SKU: BA.BA04853-91
ISBN 9790006457212. 27 x 19 cm inches. Key: C major.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA04660-02
ISBN 9790006565375. 31 x 24.3 cm inches. Text Language: Latin. Preface: Gunter Thomas.
Haydn's Missa in Angustiis, also known as theNelson Mass, was composed in 1798. It is one of the six great Mass settings that forms the crowning glory of his vocal music along with The Creation and The Seasons. Continuing the collaboration between Barenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn.
SKU: BA.BA10175-91
ISBN 9790006491605. 27 x 19 cm inches.
Study score = TP 1175.
SKU: BA.BA05310
ISBN 9790006497881. 33.1 x 25.9 cm inches.
In the autumn of 1721, when Georg Philipp Telemann became cantor at the Hamburg Johanneum and music director of the city’s five principal churches, he faced the challenge of composing and performing a new Passion setting every year.The ninety-minute St. John Passion of 1745 was written in a winningly clear and transparent style, with two large choral numbers, six chorales (probably joined by the congregation) and several turbae that pose interesting yet manageable demands on the chorus. The plain and unassuming recitatives and the eleven sharply defined yet contemplative arias give soloists broad leeway for artistic interpretation. This volume follows the Urtext of vol. 29 of the Telemann Edition, thereby offering a reliable text at the pinnacle of modern scholarship.
SKU: BA.BA11309
ISBN 9790006577705. 27 x 19 cm inches. Text Language: English.
It is a small music history sensation: Thanks to Yves Grard an unknown and unpublished manuscript penned by Camille Saint-Saëns has been unearthed in the Mdiathèque Jean Renoir in Dieppe in France.It is the top four instrumental parts which make this manuscript something of a sensation. Placed under each other are â??Saxophone Soprano en Si bâ?, â??Saxophone Alto en Mi bâ?, â??Saxophone Tnor en Si bâ? and â??Saxophone Baryton en Mi bâ?, strings, soprano solo with chorus and organ. Musical history has hitherto credited Jean-Baptiste Singele (1812â??1875) with having written the first saxophone quartet, his opus 53, which he completed in 1857. Now this historiography clearly has to be revised. The date 1854 has been found under the first page of the treasure from Dieppe, which is pasted over and also sewn, meaning that Saint-Saënsâ?? work was written three years earlier than that of Singele.In contrast to Singele, Saint-Saëns does not have the wind instruments taking solo parts but rather uses their tonal colour to depict textual moods and nuances. On the one hand the saxophones accompany the choral parts (certainly singable by amateurs) and support the human voices in fugal passages. On the other hand, they take the melody in the purely orchestral passages.Saint-Saëns wrote the motet in the period when he had taken up his first permanent appointment as organist at the Church of Saint-Merri in Paris. He revised the work several times over the decades, changing the motifs at the beginning, correcting obvious mistakes, reworking the ending, eventually changing the instrumentation several times and even â?? probably in the final stage â?? replacing the Latin text with an English one. Today, three-and-a-half versions have been handed down, one of them stopping after just a few pages. The compositional steps have been successfully reconstructed by means of detailed detective work. Furthermore, the first saxophone version (BA 11305) and the last English piano version (BA 11309) have been edited to produce a scholarly-critical edition.The present edition of the English version for soprano solo, choir and piano (BA 11309) serves both as a full score and as a vocal score due to the instrumentation.
SKU: BA.BA06227
ISBN 9790006477234.
7 Lieder fur Chor oder Solostimmen, teilweise mit Basso continuo aus Studentenschmaus und Venuskranzlein
SKU: BA.BA04045
ISBN 9790006443536. 33 x 26.1 cm inches. Text Language: Italian. Anonymus.
In 1734 Handel provided the pasticcio “ Oreste †for his third operatic enterprise which, following the bankruptcy of the Royal Academy and its successor academy, felt threatened by competition from the newly-founded Opera of the Nobility. Hence, the composer did not compile the work from favourite movements from his own and other composer's pieces as was usual at that time; rather in “ Oreste †he presented a selection of the most beautiful arias and ensembles exclusively from his own operas. In addition, he expanded the ballet and choral scenes which he thought would make a great impact after the move into the newly built Covent Garden Theatre. As most of the singers in his Italian company had been enticed away by the competition, Handel increasingly began to engage English virtuosi. He probably even worked on the new version of the libretto himself in order to place the new stars in the limelight to the best effect. The new vocal score is based on Volume 1 of the Supplement to Series II of the “Halle Handel†Edition edited by Bernd Baselt .
SKU: BA.BA07677
ISBN 9790006526192. 30 x 23 cm inches.
The cantata Nun komm der Heiden Heiland (TWV 1:1174) is taken from Telemann’s cantata cycle of 1717–18. Though festively scored for two oboes, two trumpets, kettledrums, strings and basso continuo, it will not overly strain the financial resources of today’s ensembles.The well-known chorale tune features prominantly in all choruses. Telemann gives one aria each to the three soloists (SAB). Thanks to the relatively small instrumental ensemble, the choral passages can be taken one to a part. The vocal score appears with a singing translation in English.
SKU: BA.BA04889-91
ISBN 9790006459346. 27 x 19 cm inches.
SKU: BA.BA02282
ISBN 9790006419555. 33 x 26.5 cm inches. Text Language: French, German. Preface: Ludwig Finscher. Text: Pierre-Louis Moline.
Christoph Willibald Gluck’s most popular opera “Orphe et Euridice†was performed in 1774 in Paris to sensational success. This new adaption followed the original Viennese version with Italian text that was first performed in 1762 under the direction of the composer in the Burgtheater. For the Paris version Gluck changed the leading part Orpheus from an alto to a tenor role and composed new recitatives. Both versions of Gluck’s reform drama are based on a libretto by Ranieri de’ Calzabigi and revolutionised metastasian opera of the 18th century. Solo and choral music, instrumental music, pantomime and dance are all closely connected; the myth replaces a historical plot surrounded by intrigue; where there would have been a da-capo aria there are now simple song forms and coloratura is largely abandoned. These meticulously revised vocal scores of both versions are also newly set.
SKU: BA.BA07802
ISBN 9790006498123. 33 x 26.3 cm inches. Language: German. Preface: Ute Poetzsch.
By Georg Philipp Telemann. Edited by Ute Poetzsch. Linen. Georg Philipp Telemann. Musical Works, Volume 60. Score, Anthology. Language: German. Size 33 x 26.3 cm. Published by Barenreiter. ISBN 9790006498123. (BA7802).
SKU: BA.BA06239
ISBN 9790006477357. 27 x 19 cm inches.
SKU: BA.BA04271
ISBN 9790006446612. 27.5 x 19.7 cm inches.
123 meist vierstimmige Liedsatze von anonymen und 20 bekannten Meistern des 15. und 16. Jahrhunderts.
SKU: BA.BA04492
ISBN 9790006449019. 27.5 x 19.8 cm inches.
Chorsatze zu vier und funf Stimmen. Teil 1: Nr. 1-156 (ein Satz zu 6 Stimmen von Seth Calvisius)/ Teil 2: Nr. 157-313. 2 Teilbande.
SKU: BA.BA05011-01
ISBN 9790006461523. 33 x 26.5 cm inches. Language: German. Preface: Dürr, Alfred.
SKU: BA.BA10501-01
ISBN 9790006552023. 33 x 26 cm inches.
SKU: BA.BA04538-02
ISBN 9790006565320. 31 x 24.3 cm inches. Text Language: Latin. Preface: Leopold Nowak.
How practical! Mozart'sRequiemis now appearing in this handy, soft-cover and affordable full score to complement the substantial linen-bound complete edition volume.The tried and tested musical text of theRequiemremains the same, whilst the Foreword has been revised and supplemented by an English translation.
SKU: BA.BA03133
ISBN 9790006429899. 27.8 x 19.8 cm inches.
52 geistliche und weltliche Kompositionen von anonymen und 21 bekannten Meistern des 15. und 16. Jahrhunderts. Urtext der Rhau-Ausgabe.
SKU: BA.BA05043-02
ISBN 9790006545506. 33.8 x 26.7 cm inches. Language: German. Preface: Marianne Helms.
Urtext der Neuen Mozart-Ausgabe.
SKU: BA.BA03668
ISBN 9790006438310. 27.4 x 19.5 cm inches.
SKU: BA.BA05013-02
ISBN 9790006545520. 33.8 x 26.7 cm inches. Language: German. Preface: Werner Neumann.
SKU: BA.BA04272
ISBN 9790006496341. 27.6 x 19.5 cm inches.
SKU: BA.BA06862
ISBN 9790260105300. 34.2 x 27.3 cm inches. Text Language: Church Slavic.
The Glagolitic Mass, one of the 20th century masterpieces of sacred music, has a very complex genesis and constitutes an intricate editorial challenge.The recently published scholarly-critical edition presents two different versions of the work in two separate volumes: the “September 1927†version (BA 6863) which the composer completed before the first rehearsals and subsequent premiere in Brno and the version he partly reworked for the first Prague performance in April 1928 (BA 6862). This second version was then revised further and published after Janácek’s death by Universal Edition Wien in 1930. Known as the “final authorised versionâ€, it has been newly edited for this publication which is based on the engraver’s copy of the score prepared by Janácek’s regular copyist Václav Sedlácek. The “final authorised version†is the significant version and most suited to performance purposes. The instrumentation is richer, it is more straightforward to rehearse and several important passages are more coherent than in the earlier version. It is the later version that is presented in the vocal score. The Old Church Slavonic text has been prepared by the slavicist Radoslav Vecerka.
SKU: BA.BA05865
ISBN 9790006498024. 33 x 26 cm inches. Language: German. Preface: Hirschmann, Wolfgang / Hobohm, Wolf / Kremer, Joachim / Werbeck, Walter / Zohn, Steven.
Hamburg 1722. Braunschweig arrangement 1728 - Collection of arias.
SKU: BA.BA05040-02
ISBN 9790006545551. 34 x 27 cm inches. Language: German. Preface: Werner Neumann.
SKU: BA.BA05526
ISBN 9790006472215. 33.1 x 26.5 cm inches. Text: August H Niemeyer.
Fragment eines religiosen Dramas in 3 Akten. 1. und 2. unvollstandiger Akt, Schluss des Lbrettos. Uretxt der Neuen Schubert-Ausgabe.
SKU: BA.BA05561
ISBN 9790006497294. 33.2 x 24.5 cm inches. Text: Johann Philipp Neumann.
SKU: BA.BA05010-01
ISBN 9790006461509. 33 x 26 cm inches. Language: German.
