO. Arvo Pärt about Lamentate: 'Lamentate is music for piano solo and orchestra. With respect to its form, however, the composition cannot really be described as a typical piano concerto. I chose the piano to be the solo instrument because it fixes our attention on something that is 'one'. This 'one' could be a person, or perhaps a first-person narrative. Just as the sculpture leaves the viewer with a light and floating impression in spite of its overwhelming size, the piano, as a large instrument, allowed me to create a sphere of intimacy and warmth that no longer seems anonymous or abstract. Overall, it could be said that my work is marked by two diametrically opposed moods. By way of slight exaggeration, I would characterize these two poles as being 'brutal-overwhelming' and 'intimate-fragile'. The two characters are not simply placed opposite one another, much rather being left to develop themselves in a conflict that runs throughout the entire work.'/ Répertoire / Piano et Orchestre
70.48 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Wolfgang Amadeus Mozart:
Piano Concerto No.22 In
E-Flat K.482: Chamber
Ensemble: Piano and Orchestra Barenreiter
for Piano and Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 4...(+)
for Piano and Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances. BÄRENREITER URTEXT: In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been preparedusing clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
21.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Piano Concerto No.22 In
E-Flat K.482: Piano:
Score Piano and Orchestra [Sheet music] Barenreiter
Piano or Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Pi...(+)
Piano or Orchestra-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulatedscholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
42.00 GBP - Sold by Musicroom UK | |
| Hans Abrahamsen: Concerto
For Piano And Orchestra:
Piano: Score Piano and Orchestra Wilhelm Hansen
Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by comm...(+)
Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by commission for the BIT-20 Ensemble. A complex and multi-layered work opening with highly minimal material and very slowly building to an ecstatic frenzy across the four movements. As the piece progresses Abrahamsen has also included some significant nods towards composers Gyorgy Ligeti (a former teacher of the composer) and Gustav Mahler.The work was premiered at the Ultima Festival in Oslo in 2000 with Anne Marie Abildskov as soloist. I Allegro Volante e nervoso II Adagio innocente e semplice III Tempo de grandegioia IV Fluente ma tranquillo Programmenote: ???The piano concerto starts entirely as I usually start with this filigree in the piano and many simultaneous layers ??? Hans Abrahamsen has explained ???The beginning is music that could continue almost minimalistically ad infinitum. But it doesn???t. Instead it has a seizure after just thirty seconds. It literally comes to a halt!???There is no programmatic structure behind the four-movement course of the concerto but a romantically minded listener may be tempted to interpret the development from a quick stalling of the familiar through the introduction (by the lyrical second movement) of something much more ???innocent and simple??? as it says - something feminine one feels like adding - to the third movement???s flashing firework display of a scherzo which draws the curtain aside for a liberating rush of joy as life after the advent of love. However the undersigned assumes full responsibility for this interpretation.The piano soloist is the undisputed main character in the concerto and plays almost constantly in the first three movements. It is only in the fourth movement that she takes a break and listens. ???The piano stirs up an anthill??? is Hans Abrahamsen???s own description ???and it becomes almost operatic! It is as if the music is about to fall right out over the edge of the abyss at the drastic general
60.99 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Piano Concerto No.25 In C
K.503: Piano: Score Piano and Orchestra [Sheet music] Barenreiter
for Piano and Orchestra-Piano Concerto No.25 in C major K.503.Piano Solo Flute ...(+)
for Piano and Orchestra-Piano Concerto No.25 in C major K.503.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Trumpet (2) Kettledrum Strings. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances. BÄRENREITER URTEXT: In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which includeprominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
45.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Piano Concerto No.9 In
E-Flat K.271 -
Jeunehomme: Piano and Orchestra [Sheet music] Barenreiter
for Piano and Orchestra-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.P...(+)
for Piano and Orchestra-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo Oboe (2) Horn (2) Violin (2) Viola Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologistsas well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
39.50 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Piano Concerto No.22 In
E-Flat K.482: Piano:
Parts Piano and Orchestra Barenreiter
Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Cl...(+)
Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulatedscholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
38.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Piano Concerto No.22 In
E-Flat K.482: Piano: Part Piano and Orchestra Barenreiter
Violoncello or Contrabass-Concerto For Piano And Orchestra No.22 E-flat major K....(+)
Violoncello or Contrabass-Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarlycritical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
6.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Piano Concerto No.22 In
E-Flat K.482: Piano: Part Piano and Orchestra Barenreiter
Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Cl...(+)
Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarlycritical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
6.00 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Piano Concerto No.22 In
E-Flat K.482: Piano: Part Piano and Orchestra Barenreiter
Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Cl...(+)
Concerto For Piano And Orchestra No.22 E-flat major K. 482.Piano Solo Flute Clarinet (in B-flat) (2) Bassoon (2) Horn (2) Clarin trumpet (2) Kettledrum Violin (2) Viola (2) Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarlycritical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
5.50 GBP - Sold by Musicroom UK | |
| Rapsodia Argentina
(LECUONA ERNESTO) Piano and Orchestra [Score] Lauren Keiser Music Publishing
for Piano and Orchestra Full Score. Par LECUONA ERNESTO. Rapsodia Argentina is b...(+)
for Piano and Orchestra Full Score. Par LECUONA ERNESTO. Rapsodia Argentina is based on traditional older Argentinian tangos, the most famous being_x001A_Buenos Aires,_x001A_which is heard at the outset. The whole piece is a kind of huge rondo and is divided into several sections, most of which recur during the course of the composition. One of them is a milonga, a native peasant dance of Argentina (and Bolivia) that is a variation of the tango. Rapsodia Argentina is probably the least known of the three rapsodias for piano and orchestra by Lecuona. For sale is the solo piano part. It is not a 2-piano version or a piano reduction. The solo part matches the available orchestration as arranged and recorded by Thomas Tirino. / Date parution : 2023-06-01/ Répertoire / Piano et Orchestre
118.31 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Maurice Ravel: Concerto:
Piano: Score Piano and Orchestra Barenreiter
for the Left Hand for Piano and Orchestra-In 1929 Paul Wittgenstein a pianist a...(+)
for the Left Hand for Piano and Orchestra-In 1929 Paul Wittgenstein a pianist and war veteran who lost his right arm in the Great War commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel’s most thrilling compositions and for Wittgenstein the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel’s Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor Douglas Woodfull-Harris was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace thework’s evolution from Ravel’s autograph working copy to the first printed edition. A source of key importance to our new edition is a handwritten French copy of Ravel’s own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein’s own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction and enabled the editor amongst other things to correct a great many notes which could be found in previous editions including the solo Piano part. The Piano reduction in our edition contains both Ravel’s and Wittgenstein’s fingering. Also included is a solo part without fingering thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. Score and orchestral parts in large format (25.5 x 32.5 cm) Includes source descriptions and a Critical Commentary with alternative readings (Eng) Informative Introduction on the work’s history and genesis (Ger/Eng/Fr) With facsimile pages Piano reduction with separate Urtext solo part enclosed Full score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale.
46.50 GBP - Sold by Musicroom UK | |
| James MacMillan: Piano
Concerto No.3 - 'The
Mysteries of Light':
Piano: Study Piano and Orchestra [Sheet music] Boosey and Hawkes
The Mysteries of Light-Sub-titled 'The Mysteries of Light? the composer states ...(+)
The Mysteries of Light-Sub-titled 'The Mysteries of Light? the composer states that this work attempts to revive the ancient practice of writing music based on the structure of the Rosary. The most famous example of this is the collection of the Rosary (or Mystery) Sonatas for violin by Heinrich Biber written in the late 17th century. MacMillan?s concerto is based on a set of five meditations introduced by John Paul II in 2002 the Luminous Mysteries. In spite of this rather than being devotional the work proceeds in quasi-dramatic fashion not too distant in concept from a tone poem. Commissioned by Osmo Vänskä and the Minnesota Orchestra on the occasion of the Orchestra?s Centennial and firstperformed with soloist Jean-Yves Thibaudet in April 2011. Performance materials available on hire.
31.50 GBP - Sold by Musicroom UK | |
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