The Oxford Book of Organ Music by Women Composers presents a comprehensive survey of historical organ pieces by women composers alongside six newly commissioned works. The music is stylistically varied and encompasses secular and sacred repertoire from a range of periods. In addition to original organ repertoire, the collection also contains several organ transcriptions in new arrangements for the instrument. ? 42 pieces for manuals and pedals, in a variety of musical forms, suitable for use at church services or as recital repertoire ? Original music for the instrument, spanning the sixteenth century to the present day, including compositions by Amy Beach, Clementine de Bourges, Nadia Boulanger, Jeanne Demessieux, Cecilia McDowall, Clara Schumann, and Ethyl Smyth, plus commissions from Kristina Arakelyan, Miriam Carpinetti, Ghislaine Reece-Trapp, Isabelle Ryder, Amy Summers, and Rebecca Groom te Velde ? Standalone miniatures, movements from organ sonatas and symphonies, transcriptions of piano, harpsichord, and flute pieces, and an orchestral opera overture ? A variety of difficulty levels, from ABRSM Grades 2-3 through to Diploma standard, with a graded index provided

Par KARLSSON LARS. Lars Karlsson's intensive Recitative and aria for flute and organ (1990, rev. 2021) finds peace in the end. Duration: 5' / Date parution : 2023-06-01/ Répertoire / Flûte et Orgue

This complete book on Organ pedalling by Anne Marsden Thomas supports organists from their first encounter with the pedalboard through to the achievement ofvirtuosity. In this comprehensive guide the technique of Organ pedalling is broken down into thirty seven chapters each of which introduces a different aspect of pedalling technique with clear explanations and colour photographs. There are hundreds of exercises mostly drawn from three centuries of organ repertoire many of which not only demonstrate the techniques but are also rewarding to play intheir own right. Pedalling for Organists aims to be comprehensive covering absolutelyevery pedalling technique. The profusion of exercises is intended to giveorganists of every standard – beginner intermediate and advanced - plenty of material for study and sight-reading. Each technique is described and followed by exercise material and where required this exercise material isfinely graded. This is the latest book from one of the church organists’ leading educationalists. Anne Marsden Thomas is well-respected for her teaching skills and dedication in helping the student organist. She has many books published with several set on Organ exam syllabuses.

 Procession 1'Duo 1'30''Flutes 2'30''Basse de Trompette 2'Musette 3'Sortie Joyeuse 5'30'' / Orgue

A collection of works written for Organ by various composers including Francis Jackson George Thalben-Ball and others. Contents include: 'An Interlude' (Harold Darke) 'A Scherzetto For The Flutes' (Eric Thiman) 'Edwardia' (George Thalben-Ball)  'The Sweet Rivelet' (Francis Jackson)  'Trio' (W S Lloyd Webber) 'Canzonetta' (Arthur J Pritchard)  'Chimes' (Bernard Rose) and 'Epilogue' (Herbert Howells).

The Funeral March is composed in C and proceeds at a grand and stately pace. The Flute duet provides an excellent contrast to the majesty of the piece.Handel’s great oratorio of 1739 Saul was conceived on a grand scale to tell the Old Testament story of King Saul David the slayer of Goliath and Saul’s son Jonathan. By the end both Saul and Jonathan have been killed and this moving funeral march marks that sombre moment in the oratorio. Saul is considered one of Handel's greatest works with particular praise for the Choral writing and for this funeral march.

Reformation/Hymns Martin Luthers-Original Works and Arrangements for Church Service and Concert.Organ Score with parts in C B-flat E-flat F. The Organ Plus One series was specially conceived for semi-professional church musicians and instrumentalists. It takes its bearings from the liturgical calendar and the pieces can be easily played in church services evening recitals or small concerts. Included are pieces which are freely-composed or based on chorales either original works or arrangements by the editor. In this volume the works relate to hymns of the Reformation including some composed by Martin Luther. Enclosed in each edition are solo parts for C B-flat E-flat and F which can be played by Violin Flute Oboe Clarinet Trumpet and Horn in F. For use in church services the chorale preludes are provided with accompaniments in the keys of the Lutheran hymnal.

on the Introit of the Feast of the Epiphany. Par HAKIM NAJI. This toccata is based on the introit to the Christian Epiphany festival and solemnly announces the appearance of the Lord. As a toccata, the work is an introduction to Hakim's Adoration (Schott, ED 22614) for voice, flute and organ, a paraphrase of the first three introitus to Epiphany. The Toccata develops a series of symphonic variations with virtuoso movements that emphasize the expressiveness of the words of the Gregorian text: 'Ecce advenit dominator dominus: et regnum in manu ejus, et potestas, et empium. Deus, judicium tuum regi da: et justitiam tuam Filio regis. '(' Behold, the Lord, the ruler, comes: and the kingdom is in his hand, and the power and the dominion. 'God, give your judicial office to the king: and yours Justice to the son of the king. ') (Malachi 3: 1, I Chronicles 29:12, Psalm 71: 1, 10, 11). / Niveau : Intermédiaire / Répertoire / Orgue

Original Works and Arrangements For Church Service and Concert-Original Works and Arrangements for Church Service and Concert Organ Score with parts in C B-flat E-flat F The organ plus one series was specially conceived for semi-professional church musicians and instrumentalists. It takes its bearings from the liturgical calendar and the pieces can be easily played in church services evening recitals or small concerts. Included are pieces which are freely-composed or based on chorales either original works or arrangements by the editor. In this volume the works relate to hymns of the Reformation including some composed by Martin Luther. Enclosed in each edition are solo parts for C B-flat E-flat and Fwhich can be played by violin flute oboe clarinet trumpet and horn in F. For use in church services the chorale preludes are provided with accompaniments in the keys of the Lutheran hymnal. The present volume brings this successful series to its conclusion. It contains freely-composed pieces by composers such as Edvard Grieg Eugène Gigout Théodore Dubois Charles-Marie Widor and Louis Vierne as well as chorale settings such as Sigfrid Karg-Elert’s “Wie schön leuchtet der Morgenstern” Johann Gottfried Walther’s “Nun bitten wir den Heiligen Geist” Johann Ludwig Krebs’s “Komm Heiliger Geist Herre Gott” and Karl Hoyer’s “Geist des Glaubens Geist der Stärke”.

An unusual set of melodies and songs to be performed on the Organ with an Oboe Flute or Trumpet soloist. The melodies are complete with full text making them also suitable as a set of chorales for unison voices.

An anthology from four centuries in ten volumes. Edited by Robin Langley. / Orgue