SKU: SU.00220523
This CD Sheet Music™collection brings together virtually all of Franz Schubert's music for solo piano and piano 4-hands. Includes: Sonatas (15), Moments Musicals, Impromptus, Dances (complete), Overtures (arranged for piano 4-hands), miscellaneous solo works, plus fragments and incomplete works. Added feature: composer biographies and relevant articles from the 1911 edition of Grove’s Dictionary of Music and Musicians 1200+ pages
Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.
SKU: AP.21399
ISBN 9780739032893. UPC: 038081219677. English.
Now even your youngest students can experience the music of Ludwig van Beethoven through this solo. The melody is divided between both hands throughout and stays mostly in Middle C position. However, the left hand does extend briefly to bass E in one measure. The A section has an original melody with lyrics while the B section features an arrangement of a melody from Beethoven's Sonata Pathétique. An optional teacher accompaniment creates a rich harmonic background for the entire piece.
SKU: HL.49047239
ISBN 9783795709129. UPC: 196288185277. 9.0x12.0x0.227 inches.
Ludwig van Beethoven wrote numerous piano pieces to teach to his pupils. Still, today, his works are an integral part of piano lessons. My first Beethoven is perfect for pianists of every age to become acquainted with these works. This volume contains Beethoven's mostpopular and easiest piano pieces – from the frequently played Sonatinas in G and F major to Für Elise and the famous Moonlight Sonata. Ideal for music lessons and music-making at home! Great works for little masters!
SKU: HH.HH319-FSP
ISBN 9790708092728.
Active in Gloucester and Birmingham during the mid 18th century, Barnabas Gunn was a composer and performer of sacred and secular music. His violin sonatas of 1745, here published for the first time in modern edition, reveal him to have been more than just a competent provincial musician, however. Their style varies from Corellian brilliance to English Galant sophistication, the instrumental writing for each players is as challenging as it is stimulating, and the music will surprise and delight performers and listeners alike.
