SKU: RM.CREA03479-CO
SKU: HL.49005343
ISBN 9790001057530.
SKU: ND.RPHR196-SET
SKU: HL.4003186
UPC: 884088654030. 9.0x12.0x0.081 inches.
John Barnes Chance composed his landmark work for band, Incantation and Dance, in 1960 while in residence at the high school in Greensboro, North Carolina. Commissioned by the Union County (NC) Honor Band, Prelude and Pursuit pays tribute to this important composition and its North Carolina connection. A haunting chant-like theme played by the clarinets sets the tone for the slow section. Similar to Chance's work, the fast section begins with percussion instruments introducing thematic elements later picked up and developed by the winds. Intensifying rhythmic elements, as well as carefully controlled random playing effects, contribute to an overall sense of excitement and anticipation. Themes are woven throughout various sections of the band before the opening chant motif makes a brief dramatic appearance near the end. A great teaching tool for young players, Prelude and Pursuit also provides a rewarding performance experience. Dur: 4:50.
SKU: CU.EC7687
SKU: BT.DHP-1084521-010
9x12 inches. English-German-French-Dutch.
De Amerikaanse componist George Gershwin (1898-1937) schreef de energieke song I Got Rhythm, met een tekst van zijn broer Ira Gershwin, in 1930 voor de musical Girl Crazy. Inmiddels is deze song een absolute jazzstandard,die in de loop der tijden is uitgevoerd door talloze bekende en minder bekende artiesten. Het arrangement van Kunio Fujisaki is een fraaie aanvulling op uw repertoire.I Got Rhythm ist eine der bekanntesten Musiknummern aus George Gershwins Musical Girl Crazy, das im Jahre 1930 uraufgeführt wurde und seither an Popularität nichts verloren hat. Der Titel I Got Rhythm erlangte den Status eines Jazz-Standards, der als Vorlage für viele Jazztitel diente und von großen Jazzern interpretiert wurde. Kunio Fujisaki bearbeite das Original für Blasorchester. I Got Rhythm est une chanson irrésistible composée par George Gershwin (1898-1937) sur des paroles de son frère Ira, pour la comédie musicale Girl Crazy (1930). I Got Rhythm deviendra par la suite un des plus grands standards du jazz et sera repris par de nombreux artistes. La grille harmonique du morceau (également appelée rhythm changes) est devenue la structure la plus jouée par les jazzmen.
SKU: HL.50490853
ISBN 9784113020131.
SKU: RM.GOUR06657-CO
SKU: CL.011-2226-00
Beginning with a broad maestoso, this composition quickly develops into a bright allegro. The lush 3/4 middle section will show off the expressive capabilities of your performers, and the energetic coda brings the piece to a rousing ending. This contest pick is very enjoyable to work up, and a joy to play. OUTSTANDING!
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: BT.DHP-1033411-040
SKU: BT.DHP-1053785-040
English-German-French-Dutch.
SKU: BT.PL2454
SKU: KJ.SOS4F
UPC: 084027040737.
Also known as Air Varie, this is a true showcase for an advanced violist. Set in C Major, the four-measure theme wastes no time moving into 14 short variations plus a coda. Commanding! Vibrant! Solo is grade 5 and orchestra parts are grade 3.Duration: 3:10.
SKU: BT.DHP-1216335-215
In the 1980s and 1990s there was a new surge of interest in the old swing of the 30s and 40s. The epicentre of this swing revival lay in the American state of California, Los Angeles and San Francisco in particular. Based on therules of the old swing in which each beat has a ternary subdivision but with more contemporary sounds and harmonies, Peter Kleine Schaars composed this work San Fransisco Swing. Through the frequent use of the rhythmiccells 22, 23 and 24 in all parts of this composition, each band, irrespective of its experience with swing music, will be able to give a swinging performance! In de jaren tachtig en negentig van de vorige eeuw ontstond er een nieuwe golf van belangstelling voor de oude swing van de jaren dertig en veertig. Het epicentrum van deze swingrevival lag in de Amerikaanse staat Californië, metname in Los Angeles en San Francisco. Gebaseerd op de wetten van de oude swing waarin elke beat een ternaire onderverdeling heeft maar met meer hedendaagse klanken en harmonieën, componeerde Peter Kleine Schaars deze SanFransisco Swing. Door middel van het veelvuldig gebruik van de ritmische cellen 22, 23 en 24 in alle stemmen van deze compositie zal elk orkest, ongeacht de ervaring met swingmuziek, in staat zijn een swingende performanceneer te zetten! In den 1980er und 1990er Jahren konnte man ein gesteigertes Interesse am alten Swing der 1930er und 1940er Jahre beobachten. Das Zentrum dieser Entwicklung befand sich insbesondere im amerikanischen Bundesstaat Kalifornien, in LosAngeles und San Francisco. Peter Kleine Schaars komponierte das Stück San Fransisco Swing nach den Regeln des alten Swings, bei dem jeder Schlag eine ternäre Unterteilung hat, allerdings mit modernen Klängen und Harmonien.Durch die häufige Verwendung der Rhythmus-Einheiten 22 und 24 in allen Stimmen der Komposition kann jedes Orchester unabhängig von seiner Erfahrung mit Swingmusik eine swingende“ Aufführung präsentieren!Les années 1980-90 ont connu un regain d’intérêt pour le swing des années 1930-40. L’épicentre de cette renaissance se trouvait dans l’état américain de Californie, notamment Los Angeles et San Francisco. Peter Kleine Schaars acomposé San Fransisco Swing en respectant les principes du swing traditionnel où chaque battement est subdivisé en ternaire mais en lui apportant des sons et harmonies plus contemporains. Gr ce l’emploi généreux descellules rythmiques 22 et 24 dans toutes les parties de cette composition, tous les ensembles, quelle que soit leur expérience du swing, seront en mesure de l’interpréter en swinguant !
SKU: TM.08330SC
Contains Sanctus Fortis in the original key of Bb. See #14587 for lower version in Ab (inserts at reh. #39-57).
SKU: AP.47407
UPC: 038081547671. English. Traditional; Scored by Jason Scott.
From America's King of Light Music, Leroy Anderson's setting of this children's favorite was premiered by the Boston Pops. Scored for developing band yet true to the original, this will please performers and audiences alike for developing and more advanced bands. Gleefully complete with a barnyard chorus! (3:45).
SKU: LM.GD1444
ISBN 9790231708929.
SKU: CL.RWS-1937-00
This energetic work by Joseph Earp is wildly infectious. This light and lively musical statement, inspired by the Sandhill Cranes of Monte Vista, Colorado, is sure to make all want to dance. The tubas and low woodwinds will particularly enjoy performing their opening groove as it sets the tone for the great music to come. This will be a musician favorite and a highlight of your next concert performance. Enjoy!
SKU: XC.DSO1901FS
UPC: 812598030976. 9 x 12 inches.
Every fall, flocks of up to a million starlings create fluid formations of wheeling and darting birds called murmurations. Composer Peter Terry depicts this sea of birds, whose beautiful, hypnotic motions move as a vast single cloud that can block out the sun.
