In Beethoven?s Triple Concerto a piano trio provides the soloists a first in the history of music. Beethoven?s treatment of the trio is pioneering: he does not apply a typical piano trio setting in contrast to the orchestra but varies his treatment of the solo parts allowing each instrument to play alone with the orchestra (particularly the cello) using two solo instruments together in ever new combinations and finally bringing together all three instruments with the orchestra. Beethoven weaves a complex web the orchestral piano violin and cello voices interplaying and entwining and he produces a true masterpiece. Bärenreiter?s new Urtext edition ofBeethoven?s Triple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions but with the assistance of three newly-discovered sources editor Jonathan Del Mar has cleaned up the text corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven?s day might have recognized with all necessary information for directing the piece included in the solo piano part. Piano reduction with separate parts for all three soloistsDraws on three new sourcesCorrection of many errors found in previous editions

Piano Trios (previously attributed to Joseph Haydn)-Two Piano Trios for Violin Cello and Piano. Previously attributed to Joseph Haydn now known to have been composed by Ignaz Pleyel. Authoritative Henle Urtext edition of Trio In C and Trio in F as edited by WolfgangStockmeier.

This is the second of 2 brilliant new albums of easy Piano trios for young players scored for Violin Cello and Piano. These great books have been specially written and arranged to encourage chamber music playing from the earliest grades.

Par WENNAKOSKI LOTTA. Lotta Wennäkoski tells about her 10 minute long work Päärme (Hem) for piano trio: 'We often speak in music of crafting in a figurative sense, and craftsmanship is, for the composer particularly, a traditional professional virtue. I personally have from time to time nevertheless been interested in the concrete images aroused by handicrafts, the way fabrics feel, and sewing. The pi-ano trio Päärme/Hem has a pulsative character, especially in the outer sections, and the idea of steady but erratically colourful stitching prompted the amusing and highly unusual word I chose for the title of the piece. The hemming in this trio is cheerfully brisk, though the result is not al-ways even intended to be over-neat or regular. For noise sounds are also an intrinsic feature of a hand-made texture. As is often the case with me, my source of inspiration in composing was the fact that the Sibelius Piano Trio would be giving the first performance. The slow, melodic material of the static middle section is to a great extent indebted to the knowledge of just how succulently such delicate, inten-sive lines can sound in the hands of ace players.' This product includes the score (=piano part) and parts for violin and violoncello, all in B4 size. / Date parution : 2022-05-31/ Répertoire / Trio avec Piano

Par SIBELIUS JEAN. Five multi-movement trios for piano and two string instruments by Sibelius are known from the years 1883?1888. The ?large? trios, such as the Havträsk and Korpo Trio (JS 207, JS 209), were written for the classical piano trio scoring of violin, violoncello and piano. Apparently, Sibelius kept composing trios to play among his family and friends, having in mind to be one of the musicians himself. Chamber music was an essential part of social life. When listening to Sibelius? trios, one cannot help but notice that the repertoire included many works of Viennese Classicism. Although Sibelius's feelings towards his youthful works were not exactly uncomplicated, Sibelius biographer Otto Andersson later reported ?that the master, in later years, missed [the Korpo Trio] very much and would have been very pleased to see [it] preserved.? / Date parution : 2023-06-01/ Répertoire / Violon, Violoncelle et Piano

For Piano Trio.The Brook Sings Loud was commissioned by the Aberdeen Chamber Music Club for the Kungsbacka Trio.'As this was one of the first pieces that the Club commissioned I thought it would be appropriatefor the piece to have some sort of Scottish theme or influence. I have always been interested in Pibroch (Piobaireachd) - classical bagpipe music that was prevalent from the sixteenth to the eighteenth centuries in the ScottishHighlands. I have not attempted to imitate the sound of the bagpipes; however I have been influenced by some of the techniques associated with this music.'        HelenGrimeInstrumentation:ViolinCelloPiano

DSB-Gavotte For Piano Trio Op. 514 has been expertly composed by Niels Viggo Bentzon.