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OCARINA
Piano Trio: piano, violin, cello
OCARINA
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At The End Of The Day Piano Trio: piano, violin, cello
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Dorian Album For String Trio
Piano Trio: piano, violin, cello
[Set of Parts]
Hal Leonard
Compiled by Harvey S. Whistler, Herman A. Hummel. For violin, cello and piano. F...
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Compiled by Harvey S. Whistler, Herman A. Hummel. For violin, cello and piano. Format: set of performance parts (includes separate pull out parts for violin & cello). Baroque, Classical Period and Romantic Period. 63 pages. 9x12 inches. Published by Hal Leonard.
(1)
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Tunes for My Piano Trio 1
Piano Trio: piano, violin, cello
Boosey and Hawkes
For Violin, Violoncello and Piano. By Various. (Set). Boosey and Hawkes Chamber ...
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For Violin, Violoncello and Piano. By Various. (Set). Boosey and Hawkes Chamber Music. Published by Boosey & Hawkes.
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Die Teufelsbrucke / The Devil's Bridge
Piano Trio: piano, violin, cello
Kunzelmann
Piano Quartets. Score and parts. Edition Kunzelmann #GM1943. Published by Ed...
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Piano Quartets. Score and parts. Edition Kunzelmann #GM1943. Published by Edition Kunzelmann
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Trio for Pianoforte, Violin and Violoncello, op. 97
Piano Trio: piano, violin, cello
Barenreiter
Archduke. Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del...
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Archduke. Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This edition: urtext edition. Hardback. Score, Part. Opus 97. Baerenreiter Verlag #BA10942. Published by Baerenreiter Verlag
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Trio in B-flat major op. 97 (BEETHOVEN LUDWIG VAN)
Piano Trio: piano, violin, cello
[Score]
Barenreiter
Archduke. Par BEETHOVEN LUDWIG VAN. By the time Beethoven completed the ?Archduk...
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Archduke. Par BEETHOVEN LUDWIG VAN. By the time Beethoven completed the ?Archduke? Trio in 1811 he had been working on it for several years. In April 1814 he could finally give the work its première together with Ignaz Schuppanzigh and Joseph Linke, this being Beethoven?s last public appearance as a pianist. He dedicated the piece to his friend, pupil and patron, Archduke Rudolph of Austria. Today it numbers among his most celebrated pieces of chamber music, not least because of its remarkable melodiousness ? a feature typical of Beethoven?s music from these years ? and its spacious formal design. Jonathan Del Mar?s new critical edition of the Trio draws not only on early prints but also on various handwritten sources. A detailed introduction by Misha Donat is devoted to the work?s historical contexts. - Urtext edition of Beethoven?s most famous piano trio - Detailed introduction (Eng/Ger), editor?s foreword (Eng/Ger) and Critical Commentary (Eng) / Date parution : 2022-11-29/ Répertoire / Violon, Violoncelle et Piano
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Simon Holt: Piano Trio - Los Ojos: Chamber Ensemble: Score and Parts
Piano Trio: piano, violin, cello
Chester
Score and parts for Simon Holt's Piano Trio: Los Ojos for Piano Violin and Cell...
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Score and parts for Simon Holt's Piano Trio: Los Ojos for Piano Violin and Cello.Piano Trio: Los Ojos was first performed on 25th November 2013 in the Amaryllis Fleming ConcertHall at the Royal College of Music London by Johannes Marm?n (Violin) Zo? Saubat (Cello) and Gwenaelle Rouger (Piano).I finished writing Piano trio: Los Ojos in early May 2007. It is approximately13 minutes long and has a three-movement structure of essentially two slow movements separated by a central fast section. The final slow movement is a variation of the opening movement ending with a ?toy? defined by ThomasMace(a contemporary of William Lawes) in his 1676 book Musicke?s Monument as ?a light-Squibbish Thing only fit for Fantastical and Easie-Light-Headed People; and are of any sort of Time?.The Machado poem behindthe piece Los Ojos (the eyes) is about a widower who has locked himself away but after a year begins to wonder about the colour of his beloved?s eyes. He is horrified that he can?t remember. One spring day he leaves the houseand just happens to glimpse a flash of eyes through a window and instantly recalls the colour; ??Como esos!?; ?Like those!?. The three movements have the titles: 1] su memoria y el espejo ?his memory and the mirror?; 2] ?Comoeran? ?How were they??; and 3] ?Como esos! ?Like those!?. - Simon Holt
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