La référence AL25330 de l'éditeur Leduc dont l'auteur célèbre est Mozart/Spiers, qui a pour titre Sweet Mozart Volume 1 Orgue Electronique, a été écrite et composée pour Orgue et plus particulièrement pour Orgue Electronique. Cette partition musicale appartient à la catégorie Classique. / Orgue Electronique / Partition

Due to the high demand of two of Andrew D. Gordon's blues piano/keyboard books 100 Ultimate Blues Riffs and the 12 Bar Blues Bible he has adapted examples from the two books along with new examples into a blues organ book and Ultimate Blues Organ Riffs is the result. There is an increased interest in playing the organ these days as many keyboard players are adding organ modules organs software etc. to their array of instruments. This book consists of 96 riffs in many different keys and covers a wide range of blues organ styles including Blues Funk Gospel Jazz

Par WECKMAN MATHIAS. Matthias Weckesser, né en Niederdorla près de Mühlhausen (Thuringe) en 1616 et décédé à Hambourg en 1674, a été formé en tant que musicien par Heinrich Schutz à Dresde, entre autres. Il a travaillé comme organiste à Dresde (église du château) et Hambourg (Saint-James). Il est particulièrement pour l'orgue Jacobson qu'il a écrit ses oeuvres pour orgue élaborer et virtuose. Notre nouvelle édition de 'Les maîtres de l'orgue d'Allemagne du Nord School 'la célèbre série des transferts fidèlement les oeuvres ont survécu en tablature lettre qui, en fournissant un texte modifié de façon fiable d'origine. Le volume 1 contient les oeuvres cantus firmus à base de 8 cycles verset authentique avec 2-7 mouvements chacun dont les mélodies de choral tels que 'Il n'ya de salut vient pas de nous', 'Béni sois-tu, Jésus-Christ)'ou le 'Magnificat' sont variées, ainsi qu'un cycle sur 'Ah, nous pauvres pécheurs' attribué à Weckmann. Volume 2 lui révèle un maître de musique d'orgue concertant, travaille avec contenant 3 pédales (Fantaisie et Fugue en ré Praeambulum) ainsi que plusieurs oeuvres moyennement difficile à jouer sur les manuels seulement (6 Toccatas, 5 canzonas). Fiable édition standard de la musique par l'un des grands (du Nord) maîtres orgue allemand. / Niveau : Facile à Intermédiaire / Répertoire / Orgue

Par SCHUMANN CAMILLO. Within the extensive ?uvre for organ left behind by Camillo Schumann, his 6 Organ Sonatas form an independent corpus. Although living and composing at a time when the music of Webern and Schönberg had long since abandoned the traditional paths of music, Camillo Schumann pursues in an astonishingly consistent manner in the tradition of the great Romantics, in particular that of Brahms and Mendelssohn. For the first time, the present anthology brings together all 6 Organ Sonatas in a modern Urtext edition, with editor Antje Wissemann combining philological source findings with the demands of performance practice. / Date parution : 2021-11-25/ Recueil / Orgue

Cette transcription des Chants d'un compagnon errant (Lieder eines fahrenden Gesellen ) a e?te? pense?e pour un instrument symphonique de 3 claviers,Les registrations indique?es au cours de la partition sugge?rent une atmosphe?re ge?ne?rale, sans reve?tir force?ment un caracte?re obligatoire, L'organiste pourra, selon les possibilite?s sonores de l'instrument pratique?, son esthe?tique, et e?galement selon sa propre sensibilite?, ajuster ses propres timbres, en respectant toutefois le caracte?re demande?,Chaque Lied a e?te? pense? a? la manie?re d'un ve?ritable pre?lude de choral pour orgue, chacun prenant une forme diffe?rente : choral orne?, choral en trio, toccata, choral a? 4 voix, L'organiste interpre?te se gardera donc de faire l'erreur de ' faire ressembler ' la transcription a? l'oeuvre originale et notamment en y ajoutant des e?le?ments autres que ceux de?ja? e?crits, En effet, essayer avec un orgue de se rapprocher de l'orchestre ou de la voix humaine serait d'une lourdeur inutile, Les choix qui ont e?te? faits permettent de jouer une pie?ce pour orgue, e?crite pour l'organiste, On e?vitera donc, notamment par le choix de la registration, les phrase?s, de se rapprocher a? tout prix de la version originale, mais pluto?t de rester dans le caracte?re propre a? la litte?rature d'orgue, 1- Wenn mein Schatz Hochzeit macht, (4'15?)2- Ging heut' Morgen übers Feld (4'30?)3- Ich hab' ein glühend Messer (3'30?)4- Die zwei blauen Augen (5'45?) / Orgue

Organ solo-Everybody loves a wedding. And everybody loves a big majestic trumpet tune to announce and accompany the bride down the aisle. This collection includes trumpet tunes from some of the most prominent organ arrangers from the last twenty five years: Fred Swann Carolyn Hamlin Gordon Young Fred Bock Rick Parks and Roy Brunner. Includes: Allegro di Tromba (Benedetto Marcello) · Festive Trumpet Tune · Imperial March in C · Trumpet Processional · Trumpet Tune · Trumpet Tune in F · Trumpet Air · Wedding March.

Mendelssohn produced an early work for Organ in 1837 but it was a London music publishing firm who commissioned the first of his mature Organ works. The second half of the commissioned pieces are published in this volume. Mendelssohn himself saved all his manuscripts and they have survived in libraries in Berlin and Krakow providing the subtitle of this book.Eleven movements are included here all written in 1844 and 1845. What were originally commissioned as ‘Voluntaries’ were changed at the composer’s request to ‘Sonatas’. Whether one considers these movements as drafts and sketches or as distinct musical entities in their own right the works are not identical tothe final printed versions. For those who appreciate or study the Mendelssohn Organ oeuvre this volume is of immense interest.While the Organ never completely fell from grace as the instrument of church and religious music it is the editor’s belief that in the century dividing JS Bach from these works of Mendelssohn fashion and church practice had greatly diminished its importance and few works of real note were produced. Mendelssohn was introduced to the Organ early in his prodigious career and found a warm audience for his Organ performances in Engand to which he returned nine times over nearly twenty years.

The trumpet tunes and voluntaries were written not for the brass instrument the trumpet but for the 'trumpet” set of pipes on the organ. These brassy reed pipes were used for joyful rhythmic tunes. Purcell considered to be one of the greatest of all English composers was himself an organist at Westminster Abbey in London. This version for Trumpet and piano is ideal for use in wedding services.

Free harmonizations of hymn tunes by fifty American composers'The purpose of this collection is to offer fresh harmonizations (free accompaniments) to hymn tunes that are in at least two current hymnals and for which there is a dearth of alternate accompaniments'. - D. Dewitt Wasson.Also available: Free Harmonizations Of Hymn Tunes Volume II (HMO152)Contents:1. Abbey2. Abbots Leigh3. Ach Gott Und Herr4. Albany5. All Saints6. All The Way7. Amazing Grace8. Amsterdam9. Angelus10. Ar Hyd Y Nos11. Arnsberg12. Ballerma13. Bangor14. Batty15. Beatus Vir16. Bethany17. Bethlehem18. Bourbon19. Boylston20. Bradbury21. Bread Of Life22. Bremen23. Bryn Calfaria24. Caithness25. Christe Sanctorum26. Christmas27. Cloisters28. Consolation29. Converse30. Creation31. Crimond32. Crucifer33. Cwm Rhondda34. Das Neugeborne Kindelein35. Deo Gracias36. Diva Servatrix37. Donne Secours38. Dunfermline39. Durrow40. Engelberg41. Eudoxia42. Evan43. Ewing44. Far Off Lands45. Federal Street46. Festal Song47. Flemming48. Forest Green49. Foundation50. Galilee51. Geneva52. Germany53. God Be With You54. Gott Des Himmels55. Gott Sei Dank56. Graefenberg57. Grand Isle58. Gwalchmai59. Halifax60. Hankey61. He Leadeth Me62. Helmsley63. Hermas64. Hesperus65. Hyfrydol66. Irby67. Kedron68. Kings Lynn69. Kings Of Orient70. Kings Weston71. Kingsfold72. Kirken Den73. Land Of Rest74. Langham75. Let Us Break Bread76. Llangloffan77. Lux Benigna78. Lynne79. Mckee80. Marion81. Miles Lane82. Monkland83. More Love To Thee84. Morecambe85. Morning Hymn86. Morning Song87. Morning Star88. Mornington89. Need90. Nunc Dimittis91. Nyland92. O Jesu93. O Perfect Love94. O Store Gud95. Old 107th96. Olives Brow97. Omni Dei98. Pilot99. Pleading Savior100. Quam Dilecta101. Rhosymedre102. Rock Of Ages103. Royal Oak104. St. Bride105. St. Cecilia106. St. Drostane107. St. Dunstans108. St. Hilda109. St. Kevin110. St. Margaret111. Sandon112. Schumann113. Serenity114. Slane115. Song 5116. Song 13117. Welwyn118. Woodworth119. Yattendon 46120. York121. Yorkshire

The Festival Toccata is relatively well-known among the works of Fletcher and is popular as a wedding piece and for encores. The brilliance of Festival Toccata’s surface disguises the fact that one does not need to be a virtuoso to play it well and effectively.Percy Fletcher was an English composer conductor and Orchestrator of prodigious output who made his career in the lively world of the London music theatre of the years of the late 19th and early 20th century. He was music director at many theatres including His Majesty’s Theatre for the last seventeen years of his life. He was the Orchestrator and conductor for the big budget spectacular theatre piece Chu Chin Chowwhich ran for five years a record that remained unbroken for forty years. In addition to his myriad works of light music Fletcher also wrote a serious church cantata The Passion of Christ as well as the delightful children’s work The Walrus and the Carpenter.

Par HOWELLS HERBERT. Howells' orchestral work King's Herald was first performed at the Coronation of King George VI in 1937 when it became immediately popular. This arrangement for organ by Howells scholar Jonathan Clinch was composed for Daniel Cook who gave the first performance in Westminster Abbey, London, in 2016. The piece is particularly suitable for ceremonial and celebratory occasions. / Date parution : 2023-10-31/ Répertoire / Orgue

Born in 1946 Giles Swayne started composing at an early age and in his teens was helped by the advice and encouragement of his cousin Elizabeth Maconchy whilst studying the piano with Gordon Green. After leaving school he attended Guido Agosti's piano classes at the 1964 Accademia Chigiana summer school in Siena and that autumn went up to Trinity College Cambridge where he studied the piano with Phyllis Hepburn-Lee and composition with Nicholas Maw. In 1968 he won a composition scholarship to the Royal Academy of Music.