Volume 13 de la série ' Meister der Norddeutschen Orgelschule ' contient toutes les oeuvres pour orgue par Nikolaus Bruhns. Bruhns étudie avec Dietrich Buxtehude et, à partir de 1689, était organiste cathédrale à Husum. / Orgue

This volume devised by Martin Weyer contains organ music of easy to medium technical difficulty for use at communion. The broad range of styles encompasses Johann Sebastian Bach and early Classical works through to the late Romantic period.

The album contains original compositions and first publications as well as arrangements for organ and twelve pieces for communion in settings by Johann Sebastian Bach with melodies and texts appropriate to communion. Some of the pieces can also be performed with solo instruments (in C, Bb or F). Corresponding instrumental parts are included with the score.

- Organ music of easy to medium technical difficulty for use at communion
- Broad range of styles
- Includes first publications
- Original compositions and arrangements for organ, some which can be performed with solo instruments. / [Musique pour Communion] / Célébrations / Partition /

The works included in the Hugo Parry Organ Album Book 1 are the Fantasia and Fugue published 1912 and related to earlier versions from 1877 and1882 Chorale Fantasia on Old 100th and the magnificent Elegy for 7 April 1913 for the funeral of Sidney 14th Earl of Pembroke.The later years of Organist teacher and composer Hubert Parry’s life were a fruitful time of composition and academic output. In these three works his commitment to diatonic music and his assimilation of both Brahms and indigenous British music are apparent as well as his mastery and understanding of his instrument.

This collection presents pieces for the end of the church year, particularly repertoire from the 19th century which can also be played at funerals.

This new publication continues the successful series of organ music for church services, concert use and special services. It has been conceived for use in all church denominations and targets professional as well as non-professional church musicians.

The collection also contains an index, short biographical notes in two languages (Ger/Eng) and a detailed foreword. / [Musique d'Orgue pour Céremonie religieuse de Fin d'Année et Funérailles] / Célébrations / Partitions /

Partition pour Orgue et Instruments Solistes (C / Bb / Eb / F) / [Organ Plus One / Oeuvres originales et Arrrangements pour Service Religieux et Concert] / Célébrations / Carsten, Klomp / Partition et partie(s) /

[Sämtliche Orgelwerke. Neue Ausgabe - Band 1 und Band 2] / Classique / Editeur : Christoph Albrecht / 2 partitions en un coffret / Cartonné / Plats de carton / Edition Urtext

[Neue Ausgabe sämtlicher Orgel- und Clavierwerke - Band 1] / Classique / Editeur : Siegbert Rampe / Partition / Agrafé / Edition Urtext

[L?uvre dOrgue - Volume 3.1] / Classique / Editeur : Helga Schauerte-Maubouet / Partition / Agrafé / Edition Urtext

[Neue Ausgabe sämtlicher Orgelwerke - Band 1-5 komplett] / Classique / Editeur : Christoph Albrecht / 5 partitions en un coffret / Cartonné / Plats de carton /

?Enjoy the Organ? presents attractive organ pieces from the 18th and 19th centuries that are manageable on smaller instruments and even with little practice time lead to impressive results. These pieces are intended primarily for the amateur organist but can also be of interest to the professional who can use these as a starting point for improvisation.Volume 1 includes among other pieces: Luigi Cherubini ?Sonata in F major?; Louis-Claude Daquin ?Le coucou?; Johann Christian Gotthilf Tag ?Organ Symphony in C major?; Anonymous ?Variations on ?La Gayta??; Carl Czerny ?Prelude in F major op. 698.1?A collection of easy concert pieces for theorganMainly for amateur church musicians and organistsManageable on smaller instrumentsLeads to impressive results

Orgel Büchlein-Volume 1 of Bach?s organ music presents some of the most frequently played organ pieces altogether. Here they appear in a new engraving based on the New Bach Edition (NBA).This updated edition takes into account the latest findings of Bach scholarship: thus for example a newly-discovered copy of the first edition containing inscriptions in Bach?s own hand could be incorporated into the musical text of the Schübler Chorales.For the Orgel-Büchlein Bach?s autograph manuscript remains the principal source. Yet a glance at its early dissemination among his pupils reveals an abundance of readings that give interested organists insights into how perhaps Bach?smost famous collection was played at that time.Unfortunately no autograph manuscripts survive regarding the early chorale partitas. However the Foreword helps to solve the ?riddle? of how these partitas were handed down.Links to major sources have been provided in collaboration with the Bach Archive Leipzig and its Bach digital database. The relevant page of the source in question can be accessed quickly and conveniently via shortlinks at http://links.baerenreiter.com. These links are checked for their validity on a regular basis.Urtext of the New Bach EditionComplete new engravingNew detailed Foreword by Christine Blanken (Ger/Eng)Links to relevant sources in Bach digitalVolume 1 hardback BA5056The Complete Organ Works: The Definitive Edition Now in 11 paperback volumes in a slipcase BA 5279

Jan Sweelinck (1562-1621) was among the most famous organists of seventeenth century Europe and an influential composer in the Dutch and North German tradition. Bridging both Renaissance and Baroque styles the Dutch composer is best remembered for the inventive sparkling music he wrote for organ and other keyboard instruments. This remarkable treasury includes nearly all of Sweelinck's brilliant keyboard works most of which have survived only in widely scattered seventeenth century manuscripts. In Sweelinck's day these were some of Europe's most popular pieces for organ and keyboard. Nowadays they retain every bit of their original intensity and vigour. Reproduced inthis authoritative complete-resource edition they will be welcomed by serious keyboard artists who will find them as praiseworthy today as they were when first known and played in Europe over three hundred years ago.