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Largo (from Xerxes) for B flat clarinet and piano
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A Wedding
Opera
[Vocal Score]
Edward B. Marks Music Company
(An Opera in Two Acts Vocal Score). By William Bolcom. E.B. Marks. Softcover. 34...
(+)
(An Opera in Two Acts Vocal Score). By William Bolcom. E.B. Marks. Softcover. 344 pages. Published by Edward B. Marks Music
$70.00 - See more - Buy online
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Die Meistersinger von Nurnberg WWV 96
Opera
[Vocal Score]
Schott
(Vocal Score). Composed by Richard Wagner (1813-1883). Edited by Egon Voss. For ...
(+)
(Vocal Score). Composed by Richard Wagner (1813-1883). Edited by Egon Voss. For Vocal, Piano Accompaniment (Vocal Score). This edition: Urtext edition. Vocal Score. Vocal score. 672 pages. Schott Music #ED20410. Published by Schott Music
$80.99 - See more - Buy online
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Les Troyens
Opera
[Score]
Barenreiter
Opera en cinq actes. Urtext der New Berlioz Edition (3 Teilbande). Partitur fran...
(+)
Opera en cinq actes. Urtext der New Berlioz Edition (3 Teilbande). Partitur franzosisch, Auffuhrungsmaterial franzosisch/deutsch. By Hector Berlioz. Edited by Hugh Macdonald. For 3 Soprano solo, 2 Mezzo-soprano solo, Alto solo, 4 Tenor solo, 2 Baritone solo, 7 Bass solo, Mixed Choir-SSTTBB, Ball, Piccolo, 2 Flute/ Piccolo, 2 Oboe, 2 Clarinet (b flat), 4 Bassoon, 4 Horn, 2 Trumpet, 2 Cornet, 3 Trombone, Ophicleide/ Tuba, Kettledrum, Drums, 6/ 8 Harp, Strings - Buhnenmusik: 3 Oboe, 3 Trombone, 9 Saxhorns, Kettledrum, Drums. Neue Berlioz-Ausgabe, Band 2a-c. Score; Urtext Edition; Complete Edition (cloth bound). Holoman 133. Published by Baerenreiter-Ausgaben (German import).
$994.95 - See more - Buy online
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Britten B /Prodigal Son (Libretto)
Opera
[Libretti]
Faber Music Limited
Published by Faber Music.
$11.99 - See more - Buy online
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Richard Wagner : Die Walkure WWV 86 B
Opera
[Vocal Score]
Schott
(Vocal Score). By Richard Wagner (1813-1883). This edition: Urtext edition. Scho...
(+)
(Vocal Score). By Richard Wagner (1813-1883). This edition: Urtext edition. Schott. Vocal score. 344 pages. Schott Music #ED20530. Published by Schott Music
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Bodil Heister Jesper B. Karlsen: Det Forjættede Land: Opera
Opera
[Sheet music]
-
Intermediate/advanced
Wilhelm Hansen
Det Forjættede Land is a children's opera by Bodil Heister with libretto by Je...
(+)
Det Forjættede Land is a children's opera by Bodil Heister with libretto by Jesper B. Karlsen. Arranged by Bo Gunge
68.99 GBP - Sold by Musicroom UK
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Musica En Secundaria V.3 Profe (MARTINEZ B)
Español
Opera
[Sheet music]
Real Musical
Par MARTINEZ B.. La Dinámica: el ritmo, la medida y el tiempo. La diferenciaci...
(+)
Par MARTINEZ B.. La Dinámica: el ritmo, la medida y el tiempo. La diferenciación y comprensión de los elementos musicales: dinámica y ritmo, asimilación y distinción del ritmo, medida y tempo y su evolución en la historia de la música… son algunos de los objetivos perseguidos en esta unidad./ Recueil / Opéra Théorique ou Didactique
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Musica En Secundaria V.9 Alumn (MARTINEZ B)
Español
Opera
[Sheet music]
Real Musical
Par MARTINEZ B.. RM108031/ Recueil / Opéra Théorique ou Didactique
6.40 EUR - Sold by LMI-partitions
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Félix Sierra: Lenguaje Musical Grado Elemental 4°b
Español
Opera
Real Musical
Lenguaje Musical Grado Elemental 4°b
17.99 GBP - Sold by Musicroom UK
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Félix Sierra: Lenguaje Musical Grado Medio 2°b: Theory
Español
Opera
Real Musical
Lenguaje Musical Grado Medio 2°b
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Musica En Secundaria V.8 Alumn (MARTINEZ B)
Español
Opera
[Sheet music]
Real Musical
Par MARTINEZ B.. RM108030/ Recueil / Opéra Théorique ou Didactique
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Félix Sierra: Lenguaje Musical Grado Medio 1°b: Theory
Español
Opera
Real Musical
Lenguaje Musical Grado Medio 1°b
17.99 GBP - Sold by Musicroom UK
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Musica En Secundaria V.3 Alumn (MARTINEZ B)
Español
Opera
[Sheet music]
Real Musical
Par MARTINEZ B.. RM108025/ Recueil / Opéra Théorique ou Didactique
10.50 EUR - Sold by LMI-partitions
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Tecniche Della Modulazione Le (VINAY VITTORIO / GIUFFREDI B)
Opera
[Sheet music]
Sinfonica Jazz
Par VINAY VITTORIO / GIUFFREDI B.. Pour les cours supplémentaires et l'harmonie...
(+)
Par VINAY VITTORIO / GIUFFREDI B.. Pour les cours supplémentaires et l'harmonie principale et des cours préparatoires pour l'université à l'adresse musicologie. Modulation, désambiguïsation, la transition vs polarisation, réinterprétation enharmonique, des applications, des tests de modèles de tableaux de typologiques. Connaissant les modulations est d'être en possession d', puis savoir comment manoeuvrer, les règles par lesquelles la combinaison d'unités génératrices de cadentielle contextes tonale correcte, ce qui n'est possible que si l'étude n'est pas le résultat d'enregistrements contestiri plus ou moins empiriques, mais le résultat d'une hypothèse théorique déduite du système scalaire comme une structure capable de générer les principes de l'organisation du contexte. / Formation musicale / Recueil / Opéra Théorique ou Didactique
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Giacomo Carissimi: Jephte. Oratorio A 6 Voci E B.C.: Mixed Choir
Opera
[Sheet music]
Ricordi
Jephte. Oratorio A 6 Voci E B.C.
19.50 GBP - Sold by Musicroom UK
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Musica En Secundaria V.8 Profe (MARTINEZ B)
Español
Opera
[Sheet music]
Real Musical
Par MARTINEZ B.. Lógica y estructura del discurso musical: forma, textura, gén...
(+)
Par MARTINEZ B.. Lógica y estructura del discurso musical: forma, textura, género y estilo. La principal modificación efectuada respecto a las anteriores radica en que aquí no se ha expuesto un listado de prácticas por apartados sino que se ofrecen unos modelos de procedimientos a llevar a cabo, considerando siempre un centro de partida conl sobre el que van a incidir todos los demás parámetros que se quieran abordar./ Recueil / Opéra Théorique ou Didactique
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Zoroastre rct 62B (RAMEAU JEAN-PHILIPPE)
Opera
Barenreiter
Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Ra...
(+)
Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Rameau?s ?Zoroastre? in the version of 1756. Opera in five acts. Rameau?s revised version of his opera ?Zoroastre?, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today?s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau?s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime ?Hymne à la Lumière?, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with ?Zoroastre? the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck?s opera reform by many years. - One of Rameau?s main works for the stage, now available with all its versions - With a straight-forward piano reduction in the vocal score by François Saint-Yves - Available on sale full score (B0A8867-01) and vocal score (BA08867-90) - Performance material available for hire BA08867-72 - Jean-Philippe Rameau - Opera Omnia (OOR) IV/26 / Date parution : 2022-07-30/ Répertoire / Chant et Piano
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Monteverdi C. - L'orfeo - Vocal Score
Opera
[Vocal Score]
Barenreiter
Monteverdi’s opera “L’Orfeo”, based on the legend of Thracian singer Orp...
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Monteverdi’s opera “L’Orfeo”, based on the legend of Thracian singer Orpheus and his love of Eurydice, is a masterpiece of musical declamation and ornamentation. It was first performed during the 1607 carnevale in the “Palazzo Ducale” in Mantua. When an edition remains true to its sources, this certainly does not mean that it is not also practical to use, as is demonstrated in this Bärenreiter edition of Monteverdi’s “L’Orfeo”. Edited by Rinaldo Alessandrini, the new publication follows the Bärenreiter edition of Monteverdi’s “Il ritorno d’Ulisse in patria”. Two contemporary prints of “L’Orfeo” from the years 1609 and 1615 have been passed down to us. Four copies of each of these prints still survive today in public libraries. The later print includes many corrections to the earlier edition and was accordingly used as the primary source for this Bärenreiter edition. However, when solving musical problems the editor frequently follows the more coherent style of the earlier print. The numerous interesting variants, not only between the two editions but also amongst the eight surviving copies, are listed in the critical commentary. This edition of “L’Orfeo” offers in addition to Monteverdi’s somewhat sparse original figures also figures added to the bass line by the editor. The continuo player should, however, feel free to follow his own judgment. The notation has been, when necessary, adapted to suit modern practice, for example with regard to the clefs. The sections that were originally written in “chiavetta” have been transposed a fifth lower. In the appendix these sections also appear in their original notation in facsimile as well as transposed a fourth lower. - Detailed introduction by the editor (Ital/Eng/Ger) on the work’s genesis and performance practice - Comprehensive critical commentary (Eng) in the score - Idiomatic piano reduction Edition no.: BA 8793-90 ISMN: 9790006533121 Composer / Author: Monteverdi, Claudio Title: L'Orfeo Favola in musica in one prologue and five acts Detailed instrumentation: Soprano solo (7), Tenor solo (4), Bass solo (3), Mixed choir: SSATTB, Male choir: TTBBB, Orchestra Librettist: Striggio, Alessandro (junior) Editor: Alessandrini, Rinaldo Foreword / Introduction: Alessandrini, Rinaldo Product format: Piano reduction, Urtext edition Language(s) of work: Italian Language(s) of text: German, Italian, English Publisher: Bärenreiter Binding: Paperback Print run: 1st printing 2012 Pages / Format: XIV, 143 S. - 27,0 x 19,0 cm Weight: 428 g
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Georg Friedrich Händel: Agrippina HWV 6: Chamber Ensemble: Score
Opera
Barenreiter
Opera in three acts-Handel???s Agrippina HWV 6 was performed with great success ...
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Opera in three acts-Handel???s Agrippina HWV 6 was performed with great success at the 2015 International Handel Festival in G?ttingen (Germany) using the new B?renreiter edition including the performance material and this vocal score.Agrippina is the last opera that Handel completed and premiered in Italy. The excellent libretto is one of the few original opera libretti that he set to music. The plot is tightly constructed the characters sharply etched and equipped with a wide range of human emotions. Agrippina is married to her third husband the Roman emperor Claudius. After he is presumed dead she attempts with deception andintrigue to place her son Nero on the throne.The vocal score includes all the numbers from the appendix of the full score. These were used either during the successful Venetian series of performances in 1709/10 or were deleted or replaced by other numbers versions and variants.Urtext edition based on the Halle Handel EditionPerformance material available for hireHardback full score (BA4092-01) and paperback vocal score (BA4092-90) available for saleVocal scores includes:- A singing translation in German- Extensive bilingual Foreword (Ger/Eng)- Idiomatic uncluttered Piano reduction
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Louise Boserup Alenius: Silent Zone - A Chamber Opera: Opera: Vocal Score
Opera
[Sheet music]
Wilhelm Hansen
Vocal score for Silent Zone - A Chamber Opera (2016-17) by Louise Alenius. Comm...
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Vocal score for Silent Zone - A Chamber Opera (2016-17) by Louise Alenius. Commissioned by Copenhagen Opera Festival. Text by the composer. Instr.: S Ct.B; boys choir; perc.pf(cel).vn.va.vc.db Score: WH32955 Parts are avilable on hire: hire@ewh.dk
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Wagner R. - Tristan Und Isolde Wwv 90 - Facsimile
Opera
Barenreiter
Edition no.: BVK 2270 ISBN: 9783761822708 Volume / Series: Documenta musicologic...
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Edition no.: BVK 2270 ISBN: 9783761822708 Volume / Series: Documenta musicologica II/45 / Bärenreiter Facsimile Editor: Konrad, Ulrich Language(s) of work: English, German Product format: Facsimile Binding: Half-leather binding Pages / Format: 405 S. - 41,7 x 30,0 cm “This Tristan will be something formidable! This last act!” “I fear the opera will be banned – if the whole work is not parodied through bad performance: only mediocre performances can save me! Thoroughly good ones will surely drive people crazy.” Richard Wagner While working on the score to “Tristan und Isolde”, Richard Wagner expressed his excitement and elation about his new musical drama. Indeed, the radical originality of the work proved to be both unique and forward-looking: Over 150 years ago it signified the “dawn” of the modern era and to this day it has not lost any of its fascination. Throughout his life, Richard Wagner was proud of his even handwriting. He constantly strove to produce manuscripts of a high calligraphic standard. The Tristan manuscript is also clearly written. More so than in his other scores however, traces of his working process are evident. It is precisely this aspect of the autograph that makes it fascinating. Reading it, one is witness to Wagner’s highlyconcentrated, powerful and relentless writing. This manuscript is in every possible way unparalleled reflecting individuality and uniqueness. In time for the 200th anniversary of Wagner’s birth in 2013, this great work will be published as a BÄRENREITER FACSIMILE in cooperation with the National Archive of the Richard-Wagner-Stiftung Bayreuth. In addition to the complete score, the edition includes the autograph concert ending of the Vorspiel as well as three pages that Wagner rejected while composing and later used for sketches. Ulrich Konrad, the renowned musicologist describes the genesis and performance history of the work in his comprehensive commentary. He also details the physical appearance and condition of the autograph as well as giving an insight into the musical language of Wagner.
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Rued Langgaard: Antikrist / Antichrist - Final Version: Opera: Score
Opera
-
Intermediate/advanced
Rued Langgaard Edition
Endelig Version-Antikrist / Antichrist 'Fortabelsen' (final version) - Opera in ...
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Endelig Version-Antikrist / Antichrist 'Fortabelsen' (final version) - Opera in a prologue and six scenes. Composed 1921-23 BVN 192. Instrumentation: 3S T Bar B soli + mixed choir + 4.3.3.4/4.7.7.1/2 timp/3 perc/org/str.
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Le Comte Ory -Opera In Two Acts-
Opera
Barenreiter
Mit ?Le comte Ory' erscheint der fünfte Band aus der vielbeachteten Reihe ?Work...
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Mit ?Le comte Ory' erscheint der fünfte Band aus der vielbeachteten Reihe ?Works of Gioachino Rossini'. Nach seiner Uraufführung in Paris feierte das Werk große Erfolge an den europäischen Bühnen des 19. Jahrhunderts. Die turbulente Komödie um den Grafen Ory, der sich mit seinen wüsten Kumpanen Zutritt zu einem Nonnenkloster verschafft, ist eines von Rossinis effektvollsten Meisterwerken.Der Herausgeber Damien Colas legt in Zusammenarbeit mit dem ?Center for Italian Opera Studies Chicago' eine kritische Neuausgabe vor, die unter Heranziehung einer Vielzahl von Quellen einen originalen Text des Werkes präsentiert, der in vielen Fällen von der bislang erklungenen Überlieferung abweicht. So konnten originale Besetzungen, formale Verläufe und zahlreiche fragliche Lesarten wieder hergestellt bzw. korrigiert werden. / Opéra
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Benjamin Britten: Turn Of The Screw: Opera: Libretto
Opera
Boosey and Hawkes
Opera in a prologue and two acts-Libretto. Britten B.
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Hector Berlioz: Beatrice et Benedict Hol. 138: Piano: Vocal Score
Opera
[Vocal Score]
Barenreiter
Beatrice et Benedict-About Beatrice et Benedict Opera-comique. By Hector Berlioz...
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Beatrice et Benedict-About Beatrice et Benedict Opera-comique. By Hector Berlioz. Edited by Hugh Macdonald. Arranged by Josef S. Durek. Text: Hector (nach Shakespeare) Berlioz. For Soprano solo (2) Mezzo-soprano-Solo Tenor solo Baritone solo Bass solo (2) Speaker (5) Mixed Choir-SSTTBB Flute (2) Oboe (2) Clarinet (b flat) (2) Bassoon (2) Horn (4) Trumpet (2) Cornet Trombone (3) Kettledrum Drums Strings. Piano Reduction/Vocal Score (paperbound). Holoman 138. Published by Baerenreiter-Ausgaben (German import). (BA5443 90)
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Lenguaje Grado Elemental V.4C (IBANEZ / CURSA)
Español
Opera
[Sheet music]
Real Musical
Par IBANEZ / CURSA. Cómoda y atractiva metodología de Lenguaje Musical que com...
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Par IBANEZ / CURSA. Cómoda y atractiva metodología de Lenguaje Musical que comprende los Grados Elemental y Medio completos. Cada uno de los seis cursos está dividido en tres partes (A - B - C) correspondientes a cada trimestre escolar. A su vez cada cuaderno se divide ques. En ellos convergen diferentes contenidos encaminados a comprender y superar un mismo aspecto musical./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Ritmo Y Lectura Minus One+Cd (LOPEZ DE ARENOSA E)
Español
Opera
[Sheet music + CD]
Real Musical
Par LOPEZ DE ARENOSA E.. Los nuevos medios tecnológicos nos ofrecen una posibil...
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Par LOPEZ DE ARENOSA E.. Los nuevos medios tecnológicos nos ofrecen una posibilidad apasionante de hacer práctica y fácil la realización activa de los ejercicios musicales dándoles su auténtico sentido y función. Hacer música desde un principio sin que ello suponga dificulta atractivo, es la búsqueda que todos los maestros hacemos cada día. ¡¡Diviértete, cantando y percutiendo!! Este libro acompaña y completa a Ritmo y Lectura 1 (MK16217), referente en la enseñanza del Lenguaje Musical en nuestro país./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Lenguaje Grado Elemental V.4B (IBANEZ / CURSA)
Español
Opera
[Sheet music]
Real Musical
Par IBANEZ / CURSA. Cómoda y atractiva metodología de Lenguaje Musical que com...
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Par IBANEZ / CURSA. Cómoda y atractiva metodología de Lenguaje Musical que comprende los Grados Elemental y Medio completos. Cada uno de los seis cursos está dividido en tres partes (A - B - C) correspondientes a cada trimestre escolar. A su vez cada cuaderno se divide ques. En ellos convergen diferentes contenidos encaminados a comprender y superar un mismo aspecto musical./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Cuadernos Audic V.4 Alumno (IBANEZ / CURSA)
Español
Opera
[Sheet music]
Real Musical
Par IBANEZ / CURSA. Nueva metodología de Lenguaje Musical. En este cuarto libro...
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Par IBANEZ / CURSA. Nueva metodología de Lenguaje Musical. En este cuarto libro, en el aspecto rítmico, se abarca un conjunto de valores rítmicos básicos que resumen el nivel del grado elemental y que permiten diferenciar los pulsos binarios y ternarios con sus subdiviscorrespondientes. En el aspecto melódico, distinción entre el modo mayor y menor, intervalos melódicos y armónicos simples en cuanto a su número y especie, acordes mayores y menores, la frase musical y los cuatro tipo de escalas menores. Todo ello endo dentro de las tonalidades que tienen hasta tres alteraciones en su armadura. Como en el resto de la colección, el curso consta de un libro del profesor (con respuestas) y un libro del alumno (con fichas perforadas). Ambos presentan la misma pagina/ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Lenguaje Musical Elemental 2B (SIERRA F)
Español
Opera
[Sheet music]
Real Musical
Par SIERRA F.. Metodología de Lenguaje Musical que abarca el Grado Elemental y ...
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Par SIERRA F.. Metodología de Lenguaje Musical que abarca el Grado Elemental y Grado Medio. Adaptándose a las más modernas líneas pedagógicas, estos libros persiguen introducir al alumno progresivamente en el Lenguaje Musical de una manera completamente lúdica, utio para ello los más variados recursos, como canciones que combinan palmas, movimiento, improvisación, juegos de creatividad. Todo ello añadido a una atractiva presentación que incluye numerosos dibujos, ilustraciones y páginas a todo color. Cada cursta de dos volúmenes: A y B. Metodología de acuerdo con la LOGSE./ Autre FM / Opéra Théorique ou Didactique
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Moses Und Aron (SCHOENBERG ARNOLD)
Opera
Schott
Oper In Drei Akten. Par SCHOENBERG ARNOLD. Arnold Schönberg est la figure centr...
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Oper In Drei Akten. Par SCHOENBERG ARNOLD. Arnold Schönberg est la figure centrale du monde musical du XXe siècle. Sa signification musicale était déjà évidente pendant sa durée de vie, mais son influence à titre posthume a augmenté énormément. Son travail a ouvert la voie à révolutionnaire des changements dans la perception musicale. Cette édition complète aspire à être tout aussi indispensable pour la recherche, ainsi que pour la performance. L'édition est publiée en deux séries : série a en format folio contient des oeuvres tout rempli, toutes les partitions piano préparées par le compositeur lui-même et les oeuvres tout inachevées convenable pour la performance - également des fragments (gros scores) qui sont mieux adaptés pour être imprimées dans un tel format. Série B, au format in-quarto, contient des versions précoces, des croquis, des idées et des fragments ainsi que Genèse et un commentaire critique./ Répertoire / Opéra
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Lenguaje Musical Elemental 1A (SIERRA F)
Español
Opera
[Sheet music]
Real Musical
Par SIERRA F.. metodología de Lenguaje Musical que abarca el Grado Elemental y ...
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Par SIERRA F.. metodología de Lenguaje Musical que abarca el Grado Elemental y Grado Medio. Adaptándose a las más modernas líneas pedagógicas, estos libros persiguen introducir al alumno progresivamente en el Lenguaje Musical de una manera completamente lúdica, utio para ello los más variados recursos, como canciones que combinan palmas, movimiento, improvisación, juegos de creatividad. Todo ello añadido a una atractiva presentación que incluye numerosos dibujos, ilustraciones y páginas a todo color. Cada cursta de dos volúmenes: A y B. Metodología de acuerdo con la LOGSE./ Autre FM / Opéra Théorique ou Didactique
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Lenguaje Musical Elemental 4A (SIERRA F)
Español
Opera
[Sheet music]
Real Musical
Par SIERRA F.. Metodología de Lenguaje Musical que abarca el Grado Elemental y ...
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Par SIERRA F.. Metodología de Lenguaje Musical que abarca el Grado Elemental y Grado Medio. Adaptándose a las más modernas líneas pedagógicas, estos libros persiguen introducir al alumno progresivamente en el Lenguaje Musical de una manera completamente lúdica, utio para ello los más variados recursos, como canciones que combinan palmas, movimiento, improvisación, juegos de creatividad. Todo ello añadido a una atractiva presentación que incluye numerosos dibujos, ilustraciones y páginas a todo color. Cada cursta de dos volúmenes: A y B. Metodología de acuerdo con la LOGSE./ Autre FM / Opéra Théorique ou Didactique
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Lenguaje Grado Elemental V.1A (IBANEZ / CURSA)
Español
Opera
[Sheet music]
Real Musical
Par IBANEZ / CURSA. Nueva edición actualizada y revisada Cómoda y atractiva me...
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Par IBANEZ / CURSA. Nueva edición actualizada y revisada Cómoda y atractiva metodología de Lenguaje Musical que comprende los Grados Elemental y Medio completos. Cada uno de los seis cursos está dividido en tres partes (A - B - C) correspondientes a cada trimestre escolar. A su vez cada cuaderno se divide ques: Canto, compuesto de canciones de tipo popular infantil, con un propósito concreto referente a aspectos rítmicos o melódicos del bloque y algunas de estas canciones se complementan con coreografías sencillas - Ritmo, enfocado desde un punto de vistrumental, el planteamiento de ejercicios rítmicos colectivos entre dos o más alumnos pretende favorecer el sentido participativo e introduce al alumno en la música de grupo - Entonación (con un avance muy paulatino cuyo objetivo es el dominio de la - Improvisación, con la utilización de textos, la repetición y variación rítmica, las preguntas y respuestas, etc, van perfeccionando la técnica instrumental para poder plasmar en los instrumentos estas y otras ideas. Metodología de acuerdo con la L./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Lenguaje Grado Elemental V.2C (IBANEZ / CURSA)
Español
Opera
[Sheet music]
Real Musical
Par IBANEZ / CURSA. Cómoda y atractiva metodología de Lenguaje Musical que com...
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Par IBANEZ / CURSA. Cómoda y atractiva metodología de Lenguaje Musical que comprende los Grados Elemental y Medio completos. Cada uno de los seis cursos está dividido en tres partes (A - B - C) correspondientes a cada trimestre escolar. A su vez cada cuaderno se divide ques. En ellos convergen diferentes contenidos encaminados a comprender y superar un mismo aspecto musical./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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