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| Kaleidoskop, Ambivalenz Harpsichord Amadeus Verlag
Harpsichord SKU: M7.BP-678 Op.116, op.139. Composed by Caspar Diet...(+)
Harpsichord SKU: M7.BP-678 Op.116, op.139. Composed by Caspar Diethelm. Sheet music. Amadeus Verlag #BP 678. Published by Amadeus Verlag (M7.BP-678). ISBN 9790015067808. $19.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| 18 Compositions without opus number Op-sn 1-18 (WO 2, 3, 5, 8, 10, 11, 13-23) Harpsichord Ut Orpheus
Composed by Muzio Clementi (1752-1832). For Harpsichord (Piano). Early Music. 14...(+)
Composed by Muzio Clementi (1752-1832). For Harpsichord (Piano). Early Music. 140 pages. Published by Ut Orpheus
$65.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Gemini Rising, Kopi Harpsichord Wilhelm Hansen
Harpsichord SKU: HL.14012557 Composed by Per Norgard. Music Sales America...(+)
Harpsichord SKU: HL.14012557 Composed by Per Norgard. Music Sales America. Book Only. Edition Wilhelm Hansen #KP00404. Published by Edition Wilhelm Hansen (HL.14012557). Danish. Per Norgard GEMINI RISING for harpsichord soloFirst there is a mountain, then there is no mountain, then there isThe title literally Ascending Twins - was borrowed from astrological terminology but refers, purely musically, to two essential circumnstances in the work: A constant duplicity in the melodic basis, as well as an almost constantly ascending tendency. Even when - as is the case in the start - falling figures appear, the combination of several such figures produces an ascending impression. GEMINI RISING was composed for Elisabeth Chojnacka and premiered at a concert in Copenhagen in November 1990.Per Norgard. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Balli per Cembalo Harpsichord [Score] Edition HH
By Various. Edited by Christopher Hogwood. For Clavichord, harpsichord, organ. P...(+)
By Various. Edited by Christopher Hogwood. For Clavichord, harpsichord, organ. Playing score. Published by Edition HH Music Publishers (U.K. Import).
$44.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Il Primo Libro di Capricci fatti sopra diversi Soggetti, et Arie (Rom, Soldi, 1624) (New edition) Organ, Piano (duet) Barenreiter
(Il Primo Libro di Capricci fatti sopra diversi Soggetti, et Arie (Rom, Soldi, 1...(+)
(Il Primo Libro di Capricci fatti sopra diversi Soggetti, et Arie (Rom, Soldi, 1624)). Composed by Girolamo Frescobaldi (1583-1643). Edited by Christopher Stembridge. For organ/piano/harpsichord. This edition: Urtext, New Edition. Paperback. Girolamo Frescobaldi. Organ and Keyboard Works, Volume II. New edition. Level 3. Performance score, anthology. Text language: English/German. Published by Baerenreiter Verlag
$75.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Konzert fur Orgel und Orchester F-Dur op. 4/4 HWV 292 Harpsichord [Part] Barenreiter
By George Frideric Handel (1685-1759). Edited by Terence Best; William D. Gudger...(+)
By George Frideric Handel (1685-1759). Edited by Terence Best; William D. Gudger. Organ and orchestra. For harpsichord. This edition: Stapled, Urtext edition. Single part. Opus 4/4, HWV 292. Published by Baerenreiter Verlag
$10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for Organ and Orchestra F major, Op. 4/4 HWV 292 Harpsichord Barenreiter
Harpsichord SKU: BA.BA08348-68 Fourth movement with choir. Compose...(+)
Harpsichord SKU: BA.BA08348-68 Fourth movement with choir. Composed by George Frideric Handel. Edited by Terence Best and William D. Gudger. This edition: urtext edition. Stapled. Barenreiter Urtext. Fourth movement with choir. Single part. Opus 4/4, HWV 292. 4 pages. Baerenreiter Verlag #BA08348_68. Published by Baerenreiter Verlag (BA.BA08348-68). ISBN 9790006525294. 32.5 x 25.5 cm inches. Key: F major. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$11.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for Organ and Orchestra B flat major, Op. 4/6 HWV 294 Harpsichord Barenreiter
Harpsichord SKU: BA.BA08346-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord SKU: BA.BA08346-68 Composed by George Frideric Handel. Edited by Terence Best and William D. Gudger. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 4/6, HWV 294. 3 pages. Baerenreiter Verlag #BA08346_68. Published by Baerenreiter Verlag (BA.BA08346-68). ISBN 9790006522422. 32.5 x 25.5 cm inches. Key: B-flat major. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$9.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto grosso G major, Op. 3/3 HWV 314 Harpsichord Barenreiter
Harpsichord SKU: BA.BA04203-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord SKU: BA.BA04203-68 Composed by George Frideric Handel. Edited by Frederik Hudson. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 3/3, HWV 314. 8 pages. Baerenreiter Verlag #BA04203_68. Published by Baerenreiter Verlag (BA.BA04203-68). ISBN 9790006445004. 23 x 29.7 cm inches. Key: G major. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$13.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto grosso D major, Op. 6/5 HWV 323 Harpsichord Barenreiter
Harpsichord SKU: BA.BA04213-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord SKU: BA.BA04213-68 Composed by George Frideric Handel. Edited by Adolf Hoffmann and Hans Ferdinand Redlich. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 6/5, HWV 323. 12 pages. Baerenreiter Verlag #BA04213_68. Published by Baerenreiter Verlag (BA.BA04213-68). ISBN 9790006445707. 23 x 29.5 cm inches. Key: D major. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto grosso c minor, Op. 6/8 HWV 326 Harpsichord Barenreiter
Harpsichord SKU: BA.BA04216-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord SKU: BA.BA04216-68 Composed by George Frideric Handel. Edited by Adolf Hoffmann and Hans Ferdinand Redlich. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 6/8, HWV 326. 10 pages. Baerenreiter Verlag #BA04216_68. Published by Baerenreiter Verlag (BA.BA04216-68). ISBN 9790006445929. 23 x 29.5 cm inches. Key: C minor. Preface: Adolf Hoffmann. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto grosso a minor, Op. 6/4 HWV 322 Harpsichord Barenreiter
Harpsichord SKU: BA.BA04212-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord SKU: BA.BA04212-68 Composed by George Frideric Handel. Edited by Adolf Hoffmann and Hans Ferdinand Redlich. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 6/4, HWV 322. 10 pages. Baerenreiter Verlag #BA04212_68. Published by Baerenreiter Verlag (BA.BA04212-68). ISBN 9790006445622. 23 x 29.6 cm inches. Key: A minor. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto grosso b minor, Op. 6/12 HWV 330 Harpsichord Barenreiter
Harpsichord SKU: BA.BA04220-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord SKU: BA.BA04220-68 Composed by George Frideric Handel. Edited by Adolf Hoffmann and Hans Ferdinand Redlich. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 6/12, HWV 330. 12 pages. Baerenreiter Verlag #BA04220_68. Published by Baerenreiter Verlag (BA.BA04220-68). ISBN 9790006446162. 23 x 29.5 cm inches. Key: B minor. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto grosso e minor, Op. 6/3 HWV 321 Harpsichord Barenreiter
Harpsichord SKU: BA.BA04211-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord SKU: BA.BA04211-68 Composed by George Frideric Handel. Edited by Adolf Hoffmann and Hans Ferdinand Redlich. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 6/3, HWV 321. 10 pages. Baerenreiter Verlag #BA04211_68. Published by Baerenreiter Verlag (BA.BA04211-68). ISBN 9790006445561. 24 x 29.5 cm inches. Key: E minor. Language: German/English. Preface: Adolf Hoffmann. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto grosso d minor, Op. 6/10 HWV 328 Harpsichord Barenreiter
Harpsichord SKU: BA.BA04218-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord SKU: BA.BA04218-68 Composed by George Frideric Handel. Edited by Adolf Hoffmann and Hans Ferdinand Redlich. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 6/10, HWV 328. 14 pages. Baerenreiter Verlag #BA04218_68. Published by Baerenreiter Verlag (BA.BA04218-68). ISBN 9790006446049. 23 x 29.5 cm inches. Key: D minor. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$17.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto grosso F-Dur op. 6/9 HWV 327 Harpsichord [Solo Part] Barenreiter
By George Frideric Handel (1685-1759). Edited by Adolf Hoffmann; Hans Ferdinand ...(+)
By George Frideric Handel (1685-1759). Edited by Adolf Hoffmann; Hans Ferdinand Redlich. For harpsichord. This edition: Urtext edition. Single part. Opus 6, No. 9: HWV 327. 15 pages. Published by Baerenreiter Verlag
$17.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto grosso F major, Op. 6/2 HWV 320 Harpsichord Barenreiter
Harpsichord SKU: BA.BA04210-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord SKU: BA.BA04210-68 Composed by George Frideric Handel. Edited by Adolf Hoffmann and Hans Ferdinand Redlich. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 6/2, HWV 320. 10 pages. Baerenreiter Verlag #BA04210_68. Published by Baerenreiter Verlag (BA.BA04210-68). ISBN 9790006445509. 23 x 29.2 cm inches. Key: F major. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$15.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto grosso in D major, op. 3/6, HWV 317 Harpsichord Barenreiter
Organ, harpsichord SKU: BA.DV04206-12 Composed by George Frideric Handel....(+)
Organ, harpsichord SKU: BA.DV04206-12 Composed by George Frideric Handel. Edited by Frederik Hudson. This edition: urtext edition. Stapled. Single part. Opus 3/6, HWV 317. 11 pages. Baerenreiter Verlag #DV04206_12. Published by Baerenreiter Verlag (BA.DV04206-12). 24.4 x 32.6 cm inches. Key: D major. About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$16.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 6 Sonates Opus 91 Harpsichord Heugel
Flute and Harpsichord SKU: BT.ALHE32104 Composed by Joseph Bodin de Boism...(+)
Flute and Harpsichord SKU: BT.ALHE32104 Composed by Joseph Bodin de Boismortier. Le Pupitre - Heugel. Classical. Score Only. Heugel & Cie #ALHE32104. Published by Heugel & Cie (BT.ALHE32104). French. Sonatas (Op. 91) for Flute and Continuo by Boismortier $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto for Organ and Orchestra g minor, Op. 4/3 HWV 291 Harpsichord [single part] Barenreiter
Composed by George Frideric Handel (1685-1759). Edited by Terence Best; William ...(+)
Composed by George Frideric Handel (1685-1759). Edited by Terence Best; William D. Gudger. For harpsichord. This edition: Urtext edition. Stapled. Single part. Opus 4/3, HWV 291. Published by Baerenreiter Verlag
$10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Suite for the Harpsichord Harpsichord Chester
Composed by Lennox Berkeley (1903-1989). Edited by Christopher D. Lewis. Music S...(+)
Composed by Lennox Berkeley (1903-1989). Edited by Christopher D. Lewis. Music Sales America. Classical. Softcover. 16 pages. Chester Music #CH84810. Published by Chester Music (HL.14048181).
$12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sonatas for Piano or Harpsichord Opp. 7-10. Critical Edition [Critical Reports] Ut Orpheus
Composed by Muzio Clementi. Edited by Rohan H. Stewart- MacDonald Luca L&eacu...(+)
Composed by Muzio Clementi.
Edited by Rohan H. Stewart-
MacDonald Luca Lévi Sala.
Hardback (Cloth Hard Cover).
Muzio Clementi Opera Omnia.
Classical. Ut Orpheus #CCE 3.
Published by Ut Orpheus
$308.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Blackbirds Song **pop** Harpsichord Schott
Soprano, treble recorder and piano (harpsichord) SKU: HL.49014088 1a: ...(+)
Soprano, treble recorder and piano (harpsichord) SKU: HL.49014088 1a: The Blackbirds Song. Composed by A.E. Castle. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 6 pages. Schott Music #ED10577. Published by Schott Music (HL.49014088). ISBN 9790220117879. 9.0x12.0x0.042 inches. English. $4.99 - See more - Buy online | | |
| 6 Divertimenti op. 2 Band 2 Harpsichord Doblinger
(Divertimenti 4-6 (G-Dur WV, 54 c-Moll WV 16, E-Dur WV 33)). By Georg Christoph ...(+)
(Divertimenti 4-6 (G-Dur WV, 54 c-Moll WV 16, E-Dur WV 33)). By Georg Christoph Wagenseil (1715-1777). Harpsichord/clavichord. For harpsichord. 2-3. Op.2. 35 pages
$33.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Concerto for oboe Op. 9/2 in D minor Harpsichord Kunzelmann
Harpsichord SKU: KU.OCT-10284_CEMB Composed by Tomaso Giovanni Albinoni. ...(+)
Harpsichord SKU: KU.OCT-10284_CEMB Composed by Tomaso Giovanni Albinoni. Edited by Fritz Kneusslin. Arranged by Fritz Kneusslin. Letter format (190 x 270). Staple Bound. Part. Op. 9/2. 20 pages. Edition Kunzelmann #OCT-10284_CEMB. Published by Edition Kunzelmann (KU.OCT-10284_CEMB). ISBN 9790206200472. Key: D minor. $7.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 6 Divertimenti op. 2 Band 1 Harpsichord Doblinger
(Divertimenti 1-3 (C-Dur WV 3, G-Dur WV 53, F-Dur WV 39)). By Georg Christoph Wa...(+)
(Divertimenti 1-3 (C-Dur WV 3, G-Dur WV 53, F-Dur WV 39)). By Georg Christoph Wagenseil (1715-1777). Harpsichord/clavichord. For harpsichord. 2-3. Op. 2. 31 pages
$30.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Hommage A Manuel De Falla Op.15 (harpsichord Solo) Harpsichord Leduc, Alphonse
Harpsichord (harpsichord) SKU: HL.48182692 Composed by Michel Merlet. Led...(+)
Harpsichord (harpsichord) SKU: HL.48182692 Composed by Michel Merlet. Leduc. Classical. Softcover. Alphonse Leduc #AL24207. Published by Alphonse Leduc (HL.48182692). Michel Merlet: Hommage a Manuel de Falla Op.15 (Harpsichord solo). $26.60 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 6 Divertimenti op. 1 Band 1 Harpsichord Doblinger
(Divertimenti 1-3 (D-Dur WV 21, GDur WV 1, F-Dur WV 38)). By Georg Christoph Wag...(+)
(Divertimenti 1-3 (D-Dur WV 21, GDur WV 1, F-Dur WV 38)). By Georg Christoph Wagenseil (1715-1777). Harpsichord/clavichord. For harpsichord. 2-3. Op. 1. 24 pages
$31.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| 6 Divertimenti op. 1 Band 2 Harpsichord Doblinger
(Divertimenti 4-8 (E-Dur WV 32, C-Dur WV 64, B-Dur WV 80)). By Georg Christoph W...(+)
(Divertimenti 4-8 (E-Dur WV 32, C-Dur WV 64, B-Dur WV 80)). By Georg Christoph Wagenseil (1715-1777). Harpsichord/clavichord. For harpsichord. 3. Op. 1. 32 pages
$34.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Copper Ribbons. Harpsichord Harpsichord Stainer and Bell
Harpsichord SKU: ST.Y231 Composed by Rhian Samuel. Octavo. Stainer & Bell...(+)
Harpsichord SKU: ST.Y231 Composed by Rhian Samuel. Octavo. Stainer & Bell Ltd. #Y231. Published by Stainer & Bell Ltd. (ST.Y231). ISBN 9790220221767. Written for harpsichordist Jane Chapman, and clearly inspired by her virtuosity, Copper Ribbons is a fantasy-movement of throbbing tremolandi and scrunchy arpeggiated chords that both support and intrude upon a recitative-like 'line' of elusive, questioning melody. Exploiting the instruments rich variety of tone colours with a Debussian passion for texture and timbre, the composer here creates a miniature tone-poem, which sustains to its closing bars a sense of mystery and suggestion. The work may stand alone, or as a pair with its companion-piece Silver Threads, which should precede it. $10.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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| 6 Sonates Pour Le
Clavecin Ou Le Piano
Forte, Oeuvre V - 6
Sonatas For The
Harpsichord Or Piano
Forte, Opera XVII Harpsichord Anne Fuzeau Productions
Six sonates pour le clavecin ou le piano forte. Oeuvre V - - Editions : (c.1766)...(+)
Six sonates pour le clavecin ou le piano forte. Oeuvre V - - Editions : (c.1766)Six sonatas for the harpsichord or piano forte. Opera XVII - Edition : Londres, s.d. = (c.1779)Présentation par Jeanne Roudet : introduction - éléments d'interprétation (ornementation, dynamique) - appendice 1 (erreurs et approximations) - appendice 2 (aménagements proposés).Ces sonates peuvent être interprétées aussi bien sur un clavecin que sur un piano forte. / Clavecin Et Piano-Forte / 136 pages / niveau : 1 / Fac-Similés - Format: 23.5 X 32.5
54.60 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Sonates pour piano Opus 5
/ Piano Sonatas Opus 5
(Bach, Johann Christian)
Deutsch Piano solo [Sheet music] G. Henle
[Klaviersonaten Opus 5] / Classique / Editeur : Ernst-Günter Heinemann / DoigtÃ...(+)
[Klaviersonaten Opus 5] / Classique / Editeur : Ernst-Günter Heinemann / Doigtés : Hans- / Partition / Broché / Edition Urtext
27.43 EUR - Sold by Note4Piano Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Pièces De
Clavecin. Oeuvre Premier
- 'La Dauphine - Les
Petits Marteaux' -
Rameau - Clavecin (RAMEAU
JEAN-PHILIPPE) Clavecin (Fac-similé) - Easy Anne Fuzeau Productions
Par RAMEAU JEAN-PHILIPPE. Edition : Paris, J.C. Ballard, réédition de 1741La D...(+)
Par RAMEAU JEAN-PHILIPPE. Edition : Paris, J.C. Ballard, réédition de 1741La Dauphine : ms autographeLes Petits Marteaux : copie manuscriteAu premier livre de pièces de clavecin, on a ajouté le manuscrit autographe de 'La Dauphine', et une copie du XVIIIe siècle d'une pièce de clavecin intitulée 'Les petits marteaux'.Présentation de Jean Saint-Arroman et Philippe Lescat : Bibliographie - comparaison entre les deux éditions - restauration - / Niveau : Facile / Répertoire / Clavecin (Fac-similé)
31.10 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Rondo Concerto (KOZELUCH
LEOPOLD) Dohr
Es-Dur op. Postolka IV:11. Par KOZELUCH LEOPOLD. / Date parution : 2023-01-24/ ...(+)
Es-Dur op. Postolka IV:11. Par KOZELUCH LEOPOLD. / Date parution : 2023-01-24/ Répertoire / Clavecin et Piano
22.43 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Tony Oppenheim: Slap It!:
Bass Guitar: Instrumental
Tutor Harpsichord Anne Fuzeau Productions
Funk Studies for the Electric Bass-Learn the coolest funkiest and most dynamic ...(+)
Funk Studies for the Electric Bass-Learn the coolest funkiest and most dynamic of Bass guitar techniques with this fantastic book of funk studies. Slap It! is one of the most successful slap and pop methods and since its release has become a must-have for electric bass players wanting to learn more about playing and sight-reading slap bass lines. Tony Oppenheim’s fabulous collection of funk studies is comprehensive with a massive 151 exercises to learn hone and master this wrist wrangling and finger popping technique all in standard notation and Bass tablature. A CD is included which contains 98 recorded examples of the most important studies. This is stillthe most complete book yet on the art of slap bass playing!
26.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Duo Pour Harpe Et Piano.
Op. 36. C.1804/1805 Harpsichord Anne Fuzeau Productions
Edition : Paris, Siber, s.d. (=c.1804-1805)Présentation de Jehanne Drai (Ce.F.E...(+)
Edition : Paris, Siber, s.d. (=c.1804-1805)Présentation de Jehanne Drai (Ce.F.E. de M. Ile-de-France) : Biographie de Jan Ladislav Dussek - Datation des duos opus 36, 73, 74.Oeuvre pré-romantique, de proportions modestes, pour une formation bibliographie des trois duos originale. La préface présente une courte biographie de Dussek et la bibliographie des trois duos pour harpe et piano. Préface en 3 langues : français, anglais, allemand.Cet ouvrage comprend deux cahiers agrafés : la partie de la harpe incluant la préface et la partie de piano.Duo en Mi b Majeur : (allegro) - adagio espressivo - rondo, allegretto. / Harpe Et Piano, Piano Et Harpe / 24 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
18.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| De L'Ombre Surgit
(ROSAZ JEAN-CHRISTOPHE)
Français Clavecin - Intermediate/advanced Delatour France
Par ROSAZ JEAN-CHRISTOPHE. Inspiré d'une toile de Jérôme Mondésert : quelque...(+)
Par ROSAZ JEAN-CHRISTOPHE. Inspiré d'une toile de Jérôme Mondésert : quelque part dans une vieille ville, une rue en escalier qui descend : ici le clavecin est l'instrument qui nous aide à plonger dans les méandres du passé, tel un bathyscaphe qui nous conduirait au plus profond de l'océan originel, allégorie de notre moi le plus intime, pour ramener à l'air libre le cristal d'un arpège scintillant au grand jour. / Niveau : Moyen à Avancé / Date parution : 2007-10-01/ Répertoire / Clavecin
12.80 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Preludio All'
Deserto (ROSAZ
JEAN-CHRISTOPHE)
Français Clavecin - Intermediate/advanced Delatour France
Par ROSAZ JEAN-CHRISTOPHE. D'après un tableau de Jérôme Mondésert où l'on d...(+)
Par ROSAZ JEAN-CHRISTOPHE. D'après un tableau de Jérôme Mondésert où l'on devine au loin le désert et sa lumière aveuglante, au premier plan un arbuste, est-ce le buisson ardent ? Le clavecin aux cordes pincées prête son grésillement aux insectes, aux plantes du désert, tout ce qui crépite sous le soleil de métal et rend toute chose, toute vie brûlante au toucher. / Niveau : Assez Difficile / Date parution : 2007-10-01/ Répertoire / Clavecin
9.31 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Georg Friedrich Händel:
Concerto Grosso In G
Major Op.6 No.1:
Orchestra: Part Harpsichord Barenreiter
Harpsichord/Cembalo Part for George Frideric Handel's Concerto Grosso In G Op.6 ...(+)
Harpsichord/Cembalo Part for George Frideric Handel's Concerto Grosso In G Op.6 No.1. The Concerti Grossi Op.6 HWV 319-330 are 12 concerti for solo instruments (usually Violins and Cello) accompanied by a four-part string orchestra and Cembalo conintuo. Originally published in 1739 they were written to be played during performances of Handel's oratorios and odes and are amongst the finest examples in the genre of Baroque concerto Grosso.
9.50 GBP - Sold by Musicroom UK | |
| Jouni Kaipainen: Parcours
Op. 23: Flute: Score Flute, Harpsychord [Sheet music] Wilhelm Hansen
Parcours Op.23 For Flute and Harpsichord by Jouni Kaipainen dating from 1983. V...(+)
Parcours Op.23 For Flute and Harpsichord by Jouni Kaipainen dating from 1983. Version for Flute and Piano: KP00309 Â
26.99 GBP - Sold by Musicroom UK | |
| Georg Friedrich Händel:
Concerto Grosso B-Dur Op.
6/7 HWV 325: String
Orchestra: Harpsichord Barenreiter
Harpsichord PartGeorg Friedrich Händel's Concerto Grosso Op. 6/7 HWV 325 for Vi...(+)
Harpsichord PartGeorg Friedrich Händel's Concerto Grosso Op. 6/7 HWV 325 for Violin Cello and String Orchestra.
10.00 GBP - Sold by Musicroom UK | |
| Sonates Pour Flûte
Et Clavecin Op. 91 Lp20
(BOISMORTIER JOSEPH BODIN
DE / PINCHERL) Flute, Harpsichord [Sheet music] Heugel
Par BOISMORTIER JOSEPH BODIN DE / PINCHERL. Sonatas (Op. 91) for Flute and Conti...(+)
Par BOISMORTIER JOSEPH BODIN DE / PINCHERL. Sonatas (Op. 91) for Flute and Continuo by Boismortier/ Répertoire / Flûte Traversière et Clavecin
23.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Claude Ballif:
Solfeggietto N°10 Op.36 Harpsichord [Sheet music] Editions Musicales Transatlantiques
Solfeggietto N°10 Op.36
6.99 GBP - Sold by Musicroom UK | |
| Domenico Scarlatti:
Sonate per clavicembalo -
Volume 10: Harpsichord: Harpsichord Ricordi
Essercizi per gravicembalo - A cura di M. Moiraghi (supervisione E. Fadini). The...(+)
Essercizi per gravicembalo - A cura di M. Moiraghi (supervisione E. Fadini). The 10th volume of Domenico Scarlatti?s Sonate per clavicembalo represents a crucial landmark of this series, i.e. the thirty Essercizi per gravicembalo (London, 1738-39) at the heart of the composer?s production. For a long time, the style of these sonatas and their role in the history of keyboard music has been debated. But nobody had ever examined thoroughly the key aspects of textual criticism, intended not only as a detailed reconstruction of the text, but as a philological study with a full scope. This volume is the first step in such direction. The musical text of this edition is the result of a systematic comparison of all the eighteenth century printed and manuscript sources preserving Scarlatti?s treasured Essercizi. In some cases, the edition presents an alternative version of the same sonata, based on the sources? examination and sometimes showing an intricate web of authorial variants. The detailed Critical Notes take into account all the variants handed down by the sources. Many topics are discussed in the rich Introduction, first and foremost the historical context and the genesis of Scarlatti?s sonatas. Furthermore, other important topics are investigated, such as: the relationship between the Essercizi and the rival Londonese edition by Roseingrave: the role and chronology of the contemporary French editions, known under the name of Boivin: the early interventions of anonymous performers.
30.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Méthodes Et
Traités
Jean-Philippe Rameau - 3
Volumes - France 1600 -
1800 Harpsichord Anne Fuzeau Productions
Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, trait...(+)
Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant Jean-Philippe Rameau.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - trois volumes.Traité de l'harmonie - Nouveau système de musiqueRemarques sur les différents genres de musiqueObservations sur la méthode d'accompagnementPlan abrégé d'une nouvelle méthode d'accompagnementDissertation sur les différentes méthodes d'accompagnementDiscours sur l'harmonie - Démonstration du principe de l'harmonieVérités également ignorées et intéressantesOrigines des sciences - Code de musique pratique Génération harmoniqueObservations sur notre instinct pour la musique - etc..Articles de l'Encyclopédie et leur critique par RameauPolémique avec Montéclair - CorrespondancesArticles parus dans les gazettes - Préfaces aux oeuvresTable des matières : Volume 1 : Rameau Jean-Philippe : Traité de l'harmonie - 1722Rameau Jean-Philippe : Pièces de clavecin avec une méthode pour la mécanique - 1724Rameau Jean-Philippe : Nouveau système de musique - 1726Rameau Jean-Philippe : Lettre de M. Rameau à Houdar de la Motte - 1727Rameau Jean-Philippe : Remarques sur les différents genres de musique - 1728(Montéclair Michel Pignolet de ?) : Conférence sur la musique - 1729Rameau Jean-Philippe : Examen de la conférence sur la musique - 1729Rameau Jean-Philippe : Observations sur la méthode d'accompagnement - 1730Rameau Jean-Philippe : Plan abrégé d'une méthode nouvelle d'accompagnement - 1730(Montéclair Michel Pignolet de ?) : Réponse su second musicien au premier - 1730Rameau Jean-Philippe : Réplique du premier musicien à la réponse du second - 1730(Montéclair Michel Pignolet de ?) :Réponse du second musicien au premier musicien - 1730Rameau Jean-Philippe : Réplique du premier musicien à l'écrit du second - 1730Rameau Jean-Philippe : Dissertation sur les différentes méthodes d'accompagnement - 1732Rameau Jean-Philippe : Les Indes galantes, ballet réduit à quatre concerts - 1735Castel R.P. Louis-Bertrand : Suite et seconde partie des nouvelles expériences - 1735Castel R.P. Louis-Bertrand : Suite et - troisième partie des nouvelles expériences - 1735Rameau Jean-Philippe : Lettre de M. Rameau au R.P. Castel - 1736Rameau Jean-Philippe : Pièces de clavecin avec une table pour les agréments - 1736Rameau Jean-Philippe : Discours sur l'harmonie - 1737Volume 2 : Rameau Jean-Philippe : Génération harmonique - 1737Rameau Jean-Philippe : Génération harmonique, ou traité de musique théorique - 1737Anonyme : Le Pour ou le Contre - Tome XIII - 1737Rameau Jean-Philippe : Lettre à Hans Sloane - 1737Anonyme : Le Pour ou le Contre - Tome XIV - 1738Rameau Jean-Philippe : Lettre à Jean-Pierre Christin - - 1741Rameau Jean-Philippe : Pièces de clavecin en concert - - 1741Rameau Jean-Philippe : Deux lettres à Johann II Bernoulli - 1750Rameau Jean-Philippe : Lettre à Gabriel Cramer - 1750Rameau Jean-Philippe : Démonstration du principe de l'harmonie - 1750Rousseau Jean-Jacques - : Encyclopédie - Articles 'Accompagnement, Accord, Cadence' - 1751Rameau Jean-Philippe : Nouvelles réflexions de M. Rameau - 1752Rameau Jean-Philippe : Lettre à Johann II Bernoulli (copie ancienne) - 1752Rameau Jean-Philippe : Lettre de M. Rameau à l'auteur du mercure - 1752Euler Leonhard - : Lettre à Rameau - 1752Rameau Jean-Philippe : Réflexions de M. Rameau sur la manière de former la voix - 1752Rameau Jean-Philippe : Extrait d'une réponse de M. Rameau à M. Euler - 1752Rousseau Jean-Jacques - : Encyclopédie - articles 'Choeur, Chromatique' - 1753Rameau Jean-Philippe : Extrait d'une réponse de M. Rameau - 1753Rameau Jean-Philippe : Observations sur notre instinct pour la musique - 1754Rousseau Jean-Jacques - : Encyclopédie - article 'Dissonance' - 1754Rameau Jean-Philippe : Erreurs sur la musique - - 1755Volume 3 :Rousseau Jean-Jacques - : Encyclopédie - Article 'Enharmonique' - 1755Alembert Jean Le Rond d' et Diderot Denis - : Encyclopédie - Avertissement du volume VI - 1756Rameau Jean-Philippe : Suite des erreurs sur la musique dans l'Encyclopédie - 1756Rameau Jean-Philippe : Prospectus où l'on propose - 1757Alembert Jean Le Rond d' : Encyclopédie : articles 'Fondamental' - 'Gamme' - 1757Rameau Jean-Philippe : Réponse de M. Rameau à MM. les éditeurs - 1757Rameau Jean-Philippe : Lettre de M. d'Alembert - 1758Rameau Jean-Philippe : 2 lettres à J.B. Beccari - 1759Rameau Jean-Philippe : 2 lettres au Padre Martini - 1759Rameau Jean-Philippe : Lettre au Padre Martini - 1759Rameau Jean-Philippe : Code de musique pratique - 1760Alembert Jean Le Rond d' : Lettre de Monsieur d'Alembert à Monsieur Rameau - 1761Rameau Jean-Philippe : Réponse de Monsieur Rameau à la lettre de M. d'Alembert - 1761Rameau Jean-Philippe : Origine des Modes
277.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Johann Sebastian Bach:
Concerto For Harpsichord
No.6 In F Major: Mixed
Ensemble: Barenreiter
Nr. VI F major BWV 1057-In early 1729 Bach became director of the so-called »...(+)
Nr. VI F major BWV 1057-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major BWV 1052 is the sixth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). The initials at the end of the piece SDGl ('Soli Deo Gloria') form a pendant to the J.J. ('Jesus Juva') found at theopening of the D-minor Concerto BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus the only authentic and self-contained collection of concertos we have from Bach apart from his presentation copy of the Brandenburg Concertos (1721). Like all the other concertos in this series BWV 1057 is an arrangement of an earlier work in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the New Bach EditionFull score & parts (BA5229) two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
28.50 GBP - Sold by Musicroom UK | |
| Storace Bernardo - Selva
Di Varie Compositioni
D'intavolatura Per
Cimbalo Ed Organo Harpsichord SPES
Bernardo Storace (sec. XVII) Selva di Varie Compositioni d'intavolatura per c...(+)
Bernardo Storace (sec. XVII) Selva di Varie Compositioni d'intavolatura per cimbalo ed organo. Venezia 1664 Edizione critica secondo le fonti originali A cura di / Edited by Marco Ghirotti CONTENUTO Prefazione Note critiche Preface Capriccio Sopra il Passo e Mezzo Passo e Mezzo Altro Passo e Mezzo Romanesca Aria sopra la Spagnoletta Monica Capriccio Sopra Ruggiero Partite sopra li cinque Passi Follia Passagagli sopra A, la mi re 1a. 2a. 3a. 4a. 5a. e 6a. Partita Passagagli sopra C, sol fa ut per b 1a. 2a. 3a. Partita Passagagli sopra D, sol re per # 1a. P.ta e 2a. in modo Pastorale Passagagli sopra A, la mi re per # 1a. 2a. 3a. e 4a. Partita Passagagli sopra E, la mi per # 1a. P.ta e 2a. in modo Pastorale Passagagli sopra B, mi prima, e seconda Partita Passagagli sopra Fe, fa ut per b Passagagli sopra B, fab mi per b Passagagli sopra B, fa Ciaccona 1a. 2a. 3a. e 4a. Parte Balletto P.mo S.do T.zo Q.to Qui.to e S.to Ballo della Battaglia Corrente Corrente Toccata Canzon Toccata e Canzon Recercar Recercar di legature Pastorale P.ma S.da T.za e quarta Parte
62.90 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Manuscrit De Melle De
Bloren - Clavecin
Français Harpsichord Lemoine, Henry
Ce livre apartien à Mademoiselle de Bloren la cadete Le manuscrit n°108 de l...(+)
Ce livre apartien à Mademoiselle de Bloren la cadete Le manuscrit n°108 de la Médiathèque municipale de Roanne est une collection de pièces de clavecin, d'airs et de morceaux de musique de chambre. Il donne un exemple très intéressant de pratique musicale amateur. Le problème est que Mademoiselle de Bloren n'a pas indiqué le nom des compositeurs. Deux pièces seulement portent un titre dans la série de pièces pour clavecin, et aucune date n'apparaît nulle part. Dans le Catalogue des fonds musicaux anciens conservés dans la Région Rhône-Alpes (1998), les extraits d'Amadis de Grèce sur lesquels s'ouvre le recueil sont attribués à André Cardinal Destouches: cela nous assure que la rédaction n'a pu commencer avant 1699. Après quelques recherches dans le répertoire nous avons pu identifier certaines pièces, qui sont du XVIIe siècle. Celles qui restent peuvent retrouver un titre car on y reconnaît des danses ou des formes musicales connues (voir étude parue dans le Bulletin de La Diana du 3e trimestre 2004. La Diana, rue Florimond Robertet, 42600 Montbrison). Nous n'avons pas retenu ici les airs, car la plupart se retrouvent dans une source plus sûre: le Premier Livre de Sébastien Le Camus (1668). Quant aux pièces de musique de chambre, de moindre valeur musicale, elles nécessiteraient d'importantes corrections. Beaucoup sont inachevées. Les pièces de clavecin, en revanche, méritaient une édition moderne pour deux raisons: - Elles complètent le répertoire dont nous disposions avec des pages totalement inconnues et quelques transcriptions inédites. - Elles présentent un intérêt pédagogique majeur en offrant une agréable approche de la musique du XVIIe siècle. Nous sommes intervenus aussi peu que possible sur le texte, que l'interprète (ou son professeur) ne devra pas hésiter à améliorer... Martial Morand Contenu : Forlane, Menuet (transcriptions d'après Campra, L'Europe Galante, 1697 - Gavotte de Lebègue, que l'on retrouve avec quelques variantes dans son Livre de Clavecin (1667) et dans le Manuscrit Bauyn - Menuet transcrit d'après Lully (Trios pour le Coucher du Roi, d'Anglebert en a donné une autre version pour clavecin, plus savante, mais celle de Roanne a le mérite de préserver l'élan de la danse - Menuet dont on trouve une variation dans le Manuscrit de Mademoiselle La Pierre (1687) - Musette - Chaconne transcrite d'après Lully (Acis et Galatée, 1686, d'Anglebert en a sa propre transcription - Menuet - Sarabande - Menuets 1 et 2 - Descente de Mars d'après Lully (Thésée, 1675, une autre transcription pour le clavecin apparaît dans le Ms. de Melle La Pierre - Gavotte de Hardel et Double de L. Couperin (on les trouve dans le Ms. Bauyn) - Prélude dûment titré - Les Folies d'Espagne - Menuet et Double, titrés - Bourrée en rondeau - Sarabande - Sarabande d'après Destouches (/ssé,1697) - Allemande (cette pièce et la suivante apparaissent vers la fin du manuscrit, après les airs et les pièces de musique de chambre, et semblent plus tardives. Le contrepoint à quatre parties de l'allemande n'a certainement pas été pensé pour le clavecin seul et nous proposons une version à deux clavecins) - Gavotte en rondeau Discipline/Instrument : clavecin Support : Partition Style/Genre : classique Date de parution : févr.-06 Nombre de pages : 40
17.00 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Johann Sebastian Bach:
Harpsichord Concerto No.2
in E major: Chamber
Ensemble: Harpsichord and Strings Barenreiter
E major BWV 1053-In early 1729 Bach became director of the so-called »Scottis...(+)
E major BWV 1053-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bach prepared in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument although opinions differ on the original key and instrument. Bach had alreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169) at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225) two-keyboard reduction (BA5225-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
20.00 GBP - Sold by Musicroom UK | |
| Johann Sebastian Bach:
Harpsichord Concerto No.2
in E major: Piano Duet: Clavecin et Instruments à
Cordes [Sheet music] Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bach prepared in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument although opinions differ on the original key and instrument. Bach had alreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169) at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225) two-keyboard reduction (BA5225-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
17.00 GBP - Sold by Musicroom UK | |
| Ma Première
Année De Clavecin
Français Harpsichord [Sheet music] Delatour France
Ce recueil propose un choix de pièces destinées à la première année d'appre...(+)
Ce recueil propose un choix de pièces destinées à la première année d'apprentissage du clavecin. L'ouvrage se divise en 20 leçons progressives rassemblant diverses pièces du 16ème au 20ème siècle. Celles-ci sont précédées chacune de quelques exercices abordant les difficultés techniques correspondantes. L'absence de conseils, commentaires ou remarques n'est pas fortuite. L'enseignant pourra ainsi ajouter à son gré des articulations, des agréments, proposer des doigtés anciens ou modernes afin d'adapter sa pédagogie aux pièces étudiées et au niveau de l'élève. / Clavecin
26.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Choquard Armelle - Ma
Premiere Annee De
Clavecin Harpsichord [Sheet music] Delatour France
Date de publication : 01/06/2006 Difficulté : (1 à 2/8) Facile Format : 21 x 2...(+)
Date de publication : 01/06/2006 Difficulté : (1 à 2/8) Facile Format : 21 x 29,7 cm Matériel : Partition Instrumentation : Clavecin Caractéristiques : Classique  Ce recueil propose un choix de pièces destinées à la première année d'apprentissage du clavecin, L'ouvrage se divise en 20 leçons progressives rassemblant diverses pièces du 16ème au 20ème siècle, Celles-ci sont précédées chacune de quelques exercices abordant les difficultés techniques correspondantes, L'absence de conseils, commentaires ou remarques n'est pas fortuite, L'enseignant pourra ainsi ajouter à son gré des articulations, des agréments, proposer des doigtés anciens ou modernes afin d'adapter sa pédagogie aux pièces étudiées et au niveau de l'élève,
24.00 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| 18 Compositions Without
Op. Number Op-Sn 1-18 (Wo
2, 3, 5, 8, 10, 11,
13-23) Clavecin [Sheet music] Ut Orpheus 59.31 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| After Handel's
'Vesper' Harpsichord Schott
Cette pièce pour clavecin solo (1995, durée de 10 minutes) a été commandée ...(+)
Cette pièce pour clavecin solo (1995, durée de 10 minutes) a été commandée par Maggie Cole. '... J'ai offert de nombreuses options avec l'ornementation, certains, suggérant d'écrire d'autres complètement, mais aussi encourager le joueur à utiliser leur invention et l'instinct pour ajouter d'autres lorsque non spécifié et généralement à adopter une approche ouverte à la pièce. ' / Clavecin
15.54 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Edwin McLean: Sonata No.
2 For Harpsichord:
Harpsichord: Instrumental
Work Harpsichord [Sheet music] FJH
Here is a winning combination of old and new. This three-movement sonata contras...(+)
Here is a winning combination of old and new. This three-movement sonata contrasts the traditional sound of the harpsichord with tonality and syncopation's common to popular music and jazz. There are guitar-like moments in the first and third movements while the second alternates between the baroque and the modern. McLean brings all the character of the instrument to light.
12.50 GBP - Sold by Musicroom UK | |
| Méthodes Et
Traités - Vol.2 -
France 1600 - 1800 Harpsichord Anne Fuzeau Productions
Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, trait...(+)
Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant le clavecin.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - deux volumes.ANCELET - Antoine BEMETZIEDER (1-2) - Jean-Laurent de BETHISY - Michel CORRETTE (2) - Denis DIDEROT - Jacques DUPHLY (1-2) - Encyclopédie - Encyclopédie méthodique - Louis-Joseph le neveu FRANCOEUR - Pierre Claude FOUCQUET (1-2) - François-Alexandre-Pierre de GARSAULT - Jean-Benjamin de LABORDE - Philippe MACQUER - Friedrich Wilhelm MARPURG - Jean-Philippe RAMEAU (4) - Jean-Jacques ROUSSEAU - Simon SIMON.Table des matières : Corrette Michel : Les amusements du Parnasse - 1749Foucquet Pierre Claude : Les caractères de la paix - 1749Foucquet Pierre Claude : Second livre de pieces de clavecin - 1751Encyclopédie : Encyclopédie ou dictionnaire raisonné - 1751/1772Duphly Jacques : Troisième livre de pieces de clavecin - 1756Ancelet : Observations sur la musique - 1757Rameau Jean-Philippe : Code de musique pratique - 1760Garsault François-Alexandre-Pierre de : Notionnaire - 1761Simon Simon : Pieces de clavecin - 1761Béthisy Jean-Laurent de : Exposition de la théorie - 1764Rousseau Jean-Jacques : Dictionnaire de la musique - 1768Duphly Jacques : Du doigter - c.1769Diderot Denis : Manuscrit autographe - s.d.Bemetzrieder Antoine : Leçons de clavecin - 1771Francoeur Louis-Joseph le neveu : Diapason général - 1772Macquer Philippe : Dictionnaire raisonné - 1773Laborde Jean-Benjamin de : Essai sur la musique - 1780Bemetzrieder Antoine : Nouvelles leçons de clavecin - 1783Encyclopédie méthodique : Encyclopédie méthodique, arts et métiers mécaniques - 1788Marpurg Friedrich Wilhelm : L'art de toucher le clavecin - c.1797Téléchargez le catalogue Anne Fuzeau Classique / Clavecin / 232 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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| Méthodes Et
Traités - 2
Volumes - France 1600 -
1800 Harpsichord Anne Fuzeau Productions
Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, trait...(+)
Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant le clavecin.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - deux volumes.Volume - 1 (Réf. 5834) : Anonyme - - Jean-Henry d'ANGLEBERT - - - François COUPERIN (1-2) - Jean-Joseph Cassanéa de MONDONVILLE - - Michel CORRETTE (1) - Jacques Champion de CHAMBONNIERES - - - - François DAGINCOURT - - Jean-François DANDRIEU - - - Louis Claude DAQUIN - - Jean II DENIS - - - François DIEUPART - - Louis-Antoine DORNEL - - - Antoine FORQUERAY - - Antoine FURETIERE - Charles Alexandre JOLLAGE - - - Nicolas-Antoine LEBEGUE - - Jean Léonor LE GALLOIS - - Gaspard - LE ROUX - - - Marin MERSENNE - Jean-Philippe RAMEAU (1-2-3) - - Pancrace ROYER - - Michel de SAINT LAMBERT - - Charles Joseph VAN HELMONT.Volume - 2 (Réf. 5835) : ANCELET - Antoine BEMETZIEDER (1-2) - Jean-Laurent de BETHISY - Michel CORRETTE (2) - Denis DIDEROT - Jacques DUPHLY (1-2) - Encyclopédie - Encyclopédie méthodique - Louis-Joseph le neveu FRANCOEUR - Pierre Claude FOUCQUET (1-2) - François-Alexandre-Pierre de GARSAULT - Jean-Benjamin de LABORDE - Philippe MACQUER - Friedrich Wilhelm MARPURG - Jean-Philippe RAMEAU (4) - Jean-Jacques ROUSSEAU - Simon SIMON.Table des matières : Volume 1 : Mersenne Marin : Harmonie universelle - 1636Denis Jean II : Traité de l'accord de l'espinette - 1650Chambonnières Jacques Champion de : Les pièces de clavessin - 1670Anonyme : Tablature pour le clavecin - s.dLebègue Nicolas-Antoine : Les pieces de clavessin - 1677Le Gallois Jean Léonor : Lettre de Mr Le Gallois - 1680Anglebert Jean-Henry d' : Pièces de clavecin - 1689Furetière Antoine : Dictionnaire universel - 1690Dieupart François : Six suittes de clavessin - 1701Saint-Lambert Michel de : Les principes du clavecin - 1702Le Roux Gaspard : Pièces de clavessin - 1705Couperin François : Pieces de clavecin - 1713Couperin François : L'art de toucher le clavecin - 1717Rameau Jean-Philippe : Pieces de clavecin - 1724Dandrieu Jean-François : Livre de pieces de clavecin - 1724Rameau Jean-Philippe : Nouvelles suites de pièces de clavecin - 1728Dornel Louis Antoine : Pieces de clavecin - 1731Dagincourt François : Pieces de clavecin - 1733Corrette Michel : Premier livre de pieces de clavecin - 1734Daquin Louis Claude : 1er livre de pieces de clavecin - 1735Rameau Jean-Philippe : Pieces de clavecin - 1736Van Helmont Charles Joseph : Pieces de clavecin - 1737Jollage Charles Alexandre : Premier livre de pieces de clavecin - 1738Royer Pancrace : Pieces de clavecin - 1737Forqueray Antoine : Pieces de viole (...) mises en pieces de clavecin - 1747Mondonville Jean-Joseph Cassanéa de : Pieces de clavecin avec voix ou violon - 1748Volume 2 :Corrette Michel : Les amusements du Parnasse - 1749Foucquet Pierre Claude : Les caractères de la paix - 1749Foucquet Pierre Claude : Second livre de pieces de clavecin - 1751Encyclopédie : Encyclopédie ou dictionnaire raisonné - 1751/1772Duphly Jacques : Troisième livre de pieces de clavecin - 1756Ancelet : Observations sur la musique - 1757Rameau Jean-Philippe : Code de musique pratique - 1760Garsault François-Alexandre-Pierre de : Notionnaire - 1761Simon Simon : Pieces de clavecin - 1761Béthisy Jean-Laurent de : Exposition de la théorie - 1764Rousseau Jean-Jacques : Dictionnaire de la musique - 1768Duphly Jacques : Du doigter - c.1769Diderot Denis : Manuscrit autographe - s.d.Bemetzrieder Antoine : Leçons de clavecin - 1771Francoeur Louis-Joseph le neveu : Diapason général - 1772Macquer Philippe : Dictionnaire raisonné - 1773Laborde Jean-Benjamin de : Essai sur la musique - 1780Bemetzrieder Antoine : Nouvelles leçons de clavecin - 1783Encyclopédie méthodique : Encyclopédie méthodique, arts et métiers mécaniques - 1788Marpurg Friedrich Wilhelm : L'art de toucher le clavecin - c.1797Téléchargez le catalogue Anne Fuzeau Classique / Clavecin / 448 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
148.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Partita For Flûte
Bwv1013 - Arrangement
Pour Clavecin
Français Harpsichord Delatour France
 (Par essence encore plus contrainte à la monodie que les Sonates and Partitas...(+)
 (Par essence encore plus contrainte à la monodie que les Sonates and Partitas pour violon seul et les Suites pour violoncelle seul, l'unique Partita pour flûte seule semble poser au transcripteur pour clavier le problème maximum de l'extrapolation harmonique, Mais comme l'écriture de Bach ne se départit justement jamais de la contingence harmonique, quel que soit le nombre de voix qu'il met en jeu, il ne s'agissait plus que de 'reconstituer' ses intentions, au sein de son propre langage,Le principe adopté ici étant de ne pas avoir modifié une seule note de la partition originale (hormis la transposition nécessaire de La mineur en Mi mineur), et d'avoir procédé à l'ajout d'un soutien harmonique et contrapuntique, afin de faire accroire à l'existence d'une véritable Partita pour clavier,Jean Rondeau, brillant jeune claveciniste (1er Prix de Bruges 01/01/12), qui fut mon élève en écriture dans ses années d'apprentissage, est forcément le dédicataire de cette 'reconstitution', Celle-ci figure sur son premier CD Bach Imagine (Warner Classics Erato), / Clavecin
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| SCARLATTI D. - SONATES
VOL.II (K.53 - K.103) Harpsichord Heugel
talian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard c...(+)
talian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this second volume is indispensable toperformers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much ofScarlatti\'s Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The second volume, comprising Sonatas 53-103,includes the popular and recognised Sonatas in F minor (K. 69) and B minor (K. 87). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in theservice of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. / Partitions classique / Piano - instruments à clavier / Clavecin / HEUGEL
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| SCARLATTI D. - SONATES
VOL.X (K.458 - K.506) Harpsichord Heugel
Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard ...(+)
Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this tenth volume is indispensable toperformers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much ofScarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The tenth volume, comprising Sonatas 458-506,includes the popular and recognisable Sonata in F minor (K. 466). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royalfamilies, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. / Clavecin / Heugel
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