SKU: CA.4019849

ISBN 9790007218010. Language: German.

The present publication finally closes the gap in the availability of the three church oratorios of Heinrich von Herzogenberg (1843-1900). With this late work, which he considered his most important, Heinrich von Herzogenberg set the musical high point of the 15th Conference of the German Church Song Association in Strasbourg (1899), and also of his entire career. The celebration of the harvest provides an interesting look into the stylistic diversity of church music at the end of the 19th century, and shows the composer's aptitude for dramatic presentation in a special way. Score and part available separately - see item CA.4019800.

SKU: CA.4019803

ISBN 9790007088903. Language: German.

The present publication finally closes the gap in the availability of the three church oratorios of Heinrich von Herzogenberg (1843-1900). With this late work, which he considered his most important, Heinrich von Herzogenberg set the musical high point of the 15th Conference of the German Church Song Association in Strasbourg (1899), and also of his entire career. The celebration of the harvest provides an interesting look into the stylistic diversity of church music at the end of the 19th century, and shows the composer's aptitude for dramatic presentation in a special way. Score available separately - see item CA.4019800.

SKU: CA.4019800

ISBN 9790007104160. Language: German.

The present publication finally closes the gap in the availability of the three church oratorios of Heinrich von Herzogenberg (1843-1900). With this late work, which he considered his most important, Heinrich von Herzogenberg set the musical high point of the 15th Conference of the German Church Song Association in Strasbourg (1899), and also of his entire career. The celebration of the harvest provides an interesting look into the stylistic diversity of church music at the end of the 19th century, and shows the composer's aptitude for dramatic presentation in a special way.

SKU: CA.4019809

ISBN 9790007217952. Language: German.

The present publication finally closes the gap in the availability of the three church oratorios of Heinrich von Herzogenberg (1843-1900). With this late work, which he considered his most important, Heinrich von Herzogenberg set the musical high point of the 15th Conference of the German Church Song Association in Strasbourg (1899), and also of his entire career. The celebration of the harvest provides an interesting look into the stylistic diversity of church music at the end of the 19th century, and shows the composer's aptitude for dramatic presentation in a special way. Score and parts available separately - see item CA.4019800.

SKU: CA.4019813

ISBN 9790007217983. Language: German.

The present publication finally closes the gap in the availability of the three church oratorios of Heinrich von Herzogenberg (1843-1900). With this late work, which he considered his most important, Heinrich von Herzogenberg set the musical high point of the 15th Conference of the German Church Song Association in Strasbourg (1899), and also of his entire career. The celebration of the harvest provides an interesting look into the stylistic diversity of church music at the end of the 19th century, and shows the composer's aptitude for dramatic presentation in a special way. Score and part available separately - see item CA.4019800.

SKU: BT.EMBZ14775

Ern Dohnányi (1877 - 1960) composed his C minor fantasia in 1892, at the age of fifteen.This work, which is appearing in print now for the first time, is a real curiosity: apart from a few polyphonic stylistic exercises written while he was at the music academy, this is Dohnányi's only piece for organ. The composer later recalled his first acquaintance with that instrument thus: 'My experience with the organ actually dates back to when I was a third-year grammar school student, for beginning with that year I served as organist for the Sunday worship services in the grammar school's church. These were the first wages I ever earned through music.' The Fantasie wasprepared for publication on the basis of the composer's manuscript by the well-known Dohmányi researcher Deborah Kiszely.

Ern Dohnányi (1877 - 1960) composed his C minor fantasia in 1892, at the age of fifteen. This work, now appearing in print for the first time, is a real curiosity: apart from a few polyphonic stylistic exercises written whilehe was at the music academy, this is Dohnányi's only piece for organ. The composer later recalled his first acquaintance with that instrument thus: 'My experience with the organ actually dates back to when I was a third-year grammarschool student, for beginning with that year I served as organist for the Sunday worship services in the grammar school's church. These were the first wages I ever earned through music.' The Fantasie was prepared forpublication on the basis of the composer's manuscript by the well-known Dohmányi researcher Deborah Kiszely.

Ern Dohnányi (1877-1960) komponierte die Fantasie in c-Moll 1892 im Alter von fünfzehn Jahren. Das Werk, welches nun erstmalig in Druck erscheint, ist ein echtes Kuriosum: Abgesehen von ein paar wenigen polyphonen Stilübungen aus der Musikakademie ist es das einzige Orgelwerk des Komponisten. Dieser erinnerte sich später folgendermaßen an das Kennenlernen des Instruments: Meine erste Begegnung mit dem Orgel reicht bis zur dritten Klasse im Gymnasium zurück. Ab dieser Klasse nahm ich sonntags die Funktion des Kantors in der Kirche der Schule ein. Das war mein erstes Geld, was ich mit Musik verdiente. Die Fantasie wurde von der bekannten Dohnányi-Forscherin Deborah Kiszelynach dem Originalmanuskript herausgegeben.

SKU: HL.49004968

ISBN 9790001053273. UPC: 073999678697. 9.0x12.0x0.095 inches.

Hermann Schroeder (1904-1984) studied with Heinrich Lemacher and Walter Braunfels and became Professor of Composition and Music Theory at the Academy of Music in Cologne. From the end of the 1920s he made an important contribution to the new stylistic developments in organ music His smaller-scale compositions in particular, such as the Preambles and Interludes (1954) or the Little Preludes and Intermezzos (1932, ED 2221) point in new directions: the constraints of form have evidently been helpful in the process of breaking away from Romanticism; clarity and formal precision take the place of monumental grandeur of form. Suitable for concert or liturgical performance.

SKU: CA.5016500

ISBN 9790007067946. Key: C major. Language: all languages.

The Sonata No. 14 op. 165 is an impressive example for its combination of the learned style, as evidenced through various stylistic layers and compositional techniques, together with a powerful, brilliant virtuosity.