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| God Will Rejoice Over You Choral 3-part SAB, Piano Shawnee Press
Composed by Michael Barrett. Shawnee Sacred. General Worship. Octavo. 12 pages...(+)
Composed by Michael Barrett.
Shawnee Sacred. General
Worship. Octavo. 12 pages.
Published by Shawnee Press
$2.10 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| God Almighty Is! Choral 3-part SAB Hope Publishing Company
SAB chorus SKU: HP.C6322 Composed by Mary McDonald. Piano with optional O...(+)
SAB chorus SKU: HP.C6322 Composed by Mary McDonald. Piano with optional Orchestra. Octavo. Hope Publishing Company #C6322. Published by Hope Publishing Company (HP.C6322). UPC: 763628163228. Original anthem This original anthem powerfully proclaims that God is 'the light, he's the courage, he's the strength. Holy, holy, God Almighty! He is the power and the glory, God Almighty is!'Celebrating the many attributes of God, the riveting melody and harmonies will lift the congregation in praise to God. The sweeping orchestration is by Ed Hogan. $3.25 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| God So Loved the World - SAB Choral 3-part SAB [Vocal Score] Triune Music Inc.
By Lloyd Larson. For SAB choir. Eastertide, Sacred. Cantata. Published by Triune...(+)
By Lloyd Larson. For SAB choir. Eastertide, Sacred. Cantata. Published by Triune Music Inc. (55/1051T)
$12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| To God All Praise and Glory Choral 3-part SAB - Beginner GIA Publications
SAB choir, solo or solo section (medium range), piano - Beginning SKU: GI.G-8...(+)
SAB choir, solo or solo section (medium range), piano - Beginning SKU: GI.G-8115 Composed by Bob Moore. Christ the King. Celebration Series. Sacred. Octavo. 12 pages. GIA Publications #8115. Published by GIA Publications (GI.G-8115). UPC: 785147811503. English. Text Source: Sei Lob und Ehr' den höchsten Gut; Translation: Frances Elizabeth Cox. Text by Johann Jacob Schütz. This lesser-known, yet solid, text may be from times passed, but the tune is fresh and jaunty. A soloist or unison voices take the first stanza along with piano accompaniment, the second stanza adds the choir singing oo to support the soloist. For the third stanza, the choir divides into two parts, then all join together for the final stanza. A coda builds from unison to SAB, ending in a final outcry from the choir, “To God all praise and glory!â€. $2.40 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Lord, My God, A Wonder Fills My Heart and Soul Choral 3-part SAB [Octavo] Hope Publishing Company
By Mozart. Arranged by Hal H. Hopson. (SAB or Three-Part). God's Attributes/Cha...(+)
By Mozart. Arranged by Hal H. Hopson. (SAB or Three-Part). God's Attributes/Character, Masterwork, Classics and Sacred. Print Music Single (SAB). 8 pages. Published by Hope Publishing Company.
$2.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| God Is Our Refuge Choral 3-part SAB [Octavo] Hope Publishing Company
By Allen Pote. For Choir. (SAB or Three-Part). Call To Worship, Celebration, Co...(+)
By Allen Pote. For Choir. (SAB or Three-Part). Call To Worship, Celebration, Comfort, Confidence, God's Attributes/Character, Psalms and Sacred. Print Music Single (SAB w/opt. 2 Trumpets). Published by Hope Publishing Company.
$2.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| O Spirit Of The Living God Choral 3-part SAB, Piano Bourne Music Co.
SAB choir and piano SKU: BC.95365 Composed by Butler. Choral Music. Sacre...(+)
SAB choir and piano SKU: BC.95365 Composed by Butler. Choral Music. Sacred. Octavo. Published by Bourne Music (BC.95365). $1.70 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| None but God Choral 3-part SAB, Piano - Beginner GIA Publications
SAB choir, assembly, keyboard accompaniment, guitar, cello - Beginning SKU: G...(+)
SAB choir, assembly, keyboard accompaniment, guitar, cello - Beginning SKU: GI.G-9747 Composed by Christian Cosas. Celebration Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #9747. Published by GIA Publications (GI.G-9747). UPC: 785147974703. English. Text Source: ",The more I ask", by Adam M. L. Tice. Text by Adam M. L. Tice. Scripture: Ecclesiastes 3:1. $2.20 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| God Is Our Refuge Choral 3-part [Octavo] Hope Publishing Company
By Allen Pote. For Choir. (Women's Voices). Call To Worship, Celebration, Comfo...(+)
By Allen Pote. For Choir. (Women's Voices). Call To Worship, Celebration, Comfort, Confidence, God's Attributes/Character, Psalms and Sacred. Print Music Single (SSA w/opt. 2 Trumpets). Published by Hope Publishing Company.
$2.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Small But Mighty II Choral 3-part SAB Beckenhorst Press
Arranged by Craig Courtney. For SAB Choir. Nine Anthems Arranged for small choir...(+)
Arranged by Craig Courtney. For SAB Choir. Nine Anthems Arranged for small choir. Sacred. Collection. 74 pages. Published by Beckenhorst Press.
(1)$9.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Heart of God Choral 3-part SAB - Easy GIA Publications
SAB choir, voice solo, assembly, keyboard accompaniment, guitar - Early intermed...(+)
SAB choir, voice solo, assembly, keyboard accompaniment, guitar - Early intermediate SKU: GI.G-7666 Composed by Tom Franzak. Ordinary Time 7 A, Ordinary Time 24 B, Ordinary Time 27 C, Christ the King A. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #7666. Published by GIA Publications (GI.G-7666). UPC: 785147766605. English. Text Source: Based on James 2:14-17, Matthew 25:37-40 and the words of St. Augustine. Text by Tom Franzak. Scripture: James 2:14–17, Matthew 25:37–40. The rhythmic and melodic makeup of this piece will appeal to all, but especially to a contemporary music ensemble. The message of backing up our faith with our actions can inspire the members of the assembly to work for the kingdom by working with the least among them.   . $2.40 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sing Aloud to God, Our Strength Choral 3-part SAB, Piano [Octavo] Galaxy Music Corporation
Composed by Eugene Butler. For SAB choir, keyboard (organ or piano). General. Oc...(+)
Composed by Eugene Butler. For SAB choir, keyboard (organ or piano). General. Octavo. 4 pages. Published by Galaxy Music Corporation
$1.55 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ladies of Jazz - A Tribute to Ella, Billie and Peggy Choral 3-part SSA Hal Leonard
((Medley)). By Billie Holiday, Ella Fitzgerald, and Peggy Lee. Arranged by Kirby...(+)
((Medley)). By Billie Holiday, Ella Fitzgerald, and Peggy Lee. Arranged by Kirby Shaw. SSA. Jazz Chorals. 28 pages. Published by Hal Leonard
$2.95 $2.8025 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| There Is No Rose Choral 3-part SSA Carl Fischer
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Richard Rasch. Fold. Performance Score. 4 pages. Duration 2 minutes, 42 seconds. Carl Fischer Music #CM9580. Published by Carl Fischer Music (CF.CM9580). ISBN 9781491154021. UPC: 680160912520. 6.875 x 10.5 inches. Key: D mixolydian. English, Latin. 15th Century Medieval Carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherds response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassthe distance between the highest and lowest noteis at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherdas response in the gospel of Luke 2:15, Transeamus. Latin phraseA translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassathe distance between the highest and lowest noteais at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pares forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written.The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd’s response in the gospel of Luke 2:15, Transeamus.Latin phrase translation sourceAlleluia Alleluia LaetabundusRes miranda A thing to be wondered at LaetabundusPares forma of equal form LaetabundusGaudeamus Let us rejoice! GaudeamusTranseamus Let us go Luke 2:15The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty.The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists.Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass—the distance between the highest and lowest note—is at its widest.The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. $1.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| To You Who Bow Choral 3-part SAB, Piano [Octavo] GIA Publications
Composed by Rory Cooney. For SAB choir, assembly, keyboard accompaniment, cello,...(+)
Composed by Rory Cooney. For SAB choir, assembly, keyboard accompaniment, cello, flute, trumpet. Celebration Series. Sacred. Easy. Octavo. Guitar chord names. 8 pages. Published by GIA Publications
$2.20 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| I Have Been Called - SAB Choral 3-part SAB, Piano Jackman Music Corporation
SAB chorus and piano - Medium / medium-difficult acc. SKU: JK.01266 Compo...(+)
SAB chorus and piano - Medium / medium-difficult acc. SKU: JK.01266 Composed by Dorothy G. Killpack. Choral SATB, Difficulty Medium, Difficulty Medium Hard, Piano Choir, God the Father, Missionary Work. Christian, Inspirational. Duration 3:20. Jackman Music Corporation #01266. Published by Jackman Music Corporation (JK.01266). Original anthem for mixed chorus (SAB) and piano, on missionary work. Missionaries who are called must work hard, but will be blessed by the grace of God. Composer: Dorothy G. Killpack Lyricist: M. Lynn Chatterton Difficulty: Medium / medium-difficult acc. Performance time: 3:20.
$1.15 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Road to Bethlehem Choral 3-part SAB, Piano Lorenz Publishing Company
Composed by Lloyd Larson. Arranged by Ed Hogan. Choral, cantatas. Christmas....(+)
Composed by Lloyd Larson.
Arranged by Ed Hogan. Choral,
cantatas. Christmas. Choral
score. Lorenz Publishing
Company #65/2112L. Published
by Lorenz Publishing Company
$12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Passion and Easter Music from Messiah Choral 3-part SSA Music Sales
Composed by George Frideric Handel (1685-1759). Arranged by Ernest Read. For Cho...(+)
Composed by George Frideric Handel (1685-1759). Arranged by Ernest Read. For Choral (SSA). Choral. Music Sales America. Baroque. 58 pages. Music Sales #PAT01963. Published by Music Sales
$7.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Deny Yourself Choral 3-part 3-Part Equal Voices - Easy GIA Publications
3-part equal voices, 3-part mixed voices, cantor, voice solo, assembly, piano ac...(+)
3-part equal voices, 3-part mixed voices, cantor, voice solo, assembly, piano accompaniment, guitar - Early intermediate SKU: GI.G-7517 Composed by Paul Melley. Ordinary Time 22 A, Ordinary Time 23 C. Leavensong Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #7517. Published by GIA Publications (GI.G-7517). UPC: 785147751700. English. Text Source: Based on Mark 8:34-38, adapt. PM and GD. Scripture: Mark 8:34–38. Here is another remarkable piece from the pen of Liam Lawton and arranged by Gary Fry. The text explores the meaning of church-not a stone edifice, but the people of God. For cantor or soloist. $2.40 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| My Shepherd Is the Lord on High Choral 3-part 3-Part Equal Voices - Easy GIA Publications
3-part equal voices, 3-part mixed voices, piano reduction - Early intermediate <...(+)
3-part equal voices, 3-part mixed voices, piano reduction - Early intermediate SKU: GI.G-9392 Composed by Daniel C. Meyer. Lent 4 A, Lent 5 A, Easter 4 A, OT 16 B, OT 28 A, Christ the King A, Sacred Heart C. Simple Gifts. Sacred. 8 pages. GIA Publications #9392. Published by GIA Publications (GI.G-9392). UPC: 785147939207. English. Text Source: Based on Psalm 23. Text by John Quincy Adams. Scripture: Psalm 23. Although best known as the sixth President of the United States, John Quincy Adams’ great desire was to write poetry, upon hearing his words set to music by one of his contemporaries, he exclaimed his delight “as the organ pealed and the choir of voices sung the praise of Almighty God from the soul of David, adapted to my native tongue by me.†This setting was written for SAB choir, however, it could be sung by an SSA ensemble as well. The tune is original, but Meyer has written in the style of the music that Adams might have heard in his day. $2.20 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The SAB Chorale Book Choral 3-part SAB [Sheet music] Concordia Publishing House | | |
| Heart Songs, Book Choral 3-part [Sheet music] Lillenas Publishing Co.
20 Arrangements for Ladies' Choir or Ensemble. By Joseph Linn. Sacred. 131 pages...(+)
20 Arrangements for Ladies' Choir or Ensemble. By Joseph Linn. Sacred. 131 pages. Published by Lillenas Publishing Company.
(1)$8.99 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Mass of the Lamb - Choral / Accompaniment edition Choral 3-part SAB - Easy GIA Publications
SAB choir, cantor, priest, assembly, keyboard accompaniment, flute, trumpet in B...(+)
SAB choir, cantor, priest, assembly, keyboard accompaniment, flute, trumpet in B-flat, trumpet in C, guitar - Early intermediate SKU: GI.G-9664 Composed by Francis Patrick O'brien. This edition: Choral / Accompaniment edition. Mass. Sacred. With guitar chord names. 80 pages. GIA Publications #9664. Published by GIA Publications (GI.G-9664). UPC: 785147966401. English, Greek, Latin. Text Source: Revised Order of Mass 2010, Lectionary for Mass Francis Patrick O’Brien has written a new mass setting that speaks to the sensible and real needs of parish settings. Engaging congregational melodies are enhanced by simple—but never simplistic— SAB choral parts, both of which are supported by a versatile keyboard part. The instrumental parts for flute and trumpet may be used separately or together. Two settings of the Glory to God are included: a through-composed setting and a refrain setting. $8.15 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| We Are Blessed Choral 3-part SAB A Cappella [Octavo] Choristers Guild
By Andrea Ramsey. For 3-part treble choir, a cappella. Sacred Anthem: General, T...(+)
By Andrea Ramsey. For 3-part treble choir, a cappella. Sacred Anthem: General, Thanksgiving. Octavo. Published by Chorister's Guild
$1.95 $1.8525 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Handels Messiah Choral 3-part SAB [Vocal Score] Lorenz Publishing Company
By G.F. Handel; Larry Pugh. For SAB choir. Christmas, Sacred. Cantata. Published...(+)
By G.F. Handel; Larry Pugh. For SAB choir. Christmas, Sacred. Cantata. Published by Lorenz Publishing Company. (65/1855L)
$12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| There is a Balm in Gilead Choral 3-part SSA Carl Fischer
Choral SSA choir SKU: CF.CM9770 Composed by Traditional African-American ...(+)
Choral SSA choir SKU: CF.CM9770 Composed by Traditional African-American Spiritual. Arranged by Lee R. Kesselman. Duration 2 minutes, 17 seconds. Carl Fischer Music #CM9770. Published by Carl Fischer Music (CF.CM9770). ISBN 9781491164419. UPC: 680160923311. Key: G major. English. There is a Balm in Gilead is a well-known, traditional African-American spiritual. The “balm in Gilead†is a reference from the Old Testament, but the lyrics of this spiritual refer to the New Testament concept of salvation. The balm of Gilead is interpreted as a spiritual medicine that is able to heal Israel (and sinners in general). In the Old Testament, the balm of Gilead is taken most directly from Jeremiah chapter 8 v. 22: Is there no balm in Gilead? Is there no physician there? Why then is there no healing for the wounds of my [God's] people?This a cappella arrangement stays close to the simple, emotional source material. The words and the music embody weariness, resignation and hope, as the realities of slavery are met with the hope of salvation. There is a Balm in Gilead was originally part of a larger work, entitled, Mpaka simba watapo, for treble chorus, African drums and piano.  . $2.15 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| I Will Sing of Jesus Choral 3-part SSA, Piano [collection] SoundForth
(Choral Arrangements for Ladies). By Larry Carrier. Choral. For SSA choir, piano...(+)
(Choral Arrangements for Ladies). By Larry Carrier. Choral. For SSA choir, piano. Choral collection. Sacred, choral. Collection. Published by SoundForth . collection. Sacred, choral.
$14.95 - See more - Buy online | | |
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| Bruce Benson Don Rossoff:
Adonai Li God Is With Me
I Shall Not Fear: Mixed Choral 3-part SAB [Sheet music] Transcontinental Music Publications
A beautifully simple musical setting of a very timely text skillfully arranged w...(+)
A beautifully simple musical setting of a very timely text skillfully arranged with a beautiful but optional flute part. Sure to be an instant hit with your choir and congregation/audience. Excellent as a closing or meditative piece.
14.25 GBP - Sold by Musicroom UK | |
| Andraé Crouch: My
Tribute: SAB: Vocal Score Choral 3-part SAB [Vocal Score] Daybreak Music
To God be the glory for the great things He has done! These words are so eloquen...(+)
To God be the glory for the great things He has done! These words are so eloquently expressed in the Andraé Crouch classic. Your choirs will ask to sing this powerful anthem again and again.Available separately:SATB SAB and SSA. Instrumental ePak includes parts for Bb Trumpet 1 2 Tenor Sax Trombone Synthesizer Guitar Bass Drums and Timpani. BonusTrax CD also available. Performance Time: Approx. 3:10
11.25 GBP - Sold by Musicroom UK | |
| Andraé Crouch: My
Tribute: SSA: Vocal Score Choral 3-part SSA [Vocal Score] Daybreak Music
To God be the glory for the great things He has done! These words are so eloquen...(+)
To God be the glory for the great things He has done! These words are so eloquently expressed in the Andraé Crouch classic. Your choirs will ask to sing this powerful anthem again and again. Available separately: SATB SAB and SSA. Instrumental ePak includes parts for Bb Trumpet 1 2 Tenor Sax Trombone Synthesizer Guitar Bass Drums and Timpani. BonusTrax CD also available. Performance Time: Approx. 3:10.
11.25 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| James E. Green:
Everlasting God: SAB:
Vocal Score Choral 3-part SAB [Vocal Score] Hinshaw Music Inc.
This work was originally scored for SATB voices (HMC1838) but it is available he...(+)
This work was originally scored for SATB voices (HMC1838) but it is available here for SAB voices with piano and trumpet try the work for Christ the King Sunday Pentecost or Trinity Sunday.
14.25 GBP - Sold by Musicroom UK | |
| Don Besig Nancy Price:
Within the Shadow of the
Cross: SAB: Vocal Score Choral 3-part SAB Shawnee Press
Don Besig and Nancy Price create a moving allegory as a little child witnesses t...(+)
Don Besig and Nancy Price create a moving allegory as a little child witnesses the crucifixion but does not understand. He does not know Jesus but feels tremendous grief and loss at the death of this “stranger.”Scientists and philosophers have said that children frequently understand what adults cannot and “Within the Shadow of the Cross” the little boy discovers that God is there; God IS. If we as adults could onlyperceive that we are children of God and that God IS.
13.75 GBP - Sold by Musicroom UK | |
| Karen Crane: Love Has
Made Us One: Mixed Choir
A Cappella: Choral Score Choral 3-part SAB A Cappella Shawnee Press
Here's an anthem ideal for all year round, but especially useful for any service...(+)
Here's an anthem ideal for all year round, but especially useful for any service of unity. The SAB voicing makes it accessible to choirs of any size. One love, one faith, one heart; God's love has made us one!
11.25 GBP - Sold by Musicroom UK | |
| David Angerman Joseph M.
Martin: The Light of
Glory: SAB: Vocal Score Choral 3-part SAB [Vocal Score] Shawnee Press
Uses: General Epiphany Youth Scripture: I Corinthians 2:12-15 - I John 2:20 - ...(+)
Uses: General Epiphany Youth Scripture: I Corinthians 2:12-15 - I John 2:20 - John 1:3-7. Sizzling with a jubilant rhythmic syntax this original sacred choral is unrelenting in its drive and appeal. The mixed meter elements are easily learned and are very natural to the flow of the words that proclaim the attributes of God. A lyrical second theme brings a poetic touch before the spirited opening theme returns and drives the anthem to a festive conclusion.
12.50 GBP - Sold by Musicroom UK | |
| Over My Head I Hear
Music: SSA: Vocal Score Choral 3-part SSA [Vocal Score] Hinshaw Music Inc.
There Must Be A God Somewhere-A spirited arrangement (for SSA and keyboard) of a...(+)
There Must Be A God Somewhere-A spirited arrangement (for SSA and keyboard) of a lesser known but likable spiritualMedium difficulty for secondary level and above
3.99 GBP - Sold by Musicroom UK | |
| Penny Rodriguez: Sweet
Blessed Son of Mine: SAB:
Vocal Score Choral 3-part SAB [Vocal Score] John Rich Music Press
A tender lullaby best describes this gentle anthem. Although the text was design...(+)
A tender lullaby best describes this gentle anthem. Although the text was designed for Christmas this piece could be sung almost any time of year. Celebrating God's love for us and our love for his blessed son this selectionsounds like a large choir anthem but the SAB voicing flourishes with just a few voices.
22.50 GBP - Sold by Musicroom UK | |
| Cindy Ovokaitys: What a
Wonderful Wonderful
Friend: SAB: Vocal Score Choral 3-part SAB [Vocal Score] Shawnee Press
Uses: General YouthScripture: Psalm 22:4-5; Ephesians 1:12-13; John 15:13From o...(+)
Uses: General YouthScripture: Psalm 22:4-5; Ephesians 1:12-13; John 15:13From our Simply Sacred series and bubbling over with joy this positive reminder of God's presence in our lives is abrief but effective choice for contemporary or traditional worship gatherings. The repetition makes this a great “one rehearsal wonder” and the SAB voicing is useful for slim Sundays. Youth will love this one with itssimple syncopation and added rhythm section.
13.75 GBP - Sold by Musicroom UK | |
| Stephen Schwartz: All for
the Best: SSA: Vocal
Score Choral 3-part SSA [Vocal Score] Hal Leonard
from Godspell-Two cheerful melodies combine in this bouncy soft shoe number from...(+)
from Godspell-Two cheerful melodies combine in this bouncy soft shoe number from Godspell that echoes the music of an earlier generation of Broadway songwriters but with a message that heaven will be the reward. Available separately:SATB SAB SSA ShowTrax CD. Combo parts (cl tpt 1-2 tsx tbn syn bjo[gtr] b dm) available as a digital download. Duration: ca. 2:30.
11.25 GBP - Sold by Musicroom UK | |
| Stephen Schwartz: All for
the Best: SAB: Vocal
Score Choral 3-part SAB [Vocal Score] Hal Leonard
from Godspell-Two cheerful melodies combine in this bouncy soft shoe number from...(+)
from Godspell-Two cheerful melodies combine in this bouncy soft shoe number from Godspell that echoes the music of an earlier generation of Broadway songwriters but with a message that heaven will be the reward. Available separately:SATB SAB SSA ShowTrax CD. Combo parts (cl tpt 1-2 tsx tbn syn bjo[gtr] b dm) available as a digital download. Duration: ca. 2:30.
11.25 GBP - Sold by Musicroom UK | |
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