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| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo (+)
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3116809 Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. 2x 31.168/21 oboe d'amore 1 + 2. Stuttgart Urtext Edition: Bach vocal. Tue Rechnung, Donnerwort. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1725. BWV 168. Duration 17 minutes. Carus Verlag #CV 31.168/09. Published by Carus Verlag (CA.3116809). ISBN 9790007209254. Language: German/English. Text: Franck, Salomo. The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score and parts available separately - see item CA.3116800. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo <...(+)
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo SKU: CA.3116819 Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Tue Rechnung, Donnerwort. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1725. BWV 168. Duration 17 minutes. Carus Verlag #CV 31.168/19. Published by Carus Verlag (CA.3116819). ISBN 9790007166786. Language: German/English. Text: Franck, Salomo. Text by Salomo Franck. The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score and parts available separately - see item CA.3116800. $72.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo <...(+)
SATB vocal soli, SATB choir, 2 oboes d'amore, 2 violins, viola, basso continuo SKU: CA.3116803 Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Tue Rechnung, Donnerwort. Sacred vocal music, Cantatas, Trinity. Vocal score. Composed 1725. BWV 168. 24 pages. Duration 17 minutes. Carus Verlag #CV 31.168/03. Published by Carus Verlag (CA.3116803). ISBN 9790007166724. Language: German/English. Text: Franck, Salomo. Text by Salomo Franck. The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score available separately - see item CA.3116800. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo (+)
SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3116805 Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Tue Rechnung, Donnerwort. Sacred vocal music, Cantatas, Trinity. Choral Score. Composed 1725. BWV 168. 2 pages. Duration 17 minutes. Carus Verlag #CV 31.168/05. Published by Carus Verlag (CA.3116805). ISBN 9790007166731. Text language: German/English. Text: Franck, Salomo. The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score available separately - see item CA.3116800. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Day of reck'ning! Judgment day (Tue Rechnung! Donnerwort) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso c...(+)
Orchestra SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3116807 Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Bartels. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Study score. Composed 1725. BWV 168. 28 pages. Duration 17 minutes. Carus Verlag #CV 31.168/07. Published by Carus Verlag (CA.3116807). ISBN 9790007242220. Language: German/English. Text: Franck, Salomo. The text of Bach's cantata Tue Rechnung! Donnerwort was published in 1715, that is during Bach's Weimar period, in the Evangelisches Andachts-Opffer by Salomon Frank. This concisely-written but powerful work was, however, only composed ten years later in Leipzig, and was heard for the first time on 29 July 1725, the 9th Sunday after Trinity. Its main dramatic-musical emphasis lies clearly in the first movement, a dark, almost operatic movement for baritone and string orchestra in B minor. By contrast, the ensuing aria for tenor with obbligato oboe accompaniment is distinctly more intimate, and the duet between soprano and alto - just accompanied by continuo - is more restrained in its musical language and expression than the first movement. In between there are two extended recitatives, the first of which leads into an arioso. The breadth of expression within the cantata is striking, its opening movement a masterpiece of Bach's dramatic writing. Score available separately - see item CA.3116800. $13.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo SKU: CA.3116414 Cantata for the 13th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Whitsun. Single Part, basso continuo. Composed 1725. BWV 164. 12 pages. Duration 17 minutes. Carus Verlag #CV 31.164/14. Published by Carus Verlag (CA.3116414). ISBN 9790007209056. Text language: German/English. This six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and part available separately - see item CA.3116400. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo SKU: CA.3116412 Cantata for the 13th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 2. Composed 1725. BWV 164. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.164/12. Published by Carus Verlag (CA.3116412). ISBN 9790007209032. Text language: German/English. This six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and part available separately - see item CA.3116400. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo SKU: CA.3116413 Cantata for the 13th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Whitsun. Single Part, Viola. Composed 1725. BWV 164. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.164/13. Published by Carus Verlag (CA.3116413). ISBN 9790007209049. Text language: German/English. This six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and part available separately - see item CA.3116400. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| You, who the name of Christ have taken (Ihr, die ihr euch von Christo nennet) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo SKU: CA.3116411 Cantata for the 13th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 1. Composed 1725. BWV 164. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.164/11. Published by Carus Verlag (CA.3116411). ISBN 9790007209025. Text language: German/English. This six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and part available separately - see item CA.3116400. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| St. John Passion (Johannes-Passion) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB ch...(+)
Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, viola da gamba, basso continuo SKU: CA.3124582 Version IV. Composed by Johann Sebastian Bach. Edited by Peter Wollny. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Johannespassion 1749. Innovative practice aids, Sacred vocal music, Oratorios, Passions, Lent and Passiontide. Single Part, Laute. Composed 1749. BWV 245. 4 pages. Duration 120 minutes. Carus Verlag #CV 31.245/82. Published by Carus Verlag (CA.3124582). ISBN 9790007211448. Language: German/English. With the unfinished revision (1739) as an appendix. The St. John Passion ranks among the great vocal works from Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach's direction in 1749. At the same time, with the aid of the appendix it is possible to perform the work in the traditional mixed version.. Score and part available separately - see item CA.3124500. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| St. John Passion (Johannes-Passion) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB ch...(+)
Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, viola da gamba, basso continuo SKU: CA.3124581 Version IV. Composed by Johann Sebastian Bach. Edited by Peter Wollny. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Johannespassion 1749. Innovative practice aids, Sacred vocal music, Oratorios, Passions, Lent and Passiontide. Single Part, 2 Violen d'amore. Composed 1749. BWV 245. 8 pages. Duration 120 minutes. Carus Verlag #CV 31.245/81. Published by Carus Verlag (CA.3124581). ISBN 9790007211431. Language: German/English. With the unfinished revision (1739) as an appendix. The St. John Passion ranks among the great vocal works from Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach's direction in 1749. At the same time, with the aid of the appendix it is possible to perform the work in the traditional mixed version.. Score and part available separately - see item CA.3124500. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| St. John Passion (Johannes-Passion) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB ch...(+)
Solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, viola da gamba, basso continuo SKU: CA.4033140 Version IV. Composed by Johann Sebastian Bach. Arranged by Paul Horn. Hymns by Martin Luther: War Gott nicht mit uns diese Zeit. German title: Faksimile Johannes-Passion Bwv 245. Post card. Composed 1749. BWV 245. 100 pages. Duration 120 minutes. Carus Verlag #CV 40.331/40. Published by Carus Verlag (CA.4033140). ISBN 9790007104825. Language: German/English. With the unfinished revision (1739) as an appendix. The St. John Passion ranks among the great vocal works from Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach's direction in 1749. At the same time, with the aid of the appendix it is possible to perform the work in the traditional mixed version.. Score available separately - see item CA.4033100. $1.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| St. John Passion Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Part: organ] Carus Verlag
(Version IV). By Johann Sebastian Bach (1685-1750). Edited by Peter Wollny. Arra...(+)
(Version IV). By Johann Sebastian Bach (1685-1750). Edited by Peter Wollny. Arranged by Paul Horn. For solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, viola da gamba, basso continuo. Part: organ. Oratorios, Passions; Lent and Passiontide.
$65.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| St. John Passion Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Set of Parts] Carus Verlag
(Version IV). Composed by Johann Sebastian Bach (1685-1750). Edited by Peter Wol...(+)
(Version IV). Composed by Johann Sebastian Bach (1685-1750). Edited by Peter Wollny. Arranged by Paul Horn. For solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, viola da gamba, basso continuo. Stuttgart Urtext Edition. German title: Johannespassion 1749. Oratorios, Passions, Lent and Passiontide. Complete orchestral parts. Language: German/English. Composed 1749. BWV 245. Duration 120 minutes. Published by Carus Verlag
$345.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| St. John Passion Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [set of instrumental parts (except strings)] Carus Verlag
(Version IV). Composed by Johann Sebastian Bach (1685-1750). Edited by Peter Wol...(+)
(Version IV). Composed by Johann Sebastian Bach (1685-1750). Edited by Peter Wollny. Arranged by Paul Horn. For solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, viola da gamba, basso continuo. Stuttgart Urtext Edition. German title: Johannespassion 1749 5. Oratorios, Passions, Lent and Passiontide. Set of instrumental parts (except strings). Language: German/English. Composed 1749. BWV 245. 96 pages. Duration 120 minutes. Published by Carus Verlag
$81.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| St. John Passion Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score] Carus Verlag
(Version IV). Composed by Johann Sebastian Bach (1685-1750). Edited by Peter Wol...(+)
(Version IV). Composed by Johann Sebastian Bach (1685-1750). Edited by Peter Wollny. Arranged by Paul Horn. For solo tenor voice (Evangelist), solo bass voice (Jesus), SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, viola da gamba, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. German title: Johannespassion 1749. Oratorios, Passions, Lent and Passiontide. Full score. Language: German/English. Composed 1749. BWV 245. 224 pages. Duration 120 minutes. Published by Carus Verlag
$122.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| St. John Passion Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [full score (clothbound edition)] Carus Verlag
(Version IV). Composed by Johann Sebastian Bach (1685-1750). Edited by Peter Wol...(+)
(Version IV). Composed by Johann Sebastian Bach (1685-1750). Edited by Peter Wollny. Arranged by Paul Horn. For tenor voice solo (Evangelist), bass voice solo (Jesus), SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, viola da gamba, basso continuo. Stuttgart Urtext edition. Passio secundum Joannem. Oratorios, Passions, Lent and Passiontide. Full score (clothbound edition). Text language: German/English. Composed 1749. BWV 245. Duration 120 minutes. Published by Carus Verlag
$208.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Passion Music after the Evangelist Matthew Soli, Mixted choir and accompaniment Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA11308-90 Arrangement of Joh...(+)
Soloists, Mixed choir, Orchestra SKU: BA.BA11308-90 Arrangement of Johann Sebastian Bach's St. Matthew Passion. Composed by Johann Sebastian Bach. Edited by Caroline Ritchie and Malcolm Bruno. Arranged by Felix Bartholdy Mendelssohn and Klaus Winkler. Paperback. Vocal Score. Baerenreiter Verlag #BA11308-90. Published by Baerenreiter Verlag (BA.BA11308-90). ISBN 9790006574674. 27 x 19 cm inches. Language: German. Preface: Malcolm Bruno/Caroline Ritchie. $52.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Christus Soli, Mixted choir and accompaniment Carus Verlag
(Oratorienfragment. Teil I: Die Geburt Christi Teil II: Das Leiden Christi). By ...(+)
(Oratorienfragment. Teil I: Die Geburt Christi Teil II: Das Leiden Christi). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For tenor solo voice, SATTBB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombo
$248.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Passion Music after the Evangelist Matthew Soli, Mixted choir and accompaniment Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA11308 Arrangement of Johann...(+)
Soloists, Mixed choir, Orchestra SKU: BA.BA11308 Arrangement of Johann Sebastian Bach's St. Matthew Passion. Composed by Johann Sebastian Bach. Edited by Caroline Ritchie and Malcolm Bruno. Arranged by Felix Bartholdy Mendelssohn. Paperback. Score. Baerenreiter Verlag #BA11308. Published by Baerenreiter Verlag (BA.BA11308). ISBN 9790006567683. 31 x 24.3 cm inches. Language: German. Preface: Malcolm Bruno/Caroline Ritchie. $131.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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| El Niño Soli, Mixted choir and accompaniment Soli, mixted choir and piano Boosey and Hawkes
Publié pour la première fois le piano complet / partition vocale de John Adams...(+)
Publié pour la première fois le piano complet / partition vocale de John Adams largement acclamé nativité oratorio El Niño. Cette importante contemporaine à grande échelle du travail dispose d'un livret basé sur des sources originales organisées par Peter Sellars et John Adams, mettant en vedette latine ajustement poésie américaine avec des versets de la Bible King James, entre autres textes évangéliques. Salué comme un 'chef-d'oeuvre' par le Philadelphia Inquirer, un enregistrement commercial est disponible sur Nonesuch Records (79634-2). / Choeur, Choeur D'Enfants, Et Orchestre
95.00 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Johann Sebastian Bach:
Cantata BWV 132 Bereitet
Die Wege: Mixed Choir:
Score Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Sheet music] Barenreiter
Cantata for the 4th Sunday of Advent-Bereitet die Wege bereitet die Bahn BWV 13...(+)
Cantata for the 4th Sunday of Advent-Bereitet die Wege bereitet die Bahn BWV 132Cantata for the 4th Sunday of Advent.The cantata Bereitet die Wege is one of the few works by Johann Sebastian Bach of which we know fairly well how it came into being. The autograph full score bears the date 1715; Bach therefore composed the piece for the church service given by the Weimar court orchestra (of which he was the concert master) on 22 December the fourth Sunday in Advent in the year 1715. We even know the author of the words: it was the High Ecclesiastical Secretary in Weimar Salomon Franck who wrote the poem especially for thatoccasion and had it printed in his annual cycle of cantata texts entitled Evangelisches Andachtsopfer.- Urtext of the New Bach Edition- Full score & performance material (BA10132) vocal score (BA10132-90) available for sale.
21.50 GBP - Sold by Musicroom UK | |
| Johann Sebastian Bach:
Cantata No. 132 Bereitet
Die Wege: SATB: Part Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Barenreiter
Cantata for the 4th Sunday of Advent-The cantata Bereitet die Wege is one of the...(+)
Cantata for the 4th Sunday of Advent-The cantata Bereitet die Wege is one of the few works by Johann Sebastian Bach of which we know fairly well how it came into being. The autograph full score bears the date 1715; Bach therefore composed the piece for the church service given by the Weimar court orchestra (of which he was the concert master) on 22 December the fourth Sunday in Advent in the year 1715. We even know the author of the words: it was the High Ecclesiastical Secretary in Weimar Salomon Franck who wrote the poem especially for that occasion and had it printed in his annual cycle of cantata texts entitled Evangelisches Andachtsopfer.
6.00 GBP - Sold by Musicroom UK | |
| 3 Uncharacteristic Pieces Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Th...(+)
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourful orchestration, with two flutes, two oboes, three trumpets, timpani and strings, creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the 'New Bach Edition?.- Lavishly scored oratorio of a festive nature- Based on the 'New Bach Edition?- Bilingual foreword by Andreas Glöckner (Ger/Eng) / Orchestre
35.60 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
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